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Although discussions of the French intellectual often address engagement with anti-colonialism and the decolonisation process more generally, most notably in relation to the Algerian War of Independence, critical attention is rarely directed at the existence of a wider yet related intellectual culture that may connect the disparate parts of the French-speaking world. This article explores the rise of the postcolonial intellectual in this politico-cultural and linguistic space, and asks whether such a figure may be seen as part of a coherent tradition. Foregrounding the interdependency and regular overlap of ‘French’ and ‘Francophone’ intellectual cultures, the study creates connections between thinkers in metropolitan France and its former colonies, placed here in a dialectical, conjunctive rather than in a binary, disjunctive relationship. The article explores three case studies – those of Victor Segalen (central to the work of such key postcolonial thinkers as Edouard Glissant and Abdelkebir Khatibi), Léopold Sédar Senghor and Frantz Fanon – in order to underline the complex genealogies of the emergent tradition it identifies. It concludes with a consideration of the definitive role of the postcolonial intellectual in debates regarding the legacy of colonialism in contemporary France.  相似文献   

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With this paper, we address the culture of fear around youth violence in the US, and the way it is manifest in news media. We elaborate on the sexist, classist and racist biases in reporting and the ways violence is unequally commemorated and dismissed. We argue that place and, in particular, the myth of Middle America is a large player in selective memory.  相似文献   

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Responding to recent scholarly and activist discussions of the public museum as a site of anti-feminism, this article examines the historical development of ‘feminist museology’ in Britain. Focusing on the mystery and controversies surrounding an anonymous woman’s gift of Hans Holbein’s Christina of Denmark to the National Gallery in 1909, this study investigates the dynamic of art, gender, and citizenship during the prewar Liberal crisis. The Holbein debates marked an important shift in the institutional status of feminism and the gendered parameters of cultural property, and offer a new perspective on our own practices of heritage and patrimony.  相似文献   

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在我们周围被发现的、令人尴尬的智力差异背后有一种黑格尔主义的残余,它依然在强迫我们去探索某种潜在的整一性或单一的时代精神.这种倾向在近年来没有其他地方比试图从大量的、非常独特的智力条件中,"发现"(创造)某种单一的结构主义方面更为明显.为了界定某个"结构主义者"的研究领域,人们可以引证许多这样的尝试,但在民俗学界早期努力创造的广义方法论中,最值得注意的可能是阿兰·邓迪斯的方法论.他在1964年的<北美印第安人民间故事形态>一文中,提出了对结构主义的早期看法,赋予了弗拉迪米尔·普洛普、克劳德·列维-斯特劳斯及其追随者的著作以"结构"的特征,并将它们与不同学科门类的广泛领域联系起来:  相似文献   

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Breaking Ground, edited by Cohen and Joukowsky, presents biographies of twelve female American and European archaeologists who pursued fieldwork in the Old World in the late 19th and 20th centuries. Though accurately grounded in archival sources and careful citation, readers would need guidelines to theoretical and methodological issues to better understand the type of scholarly products that the various biographies represent. As explicit historiographic and gender discussions are avoided, focus is placed on these pioneers' individual experiences. The anthology provides a wide-ranging but somewhat fragmented understanding of the gendered character of the archaeological discipline.  相似文献   

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