On the Stickiness of Territorial Stigma: Diverging Experiences in Amsterdam’s Most Notorious Neighbourhood

In Western Europe, a select number of “ghettos” are at the forefront of public anxieties about urban inequality and failed integration. These notorious neighbourhoods at the bottom of the moral spatial order are imagined as different and disconnected from the rest of the city. This paper examines how residents in Amsterdam Bijlmer, a peripheral social housing estate long portrayed as the Dutch ghetto, experience the symbolic denigration of their neighbourhood. Interviews show that all residents are highly aware of the negative racial, cultural and material stereotypes associated with their neighbourhood. However, these negative stereotypes are not equally felt: territorial stigma “sticks” more to some residents than others and substantial inequalities are observed in who carries the burden of renegotiating blemish of place. Differential engagement with stigma depends on how residents’ identity and the materiality of their surroundings intersect with stigmatising narratives of place.     

The Amsterdam Tapestry Producer Alexander Baert (1660–1719) and his Workshop: New Findings

Drawing on archival material relating to the Amsterdam tapestry producer Alexander Baert, much of it previously unpublished, this research note marks a departure from the prevailing, undersocialised, approach to tapestry production and trade in the Northern Netherlands. Data explored here for the first time show that, before emigrating from Oudenaarde, Baert was an active member of a rich network of tapestry entrepreneurs, but that ‘push factors’ such as legal and commercial problems along with ‘pull factors’ such as certain benefits and freedoms prompted his decision to move to the Republic. While earlier studies describe his activities there as an isolated process, it becomes clear that the entrepreneur and his descendants preserved enduring business ties in the Southern Netherlands. These networks furnished Baert with the infrastructure that enabled him to import tapestries from Antwerp, Brussels and Oudenaarde and to purchase Flemish cartoons cheaply.     

The Obelized Amicē: Horace,Carm. 3. 2. 1

The author defends amice (“in a friendly way”, “showing goodwill”) discussing the use of the adverb amice elsewhere and especially the problem of its reference.