Tonglha Zeweng： Master of the Garma Garze Painting School （Ⅱ）

The Garma Garze painting schoolis one of the three famous paint-ing schools in Tibetan-inhibitedareas(along with those ofMoinze and Qenze),and was formed inthe 15th century.In the 16th century,it began to exertgreater influence on the Tibetan-inhabitedareas,and.a number of painters flourished,including Dabo Goba,Garrna Sengzbe and     

Works of Tonglha Zeweng

Tonglhs Zeweng had crested many works, major ones Including the following:     

Tangka Painting Art of the Tibetan Race （Ⅰ）

Tibetan painting art is mainlyrevealed in mural paintings aswell as tangka.Tangka incar-nates not only the special character of Tibetan painting art but also thefeatures of Tibetan traditional crafts andmounting.     

Tangka Painting Art of the Tibetan Race （Ⅱ）

Tibetan painting art finds expression in two: murals and tangka paintings. The two vary in painting styles and materials used. Tangka paintings show the unique feature of Tibetan fine arts.However, in the face of refined tangka, how one should enjoy it? Do you know how to paint it? How to mount it? Anything special in this regard?Mounting MethodIn Tibet, when a tangka has been created, it would be mounted. The brocade for mounting, called Gyishamo in Tibetan, always has the same dimension: Gyishamo below the tangka amounts to half that of     

“扬州八怪”之一高凤翰

2002年,在泰州市海陵区老西河涵闸上,建起了“泰坝署衙”的一组雕塑,重现了当年“扬州八怪”之一的高凤翰在泰州建造署衙时的情景。     

画坛上一颗耀眼的星--记武汉市政协委员、著名画家冷军

冷军,武汉市政协委员,名画家。现任武汉画院院长,国家一级美术师,享受国务院政府特殊津贴。是武汉市五一劳动奖章获得。     

厚重中见灵活，刚健中出韵致——张岳健先生周年祭

张岳健先生1924年出生于浦江。浦江是书画之乡,著名书画家吴弗之、张书旃、张振铎、郑祖纬、方增先、吴山明等都是浦江人。浦江书画家都是“墙内开花墙外红”,张岳健也不例外。他于1947年考入杭州国立艺专时,学校里正在闹风潮,潘天寿已辞去校长的职务,     

石鲁传

石鲁(1919～1982),1919年12月出生于四川省仁寿县公乡一个冯姓大家族,原名冯亚珩。家有良田千顷和巨大的庄园。其祖上人学辈出,家有十余万册藏书。其胞兄冯建吴于青年时期在上海曾就读于吴昌硕等海派画家举办的“昌明艺专”,学习     

民间剪纸能手——（45）林化强

林化强,男,1963年出生于山东省平邑县,现供职于济南铁路分局平邑车务段。他是一位社会转型期的剪纸家,他的剪纸活动很可能成为有此爱好的同龄人的代表。     

我的天地人生（上）

1919年,我出生于北京,乳名牛儿,取名石振华。1937年,更名谷风。祖父讳山峰、字卓然、号勤堂,在北京教私塾,擅书法、喜收藏书画。父讳呈象、字练之,幼承庭训,通经史,供职北京大学30余年,曾任蔡元培校长的秘书。母张氏讳仙之,通晓诗书。祖籍湖北黄梅,客居北平。     

画家本色是诗人

李筱孙送我一枝梅,画得清逸幽雅,瘦硬通神,下笔道劲,殊有骨力,或浓或淡的墨线勾勒横斜的疏影,若有若无的铅粉点染浮动的暗香,很自然地使人想起梅妻鹤子的林和靖。但我却觉得俨然是筱孙的浅笑,那种超脱,倒不是说他与世相违,却真是“复驾言兮焉求”。隐于闹市,怡然自足。     

画坛前辈李青萍

青萍女士,既来南洋四载,辑其课余所写之风景静物凡若干图,交付印刷纪念。兹行不佞幸得见其原作,赏览赞美,并曾参与选辑之役,为弁一言曰：昔之鄙夫,皆以艺为小道。迨及近世,铁道既兴,行于一切纵横小道之上,成为最大之道,于是乡曲之槁项黄馘,习惯行小道,亦褕被登车,附之以驰焉。小道固不可废,而大道如行地江河,经天日月,然铁道之父亲,当亦昔之鄙夫所视为小道也。     

君子之交——张伯驹夫妇与我父母交往之叠影（上）

自打反右运动一起头儿,我的父亲(姓章名伯钧,安徽桐城人)就开始琢磨着反右的结局和自己的下场,甚至在他还没有被处理的时候,他就在家里先把自己处理了一回——让警卫秘书王锁柱把家中所有的工作人员召集到东客厅,请他们围着平时吃饭的圆形大餐桌,一一坐下。     

山居渔隐--吴镇的绘画艺术

吴镇,字仲圭,1280年生于浙江嘉兴魏塘镇。先祖曾做过宋期的官员,定居汴梁,后南渡至浙江,其祖父居住海盐,从事航海。其父迁居魏塘。吴镇年青时,师从武进柳天骥学习易经,研究“天人性命之学”。     

王翬绘画研究

王晕活动于清代康熙年间,擅长山水画,运笔构思,才智进露,迥非时流所能。其山水画作品笔力爽健,早年具有秀润雅丽风致,晚年转向苍劲厚茂,富于变化,格调高古,自成体系,号虞山派。人称“画道甲天下”,号为“四王”之一,、“清六家”之一,誉满清代,后世尚有“画圣”之称。我国山水画自明代始有南北二宗之分,王晕却能融为一炉,可用南宗笔墨写北宗丘壑,取精用宏,兼收并蓄,不为宗派困囿。     

何园沧桑（中）——何汝持家族五代传奇

何世桢在出任公共租界临时法院院长期间,还成功地办理过一件轰动朝野的“茄西亚赌博案”,把一个为非作歹、开轮盘赌的洋恶棍告上法庭,并打入“西牢”(提篮桥监狱)。这是上海     

Singing From the Heart of the Snowland——50th Anniversary of the singing Career of Cedain Zholma

A solo concert was held to mark the 50th singing career of Cedain Zholma on December 22,2003.The next day,she went to Hunan at the head of the Tibet Song and Dance Troupe where she sang in a concert held by Shaoshan and Xiantan, hometown of Mao Zedong. Upon invitation of Yunnan, she went to Yunnan for solo performance. On this basis, the TAR Federation for Literaturary and Art Circles published a pictorial titled Highland Soul： Cedain Zholma and a book entitled Music of Snowland： Biography of Cedain Zholma, which were first sold in Xiantan of Hunan Province on December 26.     

Drawings of Six-course Transmigration in Monasteries

Outside the sutra reciting halls in Tibetan monasteries,paintings of the Four Deva Kings line both sides of the corridor and the six-course transmigration stands on the right, which is uniform in all monasteries.     

唐英与《牧牛图》

唐英是我国陶瓷发展史上一位极其重要的人物,清雍正、乾隆时期由他主持的景德镇御窑厂所烧瓷器,巧夺天工,精美无比,取得了前所未有的成就,蜚声海内外,被世人称之为“唐窑”。     

Serfs＇ Wrath——Recollection of the Clay Sculptures

In 1974, in commemoration of the 10th anniversary of the founding of Tibetan Autonomous Region,the Tibetan Revolution Exhibition Hall invited more than 10 teachers from the sculpture department of the Cen-tral Academy of Fine Arts and Luxun Academy of Fine Arts to create a group of sculptures with the motif of serfs‘ life under serfdom and their resistance.