Ventilating the Commons,Heating the Lords, 1701–1834

In 1833, the Commons chamber was described as a ‘noxious vapour‐bath’, while the Lords deemed the insufferable heat and toxic smoke in its House as injurious to health. This situation was not new, as for more than a century both Houses had been battling with officialdom and technology to improve their working conditions. In their continuing quest for effective heating and ventilation they had drawn in many respected men of science and commerce as well as entrepreneurs and showmen of varying abilities, to little avail. Many machines were tried, Desaguliers's ventilating wheel alone achieving modest success. A notable institution arising from all these experiments was the ventilator in the Commons’ roof, enabling ladies, barred from the chamber, to witness debates, albeit in considerable discomfort. After the 1834 fire, parliamentarians renewed their ventilating mission in their temporary chambers, before projecting their cumulative experience and opinions onto the far larger canvas of the new Victorian Palace of Westminster.     

The Armada Paintings in the New Palace of Westminster

In June 2008 a team of artists began the gargantuan task of creating the series of Armada mural paintings for the house of lords. They were embarking on a two-year project, which would bring to completion the original decorative scheme planned for the prince's chamber by the Royal Commission on Fine Arts ¹ during the 1840s. This, in turn, would reconnect the original historical association, which the Armada tapestries had held with the house of lords since the mid 17th century until their destruction by fire in 1834. This article places these Armada mural paintings within the historical context of this project at the Palace of Westminster and documents some of the methodology behind the programme of work to re-create this celebrated series for the walls of the house of lords.     

The Armada Tapestries in the Old Palace of Westminster

The tapestry series of the ‘Defeat of the Spanish Armada’ was a national artistic treasure which hung in the old Palace of Westminster from the mid 17th century until the fire of 1834. This article outlines the creation of the tapestries in the 1590s and covers the major treatments of them in illustrations of parliamentary interiors and in John Pine's 1739 engravings; it ends with a short account of the curious episode of the tapestry which escaped the conflagration. In the absence of any known historical record of how the tapestries were displayed, suggestions are offered about how many and in what order they hung in the two chambers occupied successively by the house of lords (before and after 1801), and about how they were physically supported on the walls of the Parliament Chamber.