The Romance of Grime’s Graves

Abstract

The sculptures of the chapter house at York Minster are important examples of medieval art which hitherto have received little attention from scholars. Two problems posed by the sculptures are examined: the extent of restoration, and the iconography.

Some of the chapter house sculptures were mutilated and later restored; medieval and modern work contrast in stone preservation and in methods of attachment to the canopy. Fortunately the figures, which are full-length sculptures rather than heads, for the most part escaped destruction or later attempts at improvement.

The sculptures probably symbolise moral virtues and vices. Individual sculptors differed in their portrayal of allegorical subjects to illustrate this theme. A progressive group chose ordinary animals and attempted a realistic depiction. A conventional group opted for the more stylised, fantastical monsters of an archaic tradition.

Finally, Dr Eric Gee's identification of ‘toothache’ figures is reconsidered.     

The date of Marvell’s Hortus

A post-Restoration dating of Marvell’s poem The Garden and its Latin companion piece “Hortus” to around 1668 has been generally accepted in recent criticism, despite some counter-arguments from those who defend the traditional dating to Marvell’s period at Nun Appleton (1650–2). None of these analyses, however, have attempted to date the Latin rather than the English poem. This article offers a new dating of “Hortus” to around 1654, during Marvell’s time at Eton as tutor to John Dutton. The argument is based on a series of parallels and allusions to Latin poetry either dating from, or demonstrably particularly fashionable in, the period between 1646 and 1654, as well as close attention to the political resonance and contemporary understanding of the poem’s classical sources. As such, it is also a case study in the dating of neo-Latin verse, of which many thousands of examples survive from seventeenth-century England.     

The Analysis of Lin Yutang’s Humor

Lin Yutang is called the master humorist in China.He advocates humor and spiritual literature in his magazine Lun Yu(Analects)which attracts essays and readership.His informal but polished style in both Chinese and English makes him one of the most influential writers of his generation,and his compilations and translations of classic Chinese texts into English are bestsellers in the West.Humor is a distinctive feature in his works.In his book,he uses humor as he sees appropriate,and through humor he criticizes social realities,depicts characters and introduces original expressions,etc.His humor can be related to some aspects in his life.In this paper,I will briefly analysis Lin’s sense of humor and how Lin’applies humor in his works.     

The ‘Rebalancing’ of New Caledonia’s Economy

This article assesses the impact of ‘rebalancing’ (ré-équilibrage) policies implemented in New Caledonia following the Noumea Accord in 1998. These policies were designed to redress the disadvantages of the Indigenous Kanak population (both at the political and at the socio-economic level) and to foster Kanak support for a post-Noumea Accord deal with the non-Indigenous population. It outlines the institutional framework of the Noumea Accord and its impact on development policy, exploring the structural dynamics of the New Caledonian economy and the extent of achievements in reducing inequalities. Conventional indicators demonstrate some accomplishments as regards reducing provincial inequalities but this article argues that the goals of rebalancing remain far from achieved and it explores the reasons for those shortcomings. I argue that most difficulties stem from the lack of structural reforms and absence of a shared vision of development. Nevertheless, scope does exist in New Caledonia for fostering balanced development that is environmentally and socially sustainable and better adapted to local specificities.     

The Politics of Hella Wuolijoki’s Autobiography

This article approaches the Finnish-Estonian Jill-of-all-trades, Hella Wuolijoki (1886–1954), through her autobiographical writings. She was active in business, politics, science and culture during a turbulent time in Finnish history, and her radical political stance and unorthodox methods made her a controversial person. The article revisits the concept of persona, as it has been used in history of science, in order to analyse how Wuolijoki used her autobiographical writings to expand the field of acceptable actions for women, and to justify her own life choices.     

Conserving Hong Kong’s Heritage: The Case of Queen’s Pier

The case of Queen’s Pier in Hong Kong provides the context for a discussion of conceptions of heritage, the purposes it serves and the dilemmas surrounding conservation in modern Asian societies committed to economic growth. Efforts to save the historic pier from destruction are recounted and the perspectives of those with an interest are examined. Built heritage is shown to have socio‐cultural, political and economic functions and its contribution to defining identity is especially important in times of change and uncertainty. Circumstances in Hong Kong reflect its unique history and current status, but the issues emerging from the analysis have a wider relevance. The fundamental tension between development and conservation is highlighted, together with the challenges of reconciling these two forces in a satisfactory manner.     

The Henequen Ports of Yucatan’s Gilded Age

Over the last two centuries, the coast has played a major role in the economy of Yucatán, and has served as a key venue in its growing engagement in the global economy. A prominent chapter in this history took place during the Gilded Age (1860–1915), which saw the emergence of a powerful plantation class whose wealth was based on meeting international demand for the fiber of the agave, or henequen plant, which was used to manufacture rope, cordage, and twine. The cultivation of this plant gave rise to hundreds of plantations, and an accompanying infrastructure of haciendas, fiber processing plants, and an extensive regional network of railways for transporting henequen to the port of Progreso, from whence it was exported to North America and Europe. As part of this infrastructure, several plantation owners laid rail lines from their haciendas to the coast and built small ports for shipping their henequen to Progreso. These ports, which are documented in these pages, represented a substantial capital outlay, and were built under the shadow of the gathering clouds of the Mexican Revolution. Viewed in retrospect, they offer an insightful perspective on the economic outlook of the Yucatecan elites in the dawn of the modern age.     

Lampon’s Episode in Xenophon’s Ephesiaca: The Reformulation of a Goatherd

The article examines the figure of Lampon, an uncharacteristic goatherd appearing in a folk-tale-like story in Xenophon’s Ephesiaca 2.9–12. It has long been recognized by critics that the circumstances of the Euripidean Electra are recalled in the episode under discussion. Comparisons are made with the Euripidean scene and the “reshuffling” of the main roles is expounded, including the novelist’s decision to make Anthia the partner of a goatherd and not the wife of a lowly farmer. On the basis of thematic and verbal similarities, it is argued that Xenophon appears to have a direct knowledge of Euripides’ Electra, which he imaginatively exploits. Subtle details of occupation and name are also discussed in relation to the stereotypical α?π?λο? and the ?γροικο?. A characteristic feature recalling the Aristotelian notion of ?γροικ?α is pointed, and it is concluded that Xenophon skilfully subverts the stereotypes, as he does not endow Lampon with the traditional negative marking of ?γροικοι and α?π?λοι, and indeed moulds an anti-aipolos.     

The Temporality of Eternal Prosperity: Prospero’s Labors of Love in The Tempest

In this essay, I examine the role of providence in Shakespeare’s The Tempest alongside the concept of history that Kierkegaard develops in Philosophical Fragments. I argue that the art of the play is contained in Prospero’s historical and loving engagement with the past. In short, I undertake to show that, in stark contrast to the Greek and Roman conception of time as fate, it is in viewing love as both the temporal origin and the eternal goal of existence that the time of our lives is rendered providential, that is, meaningful and historical.     

The print depiction of King William III’s masculinity

This article examines both positive and negative print depictions of King William III, specifically how William’s masculine identity was produced and perceived in relation to readily accessible norms of manhood. That commentators invoked discourses of masculinity to both legitimate and denounce William’s regime suggests the importance of masculinity to kingly meaning. By discussing the ways in which William does or does not conform to gender ideals, commentators reveal that, although freighted differently, normative models of kingship and masculinity shared common expectations and overlapped in easily recognisable ways. As his critics reminded, William III neither achieved the supposed “hegemonic” patriarchal form of masculinity nor that of the ideal monarch because he remained childless. As such, William’s print portrayal sheds light on codes of masculinity in early modern Britain that were constructed in a variety of settings outside of the problematic paragon of patriarchal manhood.     

The origins of New Zealand’s first government house

SUMMARY: In 1842 the former first government house located at Okiato, New Zealand, burnt to the ground and the site was abandoned. A well on the site was excavated in 1994–95, revealing a base layer of burnt timbers, a Maori digging stick and ceramic sherds with an estimated manufacture date range of 1823–41. We argue that this deposit is derived from the 1842 destruction of the Okiato government house building. An analysis of the wood identified kauri (Agathis australis) and kahikatea (Dacrycarpus dacrydioides), confirming that the building was not a prefabricated imported structure, but rather was constructed on site from locally available timber.