The ‘creative township’ in the post-apartheid: globalisation,nation building or gentrification?

ABSTRACT

This paper analyses the ambiguities of post-Apartheid public cultural policies in South Africa by focusing on the case of the Red Location Museum and Cultural precinct (RLMCP), a multisectoral project for socio-economic development, based on tourism, art, culture, heritagisation and urban regeneration, implemented in Red Location, one of the oldest townships of Port Elizabeth. In the post-Apartheid period, cultural policies have been employed as catch-all policies that could lead to urban renewal, desegregation and development. The case of the RLMCP drives home how efforts to use art and culture as leverages to transform townships into the core of the creative city and into the prototype of a new form of neighbourhood led to exclusionary representations and patterns; moreover, it is an example of how cultural policies enforce gentrification dynamics at the local level, in the name of restructuring urban governance and rescaling the city to the global dimension.     

‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts

This study investigates the relationship between arts-themed development and the strategies used by neighborhood stakeholders, including artists and other marginalized populations, to maintain their place in gentrifying arts and cultural districts. Using a case study of a state-sanctioned Arts & Entertainment District in Baltimore, MD (U.S.A.), I find that the organizations that are ‘thoughtful’ in their development actively seek to maintain the production of arts and the residency of artists in the neighborhood into perpetuity. At the same time, the influx of arts-themed development helps raise property values and spurs re-colonization of the neighborhood’s large industrial buildings, making it difficult for artists to find legal, affordable live/work spaces in the district. As illegal DIY artists’ spaces are increasingly scrutinized by city inspectors, artists and other marginalized populations lose territory in the district and feel that they are being used for capital interests. This paper evaluates arts-themed development and public–private partnerships as a strategy for maintaining artists in revitalizing neighborhoods and considers the possibilities for a more inclusive arts district through political and community engagement.     

我国自驾车旅游与旅游绅士化研究

近几年自驾车旅游在我国迅速兴起,成为一种新型的旅游形态,自驾车旅游者的中产阶层化特征明显,消费的自主性、独特性和炫耀性突出,他们的旅游活动对目的地产生了旅游绅士化效应。在分析绅士化的本质内涵和旅游业特性的基础上,对旅游绅士化概念进行了引申和再界定。通过对自驾车旅游者的绅士化和消费空间分异规律及其对接待地旅游绅士化作用的剖析,讨论了自驾车旅游与旅游绅士化的关系,并将自驾车旅游的旅游绅士化的类型分为:度假区类型的旅游绅士化、乡村旅游地类型的旅游绅士化和温冷景区类型的旅游绅士化。     

社会阶层化与城市社会空间的发展及其与城市娱乐业的(空间)关系

基于学术界共识的后工业化大城市社会空间中产阶层化的理念,本文首次提出社会阶层化的概念并指出社会阶层化主要研究在社会阶层的生活行为扩散和变化规律下,所构建的城市日常居住社区体系和日常生活行为场所体系的时空模式,以此探讨城市社会空间结构的变化。研究认为不同城市发展阶段其对应有不同主导阶层的社会阶层化空间结构。进一步从解构城市社会空间结构的演化动态角度,研究不同社会发展阶段下,社会阶层化与城市娱乐产业的对偶空间结构关系。