Bluebeard's Female Helper: The Ambiguous Rôle of the Strange Old Woman in the Grimms' “Castle of Murder” and “The Robber Bridegroom”1

“Bluebeard” criticism has constantly overlooked the presence, in some versions, of an old woman in the forbidden chamber. The ambiguity of this figure, helper of both victim and villain, points to the way the story highlights the various roles women have to play in the patriarchal world of the Märchen. If there is a message in these stories, it is about the importance of female communication and bonding in a patriarchal world where isolation too often leads to a woman becoming a victim.     

Gothic memory and forgetfulness in Elizabeth Bowen's A World of Love and ‘The Demon Lover’

Elizabeth Bowen's A World of Love (1954) and ‘The Demon Lover’ (1945) share an uncustomary usage of Gothic conventions: the Anglo-Irish writer invests the Gothic genre with new meaning for the war-torn Irish and the post-World Wars generation by skewing Gothic conventions, reflecting a new Gothic for a new age – one that has seen the effects of two catastrophic wars and not only dead soldiers, but dead-in-life survivors. In A World of Love, Bowen uses not a ghost that haunts the attic, but a nearly forgotten dead World War I soldier; not a male power of place and a fleeing female, but a female power of place and a displaced male; and not a lonely, menacing castle, but a dilapidated farm. In both the novel and the short story, the dead-in-life survivors must remember in order to successfully exorcise the war and the dead soldiers of war, thereby revitalizing themselves. Those who cannot remember are doomed to the past. This article examines the twist on the Gothic novel and its statement about the possibly disastrous effects of forgetting and of remembering incorrectly – anxieties shared by other twentieth-century Irish writers in terms of their eroding cultural identity and past.     

Alice Munro,Charles McGrath,and the Shaping of “The Turkey Season”

Using archival evidence of the editorial process behind the publication of the story “The Turkey Season,” this article explores the collaborative literary relationship between Alice Munro and one of her long-time editors at The New Yorker magazine, Charles McGrath. It reveals McGrath’s exceptional contribution to the story—restructuring it by combining the two versions Munro submitted into a composite—and theorizes the composite version’s effects on the epistemological grounding of the story and the narrator’s certainty about her own memory of the events she recounts, both of which are features that are often considered characteristic of Munro’s style in her mature writing.     

“The Pull of Love”: Mutual Love as Democratic Virtue in Niebuhrian Political Theology

Although Reinhold Niebuhr's account of democracy aims to protect marginalized communities by restraining sin through the diffusion of power, the conceptions of sin and love that inform his political theology have anti-democratic consequences for members of these communities. I address this inconsistency by revisiting his under-developed idea of mutual love and clarifying his account of sin. Mutual love occupies crucial terrain between agape and justice for Niebuhr, and therefore enables moral agents to achieve democratic goals. Given the nature and importance of mutual love, I clarify Niebuhr's account of sin by making his position on “self-love” more moderate than it often appears.     

“The Lord Your God is God of Gods and Lord of Lords”: Is Monotheism a Political Problem in the Hebrew Bible?

Erik Peterson's famous monograph on “Monotheism as a Political Problem” argued that some pre-Cappadocian Christian theology was at risk of correlating too closely the universal rule of God and the apparently universal rule of Caesar. Peterson claimed that Cappadocian trinitarian theology and Augustinian eschatology ruled out such dangerous political-theological analogies for future Christian thought, thereby undermining the type of political theology that engaged Carl Schmitt. Peterson overlooked key resources for his argument, however, by neglecting the development of monotheism in the Hebrew Bible. Israelite religion, in fact, does not exhibit a correlation between monotheism and theological legitimation of political order, but the reverse. “Political theology” in the Hebrew Bible begins to fade precisely as a more transcendent and universal monotheism emerges in the biblical literature of the exilic and post-exilic periods. This implies that Peterson was mistaken to claim monotheism itself as the primary source of the political-theological problem he identifies.     

The Gothic and the Gaelic: Exploring the Place of Castles in Ireland’s Celtic Revival

This paper examines the conflict in early nineteenth century Ireland that emerged between the way castles were portrayed in academia on the one hand and romantic literature on the other. Focusing on a key text of the Celtic Revival, Sydney Owensons The Wild Irish Girl, the paper explores how this novel (with its strong gothic influences) established a lens through which Gaelic Ireland could be understood and how this in turn affected the representation of castles. The second part of the paper ties these themes into an analysis of the relationship between architecture, literature and identity in the occupation of Leap Castle, Co. Offaly during the changing political climate of nineteenth and early twentieth century Ireland.     

A Thematic Analysis of “Love” and “Truth” in Caritas in Veritate

Abstract

The encyclical Caritas in veritate uses love as its guiding theological theme, and this innovation exposes the encyclical to critical reflections from some of the greatest theological minds of the mid-twentieth century. This article attempts to revive these critiques in order to analyze Benedict XVI’s use of caritas. Does Benedict’s use of love differ from his predecessors, and is it in any way more adequate? Are the critiques leveled against a social ethic of love merely the product of a hopelessly cynical age, or is love merely a species of interpersonal amity-inapplicable to broader social contexts? Does the fusion of love with the fundamentally contested notion of truth clarify what the Pope means by caritas, or is this conceptual marriage fraught with imprecision and inconsistencies?     

The “Nation of Poetry”: Language,Festival and Subversion in Macedonia

This article critically examines the Struga Poetry Festival established in 1961 when it placed Macedonian poets and writers on the wider map of world poetry, international literature and language. With this the festival carried a subversive and an emancipatory task that not only promoted Macedonia's national poetry but also pushed the nation itself onto the world stage. Although highly politicized (and deeply political), the festival emerged as a seemingly apolitical event that celebrated the “universal language of poetry”. Yet, with its aesthetic form of an open event devoted to poetry, this festival (in a very Bakhtinian manner) pinpoints the obvious carnivalesque element in manoeuvring and subverting established social and political hierarchies. Initially, it allowed Macedonian language and poets to join established national states that have “undisputed” (or less disputed) literary traditions. The subversive nature of this festival after the 2001 military conflict in Macedonia changed the direction and intensity of the Albanian struggle for improving their status into the Macedonian society. This event has effectively allowed a minority group to initiate social movement and engage in serious identity politics related to territorial self-governance, language and cultural representation.     

“The Most Hated Woman in America”: Madalyn Murray and the Crusade against School Prayer

Throughout her life, Madalyn Murray (O'Hair) tried to obliterate the concept of God and Christianity. She first burst onto the national stage in the early 1960s with a lawsuit against the religious exercises her son was subjected to in a Baltimore, Maryland, public school. A colorful woman who flouted convention, Murray despised religion: “If people want to go to church and be crazy fools, that's their business. But I don't want them praying in ball parks, legislatures, courts and schools. … They can believe in their virgin birth and the rest of their mumbo jumbo, as long as they don't interfere with me, my children, my home, my job, my money or my intellectual views.” At a time when religious conviction was often equated with patriotism, Murray's public statements were regarded as heretical. The media naturally sought her out and as the public learned more about her, Murray was demonized as a belligerent, loudmouthed crank—“the most hated woman in America.” She was not, in fact, the first person to challenge school prayer successfully. That distinction belonged to a fellow atheist, Lawrence Roth, in Engel v. Vitale (1962), a highly unpopular decision against a state-devised prayer in New York. But unlike the reclusive Roth, Murray gravitated to the limelight and became the leader of American atheism in the late twentieth century.