Embodying modernity: reading narratives of Indian women's sexual autonomy and violation

References are often made in contemporary Indian discourse, both popular and academic, to the ‘new Indian woman’, a subject position that is seen as coterminous with the emerging identity of the Indian nation as modern – the ‘new India’. This article unpacks key discourses that construct the ‘new woman’ in the public imagination and suggests that the modernity of this imagined figure is founded upon a notion of autonomy that is deeply embodied. While the characteristics of this embodied modernity challenge influential feminist arguments as to the ‘shallow’ modernity of the ‘new Indian woman’, it nonetheless has problematic implications from a feminist perspective. The narrative shaped by these discourses around the question of what it means to be modern not only perpetuates an historically pervasive reductionism in which woman is seen to be defined and determined by the corporeal but also, and more problematically, constructs a boundary around the notion of modern womanhood that excludes women whose bodily autonomy has been compromised, for example through sexual assault. This narrative exclusion is perpetrated in at least three ways: through a discursive rendering of the woman as passive, the objectification of the woman, and a narrative structure that mimics the act of violation. Such erasure of the autonomy of sexually violated women is not inevitable, however, and an analysis of two ‘counter-narratives’ demonstrates how discourses of rape may both reinscribe the autonomy of such women and re-orient the reader to a position of empathy rather than opposition.     

MARRIAGE-RELATED DECISION-MAKING AND YOUNG WOMEN'S MARITAL RELATIONS AND AGENCY

There is little research that has explored how marriage arrangements, i.e., family-arranged, semi-arranged marriages with some say in spouse selection and self-arranged marriages, affect young women's married life in settings traditionally characterised by arranged marriage. Using data from 13,912 married young women aged 15–24 in India, we explore associations between marriage arrangements and young women's marital relations and agency. Logistic regression analysis shows that women experiencing semi- and self-arranged marriages were more likely than those in family-arranged marriages to communicate and interact with their husband (OR, 1.3–2.8), and exhibit agency in their life (OR, 1.2–2.3); those in semi-arranged marriages were less likely to experience marital violence. These associations were, however, stronger and more consistent among women from southern and western states than in northern and eastern states. Findings call for expanding the discourse on marriage to ensure young people's right to free and full consent in spouse selection.     

Imperial Geographies of Home: British Domesticity in India, 1886–1925

This paper considers the translation of domestic discourses over imperial space as middle-class British women established homes in India from 1886 to 1925. Unlike studies of imperial domesticity that delineate separate spheres of home and empire, I consider the exercise of imperial power on a domestic scale, by examining advice given in household guides on managing servants and raising British children in India. Rather than view the household merely as confining, I also explore the advice given to British women regarding travel outside their homes in India. The domestic roles of British women reproduced imperial power relations on a household scale, and the political significance of imperial domesticity extended beyond the boundaries of the home.     

3. DECENTERED IDENTITIES: THE CASE OF THE ROMANTICS

Natalie Zemon Davis's work has decentered the identities of her subjects as part of seeing their complexity. This essay, inspired by Davis's rich thought and scholarship, looks at the ways in which the Romantics in the arts decentered their thought and practices away from the West. Their decentering involved serious study of non‐Western thought and its incorporation into their art, and the regular use of opium to shape their creative works. One borrowed theme was transcendence to a higher mode of existence, often through sexual union with a woman. So influential did Romantic tropes, themes, and images derived from outside the West become that they persisted in Western culture long after the Romantics themselves had lost interest in the body of non‐Western culture from which they drew. Examples include the work of Samuel Coleridge, Walter Scott, Hector Berlioz, the Schlegel brothers, Caroline Günderode, Sidney Owenson, and others.     

Rafael Pinedo’s Trilogy: Dystopian Visions and Populist Thought in Argentina’s Turn-of-the-century Narrative

The three short novels written by Rafael Pinedo (Argentina, 1954–2006) before his untimely death are increasingly attracting the attention of academic researchers, not only because of their complexity but also because of their take on Argentine politics and ideology. The following article analyzes how these novels operate within what Tom Moylan defined as a critical dystopian narrative. By narrating each story as a future world in agony, where all social interactions are described with a militant pessimism, the novels envisage the consequences of the populist’s policies grip on the country’s social and cultural environment. I argue that Plop (Casa de las Américas Prize 2002), Frío (Finalist for the 2004 Planeta Prize), and Subte can be read as a trilogy since they propose a radical thought experiment about the limits of the social and cultural practices of populist policies, as well as a mise-en-scène of its hijacking and betrayal of utopian values. The article also underlines how, despite its pessimistic tone, the novels offer a glimmer of hope by returning to basic concepts of community and empathy.     

The geographical and ethical origins of neoliberalism: The Walter Lippmann Colloquium and the foundations of a new geopolitical order

Observers tend to overlook the early neoliberalism that derived from the “Lippmann Colloquium” organised in Paris in 1938. Analysis of the discourse produced and books published at this founding moment shows that neoliberalism was then presented as a geopolitical doctrine aimed at redressing the spatial fragmentation of the world into States. The means to achieve this, according to this first neoliberalism, was by implementing what, in 1978, M. Foucault called “governmentality”: a multiscalar political system based on the submission of territories to the transnational discipline of a multilateral free division of labour. This thinking was very similar to the convictions of a number of political leaders who, from the 1940s onwards, were involved in creating a new international order uniting Western Europe and the United States, the foundations of which had many similarities with the principles of the first neoliberalism.     

A battle worth winning: The service of culture to the Communist Party of Vietnam in the contemporary era

The Communist Party of Vietnam’s (CPV) market reform policies—introduced in the late 1980s and carrying on today—have opened the country to foreign investment, deregulated state-owned enterprises, decollectivized agricultural cooperatives, and encouraged foreign direct investment. However, what the Party has not wanted reformed, and has fought strongly on behalf of, is culture. Using primary source official CPV cultural policy documentation and secondary sources highlighting contemporary meanings of Vietnamese and foreign cultures, this paper evaluates the Party’s use of culture as a resource in the direction and regulation of the nation’s market economy with a socialist orientation. While culture is expedient for all governments, I argue that the CPV’s intent is unique in that it uses culture as an instrument to maintain its ownership, rather than simply to legitimize its regulatory ability, over the national political economy. This paper aims to show how culture is part and parcel of post-socialist governance’s political-economic framework and contributes to debates surrounding the reach and impact of neoliberalism in formerly command economies.     

The retreat from neoliberalism that was not: Australia’s Building the Education Revolution

This article examines the durability of neoliberalism in the face of crisis by analysing the Building the Education Revolution (BER), a key part of the Australian Labor Government’s stimulus measures in response to the global financial crisis in 2009. The fiscal stimulus measures enacted by governments in the aftermath of the crisis led many commentators to herald the end of neoliberalism. By examining the design of the BER, however, this article finds that one of the key policy tools of neoliberalism – the outsourcing of public sector capacity – was extended through such stimulus programs. The article argues that a materialist analysis of neoliberalism is better able to understand this phenomenon than the recent tendency to analyse neoliberalism in ideational terms.     

Neoliberalist Planning? Re‐thinking and Re‐casting Sydney's Metropolitan Planning

This paper argues that neoliberalism should be viewed not as a unified coherent project but as a series of complex and overlapping strategies that produce hybrid and always emergent forms of governance. To substantiate this argument, the paper reflects on the recent history of Sydney's metropolitan planning and rejects any simple characterisation of its having been transformed from a social‐democratic to a neoliberal form of governance. Instead it traces the unevenness with which neoliberalist aspirations and forms of governance have been enacted through metropolitan planning. In particular, it examines the enduring scope of state institutional capacity to pursue desired spatial and distributional outcomes through planning and suggests that the current reinvigoration of Sydney's metropolitan planning is an opportunity to enhance that capacity and to pursue ‘after‐neoliberalist’ planning possibilities.