Weapon‐related Cranial Lesions from Medieval and Renaissance Turin,Italy

Archaeological excavations carried out in the square around the Cathedral of S. Giovanni in Turin brought to light burials referable to the medieval and Renaissance periods. The anthropological examination of the skeletal remains allowed to identify two skeletons from the medieval period (10th–11th centuries) and four skeletons from the Renaissance age (15th century) showing weapon‐related cranial injuries. These peri mortem lesions are indicators of interpersonal aggression and in particular of armed conflicts. The two individuals from the early medieval period presented three traumas consisting in sharp force lesions caused by bladed weapons. As regards the Renaissance sample, the majority of the nine peri mortem injuries were sharp force wounds, followed by a blunt force trauma. These distribution patterns might reflect different fighting techniques, whereas the side distribution and location of the skull trauma provide further indications on the fighting modalities. Identification of the weapons that caused these traumas is suggested. The lack of post‐cranial wounds at Piazza S. Giovanni might be explained by the greater attention paid to the head, which was the main target of attack, or by adequate protection of the body through medieval and Renaissance armours. Otherwise, the wounds in the body would have been found only in the soft tissues, with no involvement of the bones. Despite the presence of weapon injuries, the results obtained from the study of the Renaissance sample are different from the findings of other contemporary battlefields. It is highly likely that the individuals of the Renaissance age were not young soldiers employed in war episodes and brought back for burial in Turin after battles that had taken place elsewhere. Instead, they were probably individuals who had died in riots or in other violent city episodes, as the historical records for the Renaissance age seem to confirm. Copyright © 2013 John Wiley & Sons, Ltd.     

The body speaks Italian: Giuseppe Liceti and the conflict of philosophy and medicine in the Renaissance

Giuseppe Liceti (d. 1599) has been entirely forgotten in the history of philosophy. This article seeks to demonstrate that Liceti’s two vernacular dialogues are crucial sources for understanding the Renaissance debate on the conflict between medicine and philosophy. Liceti’s main dialogue, La nobiltà (1590), stages a contest about the nobility of the main bodily organs, which I discuss by placing it in its medical and literary context. I then proceed to expounding Liceti’s interpretation of the conflict between Galenism and Aristotelianism, and trace the specific topic of the seat of rationality in the body. In the conclusion I claim that the outcome of the contest in La nobiltà is not as obvious as it might seem, and that Liceti implies an alternative conclusion to the “official” one. This opens up a different scenario with regard to the interpretation of human uniqueness from medical and philosophical points of view.     

Tracing Medieval and Renaissance Alabaster Works of Art Back to Quarries: A Multi‐Isotope (Sr,S, O) Approach

Multi‐isotope fingerprinting (sulphur, oxygen and strontium isotopes) has been tested to study the provenances of medieval and Renaissance French and Swedish alabaster works of art. Isotope signatures of historical English, French and Spanish alabaster source quarries or areas are revealed to be highly specific, with a strong intra‐group homogeneity and strong inter‐group contrasts, especially for Sr and S isotopes. The chosen combination of isotope tracers is a good basis for forensic work on alabaster provenance, allowing verification of hypotheses about historical trade routes as well as identification of fakes and their origin. The applied analytical techniques of continuous flow isotope ratio mass spectrometry (CF–IRMS) and thermal ionization mass spectrometry (TIMS) only require micro‐samples in the low‐milligram range, thus minimizing the impact on the works of art.     

超越的悖论——试析西欧中世纪修道院改革运动

修道是一种脱离世俗,献身宗教的生活方式,一种超越现实的精神追求。在基督教统治下的中世纪西欧,修道本应是深受尊崇的正统化现象,但奇怪的是,它却不断受到批评和谴责,改革修道院的运动此起彼伏。究其原因,是由于西欧中世纪的社会条件以及基督教的主流化地位使以出世自命的修道成为人世的捷径,修道院里弊端丛生,成为腐败渊薮。以超越现实为宗旨和初衷,却一次比一次更深地陷入现实的泥淖。修道何以出现这种悖论而无力自拔?本对此试作分析。不当之处,尚祈指正。