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This article revisits Frederick Douglass’s 1845 slave narrative as illustrative of the ‘birth’ of whiteness as ideology and, in particular, of the subordination of class to race interests in antebellum America. To do so, it compares Douglass’s text to Toni Morrison’s A Mercy (2008), which traces the origins of the slave trade back to the seventeenth century, when American slavery was not fully ‘racialised’ yet. While Morrison focuses on the earliest stage of the increasing (class) animosity among different types of servants and slaves, black and white, Douglass’s nineteenth-century Narrative already reveals the explicitly racialised association of human bondage with non-whiteness. I argue that Morrison’s novel may thus be interpreted as a ‘prequel’ to Douglass, whose Narrative illustrates the increasing racialisation of slavery throughout the nineteenth century, but also elaborates on its class and gender biases. In this sense, the essay concludes that Douglass shows how the assertion by white workers, especially males, of their racial and gender supremacy over both black men and women entailed, paradoxically enough, their class subjugation, which, if not in form, ended up transforming them into virtual ‘slaves’.  相似文献   

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Instead of the framework of influence–acceptance commonly used in previous studies, the author uses new sources to reexamine John Dewey’s visit to China from the perspective of interactive experience. This study presents Dewey’s lectures in China as the result of interrelationships among a variety of elements – Columbia University, different hosts and audiences, the media, all levels of the Chinese government, the domestic situation in the United States, the international situation, and Dewey’s expectations and work – against the general background of China’s New Culture Movement and new educational reforms. Dewey’s speeches on democracy, science, and new education were remarkably successful in the first year of his visit to China, but began to meet with resistance from some students beginning in June 1920. Because of the Red Scare in the United States, Dewey had to stay in China. In the second year of his visit, he gave warmly welcomed lectures on the same topics in Jiangxi, Fujian, and Guangdong Provinces. With a deeper understanding of China, Dewey not only identified himself with reform plans but also began to pay more attention to China’s economic problems. His inquiry into the problems confronting China is a good example of what he advocated in his lectures: seeing democracy, science, and new education as a way of thinking and carrying out actions and making intellectual choices while moving forward.  相似文献   

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William Morris, author of the famous nineteenth-century utopian novel News from Nowhere, thought it both possible and desirable to develop a utopian vision that could be affirmed by many individuals. However, Morris also recognised that achieving such utopian unity was not easy. There is, at least potentially, something personal about utopian visions; they are shaped by idiosyncratic desires that cannot be shared. Through a reading of Morris’s A Dream of John Ball, I argue that Morris offers a temporal solution to the problem of utopian unity. The central characters in the text, medieval priest John Ball and a nineteenth-century socialist agitator, come to recognise their shared adherence to the same image of a new society. This is achieved through the mediation of tradition: Ball and the agitator overcome their differences by committing themselves to disappointed hopes elaborated in past struggles that have been handed down to the present. Morris’s articulation of utopia and tradition—the sense that visions of the future can be made shareable through reference to the past—offers the possibility of a transtemporal solidarity of utopians and the bringing together of the dreams of a plurality of individuals.  相似文献   

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This article examines the art writing of the poet, critic, and curator John Hewitt in mid-twentieth century Ireland and Northern Ireland. Hewitt’s promotion of modern art and artist collectives in Ulster through shifting definitions of internationalism and regionalism will be linked to the art writing of Herbert Read and the late poetry of W.B. Yeats. Taking an interdisciplinary approach to Hewitt’s poetry and art writing reveals the sustained imbrication of politics, poetry and the visual arts in his thinking. Hewitt’s ottava rima poem in response to Yeats, “The Municipal Gallery Revisited, October 1954”, will be reassessed with recourse to the context of the Municipal Gallery in Dublin and its mid-century sculpture collections. By identifying artworks within the Municipal Gallery poem, the article illustrates Hewitt’s broader dialogues with the late Yeats and the art scene in Ireland.  相似文献   

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John Banville has described his novel Shroud (2002) – a fictionalised re-imagining of the 1988 scandal of Paul de Man, whose war-time publications for a collaborationist journal were discovered after his death – as his “monstrous child” that only he could love. This essay turns to Derrida’s thoughts on monstrosity, and in particular his framing of the future-to-come as an unforeseeable reckoning between Nietzsche and Rousseau, whose approaches to human freedom and authenticity remain philosophically irreconcilable. Shroud engages with these two inheritances on a thematic level, bringing them into conversation through the characters of Vander and Cass. The interruption of intergenerational love and the prospect of a child between them, however, makes Derridean monstrosity – that more properly deconstructive trope that opens to the future by unearthing traumatic inheritances from the past – into a structuring principle, and the means by which we might best understand the novel itself as a “monstrous child”.  相似文献   

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In 1886 the Abyssinian chief Debeb became a public figure in Italy as a rapacious colonial bandit. However, over the next five years he acquired additional public personas, even contradictory ones: as a condottiero ally, a ladies' man, a traitor, a young Abyssinian aristocrat and pretender to an ancient throne, a chivalrous warrior, and a figure representing the frontier and an Africa mysterious and hidden to Europeans. Upon his 1891 death in combat, he was the subject of conflicting Italian press obituaries. For some commentators, Debeb exemplified treacherous and deceitful African character, an explanation for Italy's colonial disappointments and defeats. However, other commentators clothed him in a romanticised mystique and found in him martial and even chivalrous traits to admire and emulate. To this extent his persona blurred the line demarcating the African ‘other’. Although he first appeared to Italians as a bandit, the notion of the bandit as a folk hero (the ‘noble robber’ or ‘social bandit’, Hobsbawm) does not fit his case. A more fruitful approach is to consider his multi-faceted public persona as reflecting the ongoing Italian debate over ‘national character’ (Patriarca). In the figure of Debeb, public debates over colonialism and ‘national character’ merged, with each contributing to the other.  相似文献   

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The establishment of Chinese legations abroad in the late Qing coincided with the emergence of a number of learned societies and transnational knowledge communities in the late nineteenth century. To what extent did the Chinese diplomats residing in Europe engage with these organizations in their interactions with the West? This paper examines an understudied aspect of late Qing foreign relations by tracing the activities of the diplomat-writer Chen Jitong (1852–1907) in several learned societies in Paris during the 1880s and 1890s. While serving as a secretary at the Qing legation in Paris, Chen also became a member of several Parisian learned societies (sociétés savantes). By enthusiastically participating in the meetings of these societies, contributing to their official journals, and delivering speeches at international congresses organized by these groups during the 1889 World’s Fair, Chen established a presence for Qing China in several nongovernmental international organizations. While the intellectual foci of these learned societies ranged from folklore studies, to architectural preservation, to ethnography, Chen contributed his own unique perspective and sensitivity as a Qing literatus in his representation of Chinese society and culture, which he also successfully fused in his writings about China for a French audience. I argue that Chen’s participation in the French and international learned societies should be understood as a form of late Qing cultural diplomacy, where what was at stake was not political sovereignty but the right of Chinese self-representation and contending notions of civilization.  相似文献   

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This article analyzes Nanxun, a lower Yangzi delta town known for its silk products, as a case study of China’s development and underdevelopment. In the late nineteenth and early twentieth centuries, a booming silk trade linked Nanxun to the global market and made it an extraordinarily wealthy town, yet little was achieved in terms of urban development. Scholars have attributed the underdevelopment of Nanxun to economic factors, and perceived it as entirely undesirable. This article argues that a largely overlooked cause of Nanxun’s underdevelopment was the conformist culture of Nanxun’s ruling elite. The merchants who created the wealth of the town by their very natures preferred to create a safe and secluded zone in which the familiarity of their living environment could be preserved and the comfort of a traditional lifestyle assured. The underdevelopment of Nanxun turned out, however, not to be completely negative. The town did not sustain its status as a trading center, nor develop into a major city, but its arrested development preserved much of its original layout and, moreover, its culture. From a cultural and environmental point of view, Nanxun’s underdevelopment may have proved to be more valuable than if the town had become an indistinguishable industrial site.  相似文献   

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Nineteenth-century Australian wine makers saw Britain as the natural market for their wines and envisioned themselves as participants in a greater imperial economy, so Australian wine should be considered in discussions of imperial commodities and the reception of popular imperialism in advertising. The Australians’ concentrated efforts to sell their wines to British consumers were stymied, though, by high tariffs and negative impressions of the quality of Australian wines, and Australia would remain a marginal player in the British wine market until the second half of the twentieth century. This article uses four case studies to argue that Australian wines were promoted in Britain in the nineteenth century and that the marketing strategies hinged on associating Australian wines with imperial unity and the civilisation of Australian settler society.  相似文献   

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This paper uses the burgh court records of Aberdeen to explore the material culture of medieval Scottish townspeople. Four main areas are explored: the use of pawning and pledges to facilitate commercial transactions and maintain solvency; the practice of distraint as a means of coercion and debt recovery; the passage of burgesses’ moveable goods to their heirs; and the significance of clothing in public display. Precious metal objects featured prominently among the goods deployed to enable their owners to fulfil their obligations although the poor sometimes had to part with the most basic goods. For some in Aberdeen, the sixteenth century saw a rise in ownership of luxuries, including expensive clothes, although this may not have spread to ordinary people in town and country, and possession itself was, for some, insecure. Nonetheless it is clear that Scotland participated in the growing consumerism evident elsewhere in later medieval and Renaissance Europe.  相似文献   

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The focus in this article, through a reading of the German-Australian newspaper Der Kosmopolit, is on the legacies of entangled imperial identities in the period of the nineteenth-century German Enlightenment. Attention is drawn to members of the liberal nationalist generation of 1848 who emigrated to the Australian colonies and became involved in intellectual activities there. The idea of entanglement is applied to the philosophical orientation of the German-language newspaper that this group formed, Der Kosmopolit, which was published between 1856 and 1957. Against simplistic notions that would view cosmopolitanism as the opposite of nationalism, it is argued that individuals like Gustav Droege and Carl Muecke deployed an entangled ‘cosmo-nationalism’ in ways that both advanced German nationalism and facilitated their own engagement with and investment in Australian colonial society.  相似文献   

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Taking as points of inspiration Peter Parish’s 1989 book, Slavery: History and Historians, and Angela Davis’s seminal 1971 article, “Reflections on the Black Woman’s Role in the Community of Slaves,” this probes both historiographically and methodologically some of the challenges faced by historians writing about the lives of enslaved women through a case study of intimate partner violence among enslaved people in the antebellum South. Because rape and sexual assault have been defined in the past as non-consensual sexual acts supported by surviving legal evidence (generally testimony from court trials), it is hard for historians to research rape and sexual violence under slavery (especially marital rape) as there was no legal standing for the rape of enslaved women or the rape of any woman within marriage. This article suggests enslaved women recognized that black men could both be perpetrators of sexual violence and simultaneously be victims of the system of slavery. It also argues women stoically tolerated being forced into intimate relationships, sometimes even staying with “husbands” imposed upon them after emancipation.  相似文献   

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