Preaching in thirteenth-century hospitals

This article uses thirteenth-century hospital sermons as a window into the moral and religious environment of these charitable institutions, large numbers of which were founded during the twelfth and thirteenth centuries. What emerges from the reportationes of sermons preached in the hôtel-dieu of Paris and ad status sermons directed at hospitals' personnel and inmates by Jacques de Vitry, Humbert of Romans and Guibert de Tournai is a spirituality that stressed the penitential (and potentially salvific) power of doing works of mercy (in the case of hospital workers) and bodily suffering (in the case of hospital inmates). The particular social context of hospital preaching is also evident in preachers' anxieties about the quality of hospital administration. The sermons that were preached in thirteenth-century hospitals reflect the heightened value placed on caring for the sick and poor, a historical development more often associated with the later middle ages.     

Preaching in thirteenth-century hospitals

This article uses thirteenth-century hospital sermons as a window into the moral and religious environment of these charitable institutions, large numbers of which were founded during the twelfth and thirteenth centuries. What emerges from the reportationes of sermons preached in the hôtel-dieu of Paris and ad status sermons directed at hospitals' personnel and inmates by Jacques de Vitry, Humbert of Romans and Guibert de Tournai is a spirituality that stressed the penitential (and potentially salvific) power of doing works of mercy (in the case of hospital workers) and bodily suffering (in the case of hospital inmates). The particular social context of hospital preaching is also evident in preachers' anxieties about the quality of hospital administration. The sermons that were preached in thirteenth-century hospitals reflect the heightened value placed on caring for the sick and poor, a historical development more often associated with the later middle ages.     

Troubadours in Debate: The Breviari d'Amor

Matfre Ermengaud's thirteenth-century Occitan encyclopedia, the Breviari d'Amor, concludes with a treatise on courtly love, the “Perilhos tractat d'amor de donas segon que han tractat li antic trobador en lors cansos.” In this treatise, the chief figures of courtly love—the lovers, ladies, troubadours, and maldizen, with Matfre as narrator and participant—dispute key tenets of love, quoting frequently from numerous troubadour lyrics in order to prove their arguments. In fact, the “Perilhos tractat” presents quotations of troubadour lyric in a disputative manner so as to highlight the troubadours as themselves in debate, although the Breviari purports to be structured by the overarching principle of love dictated by the visual mnemonic metaphor of the Tree of Love. This study examines the quotations of the troubadour lyrics here as dialectical, then, rather than as expressing and confirming a unitary vision of Natural Love. The “Perilhos tractat” is a debate not simply on love but also on the understanding and reception of the troubadours more broadly; that is, Matfre's dialectical use of troubadour lyric generates a broader debate about the meaning of the troubadours’ lyrics and their poetic legacy in the late thirteenth century.     

Ceramic Seriation, Sites Chronology, and Old Oyo Factor in Northcentral Yorubaland, Nigeria

This study is an attempt to provide a chronological seriation of pottery from Igbomina in northcentral Yorubaland. The ceramic sequence is developed using multivariate statistical analysis. From the K-means cluster analysis, ceramic collections that are roughly contemporaneous were grouped together; next the collections were seriated with multidimensional scaling to reveal whether they form a pattern that may be chronologically significant. Evaluation of the results of the pottery analysis from the Igbomina sites was based on the chronological division of Old Oyo pottery as well as on radiocarbon dating of associated material from excavated sites in the region. Pottery types from Old Oyo became known in Igbomina probably as early as the thirteenth century AD, and continued to occur in some areas until the late eighteenth century. The presence of Oyo pottery in Igbomina has important implications for the understanding of Oyo's relations with the northern Yoruba group and the frontier position of Igbomina during the Old Oyo Empire.Cette étude cherche à fournir une sériation chronologique de la céramique provenant de Igbomina situé dans la partie centrale du nord de Yorubaland. La séquene de céramique a été élaborée en utilisant une analyse statistique multidimensionnelle. Les collections de céramique plus ou moins contemporaines ont été groupées en se servant de la moyenne du facteur K de la classification ascendante hiérarchique, elles ont ensuite été ordonnées au moyen d'une analyse des proximités pour voir si elles formaient un schéma chronologique significatif. L'évaluation des résultats de l'analyse céramique des sites Iglomina est fondée sur les divisions chronologiques de la céramique Oyo ancienne ainsi que sur des dates radiocarbones obtenues sur du matériel en association provenant de sites fouillés dans la région. Les types de céramique de l'Oyo ancien sont probablement arrivés à Igbomina dès le 13ème siècle et ont continué à apparaître dans certains endroits jusqu'à la fin du 18ème siècle. La présence de la céramique Oyo à Igbomina comporte des implications importantes pour nos connaissances sur les relations des Oyo avec les groupes Yoruba du nord et sur la position de la frontière de Igbomina pendant l'empire Oyo ancien.     

The leitmotiv in the mathematical thought of Gerbert of Aurillac

The political transformation of Italian cities during the thirteenth and fourteenth centuries had a significant impact on the social fabric of those communities. This essay examines the effect of political change on the social order in urban Italy through a study of the response of lay confraternities in Bergamo to the demise of the commune and the rise of the Visconti signoria. We examine the administration, the civic commitments, and the charitable donations of the city's largest confraternity, the Misericordia Maggiore, from the late thirteenth century, when it was a close supporter of the commune, to the mid-fourteenth century, when the confraternity came increasingly to resemble the signorial regime. In its emulation of the social values of contemporary government, and its willingness to adapt to suit prevailing political structures, the Misericordia helped smooth the transition from commune to signoria for its membership and the community at large.     

Notices of a Remarkable Discovery of Silver Ornaments in a Tumulus at Largo,in Fifeshire

A salt-tax, existing in France since the thirteenth century, led to the construction of bonded warehouses. One such grenier-à-sel was in existence in Honfleur before 1372. By the late seventeenth century, chiefly as the result of the development of herring and cod fisheries, the need had arisen for new larger salt-warehouses. Three were constructed in Honfleur, of which two survive, dated 1670. They were built of stone from the demolished town walls.

The most striking feature of these two buildings is the roof carpentry, the trusses of which are a hybrid form comprising straight rafters, rising from projecting sole-plates and carried on the backs of curved principals springing from a point high up the walls to reach collar level. Above the collars rise king-posts supporting both ridge purlins and under-ridge purlins. This structure may be considered to fall within the cruck tradition.     

Honour,Shame and the Fourth Crusade

This article evaluates how far chivalric notions of honour and shame had become associated with crusading by the early thirteenth century. It stems from a wider investigation into how crusading helped to forge standards for knightly behaviour and influenced the development of chivalric ideals. The Fourth Crusade serves as a focused case study, and this article examines the significance of its controversial course and conclusion as well as how two lay authors, Geoffrey of Villehardouin and Robert of Clari, used ideas about honour and shame in their narratives. It takes a close look at terminology, exploring a variety of expressions for concepts of honour and shame, and highlights the contexts in which they were used: whether to describe military encounters, the pressure on social bonds, or leadership roles. It argues that by the turn of the thirteenth century, crusading played a significant rather than extraneous role in developing ideas about chivalric conduct and proper social behaviour.     

Between parson and poet: a re-examination of the Latin Continuation of William of Tyre

Although historians of the crusades and the Latin East are familiar with the Old French translation and continuations of William of Tyre’s Historia, very little has ever been written about the narrative of the Third Crusade generally known as ‘the Latin Continuation of William of Tyre’. This article re-examines the probable date and sources of the Continuatio. Challenging long-standing assumptions about when the Continuatio was written and where the continuator drew his information from, it argues that the evidence points to an original date of composition in the early thirteenth century, not c.1194, as is commonly believed, and that the continuator used Roger of Howden’s Chronica, not his Gesta, as a principal written source. Furthermore, analysis of numerous parallels between the Continuatio and the vernacular Estoire de la guerre sainte attributed to the poet Ambroise reveals a possible relationship between the two texts that has hitherto gone largely unnoticed.     

The Cure of Elf-Shooting in the North-West of Ireland

In this article the study of literary and oral versions of ‘The Tree Demon’ (ATU 1168B) relates to the broader issue of the oral versus written transmission of folktales, which was raised in the late nineteenth century and is still relevant today. It examines three literary versions in compilations from the Middle Ages: a Hebrew version from the tenth century and two Muslim versions from the thirteenth and fifteenth centuries in Persian and Arabic. These are compared with three oral variants from Burma and Cambodia. The development of the ‘Tree Demon’ tale type as a test case is demonstrated through an analysis of the versions' different religious, cultural, and social functions, which reflect their different channels of transmission and historical settings.     

Maurofilia y maurofobia en el Libro del conde de Castilla

The Poema de Fernán González (or Libro del conde de Castilla) is not a crusade song, nor is it an epic poem or a historical account commemorating the foundation of San Pedro de Arlanza Monastery. It is rather a hybrid text that employs all the literary and historical resources available around the middle of the thirteenth century to an educated poet who was intent on transmitting to future generations the memory of the Count who made possible the independence of Castile. All episodes in the poem point to Castile's unique place in history, describing through the protagonist's bellicose deeds its hegemonic ascendency as the most important kingdom of the Iberian peninsula. Its destiny is determined by the hero's combative character against all enemies, whether Christians or Moors, and more specifically by confronting the powerful kings of neighboring states León and Navarre.     

Crusading and crusade memory in Caesarius of Heisterbach's Dialogus miraculorum

This article is a preliminary investigation into the way the Cistercians of the twelfth and thirteenth centuries conceptualised and contextualised the history of the crusading movement, with a specific focus on the way in which they integrated their involvement in crusading into the Order's sense of institutional memory and corporate identity. The article presents a study of Caesarius of Heisterbach's Dialogus miraculorum, a collection of exempla that was composed for the edification of Cistercian novices in the first quarter of the thirteenth century. Although the text is well known to medievalists (and particularly to scholars of medieval Cisterciana), it has yet to be subjected to a close reading by historians of the crusades. By examining the way in which Caesarius used and described the crusades in the Dialogus, the article demonstrates the potential of using non-narrative texts to explore medieval understandings of the crusading past and, more generally, illustrates further the importance of warfare in the shaping of medieval monastic culture.     

Walter of Châtillon: A twelfth-century poet's engagement with Jews

This article concerns one of the most eminent poets of the twelfth century, Walter of Châtillon, the author of the well-known Alexandreis. Walter of Châtillon is presented as a case study to show that twelfth-century poets as well as scholars were interested in the Christian-Jewish debate. Walter wrote a treatise against the Jews and referred to Jews and Judaism in many of his poems, especially in his hymns for Christmas. Whereas he concentrated on literal exegesis of biblical texts in his treatise, he favoured figurative biblical imagery in his hymns. A number of things are striking. The first is the central role that the Christian-Jewish debate played in his views on the origins and fate of mankind. The second is the need Walter evidently felt for anti-Jewish language in order to express his religious convictions. The third is the startling absence in Walter's work of the newest ideas about Jews and Judaism that were becoming more and more prevalent in scholarly circles in his lifetime. This latter point raises a fundamental question about the dissemination of Christian views about Jews in the twelfth century. Recent work on the Christian-Jewish debate has focussed on the development of novel ideas about Jews in the twelfth century and much work is being done to understand better how those views were spread beyond the narrow confines of scholarly circles. Walter's hymns in particular with all their hackneyed phrases signal the importance of not ignoring the continuing existence of traditional views about Jews. They also point to the need to include hymns in the study of the dissemination of anti-Jewish ideas.     

Ancients and moderns in medieval music theory: from Guido of Arezzo to Jacobus

ABSTRACT

Medieval discourse about both the theory and practice of music featured much debate about the views of moderni and antiqui from when Guido of Arezzo devised a new way of recording pitch in the early eleventh century to the complaints of Jacobus in the early fourteenth century about new forms of measured music in the ars nova. There was also a shift from a Boethian notion that practical music was a manifestation of cosmic music, towards a more Aristotelian model, that privileged music as sensory experience. That this could have a profound effect on human emotion was articulated by Johannes de Grocheio writing about music c. 1270 and Guy of Saint-Denis soon after 1300 about plainchant. Jacobus, writing in the 1320s, was troubled by this shift in thinking about music not as reflections of transcendent realities, but as sounds of human invention that served to move the soul. He argued that musical patterns should reflect a transcendent harmony that was both cosmic and celestial.     

Death's dance of women

The 1486 edition of La grant danse macabre des femmes by Martial d'Auvergne, also known as Martial de Paris, is the subject of this study. The skeleton, representing death, queries each of the thirty-six women described in the poem. The answers they give tell us about their occupation and the chances of their salvation. The author is a realist who represents only those women he is familiar with and shows deep understanding of the women portrayed. The concerns of the flesh get more attention than the spiritual factors.Death was very important in the middle ages, especially in the late fourteenth and fifteenth century. It was featured in public curiosity, religion, literature, visual and dramatic presentations, and popular beliefs. The authors attempt to describe it and give an answer to the pressing problems of death in the fifteenth century.     

Faunal remains from the Islamic fort at Luluyyah (Sharjah,UAE)

Knowledge about human subsistence and the role of animal economy in the Islamic period of south‐east Arabia is still sketchy. The analysis of faunal remains from the coastal fort at Luluyyah (Sharjah, UAE), dated to the late thirteenth and early fourteenth century CE, provides some information. People depended on marine resources and domestic animals, a trait observable in the region since the Neolithic. Livestock breeding was not particularly developed. Judging by the distribution of their skeletal remains, the animals were slaughtered at the fort, implying that they either lived there or reached it alive.     

The custom of the English Church: parish church maintenance in England before 1300

A division of responsibility for parish church fabric and contents between rector and parishioners first appeared in English ecclesiastical legislation in the early thirteenth century and was to remain in place until the mid-nineteenth century. It is often suggested that this responsibility was forced onto parishioners by a clergy keen to limit their own financial liability and that this marks the point at which parishioners first become involved in their local churches. This article looks at the development of these statutes from their origins in the Anglo-Saxon period through to their full realisation in the later thirteenth century. It argues that there were many among the thirteenth-century ecclesiastical hierarchy who were opposed to this change, and that far from being forced on parishioners, allowing parishioners to take responsibility for part of the church was a pragmatic solution to problems brought about by changes to both parishes and parish churches.     

Preaching laughter in the thirteenth century: the exempla of Arnold of Liège (d. c.1308) and his Dominican milieu

Historians of medieval laughter have, over the past few decades, imagined the thirteenth century as a period of Christian rapprochement with laughter and humour. Whereas in the twelfth century and before, laughter was largely associated – in art, exegesis, narrative and in preaching – with diabolism and damnation, the consensus is that in the 1200s and beyond Christian culture began deploying and preaching laughter as a positive spiritual expression and strategy. Above all, scholars have identified this shift with the thought and practice of the Dominican Order. This paper enriches this narrative by analysing the neglected exempla collection of the Dominican preacher Arnold of Liège (d. c.1308). Reading Arnold's collection – which harshly forbids laughter – in relief to a number of similar compilations made by Dominicans in the same period, offers an image of how the significance of laughter had become pluralised in mendicant theology by 1300, and of how old ideas of a radically negative laughter persisted in haunting the pulpits and street corners of the thirteenth century.     

The custom of the English Church: parish church maintenance in England before 1300

A division of responsibility for parish church fabric and contents between rector and parishioners first appeared in English ecclesiastical legislation in the early thirteenth century and was to remain in place until the mid-nineteenth century. It is often suggested that this responsibility was forced onto parishioners by a clergy keen to limit their own financial liability and that this marks the point at which parishioners first become involved in their local churches. This article looks at the development of these statutes from their origins in the Anglo-Saxon period through to their full realisation in the later thirteenth century. It argues that there were many among the thirteenth-century ecclesiastical hierarchy who were opposed to this change, and that far from being forced on parishioners, allowing parishioners to take responsibility for part of the church was a pragmatic solution to problems brought about by changes to both parishes and parish churches.     

Did the Teutonic Order create a sacred landscape in thirteenth-century Prussia?

This article defines ‘sacred landscape’ as a combination of factors that the two authoritative chroniclers of the crusades in Prussia, Peter of Dusburg and Nicolaus of Jeroschin, present in their texts. These are the intersection of hierophanies (manifestations of the sacred), martyrdom, relic veneration and pilgrimage activities at specific locations over time: connecting them can account for the Teutonic Order’s role in the sacralisation of Prussia. To map the growth of this concept, the article uses Geographical Information Systems (GIS) in combination with textual analysis, providing a visual and spatial representation of the landscape propagated by the Order. The succeeding period of crusades in the Baltic, namely those against Lithuania in the fourteenth century, shows how the places founded during the thirteenth century functioned as pilgrimage centres for knights going toward the frontier. This article considers to what extent the Teutonic Order’s crusades to Prussia in the thirteenth century created a sacred landscape.