Collapsing contexts: social networking technologies in young people’s nightlife

In the latest discussions of children and young people’s new geographies of leisure and pleasure, one controversial issue has been how digital technologies co-produce and reconfigure young people’s everyday worlds. This article draws on semi-structured interviews with 40 young people who regularly use social networking technologies in their nightlife experiences in Zurich and Lausanne, two nightlife hubs in Switzerland. Informed by Danah Boyd’s concepts of ‘collapsing contexts’ and ‘imagined audiences’, this article enables a critical engagement with young people’s emerging understanding of their nightlife contexts, which are increasingly permeated by networking technologies. I show how social networking spaces facilitate the coming together, or collapse, of various social contexts which induce young people to imagine multiple audiences, including authority figures, in their nightlife practices. These collapsing contexts and imagined audiences, I argue, present new perspectives on debates about control and surveillance in young people’s contemporary urban nightlife.     

Labor's reconciliation with federalism

Until the 1960s, the federal Labor party was formally pledged to the abolition of federalism and its replacement by a system in which the central government would have plenary powers and the states only delegated administrative responsibilities. This article examines how the ALP's platform was progressively changed during the 1960s and 1970s. The modification of Labor's commitment to abolish federalism and the Senate was due partly to a more realistic sense of what was feasible and partly to a more sophisticated approach towards working the existing system. But, as well, Labor's social and economic goals had been moderated to ones that were congenial to middle Australia and private enterprise. Progressive changes to Labor's platform were an important precondition for the Whitlam government's ‘new federalism’ in the 1970s, and the Hawke government's current initiative of ‘closer partnership with the states’ for reforming the practical working of the federal system.     

‘Lockout’ laws or ‘rock out’ laws? Governing Sydney’s night-time economy and implications for the ‘music city’

‘Lockout laws’ are not new in Australia – variants exist and have been trialled or continue to operate in Newcastle (since 2008), Melbourne (abandoned in 2008), and Adelaide (since 2013) and Darwin (since 2007). In February 2014, the New South Wales O’Farrell Coalition government introduced 1.30 am lockout and 3 am last drink laws for the Sydney CBD (Central Business District), among a series of other measures. The subsequent controversies about the ‘lockout laws’ in Sydney have provoked a curious and vivid set of debates encompassing crime, medical, moral, social, libertarian, cultural and industrial discourses. In this paper I wish to assess the new regulatory landscape within historical and contemporary perspectives of nightlife economies increasingly privileging cultural and entertainment city uses. Beyond unpacking the ‘lockout’ debate in terms of ‘liveability’ and ‘cultural city’ meanings as practised by Australian cities, this article will focus on the implications for Sydney’s ability to maintain its national and global status as a music city.     

Club Carib: a geo-ethnography of seduction in a Lisbon dancing bar

Over the last three decades, nightlife has become one of the most important time–spaces for the reproduction of human relationships. In this paper, we examine Club Carib, a particular nightlife space in Lisbon’s Bairro Alto neighbourhood. Our focus is on the flirting strategies that occur during dance sessions. We examine the ways in which these seduction strategies operate in relation to particular constructions of race, class, cultural capital and gender. Particular attention is paid to the ways in which young adult straight males use their bodies to negotiate the dance space. We describe how the dance space is an environment in which the (hetero)normative and patriarchal character of Lisbon’s nightlife is often reinscribed, but also at times contested.     

Racialised sexualities: the case of Filipina migrant workers in East Malaysia

In national narratives of ‘Malayness’, a specific language (Malay) and religion (Islam) have become key aspects of an identity that excludes migrants and those of ‘questionable’ sexualities. Consequently Filipina migrants working in the nightlife industries in East Malaysia have been subjected to disciplinary discourses of ethnicity and sexuality that underpin these national narratives. Attempts to tighten migration laws and curb nightlife activities have resulted in a racialisation of Filipina migrant sexualities. Using ethnographic methods, this article explains the impacts of dominant state and public discourses of migration, ethnicity and gender, which Filipinas encounter in their everyday lives in their destination country. In the process the article also reveals how Filipinas resist these discourses and hence participate in the formation of their subjectivity.     

Madrid's Retiro Park as publicly-private space and the spatial problems of spatial theory

The scholarly focus on the production of space necessitates a thorough reassessment of the static categories employed in the analysis of spatial processes. Emphasizing space as a process, this essay calls attention to the recent implication of Madrid's Retiro Park in larger processes of capital accumulation. At the same time, it highlights the insufficiency of the tempting yet problematic distinction between public and private space that obtains in easy solutions to the struggles over city-space. As many critics have pointed out, there is design flaw in the idea of public space—it can never explain how a given space, such as a park, comes to be free of the ‘private’ (personal and structural) interests operating throughout its societal context. The story of the Retiro ultimately foregrounds the pivotal role of city-space in the drive for capitalist intercity-competition and suggests that the latter process is insufficiently confronted by idealized notions of the role truly ‘public’ spaces might play in radical democracy and citizenship.     

Gendered Socio-Spatial Practices in Public Eating and Drinking Establishments in the Midwest United States

Understanding how space is used in gendered social practice is crucial to gender constructionists' theorizing and research. Gendered socio-spatial practices help explain how power asymmetries between women and men carry over from one social setting to the next. In this article we integrate research on gender and space and on gender and practice in an examination of how female and male customers, employees and food and drink establishment owners structure, occupy, use and control physical and symbolic space in routine social practices in ‘public’ places. Gendered social practices, we argue, occur not only in space; they utilize, shape and, at times, obstruct, monopolize, give and give up space. Our findings, based on 76?hours of observations in 17 food and drink establishments in the Midwest United States, and interviews with the 17 women and men owners of those businesses, challenge oversimplified notions of separate private and public ‘spheres,’ and of the autonomy and power women and men experience in these arenas—as owners, managers, workers and as customers.     

‘Rearranging the ground’:1 public and private space in Belfast,Northern Ireland

This article examines imaginings and uses of place in the city of Belfast which challenge the conventionally gendered and sectarian place discourses dominating politics and society in Northern Ireland. These alternative imaginings are articulated in two artworks, ‘Home’, by Mary McIntyre, and ‘Street Signs’, by Aisling O'Beirn. I present readings of these pieces with reference to concepts of public and private which signify through socio-political, geographical and psychological orderings of space. Focusing on the construction of public and private space allows me to approach the issue of sectarian territorialisation in Belfast obliquely, while recognising its physical and psychological potency and the complexity of its operations; further, it facilitates the exploration of how gender and memory are made to matter spatially, in general and specifically in Belfast. This analytical perspective clarifies certain exclusions and oppressions inherent in the framing of space, but also offers understandings of how these may be destabilised, allowing unorthodox or marginal identities and practices to emerge as co-constituents of space.     

Men Making Home: Masculinity and Domesticity in Eighteenth‐Century Britain

Eighteenth‐century England is, for many scholars, the time and place where modern domesticity was invented; the point at which ‘home’ became a key concept sustained by new literary imaginings and new social practices. But as gendered individuals, and certainly compared to women, men are notable for their absence in accounts of the eighteenth‐century domestic interior. In this essay, I examine the relationship between constructs of masculinity and meanings of home. During the eighteenth century, ‘home’ came to mean more than one's dwelling; it became a multi‐faceted state of being, encompassing the emotional, physical, moral and spatial. Masculinity intersected with domesticity at all levels and stages in its development. The nature of men's engagements with home were understood through a model of ‘oeconomy’, which brought together the home and the world, primarily through men's activities. Indeed, this essay proposes that attention to how this multi‐faceted eighteenth‐century ‘home’ was made in relation to masculinity shifts our understanding of home as a private and feminine space opposed to an ‘outside’ and public world.     

The pastoral role of Contemporary Christian Music: the spiritualization of everyday life in a suburban evangelical megachurch

Contemporary Christian Music (CCM), popular music featuring evangelical Christian lyrics, is one of the most widely consumed forms of commercial entertainment for America's 70–80 million white evangelical Christians. CCM is an excellent lens through which to examine the complex interactions of religious faith, community sentiment, and popular music practices in the contemporary US. I explain how CCM performs the ‘pastoral’ task of reinforcing Christian faith in an evangelical megachurch in the suburbs of Sacramento, California. I argue that a monthly concert series not only guides evangelical Christians in their ‘walk’, but also helps constitute the flock by building a sense of community. I suggest three spatial analytics to understand CCM's pastoral role: the place of the suburb, the sacred space of the church coffeehouse, and the body. At all three scales of analysis, the musical and religious practices of CCM at one suburban church spiritualize the everyday lives of the participants.     

Wife Seclusion and the Spatial Praxis of Gender Ideology in Nigerian Hausaland

In much of Nigerian Hausaland the prevailing religio-cultural ideology of female seclusion (if not always the practice) impinges on married Muslim Hausa women to a greater, or lesser, degree. This article examines the intimate relationships between space, gender and ideology in contemporary rural Hausa society, showing the social construction (and connectedness) of gender identities and associated spatial identities, thus illustrating how spatial praxis is based on hegemonic patriarchal gender ideology. Observations and interview material gathered from a village case study in Kano State demonstrate how gender divisions correspond with the ideology and contemporary practice of wife seclusion. Intersecting patterns of gender, space and time are revealed by detailed analyses of time- and space-use data, which scrutinise men's and women's daily activities and mobility patterns. The cross-cutting of gender with class, age and marital status is shown to be highly significant in determining everyday experiences of spatial praxis, especially for women. A materialist feminist theoretical framework is used to explain this gendered geography of Nigerian Hausaland in which men's and women's worlds are spatially segregated, yet complexly interlocked and interdependent beyond simple public‐private divisions of ‘female’ household compounds (private space) and ‘male’ public space. For this peasant society, aspects of the rural economy and ideology emerge as powerful factors in determining the nature of seclusion as part of gender praxis. It is argued that due to various cultural and religious factors socio-economic development in Northern Nigeria has not been translated into improved autonomy for Hausa women.     

The creation of shared space and the definition of a ‘light’ community in Italian television in the 1980s

In the mid-1970s the reform of Italy's radio and television system led to the end of RAI's monopoly and the advent of commercial television stations. This resulted in a reorganisation of the system according to the precepts of daily life and domesticity, with viewers at the centre of the relationship with the medium. This article, by analysing televisual archives such as game shows, explores how television formed part of the changes taking place in society and reveals how it became a kind of meeting-place, coinciding with the rise of an affluent society, between aspirations and desires and stereotypical models dictated by the market. These models were able to express new values that went beyond the boundaries of ideological affiliations and were in effect a response to the search for new forms of identity. In particular, television's place became an open space that was defined through modes of socialisation. It thus constructed a wider intimacy, a ‘mediatised hearth’, that progressively eroded the barriers between the private and the public sphere and led unexpectedly towards a ‘relationship of interest’ between television, competitors, viewers and financial backers. A new community then emerged, characterised more by possessing than by existing.     

Thai Labour NGOs during the ‘Modern Slavery’ Reforms: NGO Transitions in a Post-aid World

This article explores how domestic NGOs responded to new opportunities that emerged during the 2015–2020 ‘modern slavery’ labour reforms in Thailand's seafood sector. The analysis takes place against the background of civil society transitions in a ‘post-aid’ setting. Like NGOs in other middle-income countries, the Thai NGO sector has struggled to remain relevant and financially viable in recent decades, as international donors have withdrawn from countries with steadily declining poverty rates. As a result of the ‘developmental successes’ of Thailand, the NGO sector needed to rethink its strategies. Examining the modern slavery labour reform process provides an opportunity to understand the strategic choices available to NGOs in the face of several important phenomena: the emergence of new actors such as international philanthropic donors; the growing influence of the private sector in governance matters; and the need for NGOs to balance multiple strategic alliances. The article draws on in-depth interviews to explore narratives of Thai labour NGO adjustments during the period of the modern slavery reform. The study contributes to a better understanding of how NGOs in post-aid countries transition and adapt to changing circumstances by embracing new roles as ‘sub-contractors’ for emerging global philanthropic donors and as ‘partners’ of private corporations.     

Playing war

This paper argues that war video games are transitional spaces that connect players to the ‘war on terror’. It explores the pervasive influence of militarism in video games and how the US Army is enlisting play as an active force in blurring the distinctions between civilian and soldier. The paper begins by theorizing what exactly it means to ‘play’, and settles on the concept of ‘transitional space’ provided by psychoanalyst Donald Winnicott. It then investigates the ‘military entertainment complex’, an assemblage of institutions and sites that produce military video games for commercial release. Next, the paper looks at the aesthetics of video games, revealing an entrenched colonial logic instrumental for military recruitment and consent. The final section pulls all of this together to argue that video games are transitional spaces instrumental to understanding the everyday geographies of violence, terror, and warfare.     

Crafted within liminal spaces: Young people's everyday politics

This paper examines how high school-aged young people from New Zealand are crafting their everyday political subjectivities within the liminal status and liminal spaces they occupy in society. With a specific focus on schooling and the citizenship education curricula in New Zealand, three vignettes are introduced which examine young people's less reflexive and ‘everyday’ forms of political action in the interstitial liminal space between Public/private, Formal/informal and Macro/micro politics. These vignettes underline how young people's everyday politics were embedded within spatial and relational processes of socialisation with adults within their schools and communities, yet, also showed both agency and resourcefulness with these spaces. Young people's liminal status and occupation of liminal spaces provided them with unique perspectives on social issues (such as bullying, racism, water conservation, and obesity) and enabled them to respond in ways that were ‘different’ to adults' Politics, yet nonetheless showed their political and tactical selves (de Certeau, 1984). A focus on young people's political practices in liminal spaces allows for new possibilities and understandings of the political.     

Between universal spaces and unique places: heritage in Universal Studios Singapore

ABSTRACT

This paper presents a case of Singapore's latest theme park, the Universal Studios Singapore (USS). While theme parks are commonly perceived as money-making entities providing entertainment to the masses, the study argues that heritage is an equally important dimension of a commercial theme park's development, identity and profile. As a heritage-rich environment, the USS is a tourism landscape shaped simultaneously by the forces of corporate heritage and local cultural considerations. ‘Glocalization’ – the interaction of global and local forces – offers a conceptual insight into understanding how themed environments are created and marketed as tourism destinations welcoming to all and yet distinctive to its community and locality. Caution, however, is also sounded as to whether an international attraction can or should ever be ‘too local’ at the risk of diluting its global brand name and broad-based appeal.     

Screening Singapore: The Cinematic Landscape of Eric Khoo's Be With Me

This paper investigates the mutually constitutive relationship between the context of film production and the composition and content of images produced. Singapore film director Eric Khoo is central to our investigation, and his 2005 film Be With Me is a key example of how Singapore's ongoing urban redevelopment to become a world city reflexively shapes the style and appearance of the city‐state projected in the film. Singapore's history as a developmental state, its pervasive influence on the public and private spaces of its citizens, and recent state‐led initiatives to nurture the arts and media sectors all make it an ideal site to examine the relations between the cinema and space. Be With Me also lends itself to spatial analysis as its mise‐en‐scène is a geography of the life course: particular parts of the city are ‘cast’ as spaces of youth, middle, and old age. We elaborate how the landscapes deployed in the film are simultaneously constituted through state policies, mise‐en‐scène, and gender/age/class considerations. In so doing we show how Khoo's vision of the city‐state has altered since his emergence as a film director in the 1990s: from an oppressed site of hyper‐modernity to a more ambivalent ‘globalised’ built environment in which marginalised or liminal urban spaces for sensuous life and hope for human connection can be experienced.     

The industrial district: A stage of a diffuse industrialization process—the case of Roanne

The industrial district is an important element of the theoretical debates concerning the appearance of original features of regional development in Europe. Issuing from Marshallion theory, this concept was ‘reinvented’ in the late 1970s in order to interpret a series of ‘regional success stories’ of industrial development that occurred in middle Italy. Thus, for some economists and geographers, the industrial district has become a new ‘standard’ of regional development, appearing as an autonomous integrated system, whose functions are based on the principle of ‘automation’. This system represents an optimal structure in terms of economic efficiency and resource allocation, and owns its proper mechanisms of reproduction related to specific territorial regulations. A crisis for such a system can only be related to exogenous factors. Rejecting this static vision of economic structures, which reintroduces the ‘growth/crisis’ divide in the analysis of economic development, it seems necessary to promote a more dynamic approach in terms of ‘change through continuity’. This approach was initially developed by some Italian authors who tried to analyze the original features of regional development in the Third Italy in terms of ‘industrialization without fracture’. This approach does not deny the existence of industrial districts, but refuses to accept that they are static: districts can evolve, change, develop . . . Thus, they appear as a particular stage of development in a diffuse industrialization process. Their evolution is no longer simply related to exogenous variables but also to endogenous ones; and this evolution does not necessarily lead to an implosion or a complete transformation of space but can also lead, through the continuity of the industrial district's mechanisms, to a post‐district organizational configuration.     

The Trump administration and outer space: promoting US leadership or heading towards isolation?

In a relatively short period of time, the Trump administration has been fairly active in the field of space. The reconstitution of the National Space Council, under the direction of Vice President Pence, the President’s signing of Space Policy Directive 1, that calls for the return of humans to the Moon, and the announcement of a National Space Strategy that calls for an ‘America first’ approach in space, have been the highlights of this process. A key component of the administration’s approach has been the promotion of commercial (private) space activities through an effort of regulatory reform intended to facilitate free enterprise and individual initiative in space.

Overall, it is evident that the Trump administration views a consolidated US leadership in space as instrumental to ‘Make America Great Again’. However, due to the lack of cohesion in the management of the US space program, the controversial interpretation of international principles and the US-centred view of space endorsed by the administration, doubts remain as to whether the space policy of the Trump administration will foster US leadership in space or lead to its progressive isolation.     

Breaking bored – negotiating spatial boredom and masculinity in the Volvo greaser culture

In this article I discuss how the experience of boredom becomes a vital part of the narratives and practices of a group of young greasers in a peri-urban community in Sweden. The ethnographic material originates from fieldwork carried out among the local ‘Volvo greasers’, aged between 15 and 19 years, at the local youth centre and the car park in a peri-urban community in Sweden in 2010. The aim of the article is to understand how place, personhood and social relations are intertwined in the greaser culture by introducing the concept of spatial boredom, which strives to illuminate the greasers' active engagement and negotiation with the experience of boredom. In light of this, the semantics of spatial boredom – the community's geographical placement as boring, reactive rather than active, static rather than dynamic – a symbolic link to femininity, domesticity, safety, routine and hence immanence is established. The orientation towards a ‘dangerous’, masculine-coded public space is reinforcing a split between both the feminine and the masculine and the public and the private.