Muscular Catholicism: Nationalism,Masculinity and Gaelic Team Sports, 1884–1916

This article examines the highly gendered nature of the games of hurling and Gaelic football as propagated by the Gaelic Athletic Association from 1884 to 1916 and the relationship of these games to conceptions of nationalism, the body, anti-colonialism, and memories of the Great Famine. Through the discourses surrounding these games, and other facets of the Irish renaissance, a nationalist conception of Irish masculinity emerged which distinguished Irish men from English men, Irish boys and Irish women. In this moment of self-definition, nationalist goals were sought not in parliament or on the battlefield but on the playing fields.     

Illuminated addresses,national identity and Irish sport, 1880–1901

ABSTRACT

This essay examines the cultural significance of illuminated sporting addresses in Ireland at the turn of the twentieth century. Illuminated addresses were used in civic society as a means of commemoration, celebrating retirement and relocation for instance, and they were also physical expressions of public sporting events in Ireland. Illuminated addressees are documents which provide an insight into the cultural histories of late nineteenth- and early twentieth-century Irish sport. This essay pays particular attention to illuminated addresses sponsored by members of the Gaelic Athletic Association and also considers the significance of a late 1890s example which was funded by supporters of the Irish horse-racing which sheds light on the sub-culture of the Irish turf. Illuminated addresses are meaningful documents and this essay recovers, for the first time, some of their hidden history.     

“Boys indifferent to the manly sports of their race”: nationalism and children’s sport in Ireland, 1880–1920

ABSTRACT

The late nineteenth century saw Irish children being exposed to formal sport in an unprecedented fashion. This era coincided with Ireland’s so-called Gaelic Revival and the emergence of a virulent nationalism that helped fuel the Irish Revolutionary period which followed. Yet little research has been conducted on how nationalists used sport in their efforts to entice children into their campaigns for Ireland’s cultural and political independence. This study examines the part which sport, particularly Gaelic games, played in attempts to inspire devotion to the ideal of an Irish-Ireland among the nation’s children. It explores the efforts to promote native sports as the games of choice for children across the school grounds and playing fields of Ireland and the influence of nationalist media propaganda in this endeavour. Finally, it considers the role of sport in the training and physical culture of an array of Irish youth movements which arose at this time.     

Divided sisterhood? Nationalist feminism and feminist militancy in England and Ireland

ABSTRACT

The generally accepted story is that British militant suffragists performed an unexpected and abrupt move away from the feminist movement and towards a fiercely jingoistic nationalist campaign once the war began in 1914. Yet, given the nature of exchanges between Irish and British militant feminists, Irish feminists should not have been surprised by this turn from gender solidarity to English nationalism. In this article, I argue that Irish-British militant feminist entanglements worked to expose the powerful role that English nationalism played in suffrage politics at a time when nearly all the focus was on the disruptive influence of Irish nationalism.     

Defining the nation: Recent historiography and Irish nationalism

This article considers problems raised in recent historical scholarship concerning the definition of Irish national identity. Catholicism's growing importance in this identity is shown by comparing the eighteenth century United Irishmen, who combined secular and sectarian republicanism, the romantic nationalism of the nineteenth century Young Ireland movement, and the almost exclusively Catholic Irish Republican Army of this century. However, this Catholic, Gaelic, separatist identity excluded Protestant, non‐Gaelic and unionist Irish people. The author concludes by rejecting the notion of ‘an immemorial Irish nation, unfolding holistically through the centuries’, to stress discontinuities over time and the wider geographical setting of the British Isles.     

A Land and a People of Extremes – Ireland and the Irish in German Cinema

Irish film history has often been seen as a pragmatic “creative bricolage” that draws almost exclusively on images of Ireland and Irishness that have emanated from the cinema industries of the USA and the United Kingdom. Yet, Ireland has also featured in the film industries of other non-Anglophone countries and the images produced in these contexts also represent an element within the vast and extensive archive of Irish filmic images. This article writes the first chapter in the expansion of Irish film history by examining the depiction of Ireland and Irishness in German film. Ireland and the Irish, not unlike the Anglo-American gaze, are depicted as a people and a land of extremes marked by an intensity of emotion, nationalism, Catholicism and alcohol, while extremes of poverty and wild untameable landscapes also feature prominently.     

Southern Irish Protestants: an example of de‐ethnicisation?

ABSTRACT. The study of minorities is central to research in ethnicity and nationalism. But there are cases where the precise nature of the minority is not easy to determine. One view of Southern Irish Protestants is that in the decades after independence they transformed themselves (or were transformed) from British nationals to Irish nationals or, alternatively, from a British ethnic to an Irish religious minority. This paper argues that treating the (past) British dimension of Irish Protestant identity as ethnic or national misconceives it and overlooks the historically deep Irish context of Protestant identity. One consequence of this is the neglect of the specifically Irish roots of residual tensions in Catholic–Protestant relationships. The themes of the paper are exemplified with case material drawn from research on Protestants and Catholics in rural West Cork.     

Zionism and Irish Nationalism: Ideology and Identity on the Borders of Europe

This paper is a comparative cultural history of Zionism and Irish nationalism, focusing on themes of race, gender and identity. It seeks to highlight the strong similarities of both nationalist projects: to show how Zionists and Irish nationalists were both heavily invested in state-building projects that would disprove European racist stereotypes about their respective nations and yet, paradoxically, were also part of the general history of European nationalism. Both Zionism and Irish nationalism sought to create idealised images of the past and claimed to be rebuilding a glorious ancient society in the future as a means of escaping a degraded present. Both movements saw language revival as a key means of carrying out this ‘return to history’. And both emphasised martyrdom as a way to build up prideful ideals of devotion to the nation and used sport, militaries and agriculture as forms of nationalist social engineering. Despite their claims to the contrary, neither national movement was truly unique.     

Exploring textures of Irish America: a new perspective on the Fenian invasion of Canada

Within an Irish nationalist history, for those at “home” and especially for members of the Irish American diaspora, venerating heroic rebels and recollecting attempted insurrections are quintessential narratives used to define Ireland's turbulent past. However, on the fringes in that regard has been the American-based Fenian Brotherhood's attempted invasion of Canada in 1866. Arguably a successful effort – although a very brief one, due to the American authorities' obstruction – its international camber and transnational implications may have kept this history apart from premier narratives of an Irish nationalist past. This paper suggests that although in the long term the Fenian invasion of Canada was largely expunged from the Irish/Irish American nationalist canon, initially it was retained, for a short time at least, in popular expressions of Irishness. By turning to “texts” that contemporaneously venerated the Fenians' efforts and uncovering transnational undertones in the process, this paper offers new suggestions concerning the changing textures of Irish America.     

Reframing the “Irish Question”: the role of the Irish co-operative movement in the formation of Irish nationalism, 1900–22

This article examines the role of the Irish co-operative movement in the early twentieth century and argues that it played a crucial role in shaping a popular understanding of the “Irish Question”. This mass-membership movement impacted upon the development of the Irish state and population. By taking this rural, social movement as a lens to analyse Irish society in the early twentieth century, social and economic issues re-emerge as central components to a contemporary understanding of Ireland's increasingly contested position within the Union. As the expectation of some kind of political resolution to demands for political independence grew during the First World War, radical nationalism absorbed a social and economic discourse that originated within the co-operative movement in its critique of the British state as it operated in Ireland. Irish co-operation represented a sophisticated form of political economy that provided an influential ideological platform for Irish nationalists as they anticipated some form of political independence.     

Diasporic identifications: exile,nostalgia and the Famine past in Irish and Irish North-American popular fiction, 1871–1891

During the nineteenth century, “exile” became a key term to describe the Irish-diasporic community in North America. More recently, scholars in the fields of diaspora studies and Irish studies have described this community as a “victim diaspora” with connotations of forced expulsion, exile, and nostalgia for the homeland. Moreover, among scholars and within the Irish-American community, the notion exists that the Great Irish Famine (1845–1851) constitutes the Irish-American “charter myth”, that it was the starting point of an Irish-American identity. This article sheds a different light on these (self-)identifications by discussing the concepts of origin myth, exile and nostalgia and also considers the concept of diasporic belonging in the context of Irish and Irish North-American works of popular “Famine fiction” written between 1871 and 1891. Consequently, the impact of these late nineteenth-century literary considerations on present-day conceptualisations of the Irish-American community as a victim diaspora are discussed.     

Stand(ing) up for the immigrants: the work of comedian Des Bishop

This article examines the work of white Irish American stand-up comedian Des Bishop in the context of Ireland's changing demographics. In particular, it situates Bishop within current and controversial debates on ‘undocumented Irish’ in the USA versus ‘illegal immigrants’ to Ireland, debates in which Bishop himself has explicitly intervened. A New York native who has been living in Ireland since the age of fourteen, Bishop's comedy draws upon the convention of the US stand-up as ‘ethnic’ outsider who exposes the foibles of the dominant mainstream, while he also self-consciously asserts his comic persona within the ‘returned Yank’ tradition in Irish American culture. In an increasingly multicultural Ireland, I contend that Bishop has established himself as a mediating figure between white (read: desirable) and non-white (read: undesirable) immigrants to Ireland, a strategy which, I argue, must be approached with caution.     

The political significance of the coinage of the Irish Free State

This article examines the political context of the new Irish coinage that was introduced in 1928. It attempts to illustrate how the coins of the Irish Free State were products of the political circumstances of their time. The article also analyses the political negotiations concerning the future of the large quantity of British coins that remained in circulation in the Irish Free State. The conclusion will argue that the Irish coins issued in 1928 were of considerable political importance as symbols of national identity visible to the general public on a daily basis. Symbols of this nature were of particular significance to the Irish Free State because its status as a sovereign state was open to dispute in the 1920s and 1930s. The Anglo-Irish Treaty of 1921 made it clear that the Irish Free State was a Dominion of the British Empire. This article will argue that the political background to the introduction of the new Irish coins reflects wider controversies that dominated Irish politics and external relations in the years between the two world wars.     

Translocational Irish identities in Edna O’Brien’s memoir Country Girl (2012)

A rural-urban exodus subsequently followed by overseas migration has characterised geographical movement in Ireland. While Irish women have outnumbered men in their diaspora, physical and symbolic identification with Ireland has been decisive to the polemic of Irish female migration. This article explores how real and symbolic contradictions in Irish women experiencing displacement are reflected in Edna O’Brien’s memoir Country Girl (2012). Using translocational positionality as an intersectional research framework, the article reveals the importance of spatiality in the ‘life writings’ of a particular situational subject and its major role in identity construction processes. Furthermore, this article relates the individual biography to the collective and complex construction of identity of Irish women abroad in the second half of the twentieth century. The analysis sheds light on many unvoiced experiences shared by female migrants and discloses key aspects of Irish migration that result in a problematic gendered relation with the land still unresolved.     

Reasons for leaving: The effect of conflict on English landholding in late thirteenth-century Leinster

In 1297 a parliament was convened at Dublin one of the main purposes of which was to defend more effectively the borders of the English lordship of Ireland. The conquest of Ireland had never been complete. Several of the pre-conquest kingdoms survived beyond the effective edge of the English lordship and elsewhere the actions of conquistador and settler had pushed the native Irish up into the hills. Consequently, the settler population in many parts of Ireland lived in close proximity to areas under Gaelic control. This was not a particular problem in the eastern province of Leinster until the 1270s when the Irish of the Wicklow mountains began to raid settler manors. It has recently been suggested that the effects of this ‘Gaelic revival’ and the legislation passed at the Dublin parliament to deal with its effects led several English lords to cut their landholding ties with Ireland. This article questions how important a factor conflict actually was in the decision-making processes of such English lords by examining their withdrawal from Ireland in a wider context. It concludes by pointing out that withdrawals from a landholding community were not necessarily negative in their effect or cause.     

Transformations in contemporary Quebec nationalism, 1960–2020: A shift in the sources of collective animosities

This article is interested in the shift of the object of hostility, which historically fuelled Quebec nationalism. The main targets of discontent have long been the ‘rest of Canada’ and the lower socio-economic status of Francophones. After the 1995 independence referendum, the feeling of dissatisfaction with Canada, and even resentment, gradually faded. This retreating within Quebec's borders has led many French-speaking Quebecers to become concerned about the conditions that make possible the preservation of their cultural and linguistic heritage in North America. This shift has meant that the source of concern is now individuals and groups who do not share this heritage rooted in Western Judeo-Christian values or who are perceived not to adhere to the concerns related to the preservation and development of the French character and the dominant values within the ‘Quebec nation’. The expression of these concerns has manifested itself primarily in debates about the place religion should occupy in public and civic spaces since the mid-2000s.     

W. B. Yeats,the Abbey Theatre,and the Cinema, 1909–1939

ABSTRACT

Given the significance of new technologies to the literary and visual cultures of the early-twentieth century, it is surprising how little has been written about W. B. Yeats and cinema. Viewed by some scholars as emphatically resistant to what he termed “the leprosy of the modern,” Yeats has long been a difficult writer to situate in relation the progressive impulses of modernity. Building on Kevin Rockett’s identification of the parallels between the work of Abbey Theatre and a nascent Irish cinema culture, this article argues that Yeats played a prominent role in early attempts to develop an indigenous film industry, and to cultivate representations of Ireland on screen abroad. During the period I consider, the Abbey Theatre and the film industry were similarly affected by state censorship programmes and various forms of cultural nationalism. Exploring the Abbey Theatre Minute Books and archival materials discovered in Trinity College Dublin, I suggest that Yeats’s Abbey was a shaping force in Irish cinema history, despite the fact that most attempts to create a national cinema met with limited success.     

Reasons for leaving: The effect of conflict on English landholding in late thirteenth-century Leinster

In 1297 a parliament was convened at Dublin one of the main purposes of which was to defend more effectively the borders of the English lordship of Ireland. The conquest of Ireland had never been complete. Several of the pre-conquest kingdoms survived beyond the effective edge of the English lordship and elsewhere the actions of conquistador and settler had pushed the native Irish up into the hills. Consequently, the settler population in many parts of Ireland lived in close proximity to areas under Gaelic control. This was not a particular problem in the eastern province of Leinster until the 1270s when the Irish of the Wicklow mountains began to raid settler manors. It has recently been suggested that the effects of this ‘Gaelic revival’ and the legislation passed at the Dublin parliament to deal with its effects led several English lords to cut their landholding ties with Ireland. This article questions how important a factor conflict actually was in the decision-making processes of such English lords by examining their withdrawal from Ireland in a wider context. It concludes by pointing out that withdrawals from a landholding community were not necessarily negative in their effect or cause.     

A portrait of the chief as a general paralytic: rhetorics of sexual pathology in the Parnell split*

The O’Shea trial and the ensuing fall of Charles Stewart Parnell occupy an epochal position in accounts of the sexual politics of Victorian Britain and the development of Irish nationalism. This article examines how the “Parnell myth” came to serve (and was constructed from the outset) as a symbolic edifice within which anxieties concerning the relationship between Irishness and sexuality could be foregrounded and negotiated. In particular, it will analyse Timothy Healy’s influential post-split denunciations of Parnell, and the rhetoric of sexual contagion through which they were conducted, a campaign which set the discursive terms of twentieth-century mainstream Irish nationalism. Through an analysis of Healy’s post-split journalism, contemporary political memoirs by T.P. O’Connor, and a range of nineteenth-century medical and psychiatric texts, this article will highlight the ways in which discourses of sexual health were used to reshape Parnell’s public persona at the level of gender and ethno-national affiliation. In doing so, it will illustrate how a sensitivity to the history of medicine can enrich critical understandings of a crucial moment in the political and cultural history of Ireland, and shed fresh light on the vexed collocation of Irish identity and sexual purity which the Parnell split reinforced.     

Avenging ‘Bridget’: Irish domestic servants and middle-class America in the short stories of Maeve Brennan

This article will examine the representation of Irish women servants in Maeve Brennan's short stories, first published in The New Yorker in the 1950s, and collected in The Rose Garden (2001). The Irish ‘Bridget’, the most publicly visible, if troubling, image of Irish womanhood in late nineteenth- and early twentieth-century America, has received much-needed attention from historians and social scientists in the last decade, and is a central figure in discussions of Irish women and diasporic identity in the American context. Drawing on this body of work, and focusing in detail on key stories from the collection, including ‘The Bride’, ‘The View from the Kitchen’, ‘The Anachronism’, ‘The Divine Fireplace’, and ‘The Servants’ Dance', I argue that Brennan's reimagining of the Irish Bridget can be approached as a form of feminist revisionism, as Brennan's stories enter into a charged dialogue with the history of imagining the Irish woman servant as an undesirable but necessary presence in middle-class American domestic culture. Brennan's self-reflexive reworking of this paradigm is informed by her work as a satirist for The New Yorker, and proves an effective means of writing back to this problematic history, as she takes up recognisable tropes and motifs from earlier representations of Bridget in popular and literary culture, and alters them in knowing and subversive ways.