Europe's odyssey?: political myth and the European Union

The article argues that the European Union, despite being a different kind of polity, has political myths that are similar to those that have characterised nation‐states. It examines two types of political myth – foundation and exceptionalism – and demonstrates that they have been used in an attempt to make the European Union understandable and acceptable as a form of governing. The article also argues that political myths about the EU have had limited success not only because they are based on the same content as national myths but also because they do not always conform to recognisable narrative forms. The EU, with its ambiguous aim of creating ‘an ever closer union’, does not provide the basis for sacred narratives that become normative and cognitive maps that make the new polity ‘normal’ and provide the EU with ontological security.     

城镇化背景下村落神圣空间政治性的建构——以广州A村宗祠为例

文章以广州某古村落的改造为例,关注宗祠的神圣性建构以及其面对快速的现代化和城市化等世俗力量时的政治响应。通过微观研究,发现:1宗祠政治性来源于其服务村民的世俗功能;2在宗祠受到外界世俗力量的侵占时,村民通过运用特定时空条件来施行"避让但不逃离"的巧妙战术进行抵抗,从而实现自身权力的宣示和表达。本文旨在从日常生活和空间政治性的角度重新认识处于快速城市化进程中的中国乡村神圣空间的政治建构,为中国乡村和城镇化研究提供有益的研究视角。     

Come lo scrittore italiano d'oggi vede la nostra scuola

When women choose to participate in violent or subversive organizations, they invert gender binaries and enter into what has traditionally been considered to be a male sphere. Both fictional and nonfictional accounts of this behavior often depict these actions as irrational and dehumanize the female actor via narrative techniques that strip them of their femininity and even their humanity. Using Sjoberg and Gentry’s Mothers, Monsters, Whores: Women’s Violence in Global Politics as a base, this article argues that Helena Taberna’s film Yoyes (2000) moves beyond these punitive narratives by depicting Yoyes as a multifaceted human being instead of pigeonholing her into a stereotypical gender role. As such, it represents a new possibility for representing the complexity of violent women without recurring to dehumanizing narratives to account for their behavior.     

HISTORY'S DEMARCATION PROBLEM

In his 1998 book Heterocosmica: Fiction and Possible Worlds, Lubomír Dole?el put forth a theory of narrative fiction based on the interdisciplinary framework of possible worlds. In Possible Worlds of Fiction and History: The Postmodern Stage, Dole?el takes his earlier theory further and applies it to historiography as well, with the specific aim of showing how the study of history might be defended against the postmodern challenge via the use of possible worlds (PW) semantics. Dole?el's book is essentially an argument against the postmodern views expressed by Roland Barthes and Hayden White, who have claimed that fundamentally, there is no difference between fictional and historical narratives. According to Dole?el, this difference can be saved if the focus of attention is shifted from the textual features of these narratives to the fictional or historical worlds that the narratives project. Dole?el's comparison of fictional and historical worlds to each other is quite illuminating and thorough. However, the question remains whether the application of PW semantics does anything besides offering a detailed analysis of the structure of the different types of narrative worlds. After all, one should not overlook the perhaps more practical way of differentiating between historical and fictional narratives through their institutional status. Furthermore, we argue that by focusing on the properties of the end products, that is, the resulting narratives, Dole?el concedes too much to postmodernists. A stronger way to give postmodernists a taste of their own medicine would be to argue that the rules that historians follow in the process of generating, constructing, and evaluating weighed causal explanations (or historical models of the past) are fundamentally different from whatever rules govern the generation and construction of fiction.     

‘What remains? An empty doll-case’: Deconstruction and Imagination in Victorian Narratives of Doll Production

Increasing interest in the Victorians' relationships with the material world has led many critics to turn to periodical publications and, in particular, to process articles and other forms of industrial writing as sources for new insight. This article contributes to this growing body of scholarship by examining narratives of doll production. Because dolls are objects that Victorians celebrated for their imaginative potential and that were often not intended to be treated as ordinary commodities, such narratives can shed light on the intricate relationships between materiality and the imagination. In revealing the process of production, these narratives deconstruct dolls, reducing them to a collection of material parts. By some accounts, these parts are brought to life through a specialized process of manufacture that dehumanizes the workers who make them and robs them of their imaginative agency. While this deconstructive exploration can be seen as an extension of the ‘melancholy and gloom’ that Baudelaire describes as the result of children's destructive compulsion to see the insides of their toys, it could also generate new imaginative possibilities. By inviting readers to behold commodities in a state of transformation, I argue, narratives of doll production demand a more imaginative attitude towards commodities as objects shaped by their material histories.     

Carto-fiction: narrativising maps through creative writing

Abstract

This study reacts to the recent call for a narrativisation of maps’ life in post-representational cartography, proposing ‘cartographic fictional writing’ as a means to move geography’s ‘creative (re)turn’ from a place-centred to a ‘carto-centred’ perspective, and as an epistemological tool to go on rethinking maps from post-representational perspectives. First, ‘carto-fiction’ is defined as a self-reflexive (autoethnographic), ethnofictional, creative carto-centred product/practice of research. Second, by including the entire short story entitled ‘Unfolding Berlin’ and an autoethnographic account on how it emerged, this study strives to both theorise and perform carto-fictional writing as an embodied and trans-subjective mapping experience. My goal is to propose ‘carto-fiction’ as a prolific tool to let emotional, subjective cartographies emerge and to narrativise maps as mapping practices. The article further strives to focus on the mapping power of creative writing, and carto-fictional writing and reading will be interpreted as mapping performances, in which subjects are bodily and emotionally engaged. The inclusion of original illustrations aims to involve readers in a visual experience and to further stimulate their spatial imagination: each reader is asked to reflect on his/her own mapping experiences to interpret the fictional story and, thus, the paper itself attempts to unfold unpredicted creative cartographic practices.     

Rethinking ethnography: A study in public anthropology

This editorial calls for an alternative approach to writing ethnographies. Instead of treating a group as a cultural whole to make writing about it easier, the author emphasizes the importance of understanding the intracultural diversity that exists within that group. In addition, he asks ethnographers to step away from a framework which places them as the primary interpreters of a group. Instead, he calls for more dialogic, multicentric narratives, that allow the people they study (as well as their readers) to compose their own empowering narratives about the group. Intracultural diversity ensures there is not one true account, but many.     

Holy Nigerian Nationalisms and Apocalyptic Visions of the Nation

Abstract. This article examines the rise of religious political radicalism and its critique and appropriation of secular Nigerian nationalism. It argues that the revitalisation and radicalisation of religion in Nigeria is both an expression of the deep legitimacy crisis confronting secular nationalism and a means of resolving such a crisis. Religion is seen as fundamental to nationalism because it provides the sacred normative essence that ultimately enables individuals and communities to accept as permanent and meaningful the suffering which is integral to a national identity. In ‘holy nationalism’, the collective emotional force of nationalism merges with religion so that the two are one and the same. God chose a particular people and promised them a particular land.     

Secularization,sacralization and the reproduction of sacred space: exploring the industrial use of ancestral temples in rural Wenzhou,China

This paper offers a nuanced understanding of different social groups’ roles in the reproduction of sacred spaces. Drawing on the analysis of the transformation of sacred ancestral temples into private factories in rural Wenzhou, China, it problematizes the underlying division of ‘sacred’ and ‘secular’ actors and their opposite roles. It shows how lineage groups and factory owners, in spite of their distinctive social identities, work together and facilitate the secularization and sacralization of temple landscapes. On the one hand, both groups of people deploy discursive strategies and re-interpret the significance of ancestral temples and economic production, thereby rationalizing and prompting the conversion of temple spaces. On the other hand, traditional sacred temples are constantly reproduced through lineages’ ritual performances and factory owners’ worship and daily protection. As such, the roles of lineage communities and factory owners are diverse and change in specific contexts. This paper foregrounds the multiple and flexible agency of different social actors in relation to the production of the complex sacred–secular entanglement, and reflects on the changing traditional cultural landscape in rural China.     

Women’s everyday spirituality in Diamond Way Buddhism: an auto-photographic study

The Western world is experiencing increasing popularity of new religious movements whose adherents tend to spirituality, a subjective, personal form of religion. These spiritual forms shape the spaces of everyday life, their meanings, perceptions, and experiences, which is starting to be reflected in new geographies of religion. In Czechia, one of the most rapidly growing new religious movements is Diamond Way Buddhism. This contribution focuses on how Diamond Way spirituality is lived and experienced in space. The paper explores this phenomenon using the method of auto-photography. We asked six women to photograph places important to them in their daily lives and interpret their spiritual meaning. This method allows exploration of women’s spirituality in the everyday spaces where it is perceived and experienced, such as kitchens, buses, or natural sites. The results show that women have a specific way of experiencing Buddhism in seemingly secular space which they describe through feminine characteristics of transcendence. Everyday spaces become spiritual through the subjects’ emotional and continual experiencing of Buddhism, while the officially sacred space of a Buddhist center is incorporated into everyday life activities of women. The division between sacred and secular spaces often described by scholars is therefore challenged.     

Within sacred boundaries: the limitations of saintly justice in the province of Narbonne around the year 1000

ABSTRACT

Around the year 1000, judges from the ecclesiastical province of Narbonne (southern France and Catalonia) crafted judicial strategies that reinforced the region's Visigothic Code with the power of saints – conceived as gatekeepers to God's heavenly courtroom – to validate the oaths of witnesses. This practice merged liturgically grounded ideas about supernatural forces and space with a law code that prioritised secular authority. To forestall opposition to rulings, officials sometimes held proceedings in churches. This paper examines two unusual cases illustrating the challenges such strategies faced, given the perception that saints were not omnipresent. These disputes raise questions about the nature of saints, the degree of agency humans attributed to them and the utility of sacred spaces for legal ritual. In the province, saints were powerful, but constrained by their inability to act beyond the walls of consecrated sanctuaries housing their relics. This relegated saints to supplementary roles in law.     

Convictions,Loyalties and the Secular State

Abstract

The article examines the relationship between communal religious identity and the secular, liberal state. It addresses the concern that religious allegiance undermines an individual's or group's political loyalty. The liberal secular state is threatened when a religious community participates in public discussion because this challenges the positioning of religious belief as personal and private. Currently this issue is brought into sharp focus by the identities of Muslim people although it is by no means restricted to this religious group. The early Christians negotiated the difficulties of loyalty to the empire and worship of the one true God as uniquely divine. The work of William Cavanaugh and Maleiha Malik is utilized to argue that religious communities can participate in public discussions in secular liberal states while living by narratives not shared by these polities. In fact religious communities can deepen the moral discussions of liberal secular states by bringing to its instrumental rationalism convictions established on alternate beliefs and narratives about the human condition. The recognition of the public role of religions need not induce panic in the liberal secular state and may secure religious communities sufficiently to allow mature, critical debate and discussion of their loyalties.     

Intellectuals and politics

ABSTRACT. By imagining their audiences, intellectuals invented and constructed the collective identities of nations and transnational communities like Europe or humankind. Four ideal types of intellectuals are outlined by describing them in their relation to politics: the intellectual as cosmopolitan ascetic; the intellectual as enlightened legislator; the intellectual as revolutionary; and the intellectual as the voice of a traumatic memory. These ideal types change over time in response to their focus of attention and their mode of communication. Because of changes in their media (from handwritten to printed books) and changes in their written language (from Latin to French and Italian, and further to vernacular languages), intellectuals were able to change views on past, present and future times. Today, they are involved in (civic) resistance but rarely in politics per se. By renewing the tension of the sacred and profane – the so‐called axial‐age revolution – contemporary intellectuals in Eastern Europe are decoupled from direct political power.     

Rhetoric,Narrative, and the Remembrance of Death in ʿAttār's Mosibat-nāmeh

This paper examines the anecdotes of ?Attār’s Mosibat-nāmeh as temporal phenomena from the perspective of a reader moving progressively through the text; it is argued that that these anecdotes do not function primarily as carriers of dogmatic information, but as dynamic rhetorical performances designed to prod their audiences into recommitting to a pious mode of life. First, the article shows how the poem’s frame-tale influences a reader’s experience of the embedded anecdotes by encouraging a sequential mode of consumption and contextualizing the work’s pedagogical aims. Next, it is demonstrated that these anecdotes are bound together through formulae and lexical triggers, producing a paratactic structure reminiscent of oral homiletics. Individual anecdotes aim to unsettle readers’ ossified religious understandings, and together they offer a flexible set of heuristics for pious living. Finally, it is argued that ?Attār’s intended readers were likely familiar with the mystical principles that underlie his poems; he therefore did not use narratives to provide completely new teachings, but rather to persuade his audience to more fully embody those pious principles to which they were already committed.     

Geographies of religion and spirituality: pilgrimage beyond the ‘officially’ sacred

Abstract

The papers in this special issue, Geographies of Religion and Spirituality: Pilgrimage beyond the ‘Officially Sacred,’ are placed in the context of a comprehensive theoretical overview of the role that the sacred plays in shaping, conducting, controlling, and contesting pilgrimage. As scholarship examining the lived experiences of travelers has demonstrated, pilgrimages need not necessarily be religious in nature, nor be officially sanctioned. Rather, if pilgrimages are perceived as ‘hyper-meaningful’ by the practitioner, the authors in this special issue argue that a common denominator of all of these journeys is the perception of sacredness—a quality that is opposed to profane, everyday life. Separating the social category of ‘religion’ from the ‘sacred,’ these articles employ an interdisciplinary approach to theorize sacredness, its variability, and the ways in which it is officially recognized or condemned. Thus, the authors pay particular attention to the authorizing processes that religious and temporal power centers employ to either promote, co-opt, or stave off, such popular manifestations of devotion, focusing on three ways: through tradition, text or institutionalized norms. Referencing examples from across the globe, and linking them to the varied contributions in this special issue, this introduction complexifies the ways in which pilgrims, central authorities, locals and other stakeholders on the ground appropriate, negotiate, shape, contest, or circumvent the powerful forces of the sacred. Delving ‘beyond the officially sacred,’ this collective examination of pilgrimages, both well-established and new; religious and secular; authorized and not; the contributions to this special issue, as well as this Introduction, examines the interplay of a transcendent sacred for pilgrims and tourists so as to provide a blueprint for how work in the geography of religion and the fields of pilgrimage and religious tourism may move forward.     

Trajectories of Culture in West Mexico

Explaining culture change requires a multi-dimensional approach, and so does explaining cultural continuity. I combine several approaches to explain why the account given of a Mexican town's history changed between 1879 and 1992. I also identify and explain what did not change during the period, as well as during the subsequent period of fieldwork itself, 1992–2005. Rather than treat cultural continuity as the result of inertia, I follow Urban ([2001], Metaculture: How Culture Moves Through the World, University of Minnesota Press, Minneapolis, MN) in looking for what motivates the transmission of culture as well as what pathways it takes, although I prefer to stress human agency in writing of the trajectories along which people propel culture, in this case a town's history. One approach which I draw, for explaining the trajectories of culture, is Malinowski's seminal study of Trobriand myths (1926), but I combine it with the more recent approaches that link versions of history to the interests of social groups; highlight the density of ties between person, people and place; pay attention to the genre of narratives being transmitted, and to the skewing of culture towards central places; and finally, consider shifts not just in the figure of particular narratives but in the grounds that underlie them, such as the criterion of truth against which narratives are measured.     

Transcendent myths,mundane objects: setting the material scene in rock,soul, and country museums

The many varied myths of origins, aesthetic transcendence, and greatness that surround popular music continue to proliferate in a variety of forms. One comparatively recent type of institution producing such forms of mythology is the popular music museum. This article uses the familiar idea of the ‘experience economy’’ to examine how three popular music museums produce experiences through objects that, while they are deliberately cast as mundane and everyday, work to support widely-shared narratives of the musical traditions of which they are a part. I argue that they do so in the service of larger myths of popular music. In each case I examine, I show that the myths on display are specific to the music that forms that content of the exhibitions. I argue that the specific kinds of spectator experiences these museums seek to produce are designed to enhance the value of these museums and their collections through claims made on specific types of musical patrimony made material through carefully contextualized objects of display. As such, traditionalist myths of musical greatness and aesthetic transcendence are well-served by the forms of exhibition and display produced by these institutions.     

Arrival: Anthropology in Hollywood

The recent Hollywood science fiction film Arrival features as its main character a linguist who explicitly references the Sapir‐Whorf hypothesis and linguistic relativism. Unusually for a mainstream film, Arrival presents the insights of linguistic anthropology as a key to the human‐alien encounter and combines these concerns with other key anthropological insights, particularly in relation to notions of time and the embodied nature of writing/drawing. In this article, the author argues that the film can be useful in thinking about anthropological debates on ‘strong’ and ‘weak’ versions of Sapir‐Whorf and suggests that a careful parsing of the anthropological concepts drawn on in the film provides food for thought about the possible usefulness of popular fictional concoctions for thinking through contemporary issues in anthropology and conveying them to a wider audience.