On fascistization: Mussolini’s political project for Franco’s Spain, 1937–1939

‘Single party, single militia, single worker’s union, on these three pillars the great Spain of tomorrow will be built’, wrote Mussolini to Franco in August 1937, only four months after the new single party, Falange Española Tradicionalista y de las JONS, was created. From the Duce’s point of view, all the political tools developed to achieve a brilliant present and a greater future were the result of Italian intervention in the Spanish Civil War. The political implementation of fascism, the single party, corporativism, propaganda and economic modernization were considered to have been derived from Italy’s military and diplomatic involvement in Spain. But, surprisingly, that political presence has largely been undervalued by historians examining the political construction and nature of Franco’s Spain. This article re-evaluates the importance, and limits, of Mussolini’s political project in Spain: fascistization.     

Chubut,Argentina: a contested Welsh ‘first-place’

Abstract

In an attempt to escape British hegemony, the Welsh established a Patagonian colony in 1865, in what is now the Chubut Province of Argentina. The historical struggles the immigrants faced upon settling the land are rooted in the landscape and commemorated in different versions of Patagonian regional history through provincial museum narratives that serve as a method of solidifying Welshness in Chubut. Contemporarily, the local tourism industry constructs the Welsh as the first settlers in the region, while minimally representing predecessor groups like the indigenous communities or Spanish colonials. Curiously, the representation of these other heritage communities throughout heritage displays actually serves to bolster the Welsh ‘first-place’ claims over the region. These tensions are seen throughout community-based museums in the region that assert a locally rooted hybrid identity by acknowledging local historical diversity, while simultaneously recalling and emphasising the [Welsh] homeland heritage. This paper explores how ‘first-places’ can be a source of symbolic conflict, while simultaneously serving as a dynamic, heritage construction mechanism. This research investigates how the Welsh diaspora negotiates its identity through the mobilisation of heritage, to make claims about the Chubut Province as a symbolic Welsh first-place, as well as broader Argentine heritage.     

It’s the Ideology,Stupid! In Macri’s Argentina: A Reportage

A first snapshot from the frontlines of ‘change’ in Latin America: cumbia music from the Casa Rosada, police repression against villeros and indigenous activists, and soul-searching amidst supporters of the ‘Victory Front’ in the face of defeat. Have we now moved from the ‘pink’ to the ‘yellow tide’?     

Hitler’s channel fortress: testing an experimental method on a Nazi Megastructure

Abstract

This research focuses on the use of a new and experimental archaeological method. Using this new method, calculating the in situ strength of concrete became possible. By taking this method to Alderney, a once Nazi-occupied island, it was hoped that the secrets of a Nazi Megastructure would be uncovered; both exemplifying the dark history of this small island, while also establishing the value of the Schmidt rebound hammer for academic archaeology.     

Rafael Pinedo’s Trilogy: Dystopian Visions and Populist Thought in Argentina’s Turn-of-the-century Narrative

The three short novels written by Rafael Pinedo (Argentina, 1954–2006) before his untimely death are increasingly attracting the attention of academic researchers, not only because of their complexity but also because of their take on Argentine politics and ideology. The following article analyzes how these novels operate within what Tom Moylan defined as a critical dystopian narrative. By narrating each story as a future world in agony, where all social interactions are described with a militant pessimism, the novels envisage the consequences of the populist’s policies grip on the country’s social and cultural environment. I argue that Plop (Casa de las Américas Prize 2002), Frío (Finalist for the 2004 Planeta Prize), and Subte can be read as a trilogy since they propose a radical thought experiment about the limits of the social and cultural practices of populist policies, as well as a mise-en-scène of its hijacking and betrayal of utopian values. The article also underlines how, despite its pessimistic tone, the novels offer a glimmer of hope by returning to basic concepts of community and empathy.     

‘Unity,stability, continuity’: heritage and the renovation of Franco’s dictatorship in Spain, 1957–1969

Spain between 1957 and 1969 – the period in the history of the dictatorial regime of General Francisco Franco known as desarrollista (development‐guided) – presents a peculiar case of a state‐driven heritage industry. The present article examines the desarrollista policy aimed at creating and coordinating heritage tourism, focusing on periodical publications, official speeches, films and promotional materials. It looks at late‐Francoist heritage as a vehicle for achieving, simultaneously, an ideological and an economic effect. Economically, heritage was conceived as a tool for diversifying and individualising Spain’s tourism product in the Mediterranean market, and above all, for confronting the uneven territorial and seasonal distribution of ‘sun and beach tourism’. At the same time, ideologically, the models and uses of heritage examined here served the regime’s interest in securing the country’s territorial unity, maintaining the high profile of the Catholic Church, and re‐legitimising the Civil War (1936–1939) which had brought Franco to power.     

William Shakespeare’s New Place: investing in,or inheriting a legacy?

SUMMARY: New Place is the name of the house that William Shakespeare purchased in 1597 and the place in which he died in 1616. The house was constructed in Stratford-upon-Avon over a century previously but had disappeared by 1759, leaving only an empty gap in the street frontage. How much time Shakespeare spent there has long been debated, but recent excavation and analysis of the surviving evidence has led to the notion that New Place was carefully chosen by Shakespeare to be his primary residence and the place to live with his family and compose much of his later writing. The importance of Hugh Clopton, the former owner and builder of New Place, and the welcome associations that his name brought to the property, is also debated here. Shakespeare’s motives, his pursuit of status, desire for investment and obligation to his family are all explored through the use of archaeological data and the historical evidence for the house.     

Albania during WWII: Mustafa Merlika Kruja’s Fascist Collaboration

This essay discusses the fascist collaboration of Mustafa Merlika Kruja, Albania’s prime minister from 1941 to 1943. In textbooks published before 1990, Kruja was called the Albanian Quisling and his very name was associated with treason. Yet even in publications after the 1990s Kruja was seen as Albania’s black sheep and only few sources viewed him objectively. Aiming to unite Albania with Kosovo, he stressed the need to fight communism, which for him was synonymous with antinationalism and, which he believed, would bring Albania to ruin. Thus Kruja used anticommunism and nationalism as his main political weapon to gain support for his collaboration with fascist Italy and with Albanian nationalists.     

From The Iron Curtain to Franco’s Spain: Right-Wing Central Europeans in Exile

After the Second World War, anti-communists of different backgrounds from Central and Eastern European countries decided to settle in Franco’s Spain, where they sought safety and a place to live during the Cold War. This article will provide an overview of their political profiles and assess the reasons these exiles chose Spain, a country excluded from the United Nations until 1955 and led by Francisco Franco. The article also shows how they settled in the dictatorship linked to the Nazis and Italian Fascists, and the ways in which they continued their struggles against Communism with public and private resources.     

The great divide? Notions of racism in Fascist Italy and Nazi Germany: new answers to an old problem

ABSTRACT

One of Michele Sarfatti’s greatest accomplishments has been to challenge the notion that there was a fundamental difference between the biological racism predominant in Nazi Germany and the ‘cultural racism’ of Fascist Italy. I examine how this dichotomy took shape and the meaning it acquired over time. My basic argument is that this division is the result of dialogue between Italian and German population experts during the interwar period, and that making a sharp distinction between a ‘German’ and an ‘Italian’ style of racism helped them to construct their own identities. In other words, the debate on racism was a vehicle for defining what it meant to be a ‘true’ Nazi or Fascist. In this way, differences in racist ideology can be understood as a product of struggles over meaning. Ultimately, my aim is to de-essentialize the meaning of race in research on both Nazi Germany and Fascist Italy.     

Women’s magazines and socioeconomic change: Para Ti,identity and politics in urban Argentina

Popular media plays an important role in the production and reproduction of hegemonic cultural norms, as well as in the construction of class and gender identities. Periods of economic crisis generate struggles over ways of understanding social reality that can destabilize or reinforce different identities. The media often plays an important role in the reconfiguration of identities. Expanding on these ideas, I conduct a discourse analysis of a women’s magazine to examine how popular media reflected and influenced shifting gender and class identities in Buenos Aires, Argentina between 1995 and 2008, a period of major socioeconomic change. By drawing attention to supposedly ‘non-political’ actors and spaces, I argue for expanding the range of sites we investigate in order to make sense of changing class and gender subjectivities during times of socioeconomic crisis.     

Lampon’s Episode in Xenophon’s Ephesiaca: The Reformulation of a Goatherd

The article examines the figure of Lampon, an uncharacteristic goatherd appearing in a folk-tale-like story in Xenophon’s Ephesiaca 2.9–12. It has long been recognized by critics that the circumstances of the Euripidean Electra are recalled in the episode under discussion. Comparisons are made with the Euripidean scene and the “reshuffling” of the main roles is expounded, including the novelist’s decision to make Anthia the partner of a goatherd and not the wife of a lowly farmer. On the basis of thematic and verbal similarities, it is argued that Xenophon appears to have a direct knowledge of Euripides’ Electra, which he imaginatively exploits. Subtle details of occupation and name are also discussed in relation to the stereotypical α?π?λο? and the ?γροικο?. A characteristic feature recalling the Aristotelian notion of ?γροικ?α is pointed, and it is concluded that Xenophon skilfully subverts the stereotypes, as he does not endow Lampon with the traditional negative marking of ?γροικοι and α?π?λοι, and indeed moulds an anti-aipolos.     

‘An entirely new land’? Italy’s post-war culture and its Fascist past

Scholarship has for decades emphasized the significant continuities in Italian culture and society after Fascism, calling into question the rhetoric of post-war renewal. This article proposes a reassessment of that rhetoric through the analysis of five key metaphors with which Italian intellectuals represented national recovery after 1945: parenthesis, disease, flood, childhood and discovery. While the current critical consensus would lead us to expect a cultural conversation characterized by repression and evasion, an analysis of these five post-war metaphors instead reveals both a penetrating reassessment of Italian culture after Fascism and an earnest adherence to the cause of national revitalization. Foregrounding the inter-relation of Italy’s prospects for change and its continuities with Fascism, these metaphors suggest that post-war Italian intellectuals conceived of their country’s hopes for renewal, as well as its connections to the recent past, in terms that transcend the binary division favoured in many historical accounts.     

Show solidarity,live solitarily: the Nazi ‘New Europe’ as a ‘family of peoples’

Abstract

This chapter first investigates how the German Nazis used the term ‘European solidarity’ and demonstrates that the term meant political loyalty between European ‘peoples’ (Völker) in National Socialist discourses. Second, assuming that the Nazis’ objective in showing solidarity with or demanding loyalty from other nations was to increase strength in what they believed to be a conflict with ‘international Jewry’, it examines the logic of the Nazis behind including other European countries into their own camp in that conflict. It will be argued that the Nazis developed a sense of belonging with non-German Europeans based on three ideas: (1) the racist myth that all Europeans belonged to the ‘Aryan race’; (2) a Europe-wide consensus of the extreme Right on anti-Communism, antisemitism, and anti-democratic and ultra-nationalist worldviews; and (3) the existence of cross-border relations within Europe which led to shared experiences. The article draws on primary sources as well as on secondary literature about National Socialist concepts of Europe and about transnational academic, cultural and social relations in the National Socialist sphere of influence.     

‘Terra Straniera’: migration and transnationalism in Italy,Canada and Argentina

This article examines the post-war migration experiences of Italian Campani to Argentina and Canada. It employs oral testimonies as well as written sources from three different countries to reflect upon the concept of transnationalism as a useful theoretical tool, and to reflect upon its use in understanding the development of ethnic identity. While observing the transnational space of Italian communities in the Americas, the article seeks to understand the ways in which transnationalism took hold in everyday life, exploring its presence in the ways in which Campani used language, food and music to negotiate their own ethnic identities.     

Trapped in clichés: masculinity,films and tourism in Iceland

When the Icelandic television series ‘Trapped’ was aired it instantly garnered worldwide attention. The main character, a rugged Icelandic man, is presented as being one with the harsh cold landscape. This article demonstrates how visual materials, like ‘Trapped,’ have become extremely important in the presentation of Iceland to the outside world, as well as working to present Iceland as a tourism destination. Furthermore, we evidence how ‘Trapped’ identifies with the Nordic noir genre. Our analysis shows that the series ‘Trapped’ and recent Icelandic films rest on the strong and entrenched association of Icelandicness with maleness, while also reflecting on existing stereotypes about Iceland and the Icelandic people as being exotic, both of which have become reanimated through the tourism industry. Thus, visual material such as ‘Trapped’ constitutes a part of, and becomes in and of itself symbolic of recurrent masculinity in Iceland. Our analysis emphasizes the importance of framing the ‘official’ production of locations as tourism destinations by both state and commercial industries in relation to other cultural productions that often also engage with mobile historical stereotyping and commercial attempts at nation branding.