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Two reports on excavations carried out in 1985–1986 by archaeologist Khaled Abdulaziz al‐Dayel and published in the journal Atlal (1988, 1986) have revealed the existence of ‘Hellenistic tombs’ in the Dūmat al‐Jandal oasis (ancient Adummatu/Dumat/Dumata) in northern Saudi Arabia. Although attributed more precisely to the Nabataeans by Khalil al‐Muaikel (1994), these tombs nevertheless appear not to have interested specialists of this historical period in the least. Moreover, a re‐examination of the architectural data and of the grave‐goods indicates the difficulty of establishing a link between the unearthed remains and a purely ‘Nabataean’ cultural sphere (i.e. of the Petra type). This study therefore attempts to reassess published archaeological data, formulate questions on the Nabataean presence in the oasis, and also to demonstrate the relations connecting Dumat to the great Levantine and Mesopotamian cultural spheres between the first century BC and the second century AD.  相似文献   

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none 《巴勒斯坦考察季》2013,145(4):293-307
Abstract

A part of a Nabataean bronze inscribed object has been found recently in Wādī Mūsā, near Petra, Jordan. The text, which is dated to the reign of the last Nabataean king, Rabbel II (ad 70–106), is of great interest since it contains words that occur for the first time in Nabataean. It mentions a dedication made by a priest and his son to ‘Obodas the God’ in Gaia. In sum, it adds significant new data to our knowledge of the Nabataean kingdom and its religion.  相似文献   

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Al‐Ghazzālī criticized Muslim philosophers in general and Ibn Sīnā in particular in a number of matters notwithstanding, he was deeply influenced by philosophy and Ibn Sīnā's views as to some issues. Of the contexts in which al‐Ghazzālī is under the clear influence of Ibn Sīnā are the interpretations of some Qur'ānīc chapters and verses which are related to the demonstration of the existence of God and the explanation of some divine attributes and names. In many of his works, al‐Ghazzālī reproduces Ibn Sīnā's interpretation of the verses in harmony with the ontological proof. One can observe Ibn Sīnā's influence on al‐Ghazzālī in relation with the hierarchy of beings, too. However, the context in which Ibn Sīnā's influence is most obvious is the interpretation of the 35th verse of the Sūrah Nūr. Ibn Sīnā's interpretation of the terms occurring in this verse as symbols of the human faculties exercised a profound impact on the thought of al‐Ghazzālī, which manifests itself in his interpretation of the verse in Mishkāt al‐Anwār. Another of such contexts is the topic of human psychology and the interpretations of the verses related wherewith. Immensely influenced by the psychological views of Ibn Sīnā, al‐Ghazzālī adopted Ibn Sīnā's notion of the simultaneous creation of soul and body, interpreting some Qur'ānic verses in harmony with this notion. This article is intended to illustrate that al‐Ghazzālī, who is opposed to the blind imitation of any school of thought, did not make a wholesale denouncement of the views of philosophers; on the contrary, he made an extensive use of Ibn Sīnā's ideas in conformity with his general attitude of benefiting from all schools of thought.  相似文献   

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The lifecycle of a Nabataean and Roman community shrine at Humayma, Jordan reflects the evolving values of the town's inhabitants from the first to the third century CE. This paper reviews the evidence for the shrine's appearance and significance over this period, as well as the nature of the cult practised there. Beginning its existence as a Nabataean shrine, whose design incorporated the rising sun and the town's primary peak, the building was damaged when the Romans converted Nabataea into Provincia Arabia. The Roman garrison initially dismantled the shrine to build their fort, but a few decades later the shrine was restored with a centrally placed Nabataean betyl and legionary altar symbolising harmony between the garrison and the town. The garrison's god, Jupiter‐Ammon‐Serapis, and possibly Isis, were now worshipped alongside the town's Nabataean deity. This shrine stressing military‐civilian harmony was later deliberately damaged, most likely during Zenobia's revolt.  相似文献   

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Traditional scholarly opinion has regarded Kalha?a's Rājatara?gi?ī, the twelfth‐century Sanskrit chronicle of Kashmiri kings, as a work of history. This essay proposes a reinvestigation of the nature of the iconic text from outside the shadow of that label. It first closely critiques the positivist “history hypothesis,” exposing its internal contradictions over questions of chronology, causality, and objectivity as attributed to the text. It then argues that more than an empiricist historical account that modern historians like to believe it is—in the process bracketing out integral rhetorical, mythic, and didactic parts of the text—the Rājatara?gi?ī should be viewed in totality for the kāvya (epic poem) that it is, which is to say, as representing a specific language practice that sought to produce meaning and articulated the poet's vision of the land and its lineages. The essay thus urges momentarily reclaiming the text from the hegemonic but troubled understanding of it as history—only to restore it ultimately to a more cohesive notion of historicality that is consistent with its contents. Toward this end, it highlights the concrete claim to epistemic authority that is asserted both by the genre of Sanskrit kāvya generally and by the Rājatara?gi?ī in particular, and their conception of the poetic “production” of the past that bears a striking resonance with constructivist historiography. It then traces the intensely intertextual and value‐laden nature of the epistemology that frames the Rājatara?gi?ī into a narrative discourse on power and ethical governance. It is in its narrativity and discursivity—its meaningful representation of what constitutes “true” knowledge of time and human action—that the salience of the Rājatara?gi?ī may lie.  相似文献   

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Nabataeans, in constructing their tombs, added many symbols and geometrical forms, plants and animals. Crowsteps, as a geometrical form, are the most common among these symbols. This study investigates the use of the crowsteps motif found frequently on the facades of Nabataean tombs. The primary focus is to replace models of typological explanation for the introduction of crowsteps into the Nabataean rock‐cut facades. The study begins with tracing the origin of the crowsteps motif and the way it was adopted by the Nabataeans to become one of the most significant features in the making of Nabataean architectural vocabularies. It then provides a theoretical framework for explaining the use and meaning of the crowsteps in Nabataean architecture. Thematic analysis of related literature and existing architectural remains allows us to suggest that crowsteps served both sacred and secular purposes. Sacredly, crowsteps were used to connect the deceased with the principal deities through metaphorical representation either as a ‘high place’ or as a ‘throne’. Secularly, crowsteps served basic human needs: representing identity, wealth and social structure. The study also considers that the Nabataean rock‐cut crowsteps activated the dialogue between different cultural traditions and helped in shaping the ideological cult and identity of the Nabataeans.  相似文献   

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The excavation of tomb IGN 117 in Madâ’in Sâlih, ancient Hegra, in Saudi Arabia, produced a large amount of bones, objects and materials (leather, fabric, fruit, wood, amorphous organic substances) of the Nabataean‐Roman period (first to early fourth century AD). Two pieces of fabric and leather are of particular interest because they contained pierced dates (Phoenix dactylifera) strung together using date‐palm leaflets. These exceptional discoveries are poorly attested in Near Eastern funerary contexts. Together with other data from Madâ’in Sâlih, the southern Near East and Egypt, this interdisciplinary analysis leads to the reconstruction of part of the funerary practices related to the preservation and preparation of the body that occurred in tomb IGN 117. Finally, the analysis allows the questioning of the symbolic role of plant jewellery and the date palm in a funerary context.  相似文献   

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Four Nabataean samples collected in some of the monumental tombs of Madâ’in Sâlih, ancient Hegra, in Saudi Arabia, have been studied by gas chromatography coupled with mass spectrometry. These samples are textile fragments that are either covered with a black layer or bound together with some black amorphous substance. Fatty acids and triterpenoic compounds were detected. Eight triterpenic compounds were identified: ursa‐9(11),12‐dien‐3‐ol, ursa‐9(11),12‐dien‐3‐one, olean‐9(11),12‐dien‐3β‐ol, β‐amyrone, β‐amyrin, α‐amyrone, α‐amyrin and lupeol. The resinous chemical composition and these pentacyclic alcohols, in considerable proportion, indicate a resin of the Burseraceae family, possibly of the genus Canarium.  相似文献   

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