共查询到20条相似文献,搜索用时 15 毫秒
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David Steele 《European Legacy》2007,12(1):1-21
Can a democratic Global Society become the alternative to Empire and bring order into present international anarchy? One hundred percent sovereignty in nation states gives “security” to each but creates “anarchy” in relations between states. To bring order into international relations some sovereignty has to be surrendered. Empire, which does bring an order of sorts, is imposed from outside, is undemocratic and aggrandising. Global Society can be conceptualised as its alternative. Sharply contrasting Global Society to Empire tends to pose the former as a panacea, but it is important to know its potential faults. Global Society can be envisioned at the constitutive stage and as continuing to exert influence within the institutions it creates. At the difficult constitutive stage, it will be fragile and of unwieldy size and ought only be called into play at critical junctures. The institutions it creates will be a democratic federal regime of regional blocks of states. To resolve issues, Global Society presumes effective consocial dialogue and participation rather than violent contention. Classical and Hellenistic Greece provide examples where vision and honour battled with the ambitions and greed of Empire and remarkably sometimes won. All the Greek city-states were under some sort of regional federal alliance at different times and drew strength from shared religious sanctuaries and their attached Games. The various interchanges between democratic Federalism and Empire in ancient Greece offers a microcosm of today's interregnum between modern and postmodern international relations.
For as democratic political theorists at the start of the twenty first century, we do not seem to be able to do without the legitimizing idea of the People, but we do not know what to do with it. —Margaret Canovan, “The People, the Masses, and the Mobilization of Power: The Paradox of Hannah Arendt's ‘Populism’” 相似文献
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《Byzantine and Modern Greek Studies》2013,37(1):105-117
AbstractIn the introduction to Angelos Sikelianos: Selected Poems, the translators speak of Sikelianos's ‘mythological attitude … toward life’ and of his conception of myth not so much ‘as a rhetorical or metaphorical device but as a spontaneous creation of the human soul directed toward the revelation of a hidden spiritual life’, in short, of mythology as a kind of religion closely related to Schelling's perception of the function of myth. These remarks, written originally some years ago, may have their just proportion of truth, but in keeping with most introductory remarks, they strike me as rather too general, rather too undiscriminating when one brings them face to face with Sikelianos's practice at different moments of his career. I want to try to be more discriminating by considering the role of myth – specifically ancient Greek myth – in the poet's work both early and late in his career. I think it is a changing role, perhaps not in his fundamental association of gods with a contemporary landscape and his revelation of those mysteries that lie hidden in our everyday lives, but in the mode of this association and this revelation, and in the depth of their poetic significance. 相似文献
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Daniel Gómez-Castro 《War & society》2019,38(1):2-18
This article presents an overview of the historiography of Greek mercenaries and the proliferation of the phenomenon during the fourth century BC. It evaluates theoretical approaches to the political, economic and military roles that mercenaries played in Classical Greece during that century. In doing so, it considers the ways that interstate relations between the poleis shaped the development and recruitment of this form of soldier. The article disentangles the mercenary from a rich body of scholarship in economic history, demonstrating that analysis of the roles and functions of this figure can shed light on other dimensions of the Classical period, including international relations. Finally, it signals paths that the study of Greek mercenaries might take in the coming years. 相似文献
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Claire Taylor 《Gender & history》2011,23(3):703-720
This paper explores how women used their social networks within the ancient Greek urban environment in two spheres: first with regard to their civic engagement, and second with regard to their social relationships. By examining the types of social networks in which women were involved, how they were used and their impact on social relations, it argues that historians should broaden their conception of women's contribution to the Greek civic environment. Such an approach shows how women negotiated social and economic status within the polis community, how they used their social capital as a resource for social and civic engagement and sheds light on their personal relationships. These relationships not only enhanced women's well‐being and allowed them to determine their own roles in community life, but also formed the basis of their engagement with the polis. Considering the social networks to which women belonged, and the differing types of social capital embedded in them, further enables an examination of female friendship. Recognising the contribution of women to the polis community is necessary in order to understand the wider social and civic relationships within the ancient city. 相似文献
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青花是一种釉下彩瓷,是钴(Co)元素在窑炉中烧制后得到的结果.青翠明丽的青花和温润如玉的白釉相互映衬,如蓝天白云,典雅而华贵. 相似文献
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中国古代的文化与文明 总被引:3,自引:0,他引:3
中国旧石器时代早期的文化,就以秦岭为界,分为南北两个工业区,至旧石器时代晚期,南方和北方又可分为不同的区域性文化类型。这为中国中石器时代和新石器时代的文化多元性的出现,准备了条件。 相似文献
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Vassiliki Lalioti 《History & Anthropology》2013,24(2):113-137
This paper is an ethnographic account of ancient Greek drama performances that take place in contemporary Greece. The material presented here is part of the data that were collected, mainly through participant observation, interviews and newspapers, during 1997 and 1998 in Athens. The paper illuminates an aspect of modern ancient drama performances that has not been taken into account until today: it treats them as commemorative ceremonies that produce, reproduce, and transmit social memory. The interrelation and interdependence between social memory and ethnic identity construction processes are analyzed and is shown that ancient drama performances, due to specific characteristics, constitute something more than mere theatrical events (as they are defined within the Western tradition). These performances, which convey, sustain, and transmit perceptions of a glorious culture of the past, become, for their creators and spectators, as members of an ethnic group, occasions for consciously remembering their ethnic past, and coming, in a way, to a "mythical identification" with it. 相似文献
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在西方文化起源时期,深深滋养于超自然之泉的古代人相信精灵世界的实有,他们感到自己就处在其中。上帝、天使、魔鬼和死人的灵魂是凡人用眼睛可以看到、用耳朵可以听到的。人们相信在另一个世界的存在秩序,因为他们在自己的世界里总是遇到它的代替品。基督教兴起之时,它从文学、哲学及社会现实中汲取古希腊、罗马的幽灵观念,从中寻找可利用的方面,为基督死后幽灵现世和最终复活寻求有力的论据,从而使人们转而相信基督,皈依其教。 相似文献