Natural Resources,Innovative Milieux and the Environmentally Sustainable Development of Regions1

Traditional economic theory views natural resources as production factors to be exploited for the benefit of society. However, for this exploitation to be sustainable it must take into account the conservation and/or renewal of the resource. Increasingly, development projects have come to regard natural resources as essential elements of the local environment that must be exploited in ways that ensure future generations can also benefit from them. This process has been termed “patrimonialization”. In this article it is shown that the constructive development of natural resources and the environmentally sustainable development of regions are closely linked and the role of innovative milieux in defining the nature of local development projects is examined.     

Milieux innovateurs: Determinants and policy implications

National and regional differences are more and more frequently explained by differences in milieux. This type of explanation raises three questions: Can we identify milieux? What are the determinants of milieux? Are there differences between industries in the matter of determinants of milieux? Most studies on milieux innovateurs are based on case studies and qualitative data. This paper is quantitative and comparative in nature. It attempts to identify milieux and their determinants by using data from the 1999 Statistics Canada Innovation Survey. Based on two synthetic indicators of interactions (weak/strong) and learning (weak/strong), four categories of milieux innovateurs are differentiated which become the dependent variables. In order to see what the determinants of the various milieux innovateurs are and to see in what ways the most favorable milieux innovateurs compare to the others, binomial logit models have been estimated for four industries using the following independent variables: competitive pressures, barriers to knowledge exchange, use of government support, number of employees, collaborative arrangements, R&D activities, regions.     

Etappen auf dem Weg zu einer Geschichte der Pflanzenzüchtung. Überlegungen aus Anlaß eines Buches von Thomas Wieland

Thomas Wieland's book is the first survey on the history of scientific plant breeding in Germany from 1889 to 1945. There are two mainlines of analysis: (1) The transformation of an agricultural practise of peasants into an academic discipline of scientists and (2) the importance of political arguments for this process of scientification. Most of the time Wieland's methods to present his thesis are exemplary: either as biographies or as breeding project histories. So he can write about a great diversity of aspects; but from his point of view – the discipline history as applied science – he cannot show the great importance of economic forces controlling plant breeding. This short article will not diminish the high value of Wieland's book. My aim is only to outline some desiderata for a history of plant breeding which is not yet written.     

CREATIVE CLUSTERS IN BERLIN: ENTREPRENEURSHIP AND THE QUALITY OF PLACE IN PRENZLAUER BERG AND KREUZBERG

Urban creative clusters are currently a major focus of attention, as their prominent position in both local political and academic circles makes evident. Many authors stress the importance of spatial concentration for creative industries. However, only a few studies have focused on the individual entrepreneur. As a result, empirical evidence of the meaning of urban place as a site for social networks and a space for inspiration is still scarce. This is of some consequence as entrepreneurs provide a crucial link between creative activities and economic change and development. This study contributes to the existing literature by investigating how different creative entrepreneurs choose and evaluate their location. Using qualitative interviews with entrepreneurs in two creative clusters in the Berlin neighbourhoods Prenzlauer Berg and Kreuzberg, this article shows the significance of the look and feel of specific places and explains how and for whom local networks are important.     

Anthropology in the UK: Never Mind the Biographies,Here's the Reflexive Symbols

Focusing on the concept of the intellectual biography, I explore the relational and symbolic importance of life histories for the reflexive history of anthropology. Legacies of questioning disciplinary self-awareness exist for fieldwork, data analysis, writing up, and academic social networks. The intellectual biography, as a newly developing self-conscious genre, is becoming central to the way in which the discipline writes its own history. This article situates five recent biographies of “British” anthropologists into a theoretical, methodological, and intellectual landscape that encompasses the international development of a century of social anthropology in the United Kingdom.     

Twisted Lives: On the Temporality and Materiality of Biographical Presences

People??s biographies are dominated by a multitude of factors. In recent years it has come to a general understanding that people??s life histories are embedded in things just as things are premising the biographies of people. Still, the scholarly discussion has concentrated heavily on individual biographies resulting in life-histories of bodies and individuals confined by their bodily framework rather than conceptualizing the person through the mutual interaction between people and things and the interrelationship between various presences in the revelation of the temporality and materiality of biography. In this paper I aim to explore the category of personal biography resting upon aspects of Heideggerian philosophy. I argue for biographical presences that are spread across time, subjected to shared participation and intrinsically intertwined with the narratives they generate. The argumentation rests upon my personal involvement with the biography of a seventeenth-century peasant from the farm Búearárbakki in southern Iceland. The site and its material culture have emerged as the cause and consequence of our shared life-histories manifesting the notion of multi-temporality and materiality to the category of biography.     

One Size Fits All? Applying the Creative Class Thesis onto a Nordic Context

The creative class thesis put forward by Florida [(2002a) The Rise of the Creative Class and How it's transforming Work, Leisure, Community and Everyday Life (New York: Basic Books)] has in recent years been subject to vivid debate and criticism. This article applies the creative class thesis onto a Nordic context in order to examine whether Florida's theory proves fruitful in a context different from the US. Based on qualitative data, the paper analyses the role of people climate and business climate for the location of the creative class and firms in three different kinds of regions in four Nordic countries. The analyses demonstrate that the people climate tends to be of secondary importance to the business climate in explaining the location of the Nordic creative class. This should be seen as a result of the urban hierarchy within the Nordic countries as well as a strong welfare policy, which ensures an equal distribution of public provision and supports dual career households. Together, these factors diminish the role of people climate for location choices. The study also finds that the notion of people climate has different meanings in various places, and what attracts or repels the creative class depends on the life phases of the members of the creative class. The study raises concerns about the potential for applying the creative class approach beyond large city regions, which limits its usability in regional planning.     

Creative shifts and directions

The availability and “readiness” of culture as a mode of governmental control makes cultural policy a matter of great importance in any contemporary society. This is true not only in liberal democracies with established arts councils or cultural policies, it is also proactively pursued by a technologically advanced yet illiberal regime like Singapore, eager to position itself as the global “Renaissance City” of the twenty‐first century. What this “renaissance” model entails remains highly cryptic, not least because cultural terms and political markers are often elusive, but also because the very concept of “cultural policy” shifts along with the political and economic tides in Singapore. Drawing on a rarely cited essay by Raymond Williams, this article offers an historical look at cultural policy in Singapore – from its first articulation in 1978 to its present standing under the rubric of “creative industries” (2002). It considers some of the problems encountered and the societal changes made to accommodate Singapore’s new creative direction, all for the sake of ensuring Singapore’s continued economic dynamism. This article contends that cultural policy in Singapore now involves extracting creative energies – and economies – out of each loosely termed “creative worker” by heralding the economic potential of the arts, media, culture and the creative sectors, but concomitantly marking boundaries of political exchange. In this regard, culture in Singapore has become more than ever a site for governmentality and control.     

Collective Biography and Europe’s Cultural Legacy

From the 1990s onwards there has been growing interest in the study of biography. As opposed to those who are skeptical of the biographical method, we defend the historiographical importance of collective biographies by contrasting them with biographical collections. By discussing the historical background of biography as a branch of history, and by focusing on the aims, methodology and outcomes of collective biographies, we attempt to show how they both extend and deepen our concept of historical research.     

文化与创意产业集群的研究谱系和前沿:走向文化生态隐喻?

文章基于文献研究,梳理文化和创意产业集群的研究谱系,指出该领域学术界:①没有将文化和创意产业本体论知识整合到集群分析框架;②对艺术家和创意阶层及其项目生产方式、知识流的空间过程关注十分薄弱;③忽视文化消费和中介因素对创意集群和文化生产的反身性;④比较偏向生产型创意集群的研究、忽视空间型创意集群和消费型文化产业园区和城市空间的研究;⑤在研究方法上相对单一。作者提出通过运用文化生态系统隐喻,进一步展开综合研究的可能性。     

关于人物入志的探讨

人物是地方志书要认真记述的重要内容。人物入志是发挥地方志书资治、教化、存史功能的需要,是社会各界人士了解人的作用的需要。人物入志的基本做法有：为去世的重要人物立传入志,为在世的重要人物写简介入志,列各类型的人物表入志,随党政部门、企事业单位、乡镇机构内容记述历任正职领导姓名。记述人物要注意解决记述内容见事不见人的问题;解决为在世人物立传的问题;解决人物入志范围过宽的问题;解决写人物简介和人物传略界限不清问题;解决记述人物出现错漏问题;解决人物传、人物简介排序混乱的问题;解决领导人照片入志存在的问题。     

The international transfer of creative industries as a policy idea

This article examines the transfer of creative industries as a policy idea to Lithuania. Tracing the stages of the transfer and analysing its consequences in the local cultural policy field, this paper argues for the importance of studying cultural policy process. The findings reveal that the process of the international transfer of creative industries mattered, because it generated wider transformations in cultural policy field by having ambiguous effects on local power relations. The policy idea of creative industries opened the cultural policy field to new actors. As a result, competition for scarce state funding increased, but cultural organisations gained access to the European Union structural funds. In all, creative industries as a policy idea significantly transformed Lithuanian state cultural policy, in that it led to a reassessment of both the practices and identities of cultural organisations.     

Independent creative subcultures and why they matter

Independent creative subcultures, in their various hybrids of music, theatre, art, and new and old media, are the primordial soup of cultural evolution. They have the capacity for a highly definitive influence on their participants – catalysing the transition from consumer to producer for instance – often conferring much broader cultural and social benefit. Creative subcultures make continuing, well-documented, contributions to established city cultures for relatively low outlay. Indie creative activities in particular do not make much money and they do not cost much to set-up. They tend to cluster in areas characterised by low rents and non-residential uses such as retail and industrial areas, but as third wave gentrification reaches into the dark pockets of many cities, cheap rental properties are becoming scarce. This article uses time-series maps of inner Melbourne to show a pattern of tighter and tighter clustering of indie cultural activities as alternative spaces disappear. It looks at where they are going and why, considers the implications of this pattern for the ‘creative city’, and suggests some policy initiatives to help maintain and nurture independent creative scenes. As Melbourne’s live music scene is particularly vulnerable to displacement from increasingly dense and contested inner-urban space, the article focuses on interventions relating to music venues.     

Chihr de l’encens (Yémen)

Frankincense burners found in al‐Shihr’s excavations in Yemen, a frankincense harbour during the Islamic period, represent a rare corpus of this type, which is an indication of both specific use and goods from South Arabia. Although associated with the pre‐Islamic South Arabian kingdoms, the frankincense burner evolved throughout the Islamic period. This is proved by the long chronological sequence of the al‐Shihr site (780–1996). Texts quoting the presence of frankincense, its use and its trade in al‐Shihr are cited in this article to support the reputation of this harbour‐town, which is part of the maritime trade networks of medieval Islam. The aim of this article is to create a renewal of interest in future archaeological research about this object, which is so often neglected in spite of its importance as a testimony of the customs and exchanges that are deeply rooted in Arabian civilisation.     

两晋史官制度与杂传的兴盛

较之魏晋六朝的其它时期,两晋杂传的创作十分兴盛。著作郎为“清官”的性质,使其受到贵族与寒族士人的共同青睐。特别是两晋“著作郎始到职,必撰名臣传一人”的史官制度,为寒微士人凭借文史著述之才进入仕途打开了一个门径,激发了寒士们对人物别传的创作热情,由此导致了两晋杂传的大量涌现。     

The importance of difference in the making of transnationality: biographies and networks of the Benedictine mission in Tanganyika (1922–65)

The Missionary Benedictines of Saint Ottilien were the first Roman Catholic mission house in imperial Germany. During the heyday of European imperialisms, colonialisms and Christian missions the monastic community began its engagement in ‘German East Africa’. To enable and promote its proselytization efforts in the imperial colony until the end of the Great War, the Missionary Benedictines had to respond to shifting political conditions and to rearrange their networks as and when required. This orientation became even more pronounced during the renewal of the Benedictine Mission in the British mandated territory of Tanganyika up until the Second Vatican Council and the political independence of Tanzania. From 1922 to 1965 at least 379 members of the Congregation lived and worked in Tanganyika. Their biographies were closely linked to the complex transboundary system of their religious community. This article will portray them as a highly institutionalized group of transnational actors. It argues that to maintain its activities and organizational structures, the leaders of the Benedictine Mission established a dynamic multi-level network connecting a variety of scales, spaces and actors. To ensure its continued existence under constantly changing conditions they constituted a hierarchic system of difference and diversity.     

Critical geographies and geography’s creative re/turn: poetics and practices for new disciplinary spaces

We are two feminist geographers working as practitioners and researchers in creative geographies and the discipline’s creative re/turn. Human geographers interested in new representational and non-representational methods and methodologies are, as we explore in this article, increasingly turning to artistic and creative modes of expression, including (amongst others) literary and visual arts, in which we are both involved. For some time now, we have been curious about what we experience as a lack of expressly politicized critical interrogations of the discipline’s creative re/turn and a shortage of expressly critical and politicized creative outputs. In this article, then, we explore geography’s embrace of creative practices as research methods and as means of developing outputs but, more specifically, we ask about where and how decolonizing, feminist, anti-racist, and/or queer voices, practices, and theorizations might fit within the creative re/turn. Using two different creative geographic works (one a book of poetry, the other a curation project), we trouble what we conclude may be ongoing (perhaps unconsciously) masculinist, often White and colonial, perhaps overly heteronormative, modes of geographic inquiry and practice within geography’s creative re/turn. In this context, we reflexively consider our own creative practices as ones that may offer examples to open new critical spaces and modes of representation for creative geographers.     

文本话语与行为规范:西藏宗教人物传记的史学史意义

From the perspective of historical anthropology, this article examines a great deal of the biographies of religious figures in Tibetan history, reveals their special way of writing, classification, and circulation. In Tibetan Buddhism, biographies of religious figures are considered as a subject’s demise (lung-rgyun) and have their special meanings. They are the text of the largest quantity in the historical works of Tibet and had great influence on Tibetan historiography. A comprehensive research on their cultural characteristic, historical evolvement and historical influence will help us understand the Tibetan culture in depth. __________ Translated from Shixueshi Yanjiu 史学史研究 (Journal of Historiography), 2007, (4): 67–77     

Silk and Propaganda — Two Ottoman Silk Flags and the Relief of Vienna, 1683

This article focuses on two Ottoman silk flags and discusses not only their original contexts of production but also traces their biographies until their reception as booty items and their further use after the Siege of Vienna in 1683. Banners and standards were symbolically charged signs used for military organisation. The higher the rank of a flag, the more coveted it was as booty. It was not so much their material value, which was in fact negligible, but rather their symbolic worth that made them so desirable. In their new context in the hands of the enemy they could be used for propaganda purposes, as indeed they were during and after the second siege of Vienna in 1683. This article investigates the trajectories of two flags captured at the siege and a year after its end and explores the intentions behind their use for propaganda purposes. It thus attempts to untangle the political rivalries, imperial vanities and cultural misunderstandings underlying their complex biographies.