Irruptions of the Dreamings in Post‐Colonial Australia

This essay is written round four ‘funny stories’ from Northern Australia. Metamorphosis instigated by a Dreaming is central to all four stories and this is why the stories are counted as ‘funny,’ and received with glee. The analysis illuminates a topic that has been attracting attention in recent contributions to Aboriginal ethnography: how Dreamings irrupt into contemporary histories and act in ways that have political significance, contesting whitefella paradigms and re‐asserting the world‐view of the original Australians.     

The death of the right‐to‐die campaigners (Respond to this article at http://www.therai.org.uk/at/debate)

The ‘right‐to‐die’ or assisted suicide debate in the UK has recently been dominated by high‐profile litigation which has brought to public attention stories of individual suffering. The most recent case is that of Tony Nicklinson who, as a result of his permanent and total paralysis which he said made his life ‘intolerable’, wanted the courts to allow a doctor to end his life. Only six days after a Judicial Review refused his request, Tony died of ‘natural’ causes. This article compares the presentation by the media of Tony's requested death with his actual death and discusses what this reveals more generally about the way in which the right‐to‐die debate is presented to the public. It argues that in a politicised debate in which the personal stories of the disabled‐dying are given airtime because of their didactic or symbolic potential, actual death becomes less important than the rights‐rhetoric surrounding death.     

A Social History of Trans-Imperial Diplomacy in a Crisis Context: Herbert von Rathkeal's Circles of Belonging in Pera, 1779–1802

ABSTRACT

This article explores the multiple circles of diplomatic agents and their social belonging in the context of the international crisis in late eighteenth-century Istanbul, drawing upon the private papers of the imperial internuncio at Pera between 1779 and 1802. The son of an Irish Jacobite supporter who became a Jesuit and then a radical reformer in Vienna, Peter Herbert von Rathkeal was also a member of the Pera society in which he was born and raised. An agent of one of the most influential trans-imperial households established in Friuli, and a member of the Austrian and British nobilities, Herbert sought to become an eminent actor of the Ottoman diplomatic scene while remaining the patron of a cosmopolitan commercial-cum-political clientele. To study Herbert's actions is to question the model of diplomatie de type ancien in a cross-cultural and fast-changing context of crisis. Despite the collapse of the old diplomatic order with the breakdown of the French Revolution, and despite rising tensions generated by the increasingly sensitive ‘Eastern Question’, this article reveals how Herbert von Rathkeal managed to maintain a certain stability in Istanbul due to the economic and social resources, which his different circles of belonging opened up for him.     

Totem and Transaction: the Objectification of ‘Tradition’ Among North Mekeo

Most recent treatments of Melanesian post‐contact change have presumed that objectifications of ‘culture’ and ‘tradition’ have intensified and proliferated in response to the forces of colonialism and the penetration of the nation‐state. Harrison (2000) has recently argued, however, that in pre‐colonial times too Melanesians characteristically objectified their cultural practices and identities as ‘possessions’ that could be readily exchanged or transacted. Supposedly, the key difference between the two eras has accorded with different formulations of ‘property’: ‘private property’ and the logic of ‘possessive individualism’ in the post‐contact era; and ‘trading and gift‐exchange systems’ or ‘prestige economies’ in pre‐contact times. In this article I examine Harrison's portrayal of Melanesian cultural practices as ‘possessions’ and the notions of ‘property’ that he sees as key to the cultural objectification in both pre‐ and post‐colonial settings with reference to ethnographic and historical information regarding the North Mekeo peoples of Papua New Guinea. I argue from the perspective of the New Melanesian Ethnography that Harrison's view of pre‐contact prestige economies and trade and gift exchange systems retains several misleading a priori assumptions about ‘commodity exchange’ and, illustrating the potential of the New Melanesian Ethnography for historical applications, that he overemphasizes the extent to which post‐contact changes in cultural objectification have involved individualised and commodified forms of property. Consequently, in the case of North Mekeo, both the continuities and the changes between pre‐ and post‐contact cultural objectifications may have proceeded differently from the ways Harrison has outlined for Melanesia generally.     

Achilles or Adonis: Controversies Surrounding the Male Body as National Symbol in Georgian England

This paper analyses the controversy that arose when a monumental bronze nude statue of Achilles was unveiled at Hyde Park Corner (London) in 1822 as a monument to the Duke of Wellington and his army. The neoclassical statue (made by Richard Westmacott) perfectly embodied the ‘modern male stereotype’. According to historian George Mosse, this masculine image was a powerful and stable symbol of nineteenth‐ and twentieth‐century bourgeois societies. Intended by the commanders and artist as just such a symbol, the statue in practice was unable to express these high ideals. Ever since its unveiling, the statue has elicited laughter and ridicule. The uneasiness created by male public nudity is an aspect that Mosse missed in his history of masculine imaginary, in which he focused on certain moments of ‘spectacular’ masculinity in modern Western history. Ultimately, the failure of Westmacott's Achilles can best be understood from the well‐known feminist framework on the gendered ‘economy of the gaze’, a framework that is all too often absent in the historiography on masculinities.     

‘The Epitheatrical Cartoonist’: Matthew Somerville Morgan and the World of Theatre,Art and Journalism in Victorian London

This article examines the vibrant cultural milieu inhabited by one of Victorian Britain's most famous cartoonists, Matthew Somerville Morgan. Morgan is well-known as the cartoonist who attacked Queen Victoria's withdrawal from public life (and her associations with John Brown), and the lifestyle of Albert, Prince of Wales, in the short-lived rival to Punch: the Tomahawk. Likewise, his post-1870 career in New York as cartoonist of the ‘Caricature War’ over the 1872 Presidential elections, and involvement with ‘Buffalo’ Bill Cody have been well-studied. However, his involvement with the world of the 1860s Victorian stage – and the social circles in which he moved – have not been given close attention. This broader social, cultural, and economic context is essential to understanding Morgan's role as a cartoonist-critic of politics, class, gender and art in Victorian Britain. Special attention is given to the ways in which Morgan's work as a theatrical scene-painter informed his other pursuits, including his political cartoons for Fun, the Comic News and the Tomahawk. So central was the theatre to Morgan's life story that he may be appropriately described as an ‘epitheatrical’ figure. Indeed he is one of the most spectacular exemplars of the interconnected worlds of journalism, high art and theatre in Victorian London. The theatre provided him with the artistic and journalistic connections needed to raise himself above his lower-class origins; to move in ‘clubland’ and fashionable bohemian society; and to win an influential place in the key political and cultural debates of his age.     

East and West in Jewish nationalism: conflicting types in the Zionist vision?

ABSTRACT. This article analyses the ethnic and civic components of the early Zionist movement. The debate over whether Zionism was an Eastern‐ethnic nationalist movement or a Western‐civic movement began with the birth of Zionism. The article also investigates the conflict that broke out in 1902 surrounding the publication of Herzl's utopian vision, Altneuland. Ahad Ha'am, a leader of Hibbat Zion and ‘Eastern’ cultural Zionism, sharply attacked Herzl's ‘Western’ political Zionism, which he considered to be disconnected from the cultural foundations of historical Judaism. Instead, Ahad Ha'am supported the Eastern Zionist utopia of Elchanan Leib Lewinsky. Hans Kohn, a leading researcher of nationalism, distinguished between ‘Eastern’ and ‘Western’ nationalist movements. He argued that Herzl's political heritage led the Zionist movement to become an Eastern‐ethnic nationalist movement. The debate over the character of Jewish nationalism – ethnic or civic – continues to engage researchers and remains a topic of public debate in Israel even today. As this article demonstrates, the debate between ‘Eastern’ and ‘Western’ Zionism has its foundations in the origins of the Zionist movement. A close look at the vision held by both groups challenges Kohn's dichotomy as well as his understanding of the Zionist movement.     

Turn your trash into… Rubbish,art and politics. Richard Wentworth's geographical imagination

This paper analyses the photographs and installations of artist Richard Wentworth in order to examine his urban imagination and the cultural politics of rubbish that underlie it. In doing so this paper contributes more broadly to understandings of rubbish and material culture, and to geography's attention to artistic understandings and inhabitations of urban spaces. Central to this analysis are the geographies of Wentworth's work, its production, consumption and circulation. The paper attends to three nested sets of practices: the ‘everyday’ practices of people which draw Wentworth's eye, the potential of creative cultural practices for developing critiques of space and place, and the practices of the artist. As a result the paper pushes forward debates around the relationship between geography and art, reflecting on the analytical value of art practice to contemporary social-cultural geographies.     

Displacing Barthes: Self,Other and the Anxiety of Theory

This article explores the relationship between the other and the writing self in three of Barthes's works and shows how the anxious and changeable state of the ‘je’ unsettles conceptions of ‘theory’ and its analytical object. Barthes attempts to conceptualise cultural otherness in Mythologies, L'Empire des signes and Incidents, and, on one level, his fantasies of encounter serve to displace or unground the writing ‘self’. On another level, however, the theorist's persona in these works turns out to be disorientated and unnerved by these displacements, and he couples his jubilant self-dissolution with a longing for a sense of origin or ground. Barthes as a result remains undecided about his positioning within his own discourse, and his works demonstrate the necessary interpenetration of theories of alterity with the contradictory subjective and affective desires of the writing self. The aim of the piece is ultimately to argue that, for its very flaws and inconsistencies, Barthes's writing about otherness may help us to understand the challenges and deficiencies of postcolonial conceptions of cultural difference.     

'Tout cela,je ne voulais pas le laisser perdre': Colonial lieux de me´moire in the comic books of Jacques Ferrandez

A comic-book series by French artist Jacques Ferrandez serves as a case study of how Pied-noir memories of Algeria are given expression in popular culture. Ferrandez recreated French Algeria as a virtual place of memory in his five-volume Carnets d'Orient , by borrowing images from colonial postcards and orientalist paintings, as well as stories from sources including his own family history and French travel writings about the 'Orient'. Although he provides a useful critical perspective on the colonial period, he is limited in this effort by his identification with the Pied-noir community, and his desire to memorialise French Algeria.     

Using an awakening narrative to leave behind a former national‐identity: an investigation of the conversion of national‐identity in Taiwan

National‐identity has become a civil religion and a major source of how people define themselves. Changing one's nationality thus is a salient event/social process in today's society; therefore, people's nationality conversion deserves more academic attention. Treating the convert as a social type and regarding people's self‐reports (or converts' accounts) as topics for analysis, this article examines the Taiwan case to illuminate how people tell their stories of converting nationality. ‘Converts’ usually employed an awakening narrative to leave their former national‐identity behind: For example, the ‘awakening’ plot is readily apparent, a huge contrast between a previous ‘wrong’ self and a current ‘correct’ self is mentioned, and the ‘awakening’ is delineated as an achievement. The symbolic awakening is harnessed as a strategic tool to create discontinuity autobiographically, to justify one's major change, to ensure that one's cognitive security remains intact, and to call for more awakenings. This article further notes that, since narrative itself is a practice, people always have ‘a self in the making’ which determines (and is determined by) how people (re)tell their life stories. Moreover, in Taiwan's case, we see that ‘awakeners’ usually admired early awakeners but blamed late awakeners (which constitutes an interesting triadic group relationship); people may also describe their experience of having multiple awakenings before the ‘grand’ awakening (‘Awakening’). © The author(s) 2015. Nations and Nationalism © ASEN/John Wiley & Sons Ltd 2015     

Obama and the third Bush term: towards a typology of Obama studies

In 2008, Barack Obama pledged to transform not simply his nation's domestic orientation but also its foreign policy and its reception abroad; he would be the ‘un‐Bush’ president. The books under review each offer a preliminary assessment of how far he has departed from Bush and how far he has adapted and improved his predecessor's approach. For some, Obama has been compromised in his international agenda, like Bush before him, by domestic constraints that have afflicted every modern US president; for others, his lofty ambitions have been hobbled by the enduring realities of global politics. This review offers a typology of assessments of Obama's foreign policy and suggests which is more accurate and why.     

Hinton Rowan Helper's the land of gold and the evolution of race relations in California

The California Gold Rush of the mid‐nineteenth century attracted a multitude of prospectors from around the world, bringing together a vibrant mix of ethnicities and cultures. Historians have argued that race emerged as the most important mark of identity in California as whites labeled and eventually excluded ‘inferior’ races. Hinton Rowan Helper's The Land of Gold documented his three‐year trip to California in the early 1850s, recording his reactions to ‘others’ in detail. Helper has been portrayed as the archetypal white racist on the California frontier. This essay challenges that view, contending that he was more preoccupied with culture and behavior than race. It evaluates Helper's comments on, first, Native Americans, second, the Chinese, and finally, his wider reactions to California and the construction of whiteness.     

Robespierre's Éloge De Gresset: Sources of Robespierre's Anti‐Philosophe Discourse

One of the most important debates in the field of eighteenth‐century French intellectual history concerns the ideological significance of the rise of the cult of the Great Frenchmen. Taking this debate as a frame of reference, the paper attempts a close reading of Robespierre's Éloge de Gresset (written in 1784, published in 1785). Usually dismissed by Robespierre scholars, this text is, in fact, a very important document offering clues not only to Robespierre's intellectual formation, but also his appropriation of what he regarded as the official and conventional rhetoric of his age. These questions engage the larger debate regarding the origins of the French Revolution, in particular its ‘cultural origins’, and its intellectual origins, defined as the distillation of and interactions between competing representations of society and its relation to the public sphere. The thesis proposed is that Robespierre's eulogy of Gresset indicates that his anti‐philosophical ideas came from a much broader array of sources than previously believed. Among these sources, Gresset's 1740s–1750s polemics against the philosophes pointed the way towards the type of criticism of the Enlightenment that underpinned Robespierre's cultural revolutionary politics.     

The tyranny of the definite article: Some thoughts on the art of intellectual history

This essay argues, following an insight of Burckhardt, that the philosophy of history is a ‘centaur’, and that it has a tendency to hinder rather than to encourage the practice of history. It challenges many of the presuppositions of Bevir's study, demonstrating that The Logic of the History of Ideas is not, in any meaningful sense, an historically minded work. The ‘logic’ of the essay looks to the arts, especially literature and music, as providing genuinely illuminating parallels to the discipline involved in the practice of intellectual history. History cannot be understood as a process of philosophical abstraction; pertinent examples are of its essence, and plurality is therefore central to its richly textured nature. It still has much to learn from the reflexive procedures of anthropology. By examining the idea of ‘tradition’ the essay demonstrates that ‘the past’ is never dead, and that the relationship between texts is a living process: the intellectual historian is him/herself an artist, and his/her task is no less demanding than that of the creative artist, and it is always humblingly provisional.     

James Arbuckle and Dean Swift: cultural politics in the Irish confessional state

James Arbuckle, born a Presbyterian in Belfast, educated at Glasgow University, moved to Dublin under the patronage of the radical Whig Viscount Molesworth. He arrived at the time of Swift's triumph as ‘The Drapier’. Writing under the name ‘Hibernicus’, he produced a series of essays in the style of Addison's Spectator (1725–26). They can be read as a ‘polite’ Whig critique of Swift's Irish writing, particularly on confessional division. Arbuckle was clearly identified as a political opponent of Swift in a series of lampoons from Swift's circle. He wrote more incisively against the confessional state in his 1729 work The Tribune, lost to historians because of a mistaken attribution to Swift's friend Delany. This article will study Arbuckle's critique of Swift, aiming to give an insight into cultural conflict, both Whig/Tory and Anglican/Presbyterian in a period when both Whig and Presbyterian views have generally been overlooked.     

Migratory movements: evolutionary theory in the works of J.M. Synge

Synge's interest in evolutionary theory is well-documented, and his plays are often viewed as representations of an Irish culture in decline. In response, this article argues that Synge's tramps, tinkers, and outcasts function as figures for species migration and cultural renewal. To demonstrate that Synge's drama has a footing in the science of speciation, the article details the extent to which Synge was directly familiar with works of evolutionary theory. Although he read Darwin and Herbert Spencer at about the same time, their respective influences show up at much different stages of his literary career. While Synge's earliest prose is most strongly influenced by Spencer's progressivist interpretation of evolution, Synge's Spencerianism soon gives way to a Darwinian interest in the bizarre affinities between the human and animal worlds, as well as to an appreciation of difference rather than a fetishisation of fitness.     

A psycho-historical source: the Memoirs of Abbot Guibert of Nogent

Medievalists turn to Guibert of Nogent's Memoirs (1116) for the account of the Laon uprising they contain. And yet this account is poor history. It is didactic and self-righteous in tone; one senses that the writer consistently sacrificed historical truth to the moral point he was trying to make. Scratch this twelfth- century ‘historian’ and you will find underneath a guilt-ridden cleric, haunted by vivid sexual reminiscences of his mother and by the terrible chastening reality of the Virgin Mary. A sensitive reading of the confessional sections of the Memoirs may yield up crucial unconscious impulses in a medieval man's psyche: his ‘masculine’ ambitions for glory, his need to prove his manhood, and yet also his ‘feminine’ desire for selfless submission to God, and his need to achieve a kind of passive holiness and innocence. These opposing impulses may account for the ‘demon’ that tortured Guibert of Nogent.After isolating certain psychological themes in the Memoirs it is possible to relate these themes to various nuances in the psychological ‘milieu’ of twelfth-century France. It is also possible to relate some of these themes to a ‘milieu’ not altogether different from that of twelfth-century France — twentieth-century southern Italy. For in southern Italy, we find that the psychological relationship between masculinity and femininity and (perhaps as a result of this relationship) the prominence of the Virgin Mary in the lives of the people corresponds closely to the situation in twelfth- century France. But this cross-cultural analysis is meant only to illuminate some of the possibilities of psychohistory. At the very least, a psychohistorical consideration of a text such as Guibert of Nogent's Memoirs should reveal some useful correlations between the single psychological current and the larger tides of cultural history.