Diasporic identifications: exile,nostalgia and the Famine past in Irish and Irish North-American popular fiction, 1871–1891

During the nineteenth century, “exile” became a key term to describe the Irish-diasporic community in North America. More recently, scholars in the fields of diaspora studies and Irish studies have described this community as a “victim diaspora” with connotations of forced expulsion, exile, and nostalgia for the homeland. Moreover, among scholars and within the Irish-American community, the notion exists that the Great Irish Famine (1845–1851) constitutes the Irish-American “charter myth”, that it was the starting point of an Irish-American identity. This article sheds a different light on these (self-)identifications by discussing the concepts of origin myth, exile and nostalgia and also considers the concept of diasporic belonging in the context of Irish and Irish North-American works of popular “Famine fiction” written between 1871 and 1891. Consequently, the impact of these late nineteenth-century literary considerations on present-day conceptualisations of the Irish-American community as a victim diaspora are discussed.     

Defenders of the state: the Irish Labour Party,coalitionism and revisionism, 1969–77

Irish Labour Party politics underwent a significant transformation during the period 1969–77. During these years, the party moved from a position of opposition to coalition and apparent support for socialist politics to involvement in a coalition government with Fine Gael and an abandonment of its previously stated goal, the thirty-two-county socialist republic. This paper locates the main factor behind this shift in Labour’s attachment to the institutions of the Republic of Ireland state. As that state was threatened by the crisis in Northern Ireland from 1969 onwards, so the Labour Party was compelled to shift ground politically and move towards agencies that could offer stability. This led to permanent shifts in Labour policy and strategy.     

Anarchist Anti-Imperialism: Guy Aldred and the Indian Revolutionary Movement, 1909–14

This article examines the British anarchist Guy Aldred’s involvement in the Indian revolutionary movement from 1909 to 1914 in order to reflect on solidarities and antagonisms between anarchism and anti-colonial movements in the early twentieth century. Drawing on Aldred’s writings, court material and intelligence reports, it explores, first, his decision to print the suppressed Indian nationalist periodical The Indian Sociologist in August 1909 and, second, his involvement in Vinayak Damodar Savarkar’s disputed arrest and deportation, which was brought to the Permanent Court of Arbitration at The Hague in October 1910. In spite of recent attempts by historians to bring the Indian revolutionary movement into much closer conjunction with anarchism than previously assumed, Aldred’s engagement with the Indian freedom struggle has escaped sustained historical attention. Addressing this silence, the article argues that Aldred’s anti-imperialism was rooted in his anarchist visions of freedom, including freedom of the press, and reveals a more unusual concern with the question of colonialism than shown by almost any other British anarchist in the early twentieth century. At the same time, it cautions that Aldred was blind to the problems of Indian nationalism, especially the Hindu variety espoused by Savarkar, which leaves his anarchist anti-imperialism much compromised.     

Reframing the “Irish Question”: the role of the Irish co-operative movement in the formation of Irish nationalism, 1900–22

This article examines the role of the Irish co-operative movement in the early twentieth century and argues that it played a crucial role in shaping a popular understanding of the “Irish Question”. This mass-membership movement impacted upon the development of the Irish state and population. By taking this rural, social movement as a lens to analyse Irish society in the early twentieth century, social and economic issues re-emerge as central components to a contemporary understanding of Ireland's increasingly contested position within the Union. As the expectation of some kind of political resolution to demands for political independence grew during the First World War, radical nationalism absorbed a social and economic discourse that originated within the co-operative movement in its critique of the British state as it operated in Ireland. Irish co-operation represented a sophisticated form of political economy that provided an influential ideological platform for Irish nationalists as they anticipated some form of political independence.     

W. B. Yeats,the Abbey Theatre,and the Cinema, 1909–1939

ABSTRACT

Given the significance of new technologies to the literary and visual cultures of the early-twentieth century, it is surprising how little has been written about W. B. Yeats and cinema. Viewed by some scholars as emphatically resistant to what he termed “the leprosy of the modern,” Yeats has long been a difficult writer to situate in relation the progressive impulses of modernity. Building on Kevin Rockett’s identification of the parallels between the work of Abbey Theatre and a nascent Irish cinema culture, this article argues that Yeats played a prominent role in early attempts to develop an indigenous film industry, and to cultivate representations of Ireland on screen abroad. During the period I consider, the Abbey Theatre and the film industry were similarly affected by state censorship programmes and various forms of cultural nationalism. Exploring the Abbey Theatre Minute Books and archival materials discovered in Trinity College Dublin, I suggest that Yeats’s Abbey was a shaping force in Irish cinema history, despite the fact that most attempts to create a national cinema met with limited success.