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本文从经济史角度考察艺术起源,认为实用艺术为艺术之父,装饰艺术为艺术之母,宗教是艺术的助产婆,图腾是新石器时代艺术的特色。从而概定了图腾艺术对于促进社会分工的重要历史地位,并认为交换产生于私有制之前,艺术商品化亦发生在人类的远古时代,远古艺术品是一般等价物的早期形态。 相似文献
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中国史前的乐舞艺术。是史前人类体育文化原始娱乐形态的表现形式之一。根据考古发现的资料和相关的研究。史前的乐舞艺术见之于史前人类的生产劳动、生殖崇拜、宗教祭仪以及史前战争等人类生活形态中。 相似文献
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敦煌艺术品在艺术形态、创作方式上表现出明显的时代风格。本文通过敦煌艺术与当代影视艺术表现形式关联的分析,论述了敦煌艺术在为影视艺术所借鉴时呈现出的形式、寓意、创作思路的时代特征,并指出了敦煌艺术与影视艺术从艺术形态、表现形式、创作方法等多方面的时代融合与交流。 相似文献
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外地艺术青年京都寻梦[北京]金汕"北京是中国的好莱坞"-这个比喻既形象又不准确。从艺术人才的集中与影响全国的艺术水平看,这个比喻是对的。而北京作为一个8百年古都,它的悠久历史,它完备的文化形态,浓厚的人文气息,文化中心的独特地位,又是好莱坞所不能企及... 相似文献
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新媒体艺术以新的视觉经验、沟通形态与互动方式扩展了人类的审美体验。这种全新的艺术形式带有明显的高科技特征,极大地依赖于先进的科学理论和技术成果,是艺术与科学的交叉融合。 相似文献
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Macmillan M 《Journal of the history of the neurosciences》2004,13(2):150-152
Some of the problems of establishing the cause of the death of Alexander the Great are like the attempts to find causes other than hysteria for Anna O.'s symptoms. The more general problem of using plausibility as a criterion of the truth of such reconstructions are illustrated by the arguments embedded in Tom Stoppard's Arcadia. 相似文献
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Malcolm Macmillan 《Journal of the history of the neurosciences》2013,22(2):150-152
Some of the problems of establishing the cause of the death of Alexander the Great are like the attempts to find causes other than hysteria for Anna O.’s symptoms. The more general problem of using plausibility as a criterion of the truth of such reconstructions are illustrated by the arguments embedded in Tom Stoppard’s Arcadia. 相似文献
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James G. Ryan 《American Communist History》2013,12(2):147-152
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《The Seventeenth century》2012,27(1):31-53
ABSTRACTThis paper challenges the notion that Galenic humouralism stripped the early modern body of agency and argues that some accounts of early modern materialism were connected to epistemology. It evidences how Milton’s passions are inscribed with the shocking language of agency and moral responsibility to overturn the assumption of “passive”, unconscious passions. It explores two pictures of passions in connection with knowledge: passions as obstacles to knowledge, and passions as sources as knowledge. Both images recast the material body as a knowing agent, but do so with complications. Agency-ridden passions complicate a straightforward notion of agency, and seem to leave early moderns with the option of blaming their passions instead of themselves for deception. Frequent references to internal passions in political discourses also suggests an unsettling degree of comfort with subjectivity in making knowledge-statements, but it is a version of subjectivity that seems far more public than private. 相似文献
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AMITBARUAH 《中国西藏(英文版)》2004,15(5):20-21
“It means nice place in the Tibetan language,” he says. I tell him that the Yarlung Tsangpo is not such a “nice place” for the people of Assam living downstream-because it has repealed its annual flooding venture. But in Tibet, the Tsangpo flows peacefully from its birth in the Kailash range in the far west of the Tibetan plateau. 相似文献
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