The Good Life in Victorian and Edwardian Surbiton: Creating a Suburban Community Before 1914

Abstract

Throughout their recent history suburbs and suburban society have been characterised by a number of writers — including historians — as being dull, detached, monotonous, lacking in community spirit and devoid of cultural activity. The aim of this article is to challenge these negative stereotypes by examining the reality of community life in the classic suburban town of Surbiton before 1914. It sets out a framework within which communities can be defined and analysed and argues that the criteria used to identify working class communities in the past are not necessarily applicable to more middle class suburban communities. The historical evidence for community life and identity in Surbiton before 1914 is provided by the existence of clubs and societies; sporting and leisure activities; participation in cultural events; support networks when necessary; multi-class activities; and enlightened middle class leadership.     

Reimagining sustainable cultures: constitutions, land and art

Globalisation is about the interconnection of peoples and places in accelerated ways, but it is also about resistance and adaptation in the face of change. Discussions of sustainability now incorporate both dynamic understandings of culture and the recognition that place matters because the practices that are in need of sustaining, as well as those that pose threats, happen in particular communities and in specific geographic contexts. Culture is codified not only in property rights and legislation, but also in the public artistic expressions of peoples and places. Case studies from Nunavut and Scotland show the interrelationships of sovereignty and claims to identity and community. Art, as a result of creative action in the case of Cape Dorset Inuit printmakers and carvers on Baffin Island, and a millennium tapestry telling the stories of the Isle of Harris, complement matters of property rights. Both discussions show that identity is about material culture and property relations in respect of land. Serious discussions of sustainability, in contrast to the technical practices frequently invoked using the term sustainable development, require considerations of the dynamics of complex cultural arrangements in particular places, rather than assumptions of stability of either peoples or their ecological contexts.     

The spirit of place of Bhaktapur,Nepal

There is no clear approach to defining the authenticity of the ‘spirit and feeling’ of a place or how it could inform heritage conservation. I argue that the notion of spirit of place may be defined in a manner that directly links it with the concept of cultural significance of historic places, how it is understood by a community and with heritage conservation goals and development needs of that place. Residents in the World Heritage Town of Bhaktapur, Nepal, were interviewed to explore their shared understanding of its spirit of place. The residents identify the spirit of place of Bhaktapur in terms of four interrelated place dimensions; that is, the ‘sense of sacrality’, the ‘sense of community’, the ‘sense of historicity’ and the ‘sense of serenity’.     

'Creating a Place to Belong': Girls' and Boys' Hut-building as a Site for Understanding Discourses on Childhood and Generational Relations in a Norwegian Community

The empirical focus of this article is children's huts as a particular place for constructions of identities and peer relations among children in a Norwegian local community. Building huts can be seen as children's construction of special places during childhood. Often these places are seen as secret places, reflecting a separate 'children's culture' developed within a particular microcosm. I argue that the social practices developed among girls and boys are related in complex ways to local cultural practices and the construction of gendered generational relations in the community. The title 'Creating a place to belong' refers not only to children's attachment to particular physical places, but also to children's place within a field of age-related as well as inter-generational relations.     

Iranian Zoroastrians in Canada: Balancing Religious and Cultural Identities

Canada, now the number-one destination for Iranian migrants, is home to one of the world's most dynamic Zoroastrian communities, in which Iranians are increasingly represented and are playing ever more visible roles in maintaining and transforming the tradition. While exile has in some ways reunited Iranian and Parsi (South Asian) Zoroastrians after more than 1,000 years of separation, cultural and in some cases religious differences mean that they continue largely to live in separate spheres even while sharing their places of worship. Iranian Zoroastrians in Canada participate in some social settings as Iranians, in others as Zoroastrians, and in still others as Canadians, but to a large extent they remain a community unto themselves separate from these other three. Even so, their generally progressive interpretations of Zoroastrianism are having an influence on Parsi communities worldwide as well as on Zoroastrians in Iran, and being often recognized as “original Iranians” they are playing important roles in promoting awareness of Iranian culture within the broader community.     

(Re)creating places and spaces in two countries: Brazilian transnational migration processes

Brazilian immigration to the United States is a relatively recent phenomenon that gained momentum in the 1980s in unprecedented numbers. Today an estimated 1.2 million Brazilians live in the United States. Brazilians (re)create transnational places and spaces through social, cultural, and economic practices, within the immigrant receiving communities of Marietta, Georgia, and Framingham, Massachusetts, in the United States. They also incorporate and add new elements to their livelihoods in the respective sending communities of Piracanjuba, in the state of Goiás, and Governador Valadares, in the state of Minas Gerais, in Brazil. How are these Portuguese-speaking Brazilian immigrants shaping and (re)creating new places and spaces? In what ways and spheres do transnational exchanges affect two places of destination in the United States and two places of origin in Brazil after migration occurs? Using multiple methods, which include in-depth interviews and participant observation, this paper addresses these questions by evaluating the changes incurred by migration. I use a framework perspective that is largely from outside the Latino/Hispanic context. Migration processes are just as much about those who leave Brazil for the United States as it is about those who return to Brazil (i.e. returnees) and what happens to those respective receiving and sending communities in both countries.     

Wales: Industrial Fallibility and Spirit of Place

Barely noticed in their anonymity and detachment, the mining communities of South Wales are being left isolated through the locational forces of deindustrialization. These monuments to an era of past industrial grandeur now harbor a dispirited people who reflect a growing passivity to their plight, a saturnine resignation to their distress. The collapse of their cultural spirit can indicate what might be expected to occur in other declining industrial areas of Europe and the United States where communities also experience industrial fallibility.     

Book Reviews

Heritage is important for the social and cultural health of communities, whilst local stewardship of cultural heritage has the capacity to empower and recover cultural identity. This paper describes a recent project in Lakhnu – a small rural village in Uttar Pradesh, India – to restore a nineteenth century villa formerly used as the village school as an educational facility. In this discussion, we draw attention to the right of groups to manage their culture. The loss of cultural heritage is linked to a loss of identity. We argue that heritage projects have the capacity to empower communities to sustain their heritage and identity and provide useful places for social and material advancement through the concept of a shared ‘symbolic estate’. At Lakhnu, we plan to evoke grass-root conservation where local communities become the rightful stakeholders and decision-makers who are encouraged and facilitated in the realisation of their right to cultural heritage and to stimulate growth and build capacity for the community.     

Public folklore dialogism and critical heritage studies

Abstract

Public folklore’s dialogic engagement with communities incorporates methodologies for sharing representational and interpretive authority, collaborative programme development, mutually constructed modes of presentation and stakeholder participation in policy-making. While recognising that heritage interventions inevitably involve power asymmetries, public folklore seeks to mitigate and diminish these imbalances as it develops approaches to enable communities to present their culture on their own terms. This paper explores dialogic public folklore practice through community self-documentation projects, folklife festivals, government folk arts funding programmes and a project promoting places of local cultural significance. It provides examples of the integration of multiple roles of public folklorists as scholars, administrators, producers of folklore presentations and government heritage officers. Public folklore praxis achieved through the integration of these roles is seen as a potential model for critical heritage studies praxis for scholars who are advisors and researchers in intangible cultural heritage (ICH) initiatives. Critical heritage scholars involved with ICH can learn from how public folklorists engage with communities and foster cultural self-determination. For public folklorists, collaboration and increased dialogue with critical heritage scholars could foster greater awareness of hegemonic discourses, reconceptualisation of the social base of ICH and recognition of the pitfalls of fostering economic development through heritage.     

Sound recordings and cultural heritage: the Fonck Museum,the Felbermayer collection,and its relevance to contemporary Easter Island culture

Sound recording plays a prominent role in cultural heritage work in the Pacific region, supported by sound archives and institutional collections that serve to preserve this intangible cultural heritage. While it has long been a standard practice for field recordings to be lodged in institutions of learning, recent developments in Pacific research have emphasised the ethical and social benefits that can result from the repatriation of sound recordings to their communities of origin, and from the development of field recording practices in which cultural stakeholders are more directly involved. Meanwhile, the digitisation of historical sound recordings and the use of digital domains for dissemination have become matters of theoretical and methodological inquiry in their own right. This article seeks to contribute to the discourse surrounding the repatriation of historical field recordings through the presentation of findings from a recent Chilean government-funded digitisation and repatriation project involving previously undocumented recordings of Easter Island (Rapanui) music from the Fonck Museum, Viña del Mar. It will explain the circumstances under which the project developed, the strategies pursued in bringing it to fruition, and the reception of the project by the Rapanui community.     

Community,Connection and Conservation: Intangible Cultural Values in Natural Heritage—the Case of Shirakami‐sanchi World Heritage Area

Intangible cultural heritage, according to a UNESCO definition, is ‘the practices, representations, expressions as well as the knowledge and skills that communities, groups and in some cases individuals recognise as part of their cultural heritage’. Using a case study of Shirakami‐sanchi World Heritage Area, this paper illustrates how the local community's conservation commitment was formed through their long‐term everyday interactions with nature. Such connectivity is vital to maintaining the authentic integrity of a place that does not exclude humans. An examination of the formation of the community's conservation commitment for Shirakami reveals that it is the community's spiritual connection and place‐based identity that have supported conservation, leading to the World Heritage nomination, and it is argued that the recognition of such intangible cultural heritage is vital in conservation. The challenge, then, is how to communicate such spiritual heritage today. Forms of community involvement are discussed in an attempt to answer this question.     

Natural hazards and religion in New Orleans: Coping strategies and interpretations

Socially disadvantaged people are more vulnerable and exposed to the effects of extreme natural events and the social disasters which follow. This article presents the coping strategies and cultural creativity of the most vulnerable (non‐conformist African American religious/spiritual) communities in New Orleans today and in the aftermath of Katrina. Rituals and religious practices play an important role in resilience‐building and for relief and recovery from disasters. Case studies are presented to demonstrate how these devotions, and the community‐building and mutual support that take place as a result (as well as individual practices), have assisted practitioners in their struggle for survival during Katrina and the yearly hurricane season. The article also examines how natural hazards are perceived and reflected in religious explanations and expressions, as well as in spiritual arts, and how they lead to change and adaptations. Here, affected people are not regarded as ‘passive victims’ but as creative and active agents.     

A Saxon Fish Weir and Undated Fish Trap Frames Near Ashlett Creek,Hampshire, UK: Static Structures on a Dynamic Foreshore

The remains of a wooden V-shaped fish weir and associated structures have been discovered near Ashlett Creek on the tidal mudflats of Southampton Water in Hampshire, southern Britain. Radiocarbon dating of oak roundwood stakes taken from the main weir structure date it to the middle Saxon period. Clusters of as-yet undated roundwood posts within the catchment area of the weir are interpreted as the frames for fish traps that are assumed to pre- or post-date the operational period of the weir itself. The weir is contemporary with wooden V-shaped fish weirs found elsewhere in southern and central Britain, and also Ireland, but its circular catchment ‘pound’ remains restricted, in these islands, to the Solent and Severn estuaries: it has a close parallel with another Saxon-era weir on the nearby Isle of Wight. It also shows striking structural similarities with examples in use today in Basse Normandy, on the southern shore of the English Channel. The paper discusses the function and operation of the weir, and places it in its social and historical context. Regressive cartography demonstrates that the structures have become exposed as a result of saltmarsh retreat in this area of Southampton Water since the nineteenth century. The radiocarbon dates returned for the posts demonstrate that this transgression of the marsh must have been preceded by a prolonged period of progradation, which covered and preserved the site; its subsequent re-exposure has negative implications for its survival.     

Valuing the Arts: Theorising and Realising Cultural Capital in an Australian City

For those who make and admire artistic works, there is no question of their value. However, for others interested in economic development, the value of the arts is often more tangential, contested and questionable. While the post‐modern world of consumption and spectacle suggests to some academics and governments that the arts and cultural industries are the way of the future, others remain sceptical about their social and economic value. This is a theoretical as well as a practical issue this paper explores by offering a reconceptualisation of Pierre Bourdieu's concept of cultural capital as a way of re‐assessing the value of the arts. The paper then applies this framework to quantify and qualify the value of the arts in one regional city in Australia – Geelong in Victoria – focusing on the work of two artists. The aim is to describe the interconnected processes by which the arts generate cultural capital in the form of confidence, image, individual well‐being, social cohesion and economic viability. The analysis also highlights the ongoing power relations which prescribe artistic production, circulation and valuation. The implications of such a rethinking and application go well beyond one city and region to other places grappling with the relationship between artistic production and urban well being. By focusing on the broad‐ranging process by which artistic value is created for individuals, groups, professionals, communities and governments, a model becomes available for other places to use in realising their cultural capital.     

The Archaeology of Native Societies in the Chesapeake: New Investigations and Interpretations

Archaeological studies of Native American societies in the Chesapeake have recently incorporated a broader range of interpretive frames, including those that emphasize historical contingency and social interaction rather than cultural ecology and cultural materialism. New evidence of Woodland-period population movements, persistent places, and cycles of social ranking has prompted historically oriented interpretations that foreground particular configurations of ideology, tradition, ritual, and agency. Contact-period studies have demonstrated that native strategies of the colonial period were rooted in precontact social landscapes. Contemporary American Indians are also reclaiming their pasts in ways that challenge archaeological practices and further broaden perspectives on the Chesapeake past.     

MEMORY,LANDSCAPE & MORTUARY PRACTICE

Stone Age people handled their dead in various ways. From the Late Mesolithic period onwards, the deceased were also buried in formal cemeteries, and according to radiocarbon dates, the cemeteries were used for long periods and occasionally reused after a hiatus of several hundred years. The tradition of continuous burials indicates that the cemeteries were not only static containers of the dead but also important places for Stone Age communities, which were often established in potent places and marked by landscape features that might have had a strong association with death. The paper explores the tradition of burials in cemeteries exemplified through Jönsas Stone Age cemetery in southern Finland. Here the natural topography, along with memories of practices conducted at the site in the past, played a significant role in the Stone Age mortuary practices, also resulting in the ritual reuse of the cemetery by the Neolithic Corded Ware Culture.     

The disciplining of scientific communities

Abstract

Amidst ongoing concern with training students in the skills and knowledge necessary to contribute towards a knowledge-intensive economy, we explore how particular ‘epistemic subjects’ are produced within specific epistemic communities. We examine how social studies of science have probed the ‘disciplining’ practices that constitute scientific knowledge production, but have tended to overlook how students participate in, and become members of, epistemic communities. We propose that training contexts provide a window onto the disciplining processes through which scientific fields and their practitioners are co-produced. We offer an empirical example of an emerging scientific field that is working to establish community boundaries through the recruitment and training of university students. We explore how newcomers’ practices, values and identities are disciplined through participation in this nascent community whilst remaining open to negotiation and resistance. The conclusion calls for more scholarly attention to educational trajectories as processes through which disciplines and their disciples are produced.     

Migration,common property,and communal labor: cultural politics and agency in a Mexican village

This article examines the politics of migration in an indigenous Oaxacan village (Mexico), and finds that the village acts, with measured success, to shape the timing and rhythm of migration. Villagers regard migration as necessary yet problematic. Migration provides income for village families yet undercuts traditions of community service and disrupts the integrity of local development networks that link the community to NGOs, state bureaucracies, and product markets. As a consequence, villagers engage in a cultural politics of negotiation and contestation that moulds both the meanings of migration, and the village social practices that regulate migration. Regulation operates via the setting of norms for village communal labor participation: those who do not undertake assigned tasks (cargos and tequios) face loss of usufruct of communal lands. This finding of strong sending community agency is contrasted with recent migration studies that emphasize the agency of migrant networks and transnational spaces. The paper presents a case study of migration that examines the exercise of community agency via collective labor participation, and the study concludes by calling for a greater analytical focus on the cultural politics of sending communities.     

Indigenous health organizations,Indigenous community resurgence,and the reclamation of place in urban areas

Research around the world has been nearly unanimous about the positive impacts of Indigenous‐led health organizations on Indigenous peoples' qualitative experiences in health care, in the face of often negative experiences in non‐Indigenous‐led health care settings. Urban environments, including health care environments, are areas of increasing attention with regard to Indigenous peoples' health in Canada. In this study, which took place in the northern city of Prince George, British Columbia, 65 Indigenous community members and health services workers participated in interviews and focus groups, describing their experiences with urban Indigenous‐led health organizations—defined in this study as non‐governmental organizations that prioritize the values and practices of local Indigenous communities. Employing perspectives on place and relationships drawn from Indigenous critical theory and Indigenous community resurgence to analyze the findings of this qualitative study leads to a focus on how relationships impact and can even constitute places, enabling new understandings of the roles of Indigenous‐led health organizations in urban Indigenous community resurgence.     

The new mimics? Cross-cultural learning in Salvador da Bahia,Brazil

The city of Salvador da Bahia, Brazil attracts considerable numbers of visitors who spend time there in order to participate in local cultural practices, particularly percussion music, capoeira and African–Brazilian dance. This paper investigates the extent of their engagement with those practices and with the wider cultural context. It was found that such participatory cross-cultural learning, adoption and travel can be split into categories and differs markedly from conventional tourism. Theorisations of cultural interaction have frequently concentrated on colonialism or migration, where acculturation is a by-product of political, economic and even military shifts. The concept of “mimicry” as used in postcolonial theory is evoked here and considered in relation to the processes studied. One of the main differences is that the subjects voluntarily expose themselves to a measure of culture shock. Furthermore, the adoption takes place against the predominant global flow of cultural influence from the “West” to the rest. Apart from certain factors which make Bahian culture accessible and attractive, motivating factors for this voluntary movement and orientation are the perception of particular aspects of that culture as “authentic other”, as well as a weakened attachment to place, specifically to Western community and cultural origins.