Re‐writing the ‘book of blots’: Critical reflections on histories of technological ‘failure’

Abstract

Although an interest in technological ‘failure’ has become prominent in recent history of technology, historians have not always clearly articulated the presuppositions of attributing ‘failure’ to technology. This paper undertakes a critical examination of two main historiographies of ‘failure’: ‘failure’ as categorization of ‘pathological’ technologies that clearly demarcates them from ‘successes’, and ‘failure’ as a mundane and inevitable prerequisite of subsequent ‘success’. To reconcile these divergent analyses, this paper argues that historians should not treat ‘failure’ as residing in the technology itself. It is rather a matter of imputation according to socially‐embedded criteria of what constitutes success and failure. Accordingly judgements of ‘failure’ are prone to interpretive flexibility in a manner that is not necessarily settled by any process of ‘closure.’ I will argue that any ‘failure’ of technologies should be located in the socio‐technical relations of usage, especially in the expectations, skills and resources of human users. The moral irony of attributing responsibility for ‘failure’ to technologies themselves rather than to humans users will thereby be highlighted.     

Agamben and the Migrations of Glory

Abstract

In the American political imagination, there is a longstanding and wide-ranging discussion about the separation of church and state. Though Americans argue about whether it should be a ‘‘high wall,’’ or whether certain ‘‘breaches’’ in it might be desirable, they all take ‘‘separation’’ to describe an institutional arrangement. From Giorgio Agamben's perspective, however, ‘‘separation’’ is an image that conceals much more than it reveals about the religious character of the state and the global economy. Agamben traces ‘‘the migrations of glory’’ from church, to state, to global capitalism. For part of this task, Agamben accepts Michel Foucault's diagnostic approach to power. By one reading, certainly, governmentality has us in its grip. But now government itself is overshadowed by the power of global capitalism. While Foucault sought only to make us ‘‘a little less governed,’’ Agamben is interested in a deeper iconoclasm and a greater emancipation. According to Agamben, our less-than-free condition can be illuminated by reflection on: (1) the state of exception and the camp, which are only made possible by a form of idolatry in which the sovereign assumes to themself a power that they should not have; (2) On another of the ‘‘maps’’ drawn by Agamben, however, there is a further ‘‘migration of glory,’’ away from national sovereignty, toward postmodern global capitalism; (3) The Coming Community provides the barest sketch of Agamben's hope for a remedy, while his reading of Paul's Letter to the Romans in The Time that Remains brings a more visible kind of messianic expectation or vocation back into the discussion of political life. A concluding section discusses five sorts of questions that might be put to Agamben about the overall shape of his project.     

The regard of the first man: on Joseph Addison’s aesthetic categories

This study examines the sources that could inspire Joseph Addison’s influential ‘aesthetic’ triad of ‘great’, ‘uncommon’, and ‘beautiful’, as elaborated in his essay-series The Pleasures of the Imagination in 1712. After identifying a philological problem in the interpretative tradition which gives rise to Addison’s triad from a section of Ps Longinus’ Peri Hypsous, further three seventeenth-century texts – Thomas Burnet’s Telluris theoria sacra, Dominique Bouhours’ Les entretiens d’Ariste et d’Eugène, and Baltasar Gracián’s El Criticón – are presented in order to reconstruct a ‘reading glass’ through which Addison could peruse and understand the Longinian section, and then could create his ‘aesthetic’ triad. As a result of this reconstruction, the possible connection between Gracián’s allegorical novel and Addison’s essay can cast more light on the complex and insufficiently discussed relationship between theology or devotional literature and the emerging modern aesthetic discourse. From this angle, Addison’s ‘man of polite imagination’, that is, the homo aestheticus in the modern sense of the adjective, seems to be the heir of Gracián’s ‘first man’ who has the privilege of regarding the created world in a new light, and, as Addison’s aesthete, of discovering its greatness, novelty and beauty in ‘innocent pleasures’.     

Grief as method: topographies of grief,care, and fieldwork from Northwest Arkansas to New York and the Marshall Islands

Abstract

When we grieve during fieldwork, our grief forms new geographies of knowledge production and emotion. In this article, I use autoethnography to theorize my grief during fieldwork following the death of my sister. I examine grief’s methodological implications using the concept of ‘grief as method,’ an emotionally-inflected practice that accounts for the vulnerability produced by grief. By centering vulnerability, ‘grief as method’ also urges researchers to consider the practices and politics of ‘caring with’ our research subjects and caring for ourselves, raising larger questions about the role of care in research. Furthermore, this article demonstrates how grief’s geographical features—its mobility, its emergence in new sites and landscapes, and its manifestation as both proximity and distance—shape ‘grief as method’ profoundly. I examine grief’s spatial implications by building on Katz’s ‘topography’ to theorize a ‘topography of grief’ that stitches together the emotional geographies of researchers, blurring both spatial divisions (‘the field’ vs. ‘the not-field’) and methodological ones (the ‘researcher-self’ vs. the ‘personal-self’). If we see grief as having a topography, then the relationships between places darkened by grief come into focus. Moreover, by approaching grief methodologically, we can better understand how field encounters—relationships between people—are forged through grief. ‘Grief as method,’ in offering a spatial analysis of grief’s impact on fieldwork, envisions a broader definition of what engaged research looks like and where it takes place.     

Bodies,gender, place and culture: 21 years on

This article examines research on embodiment published in Gender, Place and Culture (GPC) over the past two decades. We searched using the keywords ‘body’, ‘bodies’, ‘embodiment’, ‘embody’, ‘flesh’, ‘fleshy’, ‘corporeality’ and ‘corporeal’, the titles and abstracts of all the articles that have appeared in GPC since it first began publication in 1994. Articles containing these keywords were listed in a searchable bibliography. What we found was a growing volume of research inspired by ‘body politics’ produced over a 21-year period that compares favourably to cognate geography journals. We also found that various themes have emerged including maternal and geopolitical bodies. In other areas, we identified gaps. Throughout the article, we engage with the question: has the upsurge of interest in embodiment, as expressed in the pages of GPC since 1994, led to an upheaval of masculinist ways of thinking in the discipline? We conclude by expressing our feelings of ambivalence.     

The rediscovery of ‘the national’ in the 1990s – contexts,new cultural forms and practices in reunified Germany

This article examines how and in which societal and political contexts nationhood is expressed and symbolised in reunified Germany. This ‘rediscovery’ of nationhood since the 1990s mixes new and old motifs of the cultural repertoire of ‘the national’ for different purposes. Three main contexts triggered a rediscovery of ‘the national’ after 1989: reunification, immigration and the retrenchment of the social state. I argue, by analysing ethnographic material and political discourses, that these contexts, on the one hand, rearticulate old forms of ethnic and cultural nationalism and, on the other hand, create new images and symbols of an open civic society and immigration country. There are ‘playful’ forms, such as campaigns of nation branding, that symbolically include the ‘productive’ and ‘useful’ immigrant into the national project. Moreover, such campaigns serve to legitimatise the downsizing of the national state that – according to a neoliberal attitude – relies on a new community spirit of entrepreneurial, ‘activated’ citizens who ‘help themselves’. Thus, focusing on these pluralised renationalisation processes makes evident how polyvalent ‘the national’ still is. It can be employed by those who attempt to ‘reunite’ the East and West Germans, by businesses to sell their goods and ideas and by almost any political orientation, be it right‐wing or left‐wing.     

Organizing the ‘people’s community’: the NSDAP and the ‘ethnic Germans’ in Nazi-occupied territories

ABSTRACT

This article refers to recent scholarly debates on the term ‘people’s community’ (Volksgemeinschaft), which throughout the Third Reich remained rather vague and encompassed often contradictory purposes. It deals with the relations between the National Socialist German Workers’ Party (Nationalsozialistische Deutsche Arbeiterpartei, NSDAP) and some of the ‘ethnic German’ (volksdeutsche) organizations to exemplify how German society should be transformed into a ‘people’s community’ after 1933. Thus, it is necessary to analyse the ‘people’s community’ not by asking whether or not its different purposes were realized, but by examining its functions in the Nazi regime. This functional analysis of the ‘people’s community’ focuses on the NSDAP and its relations with ‘ethnic German’ organizations after 1933, primarily in Nazi-occupied territories during the Second World War. First, the article describes the NSDAP’s efforts to align the ‘Germans abroad’ (Auslandsdeutsche) after the seizure of power and to organize the German Front (Deutsche Front) in the Saar territories in 1934/35—an experience serving as a blueprint for the relations between the NSDAP and ‘ethnic German’ organizations during the Second World War. Second, it evaluates the creation of the Ethnic German Community (Volksdeutsche Gemeinschaft) in the General Government and its efforts to organize ‘ethnic Germans’. Third, it interprets the foundation of the German People’s Community (Deutsche Volksgemeinschaft) in Lorraine and its ongoing attempts to establish a racial hierarchy of ‘ethnic Germans’ over the autochthonous French population. Fourth, it looks at the connection between the Germanization of Lower Styria and the launch of the Styrian Homeland Union (Steirischer Heimatbund) as an ‘ethnic German’ movement. The article argues that the NSDAP’s operational routines regarding both the German population and the ‘ethnic Germans’ living in the occupied territories shaped the ‘people’s community’.     

Symbolism and Irony in Three Novels by Kosmas Politis

Abstract

In a recent book, Mario Vitti has described Kosmas Politis as ‘emotionally the most highly charged novelist’ of the Generation of 1930. Vitti also points out that Eroica is ‘compositely organized down to the minutest detail’, despite the author's assertion that he wrote each instalment ‘on the presses’. In an attempt to account for the ‘magical’, ‘Poetic' quality of Politis’ writing as pointed out by Greek critics, Vitti investigates Politis' use of irony and of the interior monologue. My purpose in this article is to examine further Politis' ironical approach and to make some preliminary remarks about his use of symbols and imagery (a subject on which far more work has to be done), in the hope that, in so doing, I shall shed some light on the ‘emotionally charged’ and ‘highly organized’ nature of Politis' writing. For reasons of space and time I must confine myself to his first three novels, Lemonodasos (1930), Hekate (1933) and Eroica (1937).     

‘We are of the connections’: migration,methodological nationalism,and ‘militant research’

Abstract

If there were no borders, there would be no migrants – only mobility. The persistent reification of migrants and migration – even in critical migration studies –(re-)fetishizes and (re-)naturalizes the epistemological stability attributed to the (‘national’) state as a modular fixture of geopolitical space. In this regard, migration scholarship (however critical) is implicated in a continuous (re-)reification of ‘migrants’ as a distinct category of human mobility. Thus, the methodological nationalism that rationalizes the whole conjuncture of borders-making-migrants supplies a kind of defining horizon for migration studies as such. The dilemma of methodological nationalism has never been merely a problem of thought, however. It is indeed a manifestation of the veritable participation of researchers and scholars – whether consciously or unwittingly – in the very same sociopolitical processes and struggles through which the ‘national’ configuration of ‘society’ (or, the social field) is reified and actualized as the territorial expression of state power. Therefore, the questions of methodological nationalism and what might be called ‘militant research’ are deeply interconnected, indeed, mutually constitutive. As scholars of ‘migration’ – and above all, as practitioners of ‘militant research’ – we must attend to a self-reflexive critique of our own complicities with the ongoing nationalization of ‘society’. Hence, as researchers or scholars of migration, we are indeed ‘of the connections’ between migrants’ transnational mobilities and the political, legal, and border-policing regimes that seek to orchestrate, regiment, and manage their energies. We are ‘of’ these connections because there is no ‘outside’ or analytical position beyond them. The larger juridical regimes of citizenship, denizenship, and alienage configure us to be always-already located within the nexus of inequalities that are at stake in these conflicts.     

Indonesian domestic workers and the (un)making of transnational livelihoods and provisional futures

Doreen Massey (2005. For Space. London: Sage.) argued that space and time should not be reduced to a bounded locality of the ‘here and now’ and instead proposed re-imagining ‘space as simultaneity of stories-so-far’. We build on her argument to suggest that an appreciation of migrant aspirations and future trajectories require us to go beyond simultaneous ‘stories-so-far’ but also consider ‘stories-to-come’ which may build upon, divert from, or even unmake the ‘stories-so-far’. We apply these ideas to our study (based on a questionnaire survey and in-depth interviews) of the transnational journeys traced by Indonesian domestic workers employed in Singaporean middle-class homes. We argue that socially and culturally specific notions of risk can work to propel and sustain migration into retrogressive occupations like domestic work, as well as disrupt dominant narratives around migrants as strategic actors, necessarily in control of their trajectories and driven by their migration plans. The calculus of risk-taking and aspiration on which transnational livelihoods are predicated is one that takes into account both situatedness in and connectedness across different places (in short simultaneous ‘stories-so-far’). At the same time, future ‘stories-to-come’ may entail both subtle shifts and constant (re)negotiations that propel individual life stories unto different pathways.     

Editorial: Social Spirituality: Monastic Cell or Hectic Street?

Abstract

What makes theology political? Is it the social location of the author, the sources drawn upon, or the content of the argument? Each of these three possibilities is theologically significant, but a little reflection proves none of them decisive in claiming the adjective ‘political’ for a theology. The ‘material production’ of theological works cannot, by itself, render one theology political and another apolitical; for all theological works share a similar ‘social location’ given the similar socio-economic reality of publishing. Whether or not theology is political, or adequately political, cannot finally be determined by material production, the authors' social location or the content of the argument per se. Such forms of apodictic reasoning cannot distinguish apolitical from political theology. It can only be a function of practical reasoning. It alone can advance the current stalemate among persons that theology should be characterized as ‘church’, ‘confessional’, ‘sectarian’, ‘liberatory’, ‘political’ or ‘public’. I argue that the best we can do to adjudicate these differences is to engage in, as Charles Taylor has so aptly put it, practical ad hominem arguments.     

Cronies,economic crime and capitalism in Putin's sistema

The books included in this review article are essential for the understanding of what I call Putin's sistema—the governance model that originated in the Soviet system but has transformed and adapted to global change. Each book tackles, from a different angle, the issues of Russia's transition and suggests ways to describe its political consequences. The books all attempt to identify some underlying logic or organizing force in a Russian society that has emerged through weak institutions. Although I join the authors in their criticisms of the ‘transition paradigm’ and its ‘opening‐breakthrough‐consolidation of democracy’ formula, transformations of the Soviet sistema seem to resonate with the ‘opening‐breakthrough‐consolidation of capitalism’. Perestroika can be seen as an ‘opening’ in shaking the foundations of sistema; Yeltsin's era as a ‘breakthrough’; and Putin's regime as the ‘consolidation’ of capitalism but with its distinct characteristics.     

Popul?r oder elit?r? Anmerkungen zum Kulturbegriff in der Geschichtswissenschaft

While the Historische Kulturwissenschaft (new cultural history) is introduced as a new way of writing history the question has to be answered what Kultur (civilization) means or how it should be interpreted. The paper deals primarily with the special German notion of ‘Kultur’. The distinction between ‘intension’ and ‘extension’ is made and contrasted with both the narrow and the wide concept of ‘Kultur’. Writing history as new cultural history is shaped at least by five aspects: space, perspective, language, acting and time (particularly memory) which are discussed in this thesis. The intension of ‘Kultur’ in Historische Kulturwissenschaft leads to popularisation. The sense of the popular approach to history emphasizes modality in the conception and writing of history.     

Western Arrernte Pmere Kwetethe Spirits

This article explores the difference between the meaning and use of TGH Strehlow's term pmara kutata (his spelling) and of pmere kwetethe (modern spelling) in contemporary Western Arrernte society. The expression pmara kutata features prominently in TGH Strehlow's oeuvre. He defined pmara kutata, as the ‘centre of a local totemic clan’, ‘sacred site’ and the ‘everlasting home’ where an important local totemic ancestor originated and /or passed to his last rest. Interestingly enough the term pmara kutata or pmere kwetethe seems to have undergone a semantic shift. In contemporary Western Arrernte society pmere kwetethe is used to denote a range of spirit beings with different characters that dwell on and in the landscape. In English the expression pmere kwetethe is sometimes glossed as ‘the spirits of the land’ or ‘the invisible people‘.     

‘Le mot déclin est presque trop doux’: Michel Houellebecq’s (Euro)déclinisme

ABSTRACT

Michel Houellebecq’s views on the European Union have been consistently negative, recently declaring in an interview that anti-Europeanism is his ‘only political engagement.’ Houellebecq’s work takes for granted civilizational decline, what Oswald Spengler called the ‘decline of the West’, and regards the EU, described in Submission as a ‘putrid decomposition’, as central to this vision. The only way to revitalise Europe and to reverse this decline, Submission suggests, is by reinstating the traditions and moralities that have been eradicated in Europe by post-‘68 moral and sexual liberalisation. On this view then, only those cultures untouched by progressive politics can rebuild Europe and in Submission only the Muslim Brotherhood can provide ‘the moral and familial rearmament of Europe.’     

From a Tahitian Point of View: Comment on Guillaume Alevêque, ‘Remnants of the “Wallis Maro ‘Ura” (Tahitian Feathered Girdle) History and Historiography’

ABSTRACT

This Comment offers a response to Guillaume Alevêque’s ‘Remnants of the “Wallis Maro ‘Ura”” (Tahitian Feathered Girdle): History and Historiography’, The Journal of Pacific History, 53:1 (2018). The response is from a specialist, Tahitian perspective. While Alevêque is applauded, the paper disputes many English terms applied to maro ‘ura, places maro ‘ura in a wide Polynesian context and insists on the enduring mystic and political power of maro ‘ura for the people of Tahiti. The Comment also discusses the materials used in the ‘remnants’ described by Alevêque.     

Dressed ‘as if for a Carnival’: Solving the Mystery of the Origins of Children’s Fashion. A New Perspective on the History and Historiography of Children’s Dress

The article has a double focus: explaining the so-far obscure origins of children’s fashion in the later eighteenth century and putting its emergence in the context of the ‘grand narrative’ concerning the ‘discovery of childhood’ during this pivotal period. Contrary to Rousseau’s famous dismissal of the hussar suit, the role of ‘fancy dress’ inspiration in the development of children’s fashions for the first time purposefully meant to distinguish the (male) child from the grown-ups and, concurrent with the Enlightenment’s ideas on childhood, emerges as central rather than marginal. The repertory of styles adopted for boys’ wear is shown to have been inspired by various ethnic and historical dress traditions rooted in the fascination with masquerade characteristic of the Rococo culture but harnessed to express the emerging new attitudes. Among them, special attention is given to inspirations by Polish national dress.

Second, the article takes on the argument presented by Daniel Thomas Cook in his inspiring article in Textile History, 42, no. 1 (2011). Having acknowledged the foundational role of fashion history in the emergence of childhood studies, Cook regards its present status as peripheral. He dismisses the underlying premise of its principal ‘grand narrative’ as based on a fruitless distinction between utility (and functionality) and fashion rather than the invention or discovery of the ‘child’ and ‘childhood’. While partially accepting Cook’s criticism, the article argues that the ‘grand narrative’, thus modified and expanded, retains its usefulness. In the nineteenth century, the ‘fancy dress’ and ‘playfulness’ theme continued, reflected in the most popular children’s styles (sailor suit, Little Lord Fauntleroy suit) and a range of others, temporarily or locally prominent, and intertwining with multifarious cultural, artistic, social and commercial developments.     

La Méditerranée solide: un espace double en construction

There exists a space of the ‘solid Mediterranean’. This concept was first proposed by the Annales’s co-founder Lucien Febvre in 1944–45, during a course on Europe in the longue durée. The flexible borders of this double space, both conceptual and contextual, remain in construction within the on-going and global reality of the solid Mediterranean’s space. The comparative history of European societies promoted during the interwar period by Marc Bloch, the other Annales founder, contributes to the construction of said space. Examining this space allows us to concretely articulate scales of analysis from the local to the global. The article is based on a comparative analysis of two Italian and Spanish cases that appear to be particular and paradigmatic (‘exceptional normal’, Edoardo Grendi) of – respectively – Italy’s so-called ‘southern question’ (questione meridionale) and the Spanish ‘agrarian question’ (cuestión agraria). Thus the article helps to conceptualize the space of the Méditerranée solide, marked by the complex and long-term Southern European question. The article compares Il Ministro della mala vita (The Minister of the Corruption, 1910) by historian Gaetano Salvemini and Del caciquismo trágico (On Tragical Caciquism, 1913) by republican journalist Pedro Torres. Through these ‘exceptionally normal’ case studies, taken together and explained reciprocally, it is possible to better understand the space of the solid Mediterranean. The social realities of the Spanish cuestión agraria and the Italian questione meridionale, as well as the conditions of local historiographical production on such realities are, indeed, a consubstantial part of the European transnational, global space of the ‘solid Mediterranean’.     

One River,Two Ukraines? Yurii Andrukhovych’s Imagined Geography of East-Central Europe

This article discusses the role that the Dnipro River (formerly Dnieper River) plays in the discursive construction of Yurii Andrukhovych’s idea of East-Central Europe. In his essays ‘Like Fishes in Water’ (Yak ryby u vodi. 29 richkovykh pisen’, 2004) and ‘Atlas. Meditations’ (Atlas. Medytatsiyi, 2005), the author chooses to emphasize the Dnipro’s function as a border between two distinct regions of Ukraine. In his portrayal, the right bank (the western part of Ukraine) seems culturally traditional, whereas the left bank (the eastern part of Ukraine) appears to be uncultivated, proletarian, nomadic and generally an area of wilderness. The author concludes: ‘At least in the context involving this specific map the two Ukraines are divided’. Is this a hidden ideologization or a new mythologization of the Dnipro? Certainly, the conceptualization of the river transcends its mere physical dimensions and provides the landscape with a symbolic function. Andrukhovych’s essay volumes Disorientation on Location (Dezoriyentatsiya na mistsevosti, 1999), The Devil’s Hiding in the Cheese (Dyyavol khovayet’sya v syri, 2006) and The Lexicon of Intimate Cities (Leksykon intymnykh mist, 2016) provide additional insights into this imagined geography. The research presented in this article discusses Andrukhovych’s ideas with reference to the concept of ‘Two Ukraines’ by Mykola Riabchuk and ‘The Clash of Civilizations’ by Samuel Huntington. Central European discourse, post-colonial studies and geopoetical theory complement the discussion and enable its integration into a larger context.     

The Tenco effect. Suicide,San Remo,and the social construction of the canzone d'autore

Abstract

Canzone d'autore is an indigenous expression that has no precise equivalent in other languages. Its social use identifies a genre of popular song that presuppose the existence of an ‘autore’ taken in its most vigorous sense, meaning a ‘creator’, an ‘artist’– but how did this claim to artistry originate? How did it insinuate itself into the world of song, a genre that by definition belongs to the realm of what is traditionally called in Italian ‘musica leggera,’ with unmistakably pejorative connotations? In this essay, I will put forward a sociological interpretation of the genesis of the canzone d'autore, using as a strategic conceptual device the idea of cultural trauma. The traumatic event that I propose to explore, making use of this concept and its analytical machinery, is the suicide of the singer-songwriter Luigi Tenco during the seventeenth San Remo ‘Festival della Canzone’ (‘song festival’) – that is the best-known, most controversial, and most influential single event in the field of Italian ‘musica leggera’, an annual event regularly attended every year – via radio, television, or audience participation – by millions of Italians. Through a reconstruction of that suicide and above all of the public and dramatic events that followed in response to it, the paper examines the social process that transformed an individual tragedy into a collective, social drama, a process that not only produced a new musical classification, but also a new cultural and aesthetic category.