Des Akademikers Kritik der epikureischen theologie im ersten Buche der Tuskulanen Ciceros 1

A close reading of the three “mimetic” hymns shows that in none of them can any credible interaction between voice and audience be reconstructed from the words of the poem. Furthermore, the voice of the poems cannot be assigned to a “master of ceremonies”, nor to anyone else present on the occasions imagined. Paradoxically, this is what allows for the remarkably vivid recreation of festival occasions in these poems.     

Compassionate Protector of America: The Symbolism of Old Hickory in a Jackson Woman's Mind

Serving as America's only female newspaper editor during the election of 1832, Anne Royall became possibly the first public “Jackson Woman” by supporting the chief executive's bid for re-election in her sheet titled Paul Pry. A closer look at Royall's recollections from her travels in Alabama from 1818 to 1822 shows her to be a blooming “Jackson Woman” developing before the Jackson party was even conceived. In 1828, Royall's Black Books produced a scathing indictment of American society. Both the Adams and Jackson campaigns actively recruited her for their mud-slinging contest but she declined. Three years later Royall started printing Paul Pry. The Black Books and Paul Pry gave Royall a public voice, and she was not afraid to use it. Between 1818 and 1832, Anne Royall went from being a Jackson admirer to being a public Jackson woman.     

Walter of Châtillon: A twelfth-century poet's engagement with Jews

This article concerns one of the most eminent poets of the twelfth century, Walter of Châtillon, the author of the well-known Alexandreis. Walter of Châtillon is presented as a case study to show that twelfth-century poets as well as scholars were interested in the Christian-Jewish debate. Walter wrote a treatise against the Jews and referred to Jews and Judaism in many of his poems, especially in his hymns for Christmas. Whereas he concentrated on literal exegesis of biblical texts in his treatise, he favoured figurative biblical imagery in his hymns. A number of things are striking. The first is the central role that the Christian-Jewish debate played in his views on the origins and fate of mankind. The second is the need Walter evidently felt for anti-Jewish language in order to express his religious convictions. The third is the startling absence in Walter's work of the newest ideas about Jews and Judaism that were becoming more and more prevalent in scholarly circles in his lifetime. This latter point raises a fundamental question about the dissemination of Christian views about Jews in the twelfth century. Recent work on the Christian-Jewish debate has focussed on the development of novel ideas about Jews in the twelfth century and much work is being done to understand better how those views were spread beyond the narrow confines of scholarly circles. Walter's hymns in particular with all their hackneyed phrases signal the importance of not ignoring the continuing existence of traditional views about Jews. They also point to the need to include hymns in the study of the dissemination of anti-Jewish ideas.     

A Sacred Space for Women: Hymnody in Emma Hale Smith's Theology

Emma Smith oversaw the compilation of the first Mormon hymnal in 1835 and then prepared a second hymnal in 1841. This article contextualises and discusses Smith's significant assignment, and considers how a woman's hymn selections influenced early Mormonism. It also considers what Smith's hymnals reveal about her own life story and what her life story reveals about her hymn selections. While Smith's first hymnal highlights the emphasis she placed on immediately establishing a city of Zion in preparation for the millennial reign of a triumphal Christ, her second hymnal underscores the need to develop and foster a personal relationship with a merciful Saviour. Smith's 1835 hymnal emphasises being a Zion people immediately, whereas her 1841 hymnal, compiled in the context of intense personal and collective trials and religious persecution, highlights the importance of striving to become a more Zion‐like people over time. The different doctrinal emphases reflects their respective Mormon cultures at the time of compilation, and captures how the church responded to and grappled with its failure to establish Zion immediately. As a compiler of hymns, Smith clearly plays a significant role in Mormon history, while also demonstrating how women could impact their particular religious communities.     

The meaning of El Roi and the mythological dimension in Genesis 16

Abstract

This article discusses the literary debt of the story of Hagar in Genesis 16 to the Ugaritic text KTU 1.23, suggesting that behind the present tale lie ancient royal ideological motifs. These have a bearing on the present form of the story, ans suggest a message of hope to an exilic readership. The divine epithet Roi is explained as “seen”, expressing Hagar's surprise at surviving a vision of God.     

Natàlia's Journey from the Imaginary to the Symbolic in Mercè Rodoreda's La plaza del Diamante

In Mercé Rodoreda's La plaza del Diamante (La plaça del Diamant), the main character Natàlia rejects the Symbolic Order, represented by the nom du père (“Name-of-the-Father”), the imposition of the Law by the father. This article analyzes Natàlia's journey from the Symbolic to the Imaginary in Lacanian terms. In the novel, the Symbolic manifests itself on the plain of the forces hostile toward the protagonist, signifying suffering and displacement, the war, the losses, hunger, the doves, and ultimately, her first husband, Quimet. Natàlia rejects the Symbolic Order represented by the father by denying him access to her life and by rejecting his presence. In Lacan's analyses, the father represents the culture and the language. Thus, by imposing the nom du père, the father imposes the Law and becomes the one “that makes possible the Symbolic Order and the separation from the state of nonconsciousness of the Imaginary” (Carbonell 23). Natàlia's moments of disorientation and lack of self-identity are triggered when she is opposed by the Symbolic Order, when, according to Lacan, the Name-of-the-Father is foreclosed. Natàlia, initially unable to come to terms with the male-dominated hostile Symbolic Order, through numerous transformations in her life achieves to break out of her Imaginary existence and become incorporated into the Symbolic world.     

Book Reviews

Letters from the Dust Bowl by Caroline Henderson Alvin O. Turner (Ed.), 2001 Norman, OK, University of Oklahoma Press 320 pp., $34.90 hardback ISBN 0-8061-33-3 hardback The American ‘Dust Bowl’ landscape of the 1930s has been etched into the global imagination through powerful narratives: Farm Security Administration photography (1935-43), Per Loretz's film, The Plow that Broke the Plains (1936), and John Steinbeck's Grapes of Wrath (1939). In the last quarter of the twentieth century, historians such as Donald Worster (1979) have constructed their own narratives of this time and place. Caroline Henderson's Letters from the Dust Bowl, edited by Alvin O. Turner, provides a counterpoint, in the form of a first-hand account and a woman's voice, to the news stories, government propaganda, and historians' analyses that construct our understanding of the Dust Bowl. Henderson's letters reveal not only the ‘real’ experience of living in that place during a particularly difficult time, but also the ‘before’ and ‘after’–what led these individuals to the Great Plains and what became of them afterward. Educated at Mt Holyoke, Caroline Henderson ventured out onto the panhandle of Oklahoma to homestead in 1907 as a single woman, who ‘hungered and thirsted for something away from it all and for the out-of-doors’ (p. 33). She met her future husband Will when she hired a crew to dig a well on her land. Letters from the Dust Bowl captures Caroline's transformation from an idealistic young woman to a woman ‘worn by years of struggle with land and life’. Caroline's ‘letters’ are an amalgamation of letters to family and friends, and letters and essays written for publications such as the Atlantic Monthly. Letters begins with Henderson's optimism and delight in both life and landscape. Caroline's early writings capture the excitement of homesteading, of marriage, of being a young mother. Her writings eventually shift from purely personal letters to family and friends to being a source of additional income. Drought and failed crops led Caroline to begin writing for publication in 1913; her first published article was on her first years homesteading. She became a regular contributor to Ladies' World magazine, as their ‘Homestead Lady’, until its demise in 1918.     

A Single Thread of Meaning: Esperanza Ortega's Hilo solo

Scholarship on Marie de France's Lai de Lanval has long held Guinevere's accusation of homosexuality against Lanval to have been motivated by hurt feelings: it is made, in the words of one commentator, "in the fury of a woman scorned." This article suggests that subtler motives may have been apparent to the text's earliest audiences. By the twelfth century, sodomy was increasingly categorized by ecclesiastical legislation as a kind of treason. Accordingly, it is likely that Guinevere's charge is meant to counter Lanval's insinuation that, in attempting to seduce him, she has tried to lure him into an act of treason as well.     

Jean Lemaire de Belges's Rhetorical Masks in L’Amant Vert and “Les Regretz de la Dame Infortunée”

A prominent feature of the poetry of Franco-Burgundian poet and rhetorician Jean Lemaire de Belges (1473–1524) is his use of a rhetorical mask—a persona—through which to proffer his utterances and assert his identity. Because the early sixteenth-century court poet's financially and politically subservient position vis-à-vis powerful aristocratic patrons demands an encomiastic rhetoric that leaves little room for the poet's self-assertion within the body of the poetic text, Lemaire must employ the indirect means of a narrative mask to assert his own existence and concerns. This article examines first the narrative mask of the parrot-lover in the 1505 Epîtres de l’Amant Vert, through which Lemaire is able to voice concerns about his precarious position as a writer almost entirely at the mercy of his patron's good health and good will. A discussion of “Les Regretz de la Dame Infortunée” (1506) follows, in which Lemaire takes an intriguing narratological stance that unites his voice to that of his patroness, Margaret of Austria (1480–1530), ultimately forging an authorial je that speaks for both poet and patron. This nearly mystical union of narrative voices allows Lemaire to express his own concerns about the volatility of the patronage system while concomitantly giving voice to Margaret's mourning at the death of her brother, Philip the Handsome (1478–1506).     

Walter of Châtillon: A twelfth-century poet's engagement with Jews

This article concerns one of the most eminent poets of the twelfth century, Walter of Châtillon, the author of the well-known Alexandreis. Walter of Châtillon is presented as a case study to show that twelfth-century poets as well as scholars were interested in the Christian-Jewish debate. Walter wrote a treatise against the Jews and referred to Jews and Judaism in many of his poems, especially in his hymns for Christmas. Whereas he concentrated on literal exegesis of biblical texts in his treatise, he favoured figurative biblical imagery in his hymns. A number of things are striking. The first is the central role that the Christian-Jewish debate played in his views on the origins and fate of mankind. The second is the need Walter evidently felt for anti-Jewish language in order to express his religious convictions. The third is the startling absence in Walter's work of the newest ideas about Jews and Judaism that were becoming more and more prevalent in scholarly circles in his lifetime. This latter point raises a fundamental question about the dissemination of Christian views about Jews in the twelfth century. Recent work on the Christian-Jewish debate has focussed on the development of novel ideas about Jews in the twelfth century and much work is being done to understand better how those views were spread beyond the narrow confines of scholarly circles. Walter's hymns in particular with all their hackneyed phrases signal the importance of not ignoring the continuing existence of traditional views about Jews. They also point to the need to include hymns in the study of the dissemination of anti-Jewish ideas.     

Secular apocalyptic and Thomas Hardy

Thomas Hardy's Jude the Obscure (1895) makes ironically secular use of the imagery of the New Jerusalem and of unregenerate Babylon in the Book of Revelation. His purchase on the text is mediated both by Bunyan's Pilgrim’s Progress, a childhood favourite, and hymns such as ‘Jerusalem the Golden’ translated from Bernard of Cluny's De Contemptu Mundi. Avoiding the traditions of anti-Catholic interpretation, and of explicitly political readings which identify Babylon and the mysterious ‘number of the beast’ with particular historical adversaries and tyrants, Hardy uses the biblical text sardonically to demonstrate the inadequacy of escapist dreams and institutional religion and to explore problems of poverty and ambition complicated by sexuality and its cynical exploitation.     

Characterization in the Hagar and Ishmael Narratives

ABSTRACT

A careful reading of the Hagar and Ishmael stories shows that commentators who take Hagar to be either persecuted victim or exemplary heroine oversimplify. None of the human characters is a paragon of virtue; all are flawed. It is through these very imprefect human beings that YHWH’s purposes are advanced, though even the deity’s own behaviour seems at times to be rather problematic.     

Text,Tribulation and Testimony: The Bible in the Context of the Current Middle East

Abstract

In this article Clare Amos looks at some of the ways that the interpretation of the Bible has affected or might affect the current situation in Israel/Palestine. She explores the question using her own experience in the region as a backdrop. Particular attention is given to the dilemma confronted by Christian Palestinians in view of the way that the Old Testament has been used in some strands of Christian Zionism. She also looks in some detail at the story of Hagar and Ishmael in view of their important place in Islamic and Arab tradition. A distinctive reading of Gen. 15 and 16 is offered which suggests that the biblical writers ‘wrote in’ a demand for justice for Hagar and her descendants in the fabric of the covenant with Abraham. The author argues that the recovery of the importance of the ‘other’ (as in the work of Emmanuel Levinas) is important both for Christianity and Judaism.     

The elusive ‘je’: Language and female subjectivity in Simone de Beauvoir's Les Belles Images

The most striking feature of the narrative of Simone de Beauvoir's novel Les Belles Images (1966) is the constant shift between the third‐person pronoun ‘elle’ (or ‘Laurence') and the first‐person pronoun ‘je’. The pattern produced by this shift in narrative voice within the text has important implications for the construction of female subjectivity in the narrative, primarily in relation to its central character, Laurence. This article examines the nature of Laurence's relationship with language using arguments offered by the feminist psychoanalyst Luce Irigaray pertaining to the relationship of exclusion binding women to language in patriarchal culture. My reading of the novel examines how far Laurence's problematic relationship with language might be read in terms of a quest to articulate her ‘je’ and make her ‘marginal’ voice heard. Further, it engages with, but ultimately problematises, Toril Moi's notion of an ‘authorial’ reading at work in Beauvoir's fictional texts.     

“Appear as Crucified for Me”: Sight,Suffering, and Spiritual Transformation in the Hymns of Charles Wesley

Early Methodist laypeople often described their conversion experiences in terms of seeing the suffering of Christ. This article considers this theme within early Methodist culture by examining the relationship between sight, suffering, and spiritual transformation in the hymns of Charles Wesley. Many of Wesley's hymns depict the suffering of Christ in evocative detail, encouraging the singer or reader to imagine and respond to this suffering in particular ways. I argue that Wesley presents the sight of Christ's suffering as having profound transformative power, at the heart of Christian experience. In doing so he constructs Methodist spirituality in a way that draws upon both the ancient Christian tradition of Passion devotion and contemporary eighteenth‐century convictions about the power of the sight of suffering.     

The Swinging Gate: Katherine Mansfield's Missionary Vision

At the age of thirteen, Mansfield wrote “I want to be a Maori missionary” in her Book of Common Prayer. “The Swinging Gate: Katherine Mansfield's Missionary Vision” by Richard Cappuccio argues that Mansfield's initial diary entry is a lens through which one can read her interests in, rebellion against, and modifications of her Anglican background. The article discusses close readings of her poems “The Sea Child,” “The Butterfly,” and “To L.H. B.” as well as two of her stories — “Prelude,” and “How Pearl Button Was Kidnapped.” In addition it draws on journals and letters to focus on a relationship between Maori systems of belief, her affinities with Frank Harris's “A Holy Man (After Tolstoi),” and her final observations about G. I. Gurdjieff.     

Meaning and Structure in Callimachus' Hymns to Artemis and Delos

An analysis of the two poems, comparing them to the Homeric Hymn to Apollo and Callimachus' Hymn to Zeus, shows that their choice and treatment of the material is made according to two opposing principles of composition that determine the differing images of the god in the two hymns.     

STALINISM IN RETROSPECT: HANNAH ARENDT

Established writers whose reputation is affixed to a particular line of argument are typically ill disposed to change their minds in public. Some authors sincerely believe that the historical record vindicates them. Others are determined that the historical record will vindicate them. Still others ignore the historical record. Among students of totalitarianism, no one had more at stake reputationally than Hannah Arendt. It is not just that The Origins of Totalitarianism (1951) established her as the premier thinker on its topic. It is also that totalitarianism, as she understood it, ribbons through all of her subsequent books, from the discussion of “the social” in The Human Condition (1958) to the analysis of thinking in the posthumously published The Life of the Mind (1978). How ready was she to adapt or to change entirely arguments she had first formulated as early as the mid‐to‐late 1940s? “Stalinism in Retrospect,” her contribution to Columbia University's Seminar on Communism series, offers a rare opportunity to answer, at least partially, this question. Arendt's foil was the publication of recent books on Stalin and the Stalin era by three Russian witnesses: Nadezhda Mandelstam, Roy Medvedev, and Aleksandr Solzhenitsyn. According to Arendt, the books meshed with her own theoretical conception of Bolshevism while changing the “whole taste” of the period: they contained new insights into the nature of totalitarian criminality and evil. “Stalinism in Retrospect” documents Arendt's arguments and challenges to them by a number of the seminar's participants. Of particular note is the exchange between her and Zbigniew Brzezinski, an expert on the Soviet Union, a major interpreter of totalitarianism in his own right, and soon to be President Carter's National Security Advisor (January 1977–January 1981). Notes by the editor, Peter Baehr, offer a critical context for understanding Arendt's argument.     

Gisèle Halimi entre plainte et plaidoyer: ‘On naît avocate,on ne le devient pas’

This intellectual portrait of defence lawyer and feminist activist Gisèle Halimi tests the hypothesis that her writings function like one long closing argument in a courtroom, where a passionate ‘I’ fights for Justice not only by making sure that the Law is upheld but, when necessary, trying to change the Law with the weapons authorised by the judicial system—narratives and stories. Each word is at the service of the overall agenda. One of the unexpected textual consequences of this ethical position is that it becomes radically impossible to separate autobiography from history, or the voice of the renowned public figure of Maître Halimi from Gisèle's ‘I’.