共查询到19条相似文献,搜索用时 46 毫秒
1.
葛兰西的"文化领导权"理论强调了上层建筑对夺取和巩固政权的重要作用,从而突破了经济决定论的僵化状态,确立了文化这一因素在社会发展中的积极意义。在和平与发展成为时代主题的今天,这一理论的当代性更加凸显,它为我党如何进行文化能力建设以促进社会和谐发展提供了可资借鉴的理论意义。 相似文献
2.
20世纪80年代,西方文化地理学界对传统地名学进行了批判转向,地方命名中的文化政治过程成为研究核心。本文以2017年被国务院列为国家历史文化名城的长春市为例,在批判地名学的背景下,借鉴葛兰西的霸权理论,对1800—1945年间长春街道命名过程进行文化政治分析。研究发现:1931年九一八事变前,长春街道命名成为不同政权控制下各种力量争夺的战场,形成清政府控制的长春地方力量、俄国殖民者力量和日本殖民者力量分区控制下的街道名称,争夺加深了城市内部分异。1931年九一八事变后,长春沦为日本的殖民地,日本殖民者为隐藏其妄图永久占领东北并实现霸权统治的野心,在其划定规划的“实在国都事业区域”进行中式命名,却隐喻了明显的归顺色彩。 相似文献
3.
马克思主义政治经济学思想对传播学的影响非常深远。法兰克福学派、传播政治经济学、霸权理论、意识形态国家机器理论、文化研究学派都受到了马克思主义政治经济学的影响。本文主要探寻了阿尔都塞的意识形态理论与葛兰西的霸权理论对马克思主义政治经济学的思想传承与发展,认为阿尔都塞的多元结构决定论观点继承与发展了马克思主义,被称为“结构主义的马克思主义”霸权理论则出现了突破马克思主义政治经济学的二元框架的萌芽,因此被称为“新马克思主义”。 相似文献
4.
葛兰西发展了马克思主义的国家学说,他以市民社会为核心建构了自己的国家理论。葛兰西的国家理论体现了西方传统政治思想中二元政治的思想。一方面,他从国家与社会的“二元”关系建构了国家的概念,另一方面,他的文化领导权的思想体现了“天”与“人”的“二元”关系。 相似文献
5.
新中国建立后,周恩来从当时的社会实际出发,全面深刻地阐述了新中国政治文化建设的实现途径,形成了其独具特色的政治文化培育思想:发展社会主义经济,为新中国政治文化建设奠定物质基础;抵制政治急进主义,为新中国政治文化建设提供政治保障;扩大公民政治参与,为新中国政治文化建设奠定群众基础;借鉴人类政治文明优秀成果,为新中国政治文化建设提供理论支撑。 相似文献
6.
在国有企业经营管理下,思政工作与企业文化之间有着紧密的联系,思想政治工作够有助于企业文化的形成,企业文化为思政工作提供了良好地环境,以实现企业管理水平的提高.本文对企业文化与思政工作联系进行分析,并探讨两者融合创新策略. 相似文献
7.
随着经济全球化和科学技术的迅猛发展,以美国为代表的西方发达国家借助其经济、科技优势和市场运作的强大实力,按照自身的文化传统和市场需求,利用大批量的、标准化的、娱乐性的大众文化占领并操纵整个世界市场,冲击其他国家的文化传统,并试图导向其对发达国家大众文化的认同、崇拜和依赖。但与此同时,这些发展中国家本土文化的核心并没有彻底扭转,甚至能够利用大众文化的 相似文献
8.
企业政治思想工作为企业文化建设提供思想指导,是企业文化建设的源动力,而企业文化建设要求具有强有力的政治思想基础作保障,同时,两者共同作用于企业可持续发展过程中。 相似文献
9.
思想政治工作和企业文化建设是意识形态的两种表现方式,是企业建设和发展的重要内容和组成部分。思想政治工作在企业文化建设申是起主导作用的。企业文化建设是思想政治工作的重要组成部分。我们要在思想政治工作的引导下促进企业文化建设,有效地推进企业各项工作的有效开展。 相似文献
10.
11.
Myrsini Zorba 《International Journal of Cultural Policy》2013,19(3):245-259
This paper concentrates on several of the most significant moments of Greek cultural policy since World War II, together with its key concepts. It traces the cultural policy of the country, its main changes and its relationship with politics through a socio‐cultural analysis and a look at the political and cultural events which occurred. The concepts of national identity, hegemony, civilizing mission, democratization, and cultural democracy are applicable in this framework. Despite various attempts at reforms, the country's cultural policy could be characterized as ‘path dependent’; it connected unwaveringly to its two main objectives: heritage and the arts. 相似文献
12.
In this article we argue that the role of intellectuals was essential (1) in the formation of Finnish cultural policy and (2) for the development of national cultural administration and public arts subsidy system in the country in the period leading up to the Second World War. The actions of the intellectuals can be considered as political choices in a contingent socio‐political realm, and arts as an essential part of the signifying system. In Finland, intellectuals remained active in the intertwining areas between the state and civil society. We highlight the impact of their actions especially through a study of archival materials obtained from the State Arts Boards. At these Boards, the intellectuals served as representatives of their own fields of arts in general, and of certain professional and civic associations and societies in particular. These intellectuals acted in various roles depending on the subject matter at hand, and as a result the decisions made by the boards reflected predominantly the interests of some groups over those of others. 相似文献
13.
本文在劳动过程理论和女性地理学研究的理论成果上,对学校食堂进行研究,分析两种类型女工在工作场所的分工等级与认同机制。首先,劳动过程理论的意义在于解析了资本主义在发展过程中,如何制造服从的员工和稳固的分工等级关系;但是本文研究表明,当部分女工没有被完全纳入生产的中心环节时,她们进入工作场所之前的性别身份就起到了重要的预设作用。籍此,本文试图推动社会-空间作用双层机制研究,尝试推动微观空间尺度内自我身份在劳动过程中认定与生产的理论建构。 相似文献
14.
Paola Merli 《International Journal of Cultural Policy》2013,19(4):399-420
Gramsci’s writings have rarely been discussed and used systematically by scholars in cultural policy studies, despite the fact that in cultural studies, from which the field emerged, Gramsci had been a major source of theoretical concepts. Cultural policy studies were, in fact, theorised as an anti-Gramscian project between the late 1980s and the early 1990s, when a group of scholars based in Australia advocated a major political and theoretical reorientation of cultural studies away from hegemony theory and radical politicisation, and towards reformist–technocratic engagement with the policy concerns of contemporary government and business. Their criticism of the ‘Gramscian tradition’ as inadequate for the study of cultural policy and institutions has remained largely unexamined in any detail for almost 20 years and seems to have had a significant role in the subsequent neglect of Gramsci’s contribution in this area of study. This essay, consisting of three parts, is an attempt to challenge such criticism and provide an analysis of Gramsci’s writings, with the aim of proposing a more systematic contribution of Gramsci’s work to the theoretical development of cultural policy studies. In Part I, I question the use of the notion of ‘Gramscian tradition’ made by its critics, and challenge the claim that it was inadequate for the study of cultural policy and institutions. In Parts II and III, I consider Gramsci’s specific writings on questions of cultural strategy, policy and institutions, which have so far been overlooked by scholars, arguing that they provide further analytical insights to those offered by his more general concepts. More specifically, in Part II, I consider Gramsci’s pre-prison writings and political practice in relation to questions of cultural strategy and institutions. I argue that the analysis of these early texts, which were written in the years in which Gramsci was active in party organisation and leadership, is fundamental not only for understanding the nature of Gramsci’s early and continued involvement with questions of cultural strategy and institutions, but also as a key for deciphering and interpreting cultural policy themes that he later developed in the prison notebooks, and which originated in earlier debates. Finally, in Part III, I carry out a detailed analysis of Gramsci’s prison notes on questions of cultural strategy, policy and institutions, which enrich the theoretical underpinnings for critical frameworks of analysis as well as for radical practices of cultural strategy, cultural policy-making and cultural organisation. I then answer the question of whether Gramsci’s insights amount to a theory of cultural policy. 相似文献
15.
Gillian Hart 《对极》2010,41(Z1):117-141
Abstract: Part of what makes the current conjuncture so extraordinary is the coincidence of the massive economic meltdown with the implosion of the neoconservative Project for a New American Century, and the reappearance of US liberal internationalism in the guise of “smart power” defined in terms of Diplomacy, Development, and Defence. This essay engages these challenges through a framework that distinguishes between “Development” as a post‐war international project that emerged in the context of decolonization and the Cold War, and capitalist development as a dynamic and highly uneven process of creation and destruction. Closely attentive to what Gramsci calls “the relations of force at various levels”, my task in this essay is to suggest how the instabilities and constant redefinitions of official discourses and practices of Development since the 1940s shed light on the conditions in which we now find ourselves. 相似文献
16.
Cathal McManus 《Irish Studies Review》2015,23(1):48-67
Over the past decade or more there has been a growing concern at the levels of educational underachievement within loyalist working-class areas of Northern Ireland. The inability of both educational and social policy initiatives over the past decade to improve the situation in any meaningful way has raised important questions concerning how the problem can be tackled more effectively. Placing the issue within the theoretical framework of Gramsci's hegemony, this paper argues that there is a need to better understand the historical nature of the problem and to recognise the political and social forces that have shaped its existence. It argues that there is a need to move away from explaining Protestant underachievement simply by the availability of jobs in Ulster's industrial past and to place its roots in the complex battle for social, political, and economic power since the 1801 Act of Union. 相似文献
17.
Chris Hesketh 《对极》2019,51(5):1474-1494
This article addresses whether the concepts of Antonio Gramsci still “travel” to Latin America. During the 20th century, Gramsci was one of the most important social theorists invoked to understand forms of social order in Latin America, as well as providing resources to reflect upon subaltern culture, resistance and the construction of alternatives. However, over the past two decades there have been several theoretical and practical challenges to the hegemony of Gramsci. These challenges are multifarious, but can be reduced to several important contentions that are explored in this article. These include the enduring role of violence, the alleged decline of ideology and finally the challenge of state‐centrism in the face of geographical difference. In the current regional conjuncture, marked by the return to power of right‐wing social forces, I therefore examine whether Gramscian concepts are still apposite for understanding the political economy of Latin America in the 21st century. 相似文献
18.
This article offers reflection on how Gramscian theories can be useful for critically analyzing the political significance of the actions and resistances of urban subaltern Africans. It interrogates the potential of subaltern political forms to profoundly transform society and to thus prepare for the African “future city”. It merges a theoretical analysis of Gramsci's concepts relating to the città futura—and its relation to concepts of city, subalternity, political initiative and cittadinanza—with a comparative critique of urban theory applied to Africa and especially relating to the politicization of the city in Mauritania. Our reflections are based on Mauritania and the case of Nouakchott, its capital, where we have carried out our research for over a decade. We will interrogate the re‐appropriations or resistances, as well as the autonomous construction of modes of living and of city‐making, made by marginal inhabitants, in order to consider their political potentialities. 相似文献
19.
Ketil Zachariassen 《Acta Borealia: A Nordic Journal of Circumpolar Societies》2013,30(2):113-137
Abstract The subject of this article is the creation of North Norway from the late eighteenth century to the present day. Some initial remarks about the relationship between nations and regions are followed by a number of interpretations of recent national and nationalism debates. The former synthesis of the creation of North Norway as a region is analysed, using approaches that on the one hand could be described as an actor stage theory, and on the other as structurally modernistic. As an alternative, a new theoretical approach inspired by cultural hegemonic theories is presented. This cultural hegemonic approach uses the works of Antonio Gramsci (1891–1937) as a point of departure and is related to the concepts he developed, such as “hegemony”, “counter-hegemony”, “historic bloc”, “civil society” and “organic intellectuals”. A new synthesis of the historical regional formation process, based on a cultural hegemonic approach, is then presented, showing that North Norway as a region is the result of a long-lasting, contradictory and continuous process. Six periods are identified in the creation of the region: the period from the late eighteenth century and throughout the nineteenth century up to the second decade of the twentieth century emerges as a time-frame for a counter-hegemonic nation-building project. Since then, North Norway as a region has developed through hegemonic struggle between different kinds of region- and nation-building projects within and outside the region. 相似文献