陶瓷上的龙纹

Dragon is the most popular pattern in decoration art in China the usage of such design spread all over China and could be commonly foun in ceramics from shang zhou dynasties to Ming,Qing dynasties Especially in the ming and qaing dynasties,the dragon as a decoation pattern is always changing which posseses its own styie in sturcture and form,the traditional Chinese bellefs omen are reflected in such pottert as dragon.     

笔墨倩冶 独写性情——陈洪绶绘画艺术探微

Cheng Hongshou, agenius painter in the late Ming Dynasty, had great achievements and reputation on the traditional Chinese calligraphy and painting, whatever in respects of birds, flowers, andscape or figure. The author briefly introduces the artistic style of his painting and analyzes cause of that.     

龙与古建筑

Dragon is the symbol of Chinese nationality The Chinese proudly call themselves the offspring of dmgon Early in the ancient times the Chinese was irrevocably committed dragon The Chinese like dragon because it is not only a fairy beast Unl stands for a certain spirit as well you could find dragon as a design in ancient chinese architecture,Which embodies the power and the wish for luck.     

浅析代笔书画

Ghostuwriting is a most complicate and difficult problem in the respect of Chinese calligraphy and painting authcntication because the ghostwriting is the requirement of the painter himself and usually approved by him. The painter will cooperate with the ghostwriter and try to be invulnerable. The author introduces such kind of phenomenou in the Chinese calligraphy and painting history in quite a detail. which is believed to he a great help to the authentieators or collectora.     

传统的嬗变——对宋元时期山水画的再认识

This article analyzes styles and various of Chinese traditional wash landscape in the Song and Yuan Dynasries, along the painting history, to disclose the inner stimulus of the form evovement in this period and tries to obtain some new understanding under the base of the aesthetic theores.     

Tangka Painting of Gesar

Rope and other patterns on pottery unearthed from the Karub cultural sites, dating back some 5,000 years, are considered to be the earliest examples of painting art known so far. Rock paintings believed to have come later constitute the embryo of Tibetan painting art.Tangka painting is closely related to frescoes in terms of painting art. Tangka is created to reproduce what is painted in the fresco. Cultures prevalent in China's hinterland, India and Nepal exerted deep influence on Tibetan painting art.Both Princess Wencheng and Princess Jincheng brought the Han Chinese culture into Tibet, which proved to be a boon for the development of Tibetan painting art. With construction of the Potala Palace, Jokhang, Qamzhub and other monasteries, Tibetan painting art developed apace. Frescoes in Jokhang Monastery, Qamzhub Monastery and Potala Palace, still visible today, feature a simple nature, with rich colors and concise lines, while figures were painted in an     

传统女红艺术现代化的先行者——沈寿与她的《雪宦绣谱》

Shen Shou is living modern times setes up revolutionary art of girl modern times education. and self wards off the way. and is the first to do to pay attention to the west in the painting that glossy image is light and shade and the viewpoint that copyd in the realistic writing, the transformation is thawed embroidery in the centre of, smashs China copys in a few thousand the embroidery tradition, morcover by means of the combination against the modern times industry maneuver,the effect coming into being causes this traditional technology advance up the hitherto unknown fresh field of vision.     

老庄思想对文人画的影响

In the developing history of Chinese literati paintiag, Zhang and Taoist thoughts has throwm great influence to the development of the Chinese traditional painting. The connotation, the aesthetie mind and eare to the nature are closely concerncd with the Taoist thought which refleets the essence of it.     

Tonglha Zeweng： Master of the Garma GarzePainting School （1）

Garma Garze painting school is one of the three famous painting schools in the Tibetan-inhibited areas (along with Moinze and Qenze painting schools), and was formed in the 15th century. Major master painters of the school include Tonglha Zeweng, who is one of the most outstanding modem painters in the region.     

NEW BOOKS

<正>The Art of Tibetan Painting The author Yang Huiling is a member of the Tibetan Branch of the Chinese Association of Writers.He has 28 years experience in the military since 1969.This book broadly introduces the advancement,evolution,genre and styles of Tibetan painting in order to reveal the enduring charming of Tibetan fresco and Thangka's eternal vitality.     

随意性笔墨建构的形式意蕴

The Casual Brushes, which began in the Yangtze River area, has long been existed. The aspiration, feeling and deliberation from hearts of the painters enrich the optic forms of the Chinese painting from the respect of the casualty, which displays profound trends of form structure of the Chinese painting.     

Tangka Painting Art of the Tibetan Race （Ⅰ）

Tibetan painting art is mainlyrevealed in mural paintings aswell as tangka.Tangka incar-nates not only the special character of Tibetan painting art but also thefeatures of Tibetan traditional crafts andmounting.     

复见新人忆旧友

Mr. Fu Youxin is a famous artist of Jiangsu Province. His works is poetic and full of freshness. The landscape in his painting is meaningful and vigorous, while the flower and bird in his painting are full of life and elegance. Nowadays, by learning widely from others, Mr. Fu has accumulated a wealth of life experience and his painting skill is approaching perfection day by day.     

西藏藏医药产业现状及发展思路(英文)

The knowledge of Tibetan traditional medicine is one of the most important areas of Chinese traditional medicine,accumulated by Tibetan people on the pla- teau over thousands of years,and constructed by inte- grating the best of Chinese traditional medicine,In- dian medicine,and the medicine of other neighboring countries.Consequently,Tibetan traditional medicine     

Tonglha Zeweng Master of the Garma Garze Painting School (I)

Garma Garze painting school is one of the threefamous painting schools in the Tibetan-inhibitedareas (along with Moinze and Qenze paintingschools),and was formed in the 15th century.Major master painters of the school include Tongl-ha Zeweng,who is one of the most outstandingmodem painters in the region. Tonglha Zeweng(his religious name being Garma LhozhubWose)was born in Dege County in 1901.He started to learn to     

中国狮子的造型

Lion doesn‘t live in China. But like dragon and phoenix, as an important cultural element, it has been merged into the minds and material lives of the Chinese. Combined with the development of Chinese History,the thesis conducts a systematic research into this cultural phenomenon based on historical materialism.     

吐蕃第一窟－－拉萨市药王山札那路浦石窟的几个问题

In this article, through the studies on the statues of brag-lha-klu-phug in Lhasa, combining with Chinese and Tibetan documents, the author makes a further exploration into its date, artistic styly and the relations with the Buddhist art of the neighbourhood. Apart from the influence of the art of grottos in Hexi Area, the traditional cultural relations between Tubo and Nepal, India also should be considered. The styles of statues, the Grotto of Tubo dynasty is closer to that of the Buddhist art of Nepal.     

Emperor Qianlong''''s Painting to the 6th Panchen Erdeni

In the 11th month of the 45th year of the reign of Qing Dynasty Emperor Qianlong (1781), he gave the 6th Panchen Erdeni a painting of a Saba tree complete with a Chi- nese text when the latter came to Beijing to celebrate the imperial birthday. The ink-water painting, 204 cm wide and 90 cm long, bears words written in the Chinese, Tibetan, Manchurian and Mongolian languages. Each of the four sections ends with a seal text meaning Qianlong in corresponding language. Also stamped on the painting are four seal texts of the emperor, such as the one meaning "Treasure of the Emperor in His Advanced Age."