谈清帝陵寝中的石雕文化及其艺术

清代帝王陵寝,均择圣地为万年吉壤。在陵寝的建造上也相当奢华。采用大量砖瓦木材与石材。随着石材工艺的成熟,这些石件在实用性的基础上更具装饰性。装点着帝王陵寝的地官、建筑的坐基、陵寝的神道。精湛的石雕技艺,精美的地官,高耸的须弥座,威武的石雕群,含概着严格的等级制度和丰富的化底蕴。     

金石永寿 金石长年——中国第一届寿山石篆刻艺术展

由中国艺术研究院主办、中国篆刻艺术院承办的“金石永寿——中国第一届寿山石篆刻艺术展”,它的名称从字面上看包含四层意思：第一,这个展览是中国首次举办;第二,这个展览是篆刻艺术展;第三,这个展览的作品载体是寿山石;第四,“金石”在这里代表篆刻、“永寿”在这里代表寿山石,这个展览是篆刻艺术与寿山石的结合,正如它所蕴含的意义一样——艺术长青。     

A Brief Description of the Historical Relations Between Ancient Tibetan Culture and the Chinese Culture

All the ethnic groups of China together have created Chinese culture as a whole over its long historical development. This rich and colourful culture now spread before our eyes is the result of the distinctive cultures of various ethnic groups gradually merging.Without cultural exchange and cross influence between     

A Brief Analysis of Tibetan Calendrical Designation of Years

The Tibetan astronomical calendrical calculationhas a long history.There are many documentaryrecords and Tibetan people have rich experiences ofit.Tibetan calendrical designation of years as a sum-mary of Tibetan people's experiences in their strugglewith the nature is an important part of Tibetan as-tronomy and calendrical calculation.It takes twelveyears as a small cycle and 6o years as a big cycle.A bigcycle is called“rabjung”[rab-byung] in Tibetan.Thefirst rabjung started in 1027 and the current rabjung is     

天津博物馆藏寿山石雕

寿山石,因其所用之石材产于福州市北郊寿山乡而得名。寿山石的石质温润,洁净。有朱、紫、青、黄、白等颜色,是雕刻家制作印纽以及各种雕刻品的最佳材质。     

简论甘肃环县清代砖雕艺术

甘肃环县兴隆山有保存比较完好的晚清建筑,这些建筑上的砖雕图案内容丰富、雕刻精细,是不可多得的艺术珍品,本文主要解读了其清代砖雕的艺术魅力。     

追溯石文化行走石砾间

石文化,溯源至千古 早在远古时期,火与石器的使用让人类由茹毛饮血的蛮荒时代逐步走向了文明开化.根据人类制造和使用石器的程度,考古学家将古代文明划分为旧石器时代和新石器时代.     

六朝石刻艺术四论

作者对丹阳、句容、江宁、南京的六朝陵墓石刻作了新的系统调查和考察,颇具收获。     

A Brief Description of Tibetan Residential Architecture

The Tibet Autonomous Region covers an area of1.2 million square kilometers.It stretches 2000 kilo-meters from east to west,and 1000 kilometers fromnorth to south.With such a vast area,Tibet has uniquetopographies and landforms,as well as a complex eco-logical environment.The northwest of the TibetanPlateau has a cold climate because of its high altitude,and it is mainly pastoral.With a lower altitude,a mildclimate and plenty of rain,the southeast is suitable forplanting crops,so is mainly agricultural and agricul-tural-pastoral.In addition,the middle and lowerreaches of the Yarlung Zangbo (Yar-Klung gtsang-po)River and the Valleys of Three Rivers consist of vastareas with dense primeval forests.Inhabitants fromvarious ethnic groups,with Tibetans as the majority,are scattered in agricultural,pastoral,and forested     

A Brief Introduction to the Tibetan Buddhism

Despite the rolling of high plateau and stunning Himalayas, Tibet has a nickname of “Holy Land” with its ancient history and colorful culture. Refered as Shangri-La, the roof of the world and many more, the mysterious kingdom remained closed to others, exerting a strong hold on the imagination of the world. For centuries, it has fascinated mankind in various ways. Its religion is one of astonishing one. Here we have questions! What is Tibetan Buddhism about? How many sects it has? What about each one‘s doctrine? Have you ever known its architectures, its religious arts, as well as its incarnation of Living Buddha? People feel curious about its powerful inspiration and cohesive strength,     

磁州窑陶瓷雕塑艺术品浅谈

磁州窑是我国北方著名的民间瓷窑,其产品几乎涵盖了生活器具、陈设赏玩、宗教偶像和建筑装饰等所有品类。本文从陶瓷雕塑艺术的角度出发,选取部分出土于磁州窑址或馆藏的保存较好、价值较高的作品,从其造型艺术、装饰技法、施釉敷彩等方面分类作一综述和介绍。     

香炉石遗址与香炉石文化

香炉石遗址是鄂西清江中游的一处早期巴化遗址,出土遗物较丰富,计有石器、陶器、骨器、铜器、甲骨和陶印章等物近万件,已被研究命名为“香炉石化”(即早期巴化),其时限为距今4000～3000年间,属我国青铜时代一种地域性的考古学化。香炉石化的人们多居住在河流两旁的台地上,其经济生活以渔猎为主,采集和种植为辅。该化的源头,从陶器中的罐釜等炊具的形制特征看,可追溯到大溪化和城背溪化,香炉石化的明程度较高,这里出土了迄今为止我国最早的陶印章和商周时期的大批甲骨,就是最好的说明。     

彭山画像崖墓墓门石刻画像试论

彭山画像崖墓画像石刻分布在崖墓墓门、墓室、画像石棺上,而以墓门门楣为主。崖墓墓门体现了汉代蜀地平民的死亡观念,是死亡之门、冥界之界,同时又是再生之界、通神之途、升仙的起跑线。     

Ancient Tibetan Culture

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Tibetan Tea Culture

Wecaneatnothingexceptdrinkingtea."Forhundredsofyears,Tibetanshavedevelopedthehabitofsippingtea.SOURCEOFTEA.Althoughteais,forTibetans,indispensable,Tibetan-inhabitedareasproducealmostnoteaatall.Thisiswhy,forinstance,TibetanhorseswereusedtotradeforteaproducedinChina'shinterlandinancienttimes.Inthe4thcentury,troopsoftheTuboKingdomcapturedsomeprefecturesofChina'shinterland.Theyfoundteabuthadnoideahowtousethese"driedtreeleaves."Gradually,however,theylearnedtomakeanddrinktea.Theyevenaddedbu…     

清代纪年惠安石雕龙柱

惠安石雕为世人所称道,但因散存于各地,一时难窥其全貌,故以现存的清代纪年惠安石雕龙柱略述清代惠安派石雕龙柱的概貌。     

《何君尊楗阁刻石》发现及考释

2004年3月,荥经县烈士乡境内发现一汉代摩崖刻石。经专家考证,确认是《何君尊楗阁刻石》。此碑自宋、清、民国献屡有记载,为汉隶碑刻、西南古代交通史等方面的研究提供了宝贵的资料。     

别开生面的寿山石篆刻艺术展——金石永寿中国第一届寿山石篆刻艺术展观后

“金石永寿”中国第一届寿山石篆刻艺术展”虽早已落下帷幕,但给观者留下的欣喜和记忆久久不能忘怀。这次篆刻艺术展实属空前、更有别干其它篆刻展,其独到之处是不模式化地单一展出印屏。主办方的精心策划和组织者的独出匠心,使展览提高了品位和层次,使观者耳目一新。篆刻家们以寿山石为印材,精心创作,并将印蜕与原石一起展出,再加之整个展厅的布设,