Nabataean or not? The ancient necropolis of Dumat. First stage: a reassessment of al‐Dayel's excavations

Two reports on excavations carried out in 1985–1986 by archaeologist Khaled Abdulaziz al‐Dayel and published in the journal Atlal (1988, 1986) have revealed the existence of ‘Hellenistic tombs’ in the Dūmat al‐Jandal oasis (ancient Adummatu/Dumat/Dumata) in northern Saudi Arabia. Although attributed more precisely to the Nabataeans by Khalil al‐Muaikel (1994), these tombs nevertheless appear not to have interested specialists of this historical period in the least. Moreover, a re‐examination of the architectural data and of the grave‐goods indicates the difficulty of establishing a link between the unearthed remains and a purely ‘Nabataean’ cultural sphere (i.e. of the Petra type). This study therefore attempts to reassess published archaeological data, formulate questions on the Nabataean presence in the oasis, and also to demonstrate the relations connecting Dumat to the great Levantine and Mesopotamian cultural spheres between the first century BC and the second century AD.     

巴蜀符号的变迁及其性质分析

巴蜀符号主要发现在东周时期巴蜀青铜兵器、青铜工具和青铜印章上面。依据不同载体,分析了巴蜀符号的特征与演变。不同功能的器物上的巴蜀符号类型差异明显,当时的人们在使用这些符号的时候是有明确的区分,说明它们的性质、功能应该有所区别。青铜兵器上巴蜀符号可能与古蜀的古老传说和信仰密切相关,当时的人们相信其具有神奇的力量,能够增强兵器的神奇威力。印章上的符号可能象征吉祥的喻意,活人佩戴有护身符的性质,随葬于墓中有护佑死者的作用。青铜工具上的符号最大可能是代表所有者或生产者标识性徽记。     

THE STUDY OF NABATAEAN ORGANIC RESIDUES FROM MADÂ’IN SÂLIH,ANCIENT HEGRA,BY GAS CHROMATOGRAPHY – MASS SPECTROMETRY*

Four Nabataean samples collected in some of the monumental tombs of Madâ’in Sâlih, ancient Hegra, in Saudi Arabia, have been studied by gas chromatography coupled with mass spectrometry. These samples are textile fragments that are either covered with a black layer or bound together with some black amorphous substance. Fatty acids and triterpenoic compounds were detected. Eight triterpenic compounds were identified: ursa‐9(11),12‐dien‐3‐ol, ursa‐9(11),12‐dien‐3‐one, olean‐9(11),12‐dien‐3β‐ol, β‐amyrone, β‐amyrin, α‐amyrone, α‐amyrin and lupeol. The resinous chemical composition and these pentacyclic alcohols, in considerable proportion, indicate a resin of the Burseraceae family, possibly of the genus Canarium.     

DISTINCT,LATE BRONZE AGE (c. 1650 bc) WALL‐PAINTINGS FROM AKROTIRI,THERA, COMPRISING ADVANCED GEOMETRICAL PATTERNS*

This paper studies a set of wall‐paintings of the Late Bronze Age (c. 1650 bc ) initially decorating the internal walls of the third floor of the edifice called ‘Xeste 3’, excavated at Akrotiri, Thera, whose restoration is now in progress. It deals with the methods used for the drawing of the geometrical figures appearing in these wall‐paintings. It is demonstrated that most of the depicted configurations correspond with accuracy to geometrical prototypes such as linear spirals and canonical polygons. It is pointed out that the steady lines of the figures, their remarkable repeatability, the precision of the geometrical shapes and their even distribution in the wall‐paintings indicate a very distinctive use of the ‘Xeste 3’ third floor, which is now investigated.     

A survey of the Nabataean/Roman Site,Umm at-Tawabin,Ghor as-Safi,Jordan

Umm at-Tawabin is an extensive Nabataean/Roman site overlooking Wadi al-‘Arabah in southern Jordan. The site, as a whole, consists of a number of buildings, circular stone structures, a roadway and other features that are fortified, for the most part, by a lengthy wall and with a predominance of Nabataean and Roman surface pottery on the ground. Up until now, the site has only been documented in brief in a handful of survey reports since its discovery in the late nineteenth century and its chronology has since been the subject of some conjecture among scholars. With a grant from the Palestine Exploration Fund, the author has sought to better understand the occupational history of this undoubted historically important site through survey and by extension, a study of its surface pottery and architectural remains.     

THE ‘LORD OF THE STONEMASONS’: PART I. THE ‘SWORD DEITY’ AT PETRA

Abstract

During the 2000 Season of the Brown University excavations of the so-called Great Temple at Petra, an elusive rock-cut figure (termed the ‘Sword Deity’) was discovered in the southern perimeter wall. Since then, the current authors have identified other such figures as belonging to this previously unknown type, which has similarities with the Greek herm. Based on a contextual analysis of these figures, it is proposed that the type may depict a protective deity or ‘lord’ of the Nabataean stonemasons, most likely Dushara. According to this interpretation, the stonemasons sought divine protection during their work by carving the image of the deity high in the rock faces. This paper sheds new light not only on the representation of Nabataean deities, but also on the role of religion in the daily life of the inhabitants of Petra and their relationship with the natural environment.     

The Irish question and the concept ‘identity’ in the 1980s1

ABSTRACT. This article critically investigates the social construction of ‘identity talk’ in relation to the Irish Question in the 1980s. Our contention is that the utilisation of ‘identity’ imagined people as bounded groups in a particular way – as the two traditions or communities in Northern Ireland – and that this way of imagining people was deployed against ‘will’‐based conceptions of politics. The first part of the article places the emergence of ‘identity’ as a concept in its historical context and suggests four phases in the use of ‘identity’. The second part focuses on ‘identity’ as a concept and locates its emergence within the meta‐conflict regarding Northern Ireland. The article concludes by reflecting on Brubaker and Cooper's (2000) analysis of ‘identity’ as a category of analysis in light of our case study of ‘identity’ as a category of practice regarding the Irish Question.     

Middle Bronze Age Burials in the Southern Levant: Spartan Warriors or Ordinary People?

Intermediate and Middle Bronze Age tombs with weapons (mainly daggers) in the southern Levant were often interpreted as ‘warrior graves’. Taking into consideration new data from Rishon Le‐Zion (Israel), recent work on early warfare and warriors, and a study of so‐called ‘warrior graves’ in Mesopotamia (Rehm 2003), we suggest that most of these graves are not graves of elite warriors, but typical male burials. We also discuss the assumed ‘burial kit’ and the decline in numbers of weapons per burial, which is in our view related to the shift from individual burials (in the Intermediate Bronze and Middle Bronze IIA periods) to multiple shaft burials (in the Middle Bronze IIB period).     

Railway Architecture: The Great Northern Railway (Ireland) at Dundalk

ABSTRACT

This article is adapted from the dissertation ‘Railway Architecture: The Great Northern Railway (Ireland) at Dundalk’, completed by Siobhan Osgood for the MPhil in Art History: Art + Ireland, where it was awarded a distinction. The study provides an historical analysis in the context of architectural development and broader railway culture in Ireland to provide an interpretation and understanding of the use of polychromatic yellow, red and black brickwork to create a visual identity for railway architecture. The use of accented colours to pick out key features is repeated across a series of buildings, thus creating a distinctive style of ‘brick-branding’. These are most prominent in the town of Dundalk, where the GNRI had its central engineering works at the halfway point on the Dublin to Belfast mainline and at the point where the Irish North line extended west and north. The buildings were each intricately designed by the GNRI's first chief engineer, William Hemingway Mills, a second-generation railway engineer who merged the roles of architect and engineer using an amalgamation of architectural designs from his earlier career in Derby, Scotland, Mexico and Spain. Mills thus created his own ‘Millsian’ style of industrial architectural design.     

Making time for national identity: theoretical concept and empirical glance on the temporal performance of national identity

Despite global, economic, technological and social transformations, nationality has remained an influential identity category. It still forms the basis for collective self‐determination, political sovereignty and sense of belonging. This article puts forward the concept of ‘Chrono‐Work’ to offer a critical approach to national identity. Employing temporal and performative perspectives, the concept addresses the conditions for establishing and constructing national identity. Drawing on Judith Butler's performance theory, it is suggested that performance of national acts loads national identity with meaning through the construction of a chronological narrative. To complete the theoretical picture, a case study of ‘Chrono‐Work’ among the Jewish settlers on the Golan Heights in Israel is offered. It is shown that national identity is constantly performed through temporal strategies that aim at achieving a chronological order. Therefore, it is suggested that national identity is not given, but rather is the result of continuous ‘Chrono‐Work’.     

A Nabataean and Roman shrine with civic and military gods at Humayma,Jordan

The lifecycle of a Nabataean and Roman community shrine at Humayma, Jordan reflects the evolving values of the town's inhabitants from the first to the third century CE. This paper reviews the evidence for the shrine's appearance and significance over this period, as well as the nature of the cult practised there. Beginning its existence as a Nabataean shrine, whose design incorporated the rising sun and the town's primary peak, the building was damaged when the Romans converted Nabataea into Provincia Arabia. The Roman garrison initially dismantled the shrine to build their fort, but a few decades later the shrine was restored with a centrally placed Nabataean betyl and legionary altar symbolising harmony between the garrison and the town. The garrison's god, Jupiter‐Ammon‐Serapis, and possibly Isis, were now worshipped alongside the town's Nabataean deity. This shrine stressing military‐civilian harmony was later deliberately damaged, most likely during Zenobia's revolt.     

AN INSCRIBED NABATAEAN BRONZE OBJECT DEDICATED TO OBODAS THE GOD FROM WĀDĪ MŪSĀ, SOUTHERN JORDAN

Abstract

A part of a Nabataean bronze inscribed object has been found recently in Wādī Mūsā, near Petra, Jordan. The text, which is dated to the reign of the last Nabataean king, Rabbel II (ad 70–106), is of great interest since it contains words that occur for the first time in Nabataean. It mentions a dedication made by a priest and his son to ‘Obodas the God’ in Gaia. In sum, it adds significant new data to our knowledge of the Nabataean kingdom and its religion.     

Humayma's notched peak: a focus of Nabataean and Roman veneration and civic identity

The most distinctive landscape feature at the southern Jordanian site of Humayma is Jebel Qalkha's highest peak, which is split at the top by a wide notch. The Nabataean town of Hawara (Roman Hauarra/Hauara) was built on the plain immediately east of this peak. This paper draws on the site's foundation myth, petroglyphs, betyls and religious and civic structures to illustrate the significance of this notched peak for the site's ancient populations. The evidence suggests that this distinctive peak served as a focus of veneration and a marker of civic identity for Humayma's Nabataean and Roman inhabitants.     

THE ‘LORD OF THE STONEMASONS’: PART II. ‘STANDING FIGURE WITH BETYLS’ AT PETRA

Abstract

This paper presents the second type of representation of the ‘lord’ of the Nabataean stonemasons, a male figure standing with betyls. This type is found in five rock-cut reliefs in Petra, usually high in the walls of quarries or monuments. It is argued that, like the so-called ‘sword deity’ figures presented in Part I, this second type was also carved by the stonemasons as another representation of their tutelary deity, possibly Dushara. Study of these little-known figures reveals new information on the diverse depiction of Nabataean deities, as well as on the religious beliefs of the stonemasons at Petra.     

GEOCHEMICAL AND ENGINEERING GEOLOGICAL PROPERTIES OF THE VOLCANIC TUFFS USED IN THE ETRUSCAN TOMBS OF NORCHIA (NORTHERN LATIUM,ITALY) AND A STUDY OF THE FACTORS RESPONSIBLE FOR THEIR RAPID SURFACE AND STRUCTURAL DECAY

The geochemical and engineering geological properties of the tuffs used in the rock‐cut cliff tombs of the Etruscan necropolis of Norchia were investigated to evaluate their susceptibility to different weathering agents and confirm their origin. For the first time, materials were characterized by X‐ray powder diffraction (XRD), Fourier‐transform infrared spectroscopy (FT–IR), thermogravimetric analyses (TGA, DGA and DTG), scanning electron microscopy (SEM–EDS) and energy‐dispersive X‐ray fluorescence (ED–XRF), and their different origins confirmed. Tests of material properties indicate that both tuffs are poorly durable, but one of them is less susceptible to weathering. Although tombs made with the more resistant material show limited surface weathering, they undergo severe structural damage because of stress release and plant root infiltration. This, combined with the microclimatic conditions established inside river canyons, can trigger rock falls, leading ultimately to the complete destruction of these tombs.