Rationalisation, <Emphasis Type="Italic">Kunstwollen</Emphasis> et Moyens Techniques de L’Expressivité

Cet article cherche à retracer quelques-uns des éléments à la fois empiriques, historiques et sociologiques de la Sociologie de la musique de Max Weber. Même si ce dernier s’intéresse en premier lieu au processus de rationalisation qui traverse la civilisation occidentale, sa Sociologie de la musique est fondée sur l’idée de médium technique, qu’il explore dans plusieurs directions différentes. Nous revisitons ici cette idée au moyen de quelques exemples tirés de la musique occidentale et en particulier du répertoire romantique pour le piano.     

USS <Emphasis Type="Italic">Independence’s</Emphasis> Aircraft

Submerged aircraft are a newly emerging area of study in underwater archaeology. In August 2016, a multidisciplinary team conducted the first archaeological survey of the deep water (829 m) wreck of the ex-USS Independence (CVL22), a WWII era light carrier scuttled off San Francisco after its use as an atomic bomb test target and subsequently as a floating radiological laboratory and training facility. Using the remotely operated vehicles Argus and Hercules, the expedition documented and studied Independence including assessment of a sonar target thought to be an aircraft resting inside the sunken carrier’s forward elevator pit. The survey confirmed the presence of a plane, but previous assumptions as to the type and identity of this aircraft, based on archival records, proved erroneous. As well, the remains of a second, and possibly a third, aircraft were also encountered during the 2016 survey. These artifacts, through their context, both as naval warplanes on an aircraft carrier, and as test articles for seaborne nuclear weapons development, more precisely fit within the parameters of maritime archaeology. They join other archaeological evidence at the Independence site that helps define its significance within the context of World War II and the Cold War.     

<Emphasis Type="Italic">Garum and Liquamen,</Emphasis> What’s in a Name?

There is a dilemma at the heart of the study of the Roman fish sauce trade. The meaning of the Greek and Latin words used to name the fish sauces is still contested: currently there is much confusion and contradiction between modern scholars and ancient commentators about the use of the terms garum and liquamen. It is also not readily recognised that the ancients themselves were less than clear as to the exact meaning of the terms that they used, and this confusion has informed and exacerbated our own. In this paper some of the key texts that have been used to define fish sauce are re-evaluated in light of the need to distinguish and separate them out into the distinct types and sub-types.     

Morphological reconstruction of Roman <Emphasis Type="Italic">styli</Emphasis> from <Emphasis Type="Italic">Iulia Concordia</Emphasis>—Italy

Iulia Concordia is an important Roman settlement known for the production of iron objects and weapons during the Roman Empire. A huge number of well-preserved styli were found in the bed of the main channel of the city. In order to shed light on the production processes used by Roman for stylus manufacturing and the conservation state of the finds, a neutron tomography analysis was performed on NEUTRA beamline in Switzerland. SEM-EDS analyses were performed on few selected objects in order to identify the composition of metal decorations. Here, we present results from our investigation conducted on 91 styli, disclosing, in a non-invasive way, the morphological characterization related to the ancient Roman working techniques.     

The Archaeology of the Gaucho <Emphasis Type="Italic">“Vago y Mal</Emphasis><Emphasis Type="Italic">Entretenido”</Emphasis>

The purpose of this article is to explain and discuss the essential operational characteristics of the technology of power (sensu Foucault) perpetrated on the internal frontiers with the Indians in nineteenth-century Argentina. The conquest and colonization of the Pampas took shape in the establishment of military camp structures placed to create a defensive cordon, known as “the Indian frontier line.” These constructions were fortlets defended by gaucho cavalry squadrons (know as Blandengues during the Spanish period, and then Guardias Nacionales after Argentinean Independence). This process is known in Argentinean historiography as “the conquest of the desert.” This particular technology of power existed in this historical context and operated at every social level, impacting strongly on the lower classes that inhabited the incorrectly named “desert.” Its implementation in the military field enabled the existence of an array of micro-powers that surrounded the gaucho, called vago y malentretenido—“a vagrant and lingerer”—and their women's lives. The army as institution was the locus of various forms of coercion and old forms of punishment (such as the stakes, whipping, and public executions) most of which affected peasants, nonresidents, itinerant workers, and the rural youth. This schema was adopted in different areas: in the enrolment and discipline of the gaucho soldiers, in life in the fortlet-prisons, and in the ritualism of power. The alternative chosen by soldiers to evade this technology of power and the fortlet-panopticons was escape through desertion. The utility of those observations is demonstrated, because an important part of the area of research of historical archaeology that has developed with the greatest impetus in Argentina has taken fortlets as its subject of study.     

Le Médium Technique: Objet et <Emphasis Type="Italic">A Priori</Emphasis>

In his fragment on music, Max Weber reduces the empirically describable musical object to the «technical medium» utilized by each culture on condition that its analysis remains heterogeneous in the face of aesthetic valorisations. Weber emphasises that the phonographic reproduction of sound constitutes the condition of possibility of an empirical analysis of the musical material, the point of departure of a modern comparative musicology. The empirical approach and cultural comparison thus appear linked in an «empirico-transcendental» crossover which makes both an object and an a priori out of the technical medium. The article explains this methodological choice and its consequences for a comparative sociology of art.     

Archaeometric analysis of Late Roman amphorae from <Emphasis Type="Italic">Africa</Emphasis> in the ancient city of <Emphasis Type="Italic">Iluro</Emphasis> (Mataró, Catalonia,Spain)

In this paper, the results of the archaeometric study of an assemblage of Late Roman amphorae, found in several contexts from the ancient city of Iluro (Mataró, Catalonia, Spain) and with a presumable origin in Roman Africa, is presented. A total of 57 samples have been analysed, by means of optical microscopy (thin-section analysis), X-ray fluorescence and X-ray diffraction, in order to obtain an integrated petrographic, chemical and mineralogical characterisation and, from this data, to shed light on their provenance. The results indicate the presence of a large number of fabrics, most of them with a Tunisian provenance; a fabric probably from Algeria was also found, as well as a few chemical-petrographic loners that should be related to a provenance out of Africa. Concerning the Tunisian fabrics, the comparison with data from production centres allows for a more precise provenance hypothesis for many of them. These results are useful for the study of the trade networks of Iluro in Late Antiquity, since they provide new evidence on the diversity of transport amphorae that were arriving to this urban centre in Hispania Tarraconensis, showing a more complex reality than initially suggested by the archaeological evidence.     

A Cost-Based Ripley’s <Emphasis Type="Italic">K</Emphasis> Function to Assess Social Strategies in Settlement Patterning

Most quantitative approaches to distributional analysis in archaeology assume a homogeneous study surface that is amenable to easy generalisations. This framework has been widely used to describe settlement processes, disregarding the spatial heterogeneity inherent to geographic reality. In other words, researchers have often assumed that the correlation between the elements of a spatial distribution is a function of the Euclidean distance (i.e. straight line distance) between them. Other archaeological studies have tested alternative measures to Euclidean distances, such as cost-based ones, both to describe optimal routes and to assess spatial autocorrelation in a point pattern. Nevertheless, until now there has been no suitable model to introduce these measures into spatial statistical equations. In order to overcome this obstacle, we approach the implementation problem inversely by embedding the spatial pattern under study into a Euclidean frame of reference based on its cost-distance pairwise matrix. This paper describes the application of this methodology on one of the main tools used by archaeologists to assess settlement patterns: Ripley’s K function. We present two case studies, covering both macroscale and mesoscale, with significant variations in the results depending on the use of the Euclidean or cost-based approach. Data, functions and results have been R-packaged for the sake of reproducibility and reusability, allowing other researchers to build upon our methods.     

Culture <Emphasis Type="Italic">Versus</Emphasis> Civilisation la Genèse D’une Opposition

Closely linked to the concept of history, the notion of culture becomes a collective singular during the last third of the xviii ^th century. The German idea of culture did not immediately come into opposition with the notion of civilization and both terms were for a long time almost identical in meaning. What does the polemical orientation of the German notion of culture reveal from 1880–1890? First, the crumbling of the idealistic neo-kantian pattern of self-determined cultivated person as an end in itself (the so-called Selbstbildung); second, the growing moral condemnation of the empty spirit of the time. This double process reaches its apogee full of hatred during World War I.