‘Gates’: a new archaeological site type in Saudi Arabia

The availability of high‐resolution satellite imagery of Saudi Arabia on publicly available platforms such as Google Earth and Bing Maps has been transformational for archaeology. Within just a few years tens of thousands of sites previously unrecorded and scarcely known to the academic world have been mapped. Especially rich in sites are the successive lava fields (harret) stretching from southern Syria through Jordan and down the west coast of the Arabian Peninsula to Yemen, and characterised by the stone‐built structures known to the Bedouin as the ‘works of the old men’. Sites now being revealed include many types familiar from previous research in the wider region but also others of a form previously unknown. ‘Gates’ are one such type, found in large numbers in and around the Harret Khaybar in west‐central Saudi Arabia. They are stone‐built, the walls roughly made and low as with other ‘works’, but quite unlike them in form. Identification, mapping, and preliminary interpretation imply an early date in the sequence of the works—perhaps the very earliest—but no obvious explanation of their purpose can be discerned. Fieldwork is a desideratum.     

Almulihiah: a rock art site in the Hail region,Saudi Arabia

This paper discusses the rock art site of Almulihiah in north Saudi Arabia. The site consists of many carved rock panels of human and animal figures. The drawings depict camels (22%), ibex (10%) and ostrich (8%), although other animals such as goats, lizards and oryx are also present. An attempt is made to date the site by comparing it with other petroglyph sites in the country. The paper concludes with a discussion of the drawing styles present.     

THESE ROCKS WERE MADE FOR WALKING: ROCK ART AT LEIRFALL,TRØNDELAG,NORWAY

One of the largest sites with Bronze Age type rock art in Norway is found at Leirfall in Stjørdal, Nord‐Trøndelag. The site, which consists of five panels, is dominated by footprints but at the same time a great variety of motifs is present. The footprints seem to lure visitors to walk from panel to panel, even across the panels, which are located at three different levels. The main focus is on the middle level, where the main panel (Leirfall III) contains more than 700 rock carvings. The walks between and around the panels are described; at the same time the Leirfall rock carvings are seen in a wider context. Most footprints are likely to represent children and it is argued that the site was used for the performance of public rites during initiations. However, symbols normally found only on decorated grave cists are present, too, particularly on the upper panel, which cannot be seen from below. Death rituals may also have been performed.     

Covering the Building of a Kingdom: The Saudi Arabian Authority in The London Times and The New York Times, 1901–1932

The orientalist literature subjected the Middle East in an exotic way — mostly as an “Arabian Nights” society ruled by traditional sultans and/or tribal chiefs — rather than modern governance structure's “bureaucracy.” The presumption within postcolonial scholarship has been that this perception influenced the policy landscape in the United States and Europe, especially the media depictions of the oriental leaders and leadership. The paper empirically tests this hypothesis through content analysis using Weber's categorization of leadership of two newspapers of record — The New York Times in the United States and The London Times in the United Kingdom — during the period of state building in Saudi Arabia (1901–1932). I find that rather than depicting the Saudi leadership as “backward,” these newspapers in particular, tend to overstate the development of the Saudi state during this period. As Weber is best known for his three types of authority, it benefits the discipline to see how the interpretive communities of Western journalists operationalized “authority” in terms of politics and religion of Saudi Arabia as this monarchy emerged.     

Islamist violence and regime stability in Saudi Arabia

Saudi Arabia, homeland of Osama bin Laden and 15 of the 19 hijackers of September 11, 2001, experienced low levels of internal violence until 2003, when a terrorist campaign by ‘Al‐Qaeda on the Arabian Peninsula’ (QAP) shook the world's leading oil producer. Based on primary sources and extensive fieldwork in the Kingdom, this article traces the history of the Saudi jihadist movement and explains the outbreak and failure of the QAP campaign. It argues that jihadism in Saudi Arabia differs from jihadism in the Arab republics in being driven primarily by extreme pan‐Islamism and not socio‐revolutionary ideology, and that this helps to explain its peculiar trajectory. The article identifies two subcurrents of Saudi jihadism, ‘classical’ and ‘global’, and demonstrates that Al‐Qaeda's global jihadism enjoyed very little support until 1999, when a number of factors coincided to boost dramatically Al‐Qaeda recruitment. The article argues that the violence in 2003 was not the result of structural political or economic strains inside the Kingdom, but rather organizational developments within Al‐Qaeda, notably the strategic decision taken by bin Laden in early 2002 to open a new front in Saudi Arabia. The QAP campaign was made possible by the presence in 2002 of a critical mass of returnees from Afghanistan, a clever two‐track strategy by Al‐Qaeda, and systemic weaknesses in the Saudi security apparatus. The campaign failed because the militants, radicalized in Afghan camps, represented an alien element on the local Islamist scene and lacked popular support. The near‐absence of violence in the Kingdom before 2003 was due to Al‐Qaeda's weak infrastructure in the early 1990s and bin Laden's 1998 decision to suspend operations to preserve local networks. The Saudi regime is currently more stable and self‐confident—and therefore less inclined to democratic reform—than it has been in many years.     

Rock art on Socotra,Yemen: the discovery of a petroglyph site on the island's south coast.

Recent fieldwork on the south coast of the island of Socotra, Yemen, has revealed a hitherto unknown petroglyph site. This site represents the first rock art to have been recorded on the south coast, an area generally regarded as being unpopulated up until the recent past. The corpus of recorded petroglyphs includes feet, cupules, anthropomorphic figures and geometric motifs, whose designs parallel those from known rock‐art sites on the north coast. The importance of this site is that it provides us with the first glimpse into the religious and socio‐political lives of the inhabitants of the previously unknown southern half of Socotra. Placing these petroglyphs within the broader context of rock‐art studies on the island of Socotra has also allowed us to begin to disentangle the skewed view of Socotra's inhabitants.     

FIXED‐FREQUENCY RADIO‐WAVE IMAGING OF SUBSURFACE ARCHAEOLOGICAL FEATURES: A MINIMALLY INVASIVE TECHNIQUE FOR STUDYING ARCHAEOLOGICAL SITES*

In memoriam Tony Clark Sadly, this research marked the last field visit to the test site that the authors were able to share with their colleague Tony Clark. His enthusiasm, experience and encouragement inspired us to complete this project that, to many, must have appeared as grown men at play in a sand pit. A new approach to subsurface exploration has been developed, based on fixed‐frequency radio‐wave illumination from a buried transmitter. Data are collected from a buried, continuous wave source with a phase‐coherent surface‐scanning receiver and recorded in a digital archive from which images of the archaeological features are subsequently produced. An important feature of this approach is the opportunity to separate the data collection and archive functions, which form an uncompromised record of the site, from the more subjective image formation function. This paper reports the results of a feasibility assessment programme and discusses the future application of the method to real archaeological sites.     

The adoption of cattle pastoralism in the Arabian Peninsula: A reappraisal

The translocation of livestock into the Arabian Peninsula was underway by the sixth millennium BC. It remains unclear, however, whether nascent pastoralism in Arabia focused on specialised cattle herding, intensive caprine husbandry, or more extensive forms of sheep, goat and cattle management. Here, the role of Bos in Neolithic animal exploitation systems in the Arabian Peninsula is re-examined in the context of fisher-hunter-gatherer groups inhabiting the coasts of the Arabian Gulf, agro-pastoralist settlements located in the Jordanian highlands, and hunter-herder communities in adjacent Jordanian steppe (badia). By the late sixth millennium BC, cattle from southern Mesopotamia were imported to the Arabian littoral via Ubaid exchange networks but remained a relatively unimportant part of local hunter-gatherer-herder subsistence for at least a millennium. New zooarchaeological evidence indicating cattle herding in the Jordanian highlands by the late eighth millennium BC suggests a southern transmission route originating out of Late Pre-Pottery Neolithic B settlements and the subsequent spread of cattle along the Sarawat mountains into the interior or down the relatively arid Red Sea coast via land or boat. Cattle eventually played a central role in the symbolic and ritual lives of herders in southern Arabia, but the use of the term ‘cattle pastoralism’ to describe early Neolithic subsistence systems in the region is premature.     

The environmental context of a prehistoric rock carving on the Bjäre Peninsula,Scania, southern Sweden

Palaeoecological analysis of peat deposits from a small bog at Lingården, southern Sweden, have been used to examine the nature and timing of vegetation changes and anthropogenic activity associated with a nearby rock carving located close to the edge of the wetland. This study is the first of its type to investigate the environmental context of rock carvings in southern Sweden. Debate has tended to focus on chronology and iconography, with little consideration of the environmental relationships of rock carvings and how vegetation may help construct a site within its surrounding landscape. The pollen evidence from Lingården demonstrates that the rock carving was located in an isolated semi-wooded setting during the late Bronze Age. This is in stark contrast to several other pollen studies from the Bjäre Peninsula that record widespread woodland clearance and agricultural activity from the late Neolithic–Bronze Age transition. The results of this study support hypotheses that suggest complex rock carvings, such as Lingården, were separated from settled areas. This sense of separation and isolation is reinforced by the vegetation surrounding the rock carving. This paper also discusses the relationship between charcoal in the pollen sequence and evidence that the decorated outcrop had been burnt.     

Designing Digital Recording for Volunteers in Rock Art Surveys,Management Plans and Public Outreach in the Cederberg,South Africa

The rock art survey and recording project described in this paper was designed for volunteers and heritage professionals involved in locating and mapping the position of rock art and other archaeological sites in the field, recording basic details for conservation and management, and making these details accessible in digital format for researchers who might want to undertake further investigation. An OpenDataKit (ODK) App with a digital site recording form was designed for mobile phones to be used in the field and to send data directly to the digital inventory of the South African Heritage Resources Information System (SAHRIS). The inventory has accumulated over 3000 sites with Later Stone Age rock paintings in the mountainous terrain of the Cederberg, a region that includes properties in the serial Cape Floral Region World Heritage Site in the Western Cape Province. More than a third of these rock art sites have been added to the database since 2007 by the members of the South African Archaeological Society. The information forms the basis for rock art management plans that are given to property owners to guide them in maintaining the value of the rock art. Interpretation of the information has raised awareness of the significance of the rock art in its historical and landscape setting with a trail and information boards. Local residents and CapeNature staff, who have received training in rock art monitoring and tourist guiding, play a key role in implementing the management plans for CapeNature properties, and monitoring individual sites and trails. The broader international context of volunteer programmes for archaeological site recording suggests that this type of programme has the potential to raise awareness of rock art beyond books and visits to museums and public lectures.     

Rock art survey in the ancient oasis of Salūt (northern Sultanate of Oman): a variegated iconographic record

The systematic survey of petroglyphs in the area of the ancient oasis of Salūt, in central Oman, highlighted a rich repertoire of representations that are here discussed against the background of Arabian rock art in general. The region displays an extremely rich number of engravings along the slopes of the Jabal Hammah, north of the main site of Salūt. The majority of the petroglyphs find abundant fitting comparisons in the region. The notable exception of the motif of the “man with halberd” is presented, as it appears to be significantly rare and underlines interpretative issues concerning the so-called T-shaped signs, ubiquitous in Arabian rock art. One of its occurrences was radiocarbon dated to before the mid-first millennium BCE. This and other, relative hints for reconstructing the chronological context of the petroglyphs are discussed, indicating that engravings can be broadly dated from the second millennium BCE onwards.     

Gazetteer of small‐scale monuments in prehistoric Hadramawt,Yemen: a radiocarbon chronology from the RASA‐AHSD Project research 1996–2008

This paper provides a new, interpretive gazetteer and chronology of Hadramawt’s highland monuments based on results from archaeological survey and test excavations by the RASA‐AHSD (Roots of Agriculture in southern Arabia‐Arabian Human Social Dynamics) Project. With the exception of a few incidental sightings and an unpublished pipeline survey, the prehistoric record of southern Yemen’s highland plateau has been largely unknown. There are few settlements, so that understanding human landscape history must begin with the numerous small‐scale stone monuments left by mobile people. With examples representing monuments from the fifth, fourth, third and first millennia BC, the corpus of small excavations and radiocarbon dates reported here provides the first guide to the monument types of South Arabian highlands. Monument building began under more moist conditions and appears to have commemorated animal sacrifices long before commemorating mortuary rites and interment. There appears to be a temporal break of 1000 years before the widespread and varied practices of Bronze Age tomb construction, which lasted through the third millennium BC. After another break in monument construction, tombs were reused in the first millennium BC, sometimes with successive ritual visits. The data presented offer new material for the interpretation of the lives and activities of prehistoric pastoralists throughout the Holocene.     

Three-dimensional recording by laser scanning of the petroglyphs at Rombald's Moor,West Yorkshire

Abstract

A variety of methods have been used to depict and document petroglyphs, from hand sketching to close-range photogrammetry. Most methods, however, record only a two-dimensional image, whereas petroglyphs are by their nature three-dimensional. Additionally, most methods suffer from inaccuracies resulting from the skill and subjectivity of the recorder or distortions imposed by the equipment and conditions under which the panel was viewed. Conventional three-dimensional recording techniques such as the use of traditional moulding and casting materials, may damage the petroglyph itself. An assessment of the various shortcomings of established rock art recording methods resulted in the field-testing of laser scanning with the objective of obtaining a quantitative, three-dimensional record of petroglyph panels and the creation of non-contact replicas. This paper presents the principles behind laser scanning and an account of field trial results of laser scanning rock art in situ at Rombald's Moor, West Yorkshire, England. The work presented was undertaken as part of the Rock Art Pilot Project commissioned by English Heritage in July 1999.     

The Angara Rock Art Style and the Emergence of Ethno‐Cultural Identity

This paper focuses on a stylistic analysis of depictions of elk in Siberian rock art in the Neolithic and Bronze Ages. The aim of this paper is to go beyond the cultural and chronological attributions of rock art and to try to understand why and through what processes changes in rock‐art style occurred. In order to answer these questions, the phenomena of ethnicity and ethno‐cultural identity are explored. Rock art is not considered as a passive reflection of past ethno‐cultural groups but rather as an active agent in structuring social identities.     

Kites of AlUla County and the Ḥarrat ʿUwayriḍ, Saudi Arabia

A comprehensive remote sensing survey of AlUla County in north-west Saudi Arabia has revealed 32 examples of the ancient, stone-built animal traps known as ‘kites’. Noting that most (27) are located on the Ḥarrat ʿ Uwayriḍ, a satellite survey of parts of that lavafield outside of AlUla County was undertaken, identifying a further 175 kites. These show commonalities with ‘V-shaped’ kites previously identified in mountainous areas along the western extents of the Arabian Shield in the Sinai Peninsula, Negev Desert and south-west Saudi Arabia. A study of the form and placement of these kites in their ecological and geological contexts suggests that they are representative of a distinct complex, exhibiting sophisticated morphological adaptations to target specific games over similar terrain.