Fashioning the Domestic Novel: Rewriting Narrative Patterns in Margaret Oliphant’s Phoebe,Junior and Dress

This article argues that in her 1876 novel Phoebe, Junior, Margaret Oliphant used fashion and dress as a means to rework and modernize the narrative patterns of the domestic novel. In a volume entitled Dress, written for Macmillan’s ‘Art at Home’ series in 1878, Oliphant developed a mode of dress that privileged the adaptation of prevailing forms and fashions to the needs of the individual body. Oliphant saw such an individualist approach to dress as a modern understanding of fashion that favoured change and the adaptation of prevailing styles over the imitation of dominant social and aesthetic forms. This article links Oliphant’s understanding of fashion in her Dress volume with the revisionary narrative process that she exemplified in her writing of Phoebe, Junior. Returning to her series of novels charting the Chronicles of Carlingford after a number of years, Oliphant marked in sartorial terms the social and aesthetic changes that had occurred since the publication of her penultimate Chronicle, Miss Marjoribanks, in 1866. Revising in Phoebe, Junior her earlier novel, the trope of female creativity that linked the pen with the needle, and the conventional narrative patterns of the domestic novel, Oliphant posits a model of artistry based around the image of scissors and a process of cutting in order to create.     

Spinoza’s translation of Margaret Fell and his portrayal of Judaism in the Theological-Political Treatise

The English Quaker Margaret Fell worked hard to have her conversionist pamphlets to Dutch Jews translated into Hebrew, and Richard Popkin has suggested that Spinoza was Fell’s translator. This article offers further evidence for Popkin’s claim by suggesting that Fell’s influence can be seen in chapters 4 and 5 of Spinoza’s Theological-Political Treatise. Fell’s and Spinoza’s remarks about Judaism and Jewish ceremonies bear significant similarities, as do the biblical passages they use to support their statements. Spinoza also challenges Fell’s arguments, though, by resisting her Pauline method of reading the Hebrew Bible and reading with a historicist method instead. Spinoza’s apparent use and revision of Fell’s arguments are significant because they speak to the role of the Quakers – and, notably, of a Quaker woman – in early modern intellectual history and because they sharpen our view of Spinoza’s opinions of Judaism.     

The Road to the Chaco War: Bolivia’s Modernisation in the 1920s

When Bolivian and Paraguayan leaders entered into war over the contested Chaco Boreal in 1932, they unleashed powerful, violent forces that would dramatically alter history. Understanding the Chaco War as the most pivotal event in Bolivia’s modern history, this article seeks to clarify the modernisation programme that had been underway in Bolivia during the 1920s. Reforms marked the decade and intersected with and accentuated a tense political environment. The political dynamic of the years prior to the outbreak of war showed how fragile the Bolivian system was and how the global economy further eroded the government’s manoeuvrability to avoid war.     

Moderation and religious criticism in William Cartwright’s The Ordinary (1635)

Building on the recent revival of critical interest in the drama of William Cartwright, this article explores the politics of religious moderation in his 1635 play The Ordinary. I situate the concept of moderation in Caroline England in relation to recent historical work on the subject, examining how Cartwright treats the subject in his poetry, where he argues that religious extremism inhibits the proper articulation of moderate politics. I then consider religious criticism in The Ordinary, suggesting that it attacks aspects of Puritan and Arminian theology alike. Although he ranges over a number of topics, Cartwright is particularly concerned with the way in which religious innovation is undermined by economic unfairness, incompetence, and greed. The play shows how Caroline comedy engages with polemical culture in subtle and sophisticated ways.     

‘The True Love of the People and the Motherland’: The concept of socialist patriotism,socialist nation and anti-nationalism in Hungary in the 1960s and 1970s

In the late 1950s, the concept of socialist patriotism in Hungary was reformulated as a basic political concept in the ideology and propaganda of state socialism. The definite appropriation of Leninist contraposition of socialist patriotism and bourgeois nationalism became paramount in the second half of the 1950s because of the nationalist sentiments of the 1956 revolution. I trace the history of the concept of socialist patriotism in the 1960s and 1970s in socialist Hungary. During this period, socialist patriotism served as a slightly undetermined, yet didactic counter-concept to set against ‘bourgeois nationalism’ which was characterised as a xenophobic sense of nation. From the late 1960s, the doctrine of socialist patriotism confronted a new ideological enemy: supra-nationalism or cosmopolitanism. In the mid-1970s, a new ideological equilibrium was elaborated in Hungary between socialist patriotism and proletarian internationalism, which served the economic and political integration of the Eastern bloc countries. In this sense, socialist patriotism was meant to express a link with socialist political order, its achievements and its institutions, in contrast to the ethnic character and revanchist tendencies of nationalism.     

The Gothic and the Gaelic: Exploring the Place of Castles in Ireland’s Celtic Revival

This paper examines the conflict in early nineteenth century Ireland that emerged between the way castles were portrayed in academia on the one hand and romantic literature on the other. Focusing on a key text of the Celtic Revival, Sydney Owensons The Wild Irish Girl, the paper explores how this novel (with its strong gothic influences) established a lens through which Gaelic Ireland could be understood and how this in turn affected the representation of castles. The second part of the paper ties these themes into an analysis of the relationship between architecture, literature and identity in the occupation of Leap Castle, Co. Offaly during the changing political climate of nineteenth and early twentieth century Ireland.     

Negotiating Nuclear Control: The Zangger Committee and the Nuclear Suppliers’ Group in the 1970s

ABSTRACT

In the 1970s, the Zangger Committee and the Nuclear Suppliers’ Group published guidelines on nuclear trade that drew a line between peaceful and dangerous nuclear technology, defining what was sensitive enough to require safeguarding and what was not. Given the ambivalence of nuclear technology, how was that line drawn? Historically, the understanding of whether a nuclear item is benign, sensitive, or especially sensitive has changed in response to the shifting balance between political, commercial and non-proliferation interests. The 1970s, however, merit special attention; they saw an unprecedented codification of nuclear sensitivity in the form of the published trigger lists that are still used today. In the absence of clear technical criteria, what interests and perceptions determined the sensitivity of specific nuclear items by the nuclear suppliers in the 1970s? Archival sources provide a unique insight into how the trigger lists and guidelines were negotiated and with what aims and considerations. This paper finds that nuclear sensitivity was driven by commercial interests in ensuring a level, and open commercial playing field, political interests in securing co-operation and practical interests in implementation and reputation, all of which outweighed technical considerations of how nuclear technology exports might assist a nuclear weapons programme.     

The ‘Sand-Bath’ and Lithic Heat Treatment in the South African Middle Stone Age: Myth or Reality?

When heat treatment of silcrete for stone knapping was first discovered in the South African Middle Stone Age (MSA), the procedure used for it was suggested to be similar to the one used for heat treatment of finer rocks in other parts of the world: slow sand-bath heating. This comparison may have been based on published data from the fields of ethnography, experimentation and archaeology, describing sand-bath like structures and processes. In this review, I discuss whether the available data from these three fields indeed justify the suggestions that sand-bath heating was used in the context of MSA silcrete heat treatment. A careful revaluation of the available data shows that, although sand-bath heating is a widely accepted procedure that is documented in other parts of the world, understanding the earliest known cases of heat treatment in the MSA calls for another technical procedure.     

The Abeng’s Call: The Articulation of Place and the International in Black Power Print Production

This article engages with radical Black Power print production in order to examine the articulation of Black practices of place-making and Black internationalist spatial politics. These spatial politics and practices are developed through engagement with the Jamaican Black Power newspaper Abeng which was produced at the height of Black Power activity on the island in 1969. The paper draws on Black Geographies scholarship to demonstrate that Abeng represented a material and discursive means through which subaltern practices and places of resistance in Jamaica were enacted in opposition to and excess of plantation spatialities and regimes on the island. The carving out of such subaltern places allowed for the articulation of transnational imaginaries and translocal solidarities with similarly aligned communities and struggles across the diasporic world. The Abeng newspaper was again central in crafting these imagined Black internationalist geographies and coeval praxes of transnational solidarity.     

A Brief Analysis of the Differences and Defects of Subtitling Compared to Dubbing——Harry Potter and the Philosopher’s Stone

Compared to the dubbing, the version of subtitling has many defects, including the faults purely in language translation and the inaccuracy in the cultural images. As a media of cultural communication, the translator of the subtitling has to pay enough attention to the art of language, and has to take strategies centering on the audience, promoting the cultural communication and reducing the cultural differences.     

The Ethnologist’s Kitchen: Lewis Henry Morgan and the Aztecs

In 1876, The North American Review published ‘Montezuma’s dinner,’ Lewis Henry Morgan’s devastating review of Hubert Howe Bancroft’s second volume of Native Races of the Pacific States. Morgan, who believed that Aztec social organization mimicked that of the tribes of the Great Lakes he had studied closely, sought to dispute the historical accounts of pre-conquest societies proposed by Romantic historians such as William H. Prescott. Morgan’s case against Bancroft and Prescott rested on the still well-entrenched notion that Spanish eyewitness accounts of the Conquest were a weak foundation on which to reconstruct Aztec political and social structures. Even as Morgan’s views on the Nahuas became discredited, ‘Montezuma’s dinner’ continued to be read and referenced, which may have prompted historian Charles Gibson to dispel its inaccuracies and preconceptions once and for all. Although Morgan’s review cannot teach us much about Nahua social organization or dining habits, it nevertheless represents a significant and overlooked chapter in the debate about historical evidence (including written sources and artifacts) that accompanied the configuration of history and ethnology as disciplines.     

The Elephant and the Tiger Ants: Rethinking the Channels and Themes of Biafra’s Visual Propaganda (1967–70)

The short-lived separatist campaign for an independent nation of Biafra that resulted in the Nigerian civil war has provoked significant studies and provided a pool of new understandings on the exacerbation and management of internal conflicts in modern societies. The generation and circulation of ideologies that instigate these conflicts have remained an enduring area of interest to varying shades of scholars who seek to understand the negotiation of highly polarized positions between constructed nationalities. This article adopts studies in iconography, and critical analysis, to review the narrative constructions of the themes and channels of visual propaganda employed by the separatist establishment for the prosecution of the war for secession and self-determination. By doing so, it also seeks to draw inferences from the formal artistic development that elicited the conceptual thinking behind the images and their application in a range of conventional and unconventional publicity media in Biafra and internationally. It also aims to establish pictorial connections with the historical facts of the war to enrich the interpretation and comprehension of the subtleties of the war. Biafran visual propaganda artefacts described in this article testify to an attempt by the Eastern Nigerian political elite to select from the common fears of its populace to hang on to a secessionist agenda during the civil war.