FLINT-WORKING IN THE METAL AGE

Summary. This paper considers the relationship between flint technology and the development of metalworking in Britain. The gradual adoption of metals is reflected by changes in the range of flint flakes being produced, the efficiency with which the raw material was worked and the number of implement types that continued to be made of stone. The main types to remain in use were those for which flint was a more suitable material than bronze. The intensity of flint-working as a whole may be one clue to the accessibility of metal in different areas.     

THE CULTURAL LANDSCAPE OF THE CHINESE BRONZE AGE

The Chinese Bronze Age culture from the 19^th to the 1^st century BC can be divided into four zones: the Central Plain in the middle and the lower Yellow River region; the Northern zone along the Great Wall; the Southern zone, south to the middle and the lower Yangzi River; the Southwestern zone covering the upper Yangzi River. In each zone, bronzes are not only different in types and styles but also function differently responding to the processes of the early state formation and social development. More precisely, in the first zone, there are mainly ritual bronzes, serving as symbols of the social and political hierarchy. In the second zone, there are mainly utilitarian items such as weapons, tools, bronzes of everyday use, ornaments, as well as horse‐chariot fittings. Bronze musical instruments characterise the third zone. And bronzes of the fourth zone are realistic or symbolic in style, depicting scenes of social life. Though having different cultural origins and characteristics, the four zones communicate with and influence each other continuously, creating a dynamic cultural landscape of the Chinese Bronze Age.