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民主党派在抗日战争时期参与的民主宪政运动极大地推进了抗日战争时期中国政治民主化进程,深刻影响了未来中国政治发展的走向。追求民主政治的强烈意愿是民主党派参与民主宪政运动的根本动因;国民党的独裁专制统治是其参与民主宪政运动的直接原因;国内外要求民主的强烈呼声是其参与民主宪政运动的外在动力;共产党的引领和帮助是其参与民主宪政运动的重要条件。民主党派经过民主宪政运动的历练,日渐成为中国政治舞台上一支不容忽视的力量;民主党派经过民主宪政运动的实践,对民主的理解更为深刻,对国民党蒋介石的本质认识得更加清楚;民主宪政运动是共产党与民主党派合作共事的成功实践,为革命胜利后中国共产党领导的多党合作和政治协商制度莫定了基础。  相似文献   

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serge  ricard 《外交史》2005,29(5):879-883
Book reviewed:
Christopher Goscha and Maurice Vaïsse, eds. La guerre du Vietnam et l'Europe 1963–1973 . Brussels: Bruylant, 2003. xxviii + 491 pp. €40.00.  相似文献   

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Sam Halvorsen 《对极》2020,52(6):1710-1730
How and why do political parties, seemingly focused on electoral politics, also mobilise within contentious arenas? Drawing on qualitative research with a centre-left Argentine party called Nuevo Encuentro (NE) in the city of Buenos Aires this paper demonstrates the importance of a geographical reading of “movement parties” for responding to this question. Specifically, the paper analyses NE’s territorialisation, understood as a strategy for organisation building via the political appropriation of space, typically by opening branches and mobilising activists in neighbourhoods. Between 2007 and 2019 NE’s strategy of territorialisation mobilised across multiple scales—the neighbourhood, city and national—yet in so doing its organisation became overstretched and struggled to engage across both contentious and electoral arenas. Through an analysis of NE’s territorialisation, grounded in the historical and geographical context of contemporary Argentina, the paper provides an original attempt to spatialise the concept of movement party.  相似文献   

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In given circumstances, art can play a crucial role in motivating people to participate in altruistic acts of protest and in initiating the formation of social movements. The story of the most controversial work of art in Norwegian cultural history, the so-called Vietnam Picture from 1965, provides an illuminating illustration of how and why artists and their work can have and have had a significant impact on peace and solidarity movements. The article discusses the qualities of artistic production and its reception that can stimulate and sustain protest. Picasso’s Guernica provides an interesting parallel to the Vietnam Picture, and the two pictures are briefly compared.  相似文献   

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越南战争期间,韩国派出大规模部队参与战争,成为美国盟国中派兵规模最大的国家。韩国参战并非美国压力的结果,而是主动请缨,但从韩国提出参战到实现派兵的整个过程无不与美国有着密切的关系,同时也与冷战大背景及韩国的政治经济状况密切相关。参加越战对美韩关系及韩国的政治经济发展均产生了深刻影响。韩国参战后,美国提高了本已削减了的对韩经济军事援助,停止了驻韩美军的削减,美韩安全合作的新领域得到拓展,两国关系的不平衡结构亦得到改变。  相似文献   

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