Provocation Versus Performativity: Launching la littérature coloniale française in 1909

In 1909, the colonial newspaper La Dépêche coloniale launched an enquiry entitled La Littérature coloniale de la France comparée à celle d'Angleterre. It was through this initiative that the idea of a ‘French colonial literature’ first caught wider public attention and generated polemics in literary circles and beyond. The aim of this article is to study the aesthetic and ideological agendas driving the enquiry and the polarised reactions it produced, from a sociological perspective inspired by Pierre Bourdieu's work. The author argues that La Dépêche coloniale's questionnaire encoded a set of assumptions designed to guide the answers and impose a vision of colonial literature, rather than elicit debate. One of the respondents, Pierre Mille (1864–1941), preferred provocation: in a piece published in a high-circulation daily Le Temps ahead of the results of La Dépêche coloniale's enquiry, he proclaimed Rudyard Kipling to be the model colonial author, only to conclude that French colonial literature was inexistent. The ensuing debate marked a watershed in the conceptualisation and the institutionalisation of French colonial literature, by setting in motion a process that would be brought to completion in the interwar period.     

Constructing,promoting and controlling the littérature coloniale of interwar France: an anatomy of the Grand prix de littérature coloniale (1921–1938)

In creating the Grand prix de littérature coloniale (1921–1938) and appointing the award’s panel, the Minister of the Colonies, Albert Sarraut, endowed littérature coloniale with its first institution and ushered in new synergies between the political centre of the Empire and writers self-identifying as ‘colonial’. Pan-colonial in scope and bundling all overseas territories into a single entity that only made sense in relation to the metropolis, the form of literary colonialism that the metropolitan Grand prix promoted and its claim to universal authority over the textual representations of the Empire were contested by regional cultural awards mushrooming across French colonies and protectorates in the interwar period. The author argues that the fast-changing politics and policies of the Grand prix and the discourse surrounding its attribution were all weapons through which this battle for the ownership of colonial literature between the métropole and its periphery was fought, quickly outweighing discussions about aesthetic merit. They also show why metropolitan colonial literature and its regional variants gain from being analysed jointly, in their interrelatedness, by exploring understudied links between geographical space (both real and imagined) and the distribution of financial and symbolic capital across the French Empire during the interwar period.     

Les fondements d’une phénoménologie de la littérature selon Jan Patočka

Le phénoménologue tchèque Jan Pato?ka, auteur d’une phénoménologie asubjective défendant la thèse d’un procès asubjectif de l’apparaître (d’une autonomie du phénomène par rapport à l’ego), a accordé au problème des relations nécessaires et difficiles que la philosophie entretient en son sein même avec la littérature une attention particulière qui l’a conduit à poser les fondements d’une phénoménologie de la littérature centrée autour de l’idée d’un asubjectivisme de l’écrivain. Nous suivrons ici deux axes de réflexion connexes: premièrement, nous montrerons pourquoi et comment Pato?ka restaure le vocabulaire et la vision de l’homme propres au mythe et reprend ce qu’il aperçoit comme le fondement de la tragédie pour élaborer une nouvelle compréhension du phénomène de l’existence comme mouvement. Deuxièmement, nous décrirons le rôle que joue l’écrivain moderne à une époque marquée par la fragmentation de la vie. Car l’écrivain qui édifie une “littérature métaphysique” a le privilège, selon Pato?ka, d’être “l’administrateur propre et originel de l’intégralité de la vie et de la totalité universelle”, il est ainsi une sorte de “quasi-phénoménologue” dont la philosophie ne peut se passer si elle veut saisir ces phénomènes qui, sans être purement et simplement subjectifs, ne peuvent néanmoins être réduits à l’objectivité du concept.     

Entre Littérature Et Religion Les Pratiques D’Auteur De Jean Goulu

The activities of Jean Goulu in the 1620s, an author and superior of a religious order, the Catholic congregation of the « Feuillants », are a good example of the conflicts over the uses of print in France in the early xvii ^th century. An erudite translator of Greek philosophy and author of anti-protestant pamphlets, spiritual books, but also of a polemical book on eloquence, Goulu was uniquely positioned at the crossroads of the political, religious and literary debates of his time. On one level, his books obviously serve to advance his very successful career within his religious congregation, but they also represent a moral and political attempt to control the publications intended for the growing number of non scholarly readers. Goulu’s books aim to guide this relatively uneducated public. He hopes to satisfy these inexperienced readers’ request for novelty with attractive, but moral, writings. Last but not least, his books seek to fashion good reading and interpreting habits. This study thus makes it possible to understand how one can use books to build one’s social identity as well as to act concretely upon the society in which they are published.     

Écriture, institution et société le travail littéraire dans la Compagnie de jésus en France (1620–1720)

For the past few years, a renewal of historical studies has begun on the intellectual work of the old Company of Jesus. In this paper, we would like to emphasize the place and the process of literary activities in France between 1620 and 1720, by describing the attempts to create an intellectual apostolate. Two approaches have been applied here: on the one hand, from an institutional point of view, we will estimate the importance of intellectual work in the spectrum of responsibilities inside the Congregation; on the other hand, the analysis based on several antijesuit polemics will point to the social communication of the Order.     

On Will and Reason in L'astrée

This article sheds light on the technique of amplificatio by which Boccaccio expands the stories of famous women he finds in Valerius Maximus's De fide uxorium. Boccaccio's work on famous women situates itself between the genres of fiction and the historical treatise. It analyzes in philological detail Boccaccio's citation technique and his elaboration of the ancient model, showing how the greatest narrator of the Italian Middle Ages revitalizes and actualizes it and crafts an original literary product.     

Qu’est-Ce Quela «Littérature Générale»? La Culture Lettrée au Prisme du Marché du Livre de la Première Moitié du XX e Siècle

The aim of this paper is to shed light on the importance, for cultural history, of a professional concept from the publishing worl, for example « general literature » - a concept which goes against most of the usual forms of classification and division of intellectual output. Through the use of an « indigenous » source from within the publishing domain such as the advertisement notices published in Bibliographie de la France, one can show the coherence of a wide domain which encompasses - but also widely surpasses - the boundaries of literature as commonly conceived. As one category of publishing output, general literature can be characterized during the first half of the XX ^th century by the use of the same material form the 12mo whose profound significance is the intention to reach a « wide educated audience ». Thus, it is by taking into account the structure of this output that, through such a domain as general literature, the publishing market allows the question of the actual existence and aspects of learned culture to be raised.     

Trapped in clichés: masculinity,films and tourism in Iceland

When the Icelandic television series ‘Trapped’ was aired it instantly garnered worldwide attention. The main character, a rugged Icelandic man, is presented as being one with the harsh cold landscape. This article demonstrates how visual materials, like ‘Trapped,’ have become extremely important in the presentation of Iceland to the outside world, as well as working to present Iceland as a tourism destination. Furthermore, we evidence how ‘Trapped’ identifies with the Nordic noir genre. Our analysis shows that the series ‘Trapped’ and recent Icelandic films rest on the strong and entrenched association of Icelandicness with maleness, while also reflecting on existing stereotypes about Iceland and the Icelandic people as being exotic, both of which have become reanimated through the tourism industry. Thus, visual material such as ‘Trapped’ constitutes a part of, and becomes in and of itself symbolic of recurrent masculinity in Iceland. Our analysis emphasizes the importance of framing the ‘official’ production of locations as tourism destinations by both state and commercial industries in relation to other cultural productions that often also engage with mobile historical stereotyping and commercial attempts at nation branding.     

Settler colonialism in Canada and the Métis

Although the literature on settler colonialism intends to identify what is specific about the settler colonial experience, it can also homogenize diverse settler colonial narratives and contexts. In particular, in Canada, discussion of the ‘logic of elimination’ must contend with the discrete experiences of multiple Indigenous groups, including the Métis. This article examines relationships between Métis people and settler colonialism in Canada to distinguish how Métis histories contribute to a broader narrative of settler colonial genocide in Canada. Cast as ‘halfbreeds’ and considered rebels by the newly forming Canadian nation-state, Métis peoples were discouraged from ‘illegitimate breeding’. Moreover, their unique experiences of the residential school system and forced sterilization have heretofore been underexplored in historiographies of genocide and settler colonial elimination in Canada. These social, political and racial divisions in Canada are magnified through genocidal structures and they reach a critical juncture between colonialism and mixed ethnicities. At that juncture, groups like the Métis in Canada are within a metaphorical gap or, more accurately, a jurisdictional gap. Colonial treatment of the Métis demonstrates, in part, the broad reach of colonial control and how uneven it is, often to the detriment of the Métis and Indigenous groups in Canada.