Fani Popova–Mutafova

The article explores the life and professional activities of Fanny Popova–Mutafova – the most prominent of the few writers of historical fiction in Bulgaria and one of the most prolific and published Bulgarian women authors of the interwar period. Her life spanned two epochs – the ‘bourgeois’ epoch prior to World War II, and that of the communist regime. While she was celebrated as one of the best and most productive writers and intellectuals in Bulgaria before 1944, the communist regime pronounced her ‘a people’s enemy’, held her responsible for ‘Great–Bulgarian chauvinism and fascism’, banned and destroyed her books and ruined her life. The story of her life is embedded in several decades of Bulgarian intellectual life and, besides giving an idea of a woman writer’s existence there at that time, reveals wider sociopolitical and ideological contexts in which various discourses affecting Bulgarian women were articulated.     

The reader as writer,the author as con artist: Nuala O'Faolain and the criminal narratives of Chicago May

Nuala O'Faolain seeks to revise the life story of May Churchill Sharp, an international con woman born in Ireland, in hopes of establishing a feminist identification with her. But O'Faolain's claim for her writing of a kind of authorial authenticity ultimately precludes an identification with Sharp, as Sharp's narrative – like all narratives – is a criminal narrative which renders feminist ‘authenticity’ impossible to achieve, something O'Faolain herself refuses to acknowledge.     

Hair in the Disraeli Papers: A Victorian Harvest

The Hughenden Collection of Disraeli Papers at the Bodleian Library in Oxford comprises over 50,000 items relating to the life and work of Benjamin Disraeli and his family. This article tracks hair through the Hughenden Collection in order to explore the collecting habits of Mary Anne Disraeli. It argues that reading Mary Anne Disraeli's story through hair – both hair as object, held in an archive and hair as represented in archival text – reveals aspects of that story occluded by reading only those archival texts with self-evident documentary value. It thus makes the case for a holistic reading of the Disraeli archive, and Victorian collections of personal papers more generally, by taking Mary Anne Disraeli as its central case study. In so doing it also illuminates her story, and points to the necessity of reading the stories of forgotten women through archival silences and absences. Section I reviews recent scholarship on hair in nineteenth-century Britain in order to contextualize Mary Anne Disraeli's case. Section II anatomizes the Hughenden hair collection in order to illuminate Mary Anne's history, her impulses as a collector, and the extent to which her activities complicate scholarly narratives about the sentimental commodification of Victorian hair. Section III gestures towards recent work on the archive and material culture to tease out the consequences of her example for our reading of the archive and our understanding of the texture of Victorian ‘thing culture’ more generally.     

Calls for educating girls in the Third World: futurity,girls and the ‘Third World Woman’

In this article I examine three calls for Western support for girls' education in the ‘developing world’. Using transnational feminist theory and discourse analysis I look at three examples of these calls; Three Cups of Tea, ‘Because I Am a Girl’ and the United National Girls Education Initiative. I suggest that what Mohanty (1988) terms the ‘Third World Woman’ – a homogeneous, static image of women in the third world – is the spectre used to motivate Western support. Through representations of girls, Western viewers/readers are hailed to invest in order to save the girl-child from the haunting ‘Third World Woman’. The girl-child, through her particularity as a girl, her future womanhood as motherhood and her neoliberal potential, becomes presented as emblems of a better future with the investment of Westerners.     

Cultural diplomacy: India does it differently

Abstract

This article reviews the singularities of Indian doctrine and practice of cultural diplomacy, beginning with the observation that this term and the notions of ‘soft power’ and ‘public diplomacy’ commonly associated with cultural diplomacy elsewhere do not have much purchase in India, where the spirit and letter of ‘international cultural relations’ are the preferred currency. The essay explores the historical grounding for this preference, as well as the attitudes and practice that flow from it. Another singularity is the role and importance of the Indian diaspora: overseas populations of Indian origin have been both a significant segment of the target audience for international cultural relations – as if a certain idea of India had to be projected abroad to a part of itself – and a significant ‘co-producer’ in projecting that image. A third is the emergence of a new avatar of the diasporic Indian, now identified with capitalist entrepreneurship.     

Translation as techné: female sexuality and the science of social progress in colonial India

Abstract

In this article, I analyze processes of translation that shaped the science of sex in eastern India between the 1880s and the 1930s. I trace the impact of translation – the rendering of words between the language of English and Bengali as well as the travel and transformation of concepts – through close textual analysis of influential Bengali-language medical and scientific textbooks on nymphomania, female sexual excesses, and the evolution of Indian society. The translation of sexual categories was a techné by which Bengali intellectuals produced categories of social behavior and identity as equivalent and homogenous. Through claims of equivalence in translation, Bengali scientists argued for the commensurability of Indian social practices with universalist schemes of social evolution and civilizational progress. This process of exchange pivoted on the figure of the sexually deviant woman, who became a key site of translation and categorical equivalence. In thinking translation through techné, I foreground how a semiotics of female sexuality produced ‘the social’ as an object of inquiry in colonial India.     

Embodying modernity: reading narratives of Indian women's sexual autonomy and violation

References are often made in contemporary Indian discourse, both popular and academic, to the ‘new Indian woman’, a subject position that is seen as coterminous with the emerging identity of the Indian nation as modern – the ‘new India’. This article unpacks key discourses that construct the ‘new woman’ in the public imagination and suggests that the modernity of this imagined figure is founded upon a notion of autonomy that is deeply embodied. While the characteristics of this embodied modernity challenge influential feminist arguments as to the ‘shallow’ modernity of the ‘new Indian woman’, it nonetheless has problematic implications from a feminist perspective. The narrative shaped by these discourses around the question of what it means to be modern not only perpetuates an historically pervasive reductionism in which woman is seen to be defined and determined by the corporeal but also, and more problematically, constructs a boundary around the notion of modern womanhood that excludes women whose bodily autonomy has been compromised, for example through sexual assault. This narrative exclusion is perpetrated in at least three ways: through a discursive rendering of the woman as passive, the objectification of the woman, and a narrative structure that mimics the act of violation. Such erasure of the autonomy of sexually violated women is not inevitable, however, and an analysis of two ‘counter-narratives’ demonstrates how discourses of rape may both reinscribe the autonomy of such women and re-orient the reader to a position of empathy rather than opposition.     

Front and Back Covers,Volume 31, Number 4. August 2015

Front and back cover caption, volume 31 issue 4 Front cover India's godly democrats In 2007 a temple priest designed a poster depicting the Chief Minister of Rajasthan, Vasundhara Raje, as the bread‐giving goddess Annapurna. Miss Raje appeared crowned and mounted on a lotus throne, from which she showered an assembly of parliamentarians, legislators and ministers gathered below with rays of light and golden coins. The poster sent ripples of nervy amusement through the Anglophone press, which saw in this a spectacle of all that is ludicrous and embarrassingly backward about India's popular politics today. Speaking to Anastasia Piliavsky, whose narrative is featured in this issue, the priest turned out to be neither a kook nor a serf, but a man strikingly astute, witty, assertive, and conspicuously sane. He explained that he depicted Miss Raje as the bread‐giving Goddess because she expanded the midday meal scheme in primary schools. ‘In India’, he said, ‘we respect seniors and people who have the power to bring good to people. This is an old Indian tradition. Worship is a way to show our respect’. Indeed, the worship of politicians as kings, heroes and gods is widespread in India: Congress Party President Sonia Gandhi; the head of the People's Party Mayawati; Bengal's Chief Minister Mamata Banerjee; and the Tamil Chief Minister Jayalalitha have all attracted colourful forms of mass devotion. External observers and India's cosmopolitan elite see this as a sign of a political malady, a degeneracy of their most cherished political values, most of all the equality and autonomy on which modern democracies ought to rest. But the very citizens who worship their political representatives as gods and goddesses have proven exceptionally good at democracy, both in the scale and the intensity of their involvement, and in their remarkable political choosiness. Their story – full of colour and fun as it is – holds serious political and intellectual lessons whose implications reach far beyond the subcontinent. Back cover LAW IN MYANMAR Open‐air displays of cartoons and caricatures are new to Myanmar since press freedom was introduced in 2012. Recently, Aung San Suu Kyi, the ‘icon of democracy’, has become a favourite target. This cartoon, which was displayed during a cartoon festival in 2013, depicts Suu Kyi staring at the country's constitution while a famous love song plays in the background. With parliamentary elections due later this year and presidential elections next year, the former prisoner of conscience has devoted much of her energy – so far, unsuccessfully – to campaigning for an amendment to the 2008 constitution, which in its current form prevents her from being nominated as presidential candidate. The army, which dominates the legislature, has refused to accommodate her demands. Aung San Suu Kyi is the daughter of much‐loved General Aung San, who played a crucial role in the country's independence from British colonial rule in 1948. Having spent much of her life under house arrest in her family home in Yangon, she returned to the political sphere in 2010 as the head of her party, the National League for Democracy. Since then, the Nobel Peace Laureate has pushed for legal reforms. Meanwhile, in spite of some hard‐won liberties, human rights violations continue. In this issue, Judith Beyer examines the difficulties citizens experience in locating the specifics of their legal rights amidst a confusing array of legal texts, many of which they do not have access to.     

‘Politicals’, Tribes and Musahibans: The Indian Political Service and Anglo-Afghan Relations 1929–39

This article examines the way in which the tribal areas of the North-West Frontier came to constitute a recurrent point of contention and dispute in Anglo-Afghan relations during the period under examination. It argues that while much attention has been paid to the way in which the activities of autonomous tribes of the frontier impacted upon British interests, much of the existing historiography has tended to focus upon the physical confrontation between tribe and state and has hitherto ignored perhaps the most complex aspect of the ‘tribal problem’ during this period; its impact upon the Government of India's diplomatic relations with Afghanistan. The article proposes that the period 1929–39 constituted a particularly challenging context for British policy-makers wrestling with the requirement to formulate a cost-effective tribal policy that would suit the interests of British India without undermining the newly emerged, pro-British but inherently weak Musahiban regime. It argues that while the Government of India avoided any fatal breach in relations with the Afghan leadership, the process of frontier policy-making illustrated some fundamental weaknesses in perspective on the part of that government department most closely associated with the formulation of such policy: the Indian Political Service.     

Buried in a Head: African and Asian Parallels to Aesop’s Fable

There is a strange story among the fables ascribed to Aesop. It was preserved by Aristophanes and tells about the lark, who was born before the creation of the earth and had to bury her dead father in her own head. This article investigates Indian, Arabic, and North and West African parallels to this story. The analysed texts share several specific details, and the motif ‘buried in a head’ lying at the base of them is found worldwide only in a few areas of Eurasia and Africa; so there is most likely a historical connection between the examples.     

PEGGY PIGGOTT: WOMEN AND BRITISH ARCHAEOLOGY (1930–1945)

The 2021 film, The Dig, stimulated much interest in discovering more about Peggy Piggott, the archaeologist who first ‘struck gold’ at Sutton Hoo. Piggott was a leading British prehistorian, who produced over sixty published works for the field. Here we examine her early life and career, her training with the Curwens and the Wheelers, her marriage to Stuart Piggott, and her recognized expertise that led to her joining the Sutton Hoo team in 1939. During WWII, she established the modern standard for barrow excavation, and in 1944 was recognized by the Society of Antiquaries for her ‘devotion to the study of archaeology’. Piggott provides a lens through which we consider the careers of 1930s women archaeologists – those factors enabling access to archaeology (class, wartime opportunity) and factors that limited progress (lack of a degree, marriage).     

‘The dearest sacrifice’: Catharine Maria Sedgwick and the Celibate Life

Catharine Maria Sedgwick, America’s most respected and popular female novelist of the early nineteenth century, never married. Yet while she chose a life of celibacy, most scholars have argued that her life represented ‘a deviation’ from the more conventional women’s roles she prescribed in her fiction. This article places Sedgwick’s marital decision within the context of several converging influences – her family history, her Federalist upbringing, and most important, her conversion to Unitarianism. Read through the lens of the complementary religious and social principles of Unitarianism and Federalism, Sedgwick’s novels reveal a persistent exploration of several themes – the ability to realize and advance truth, the centrality of character and moral cultivation, and the obligation to serve one’s community. Sedgwick’s exploration of these themes illuminates her choice of celibacy, and her conclusions contain a radical commentary on the appropriateness of marriage for women.     

Revising history: Elvira Giallanella’s Umanità and the editing of gender

A mix of fantasy, history, spirituality, and political engagement, Elvira Giallanella’s film, Umanità (1920), is a sort of Carrollian ‘through the looking glass’ in which reality resembles itself but upside-down. In the immediate aftermath of WWI, Giallanella’s film – a revision of Vittorio Emanuele Bravetta’s 1916 children’s story from 1916. children’s story – both reflects and critiques gender roles that had been temporarily fissured by the war itself. A feminist position transpires in the juxtaposition of the pre-war male-authored text with the postwar female-directed film, further revised by men. An invaluable historical source, Umanità not only offers insight into a woman’s and a feminist’s perspective on the Great War and its aftermath but also sheds light on the moral, political, and philosophical atmosphere of destabilization at the time. Coming full circle, Umanità suffered from the very same revisions by the re-established postwar patriarchy, and by the end of the 1920s, cinema itself had been reclaimed as male territory, leaving the film lost amongst the debris. Umanità’s resurfacing in 2007 allows us to reflect on the process of history-making in itself: what is omitted, what is included, and more importantly whose voices will be validated enough to be heard along the way. This instance – one amongst several – can serve as an example of how history is indeed a continuous process made up of (re)visions, and never a singular, univocal one.     

The domestic residue: feminist mobility and space in Simryn Gill's art

Feminism, now nearly half a century old, is still fractured by two divisive forms – the desire to emancipate women from masculinist power structures, and the affirmation of woman's sexual difference. However, as Teresa de Lauretis and Gillian Rose argue, for feminism to remain relevant, it must also be attentive to the fluid hegemonic conditions of power, and thus, strive to evolve new ‘forms’, which emphasize feminism's political mobility. Developing this proposition, this article discusses how a new critical feminist mobility may be detected in the work of Sydney-based Malaysian artist Simryn Gill. Born in Singapore in 1959, and hailing from a migrant Punjabi family who first settled in Malaya in the 1920s, Gill constantly travels between her home in Sydney and her family bungalow in Port Dickson, a small coastal town in Malaysia. I will discuss how Gill's feminist perspective may be mapped through the artist's shifting spatial contexts by looking at three spaces – the gallery, the domestic interior and the tropics. Through these spaces, I will explore how the artist occupies the dual roles of ‘woman’ and ‘women’, thus demonstrating the changing and fluid energy of a mobile feminist stance. Gill's art valorizes the domestic sphere as a recurring theme with this subject being central to her self-definition in the public sphere. Yet, her treatment of domesticity is distinct in its furtiveness, a tactic, which I argue, enables a feminist agency that is politically mobile, and capable of engaging issues of gender, sexuality, race, class and citizenship.     

Film policy under globalization: the case of Mexico

The changing economic and technological conditions often referred to as ‘globalization’ have had a deep impact on the very nature of the state, and thus on the aims, objectives and implementation of cultural policy, including film policy. In this paper, I discuss the main changes in film policy there have been in Mexico, comparing the time when the welfare state regarded cinema as crucial to the construction of national identity, and actively supported national cinema at the production, distribution and exhibition levels (about 1920–1980), and the recent onset of neoliberal policies, during which the industry was privatized and globalized. I argue that the result has been a transformation of film production, from the properly ‘national’ cinema it was during the welfare state – that is, having a role in nation building, democratization processes and being an important part of the public sphere – into a kind of genre, catering to a very small niche audience both domestically and internationally. However, exhibition and digital distribution have been strengthened, perhaps pointing towards a more meaningful post-national cinema.     

A More Miserable Life than Living in the Jungle: A Japanese ‘Comfort Woman’ Story

This article analyses the recollection of a Japanese ‘comfort women’ survivor published in 1975. By applying the analytical concept of gender and trauma, this study draws on the ‘politics of integrity’ theorised by Aurora Levins Morales (1998) as well as the theory of ‘coherence of the self’ proposed by Charlotte Linde (1993). The social, political and psychological analysis of her life story reveals the complexity of the politics of integrity in telling a story of trauma. It concludes how strongly her silent voice of trauma required societal acknowledgement of her sense of self to regain human integrity and dignity.     

Eating,serving, and self-realisation: food and modern identities in contemporary Indian women's writing

The ‘new Indian woman’ is often invoked in popular and academic discourse as the embodiment of a modern nation—the ‘new India’. Feminist studies of this figure typically focus on the body of the imagined ‘new woman’ as a site upon which modernity is inscribed, allowing little room for the agency of women who actively contest imposed identities and roles in the quintessentially modern project of self-determination. In this article I argue that narratives of food in contemporary fiction and fictionalised autobiographical writing by Indian women challenge both dominant feminist critiques of the ‘new woman’, and influential accounts of modernity as ‘rupture’ in masculinist theoretical literature. In these texts food, and particularly the practice of serving food to others, is used by women as a tool for gaining independence, as a weapon to combat oppression, and as a means of negotiating migrant identities, among other things. The texts thus demonstrate the importance of appreciating the gendered nature of modernity, recognising women's modernities to be genuinely transformative of the individual, as well as continuous with traditional and conventionally feminine practices rather than necessarily opposed to them.     

Understanding the spatialities of sexual assault against Indian women in India

Both domestic violence (DV) and sexual assault against women (SAAW) in public spaces continue to be significant problems facing Indian society. Moreover, the link between DV and SAAW is also commonly misconstrued. Adding to this confusion is the way in which forms of violence against women (VAW) – battering, rape, molestation and sexual abuse – lacks spatial and contextual analysis. There was nationwide outrage over the Nirbhaya incident of 16 December 2012, which escalated the issue of VAW to the centre stage of political debates. Indeed, the Nirbhaya incident has intensified the need for understanding the spatialities of SAAW in India and propelled the Government of India to pass the Criminal Law (Amendment) Bill, 2013. Using a questionnaire survey supplemented by open-ended interviews, the research aims to understand how social and patriarchal norms allow SAAW to persist. The research narratives reveal that the contours of DV, leading to sexual exploitation of women, often spill over to the public spaces, thereby restricting women's mobility and creating fear of its (re)occurrence. Finally, I urge for reforms to tackle VAW while using Criminal Law (Amendment) Act, 2013 as an asset for reform.     

Power and Historical Figuring: Rachael Pringle Polgreen's Troubled Archive

Rachael Pringle Polgreen, a freed‘mulatto’ woman who owned an infamous brothel/hotel in Bridgetown, Barbados during the 1770s and 1780s became known to her contemporaries through her role in the (sexual) entertainment of transient naval officers and the visits of Prince William of England. Piecing together ‘evidence’ from her will, estate inventory, a nineteenth‐century novel, a lithograph and an interview with a British officer, I engage Polgreen's complicated and fragmented archive, revealing how Polgreen represents an example of the problems with sources depicting women of African descent who lived in a slave society and the silences that inundate their archive. The first part of this article critically re‐examines pieces of her archive, through which an image of Polgreen emerges incommensurable with narratives of her triumphs. Next, through an analysis of the processes by which Polgreen is historically confined by powerful archival and subsequent historical representations, I challenge previous assumptions about her life. Finally, introducing material from the British parliamentary debates in which an incident involving Polgreen is described and new material from Barbados deeds left by Polgreen's former slave, I expose the nuances of Polgreen's ‘agency’ in a slave society – that which depended upon her sexual subjugation of other women of African descent.     

States of difference: Refiguring ethnicity and its ‘crisis’ at India's borders

This article critically rethinks the possibilities and paradoxes of identity at the interstices of South Asia. Through ethnographic and historical analyses, I chronicle the varying forms, (dis)contents, and failures of ethnic identity in the geo-politically sensitive region of Darjeeling, India. In this Himalayan corner of the nation-state, borders have proven simultaneously generative yet undermining of identity and its politics—at once amplifying communities' desires for national inclusion, while rendering them largely unable to meet the Indian state's criteria for national recognition. As is the case along India's other borders, anxieties over national belonging have subsequently spawned violent subnationalist agitations in Darjeeling, as well as more legal quests for right, recognition, and autonomy. But to little avail. A perennial ‘identity crisis’ thus haunts (and charges) the people and politics of this Himalayan borderland. Refiguring the crisis at hand, this paper asks how certain forms of human difference become viable identities in India, while others do not. Doing so, I locate the crisis not within the realm of identity, but rather its rightful recognition. The paper accordingly develops ‘states of difference’ as an analytic for understanding the accentuated, paradoxical interplays of identity, state, and difference at the borders of South Asia and beyond.