简论明早期瓷器及相关问题

The author analysed the modelling, character and influence of porcelain of Jingdezhen official kilns from Hongwu, Yongle, Xuande Zhengtong, Jingtai and Tianshun period in early Ming Dynasty( 1368-1457)of Chinese history dependent on rich data in this article. Author indicated that the rulers of that time negated Yuan Dynasty by the Menggu Nationality meanwhile resumed the Confucian Culture of Song Dynasty and aesthetic standards of the Han Nationalyity and these ones were reflected obviously at porcelain of the official kilns.     

谈几件唐三彩珍品

Those tri-colored glazed pottery of the Tang Dynasty are always treasured by many collectors and museums. In recent days, the author has opportunity to have appreciated several pieces of such utensils and figurines and can't help looking back the flourishing age of the art in the Tang Dynasty and the cultural connotation contained in it.     

唐苏同家族墓出土陶质彩绘天王俑胎体的科学分析

In April 2021, several exquisitely decorated figurines of Heavenly Kings were unearthed from the Tang Dynasty tombs of Su Tong's family in Xianyang, Shanxi Province. However, for each figurine, the outer side was unevenly red and black, and the center and interior of the body black, and the mechanical properties extremely poor (disintegrated by water). To scientifically restore and conserve the polychrome pottery figurines of Heavenly Kings, we carried out scientific analyses of their materials and their firing process. The composition, structure, firing temperature and mechanical properties of the figurine remnants were determined and analyzed using an X-ray fluorescence spectrometer, an X-ray diffractometer, a simultaneous thermal analyzer, a thermal dilatometer, an X - ray photoelectron spectrometer, a universal testing machine and a hardness tester. The experimental results show that 1) the figurines were made of fusible clay containing quartz, albite, calcite, muscovite, clinochlore and other minerals; 2) the figurines were sintered between 300 ~400 °C in an oxidizing atmosphere, the internal sintering degree being lower than that of the external surface and the uneven atmosphere leading to the differences in color among various parts of a figurine ； 3 ) the mechanical strength of the figurines was low, with a flexural strength of about 2 MPa and a hardness of 54 〜71 HD. The study provides a scientific basis for the effective conservation and reasonable preservation of the polychrome pottery figurines of Heavenly Kings and of other similar kinds of cultural relics. © 2023, Sciences of Conservation and Archaeology. All Rights Reserved.     

清雍正朝御制金属胎珐琅器

The enamel wares with metal base made for an emperor in the (1723-1735) of Qing Dynasty were left very little,but the makingof every enamel ware was exquisite and fine.This kind of wares of Yongzheng,Qing Dynasty introduced in this paper and collected by the Palace Museumin Beijing provided a valuable object material for us knowing the enamel wares with metal base in this period.     

The Dissemination and Transformation of Han Chinese-style Sudhana or Chinese-Style Children in Tibetan Buddhist Art during the Ming Dynasty

The Ming Dynasty was one of the important periods of cultural exchange and amalgamation between Han Chinese and Tibetans.Along with the governance of Tibet and other Tibetan areas by the Central Government of the Ming Dynasty,Tibetan culture represented by Buddhism and its art was disseminated in the interior of China,primarily in Nanjing city and Beijing city,the capital of the Ming dynasty.At the same time,Chinese culture represented by Chinese Buddhism and its art was also introduced into Tibet and other Tibetan areas.     

THE YUAN DYNASTY TIBETAN OFFICIAL ARCHIVES LISTED IN THE MOWCAP

In the Fifth plenary session of the MOWCAP(Asian and Pacific Region Division of UNESCO) which was held in Bangkok on May 16th,2012,the Yuan Dynasty Tibet Official Archives,was successfully listed in the Memory of World Catalog of the Asian and Pacific Region on the recommendation and votes of experts,and as proposed by the Archives Bureau of Tibet Autonomous Region. This selection signifies another major step in preserving the cultural heritage of the Yuan Dynasty     

明朝时期汉式善财童子在藏传佛教艺术中的传播（英文）

正The Ming Dynasty was one of the important periods of cultural exchange and amalgamation between Han Chinese and Tibetans.Along with the governance of Tibet and other Tibetan areas by the Central Government of the Ming Dynasty,Tibetan culture represented by Buddhism and its art was disseminated in the interior of China,     

Abstracts

Tall Buildings Face the Avenue, and Imposing Mansions Stretch along the Green Mountains： Mansions in Chang＇ an City of the Tang Dynasty and Its Symbolism
Chang＇ an City of the Tang Dynasty is always an eye-catching issue for the researchers on urhan history because of its grand scale.Pedigree was the most concern during the Wei-Jin and the Southern and Northern Dynasties.     

江汉地区的鬲与楚式鬲

On the phylogeny of Chinese pottery containers, Ding tripod appeared earlier than li. Pottery Ding tripod was a kind of traditional cooker in Jianghan area, and Li first emerged and then became prevalent in the Yellow River valley. During Shang and Zhou Dynasty, Li was dispersed to Jianghan area where its variations appeared, and many styles of Li with different shapes, characters and uses came forth. Only one kind of daily cooker among them can be called “Chu-styled li”. The anthor believes that Chu-styled li is the compound of li from the Central Plains and Ding tripod of Jianghan area. It was in vogue in the Eastzhou Dynasty when li had already vanished in the Central Plains. Three basic forms of Chu-styled li are relative to their uses and cultural origins.     

New Books

Tibet during the Qing Dynasty and Bnlukpa The author,Dr.Thalho from the Ethnology and Anthropology Institute of the Chinese Academy of Social Sciences,wrote this book based on his wide-ranging and extensive study of historic literature in Chinese,Tibetan,Manchu and English.He sought to systematically analyze the complicated and uneasy relationship between Tibet during the Qing Dynasty and Bulukpa(today’s Bhutan).He offers a profound analysis of how the tributary system     

On the Second Booming Period in Chinese Translation History

From the late Ming Dynasty to the early Qing Dynasty,it came to the second booming period for the translation.During this period,the translations were mainly concerned with the western science and technology.And the strategies adopted by both the Jesuits and Chinese scholar-bureaucrat translators were different from those of the Buddhist sutra translations.The paper discusses the strategies in the translation of western science and technology and significance of translating activities during this period.     

New Books

正Study on Tibetan Local Chronicles in the Period of the Qing Dynasty Zhao Xinyu,the author of this five-chapter book,was previously the president of the Southwest University for Nationalities.From a chorographical and philological perspective,readers are offered an overall and systematic study on the dates and sources derived from wellknown Tibetan local chronicles from the Qing Dynasty as well as the relationship among those     

清代珐琅彩瓷器赏鉴

The porcelain in cloisoon enamel is a precious kind produced in the three reigns of Kangxi, Yongzhen, and Qianlong of Qing Dynasty. Its technological process is very complicated. The production and development of it plays an important role in the Chinese porcelain history, which enriches the decoration ways and categories of over-glaze porcelain family.     

西藏与布鲁克巴的宗藩关系巩固（英文）

正Pho-lha-nas quelled the civil strife in Bhutan in 1730,and in 1734,and both sides of the conflict respectively dispatched envoys to Beijing to ask the Qing Court to confer honorif ic titles,which resulted in the f inal establishment of the Suzerain-vassal relationship between Tibet and Bhutan in the Qing Dynasty.However,the establishment     

笔墨倩冶 独写性情——陈洪绶绘画艺术探微

Cheng Hongshou, agenius painter in the late Ming Dynasty, had great achievements and reputation on the traditional Chinese calligraphy and painting, whatever in respects of birds, flowers, andscape or figure. The author briefly introduces the artistic style of his painting and analyzes cause of that.     

The Consolidation of the Suzerain-vassal Relationship between Tibet and Bhutan

Pho-lha-nas quelled the civil strife in Bhutan in 1730,and in 1734,and both sides of the conflict respectively dispatched envoys to Beijing to ask the Qing Court to confer honorific titles,which resulted in the final establishment of the Suzerain-vassal relationship between Tibet and Bhutan in the Qing Dynasty.However,the establishment of the political subordination relations did not necessarily eliminate the estrangement caused by the confrontations between Tibet and Bhutan in the past over 100 years.     

浙江地区西汉墓葬的分期

The author researched by stages into Western Han Dynasty‘s tomb in Zhejiang Prefecture in this article depending on relative archaeological data. And through comprehensive analysis, the author discovered that the Ding(an ancient cooking vessel with two loop handles and three or four legs) and box at main glazed pottery from being buried with their master had relatively special position; the models of storehouse and the cooking stove that were very popular in central plains of China were discovered much fewer in Zhejiang prefecture; the formation and regulation of Western Han Dynasty tomb tombs in Zhejinang prefecture are very different as compared with central plains of China and they have rich local character.     

潜江市龙湾遗址群放鹰台第3号台试掘简报

No. 3 platform of Longwan Crowd Ruins at Fangyingtai is one component of Longwan palace crowd ruins of the East Zhou Dynasity. Spring in 1999, Qianjang municipal museum had a trial excavation on it within 100 square metres, and gained something important, we Discovered a yellow soil foundation, some fire soil holes, tiles, Sansui of the East Zhou Dynasty, and two hollows, one square well ruin of the west zhou dynasty, and unearthed a great deal of remains of the East and West Zhou Dynasty .such as li yu jar kettle dou basin urn water-jar copper ben and so on , including living utensils and productive tools. These unearthed remnants and remains have progressive role on discussion of the Longwan palace crowd ruins of the East Zhou Dynasty and the Chu civilization.