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Eugenia Paulicelli 《Gender & history》2002,14(3):537-559
The essay offers an analysis of fashion and its bearing on the construction of national identity and politics of style during fascism in Italy. No recent work on fascism has analysed the role of fashion in the complex and contradictory phases of the cultural politics of Mussolini’s regime. The essay aims to illustrate the two sides of fashion and their relevance to the period in question. It shows, on the one hand, how the regime used fashion to discipline the social body, especially women’s, and to create a national style recognisable as such; and, on the other, how fashion is also an individual act through which was expressed the creativity both of the people working in the fashion industry and of ordinary people who used fashion and style to demonstrate their non–conformity with the diktats of the regime. Pointing out that it was as a result of the debate on nationalism of the pre–fascist liberal period that premises for fascist policy were set, the essay argues that the history of fascist fashion policy is one of continuities rather than ruptures. 相似文献
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GEORGE B.SCHALLER 《中国西藏(英文版)》2007,(6)
I first encountered chiru during a wildlife survey in Qinghai in 1985.At that time,I was only aware that they lived on the high Tibetan Plateau,most of them between 4300-5000m in elevation and that they were confined to China,except for a few that strayed into India. 相似文献
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GEORGE B.SCHALLER 《中国西藏(英文版)》2007,(6)
I first encountered chiru during a wildlife survey in Qinghai in 1985.At that time,I was only aware that they lived on the high Tibetan Plateau,most of them between 4300-5000m in elevation and that they were confined to China,except for a few that strayed into India. 相似文献
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20世纪90年代,“国学热”的兴起,表明新文化保守主义形成。这虽然有外在的因素和内在的依据,并且得到了多人的肯定,但就文化认同而言,新保守主义陷入了事实性认同的误区。本文认为,进入新世纪,面对全球化浪潮的冲击,建构性认同是民族认同的正确选择。 相似文献
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Alexandra Lester-Makin 《European Review of History》2013,20(1):159-161
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