History, Memory, and Identity in Modern Singapore: Testimonies from the Urban Margins

In 2006–2007, I interviewed elderly Singaporeans on theirexperiences of resettlement from an urban kampong (village)to emergency public housing after a great fire in 1961. I learnedmuch about the lives of semiautonomous dwellers in an unauthorizedsettlement and the individual and social transformation followingtheir rehousing. My informants also highlighted what the experiencesmeant to them and their identity in a modern city-state. Thispaper treats the testimonies as both source and social memoryand seeks to avoid the essentialism into which many social historians,oral history practitioners, and memory scholars have fallenin their approach toward the craft. As a source of social history,when used in conjunction with other historical sources, thereminiscences are patently useful for understanding the roleof public housing in transforming a marginal population intoan integrated citizenry. This enables the writing of a new socialhistory of postwar Singapore that departs from the discursiveofficial accounts of urban kampong life and of the 1961 inferno.At the same time, the oral history also underlines powerfulsocial and political influences on individual memory, beingmarked by nostalgia for the kampong and ambivalence toward theimagined character of younger Singaporeans. Statements on therumors of government-inspired arson in the 1961 calamity, however,constitute a significant countermyth in contemporary society,revealing a more critical side to the social memory.     

Memory, Distortion, and History in the Museum

Museums are conventionally viewed as institutions dedicated to the conservation of valued objects and the education of the public. Recently, controversies have arisen regarding the representation of history in museums. National museums in America and Germany considered here, such as the Smithsonian's Air and Space Museum, the Holocaust Memorial Museum, and the German Historical Museum, have become sites of contention where national histories and personal memories are often at odds. Contemporary art installations in museums which take historical consciousness as their theme similarly raise contentious issues about public knowledge of and personal interest in the past. When members of publics find that their memories of the past or their expectations for museum experiences are not being met, a kind of "distortion" occurs. The "distortion" related to memory and history in the museum is not so much of facts or interpretations, but rather a distortion from the lack of congruity between personal experience and expectation, on the one hand, and the institutional representation of the past on the other. This essay explores the possibilities for a redefined relationship between personal memory and history that is experienced in contemporary museums.     

历史与记忆

当代史学和历史哲学中关于记忆问题的探讨为我们关于史学的理解提供了新的视角。在这一视野下,记忆超越单纯个体心理的层次获得了作为脑外"文化记忆"的历史维度。在历史与记忆关系的层面上,历史记忆的多元性对历史记载的单一性提供了重要的补益,同时,史学文本的宏观视野对于历史记忆的微观局部性和片断性亦显示出认识上的优越性。在认识论维度之外,历史记忆诉诸历史正义的道义性是其十分显著的特质,于此凸显史学科学性与道义性维度复杂的张力关系,历史科学性不能成为漠视道义性的理由。最后,在历史与记忆关系上传统的历史本位立场之外,对人生有意义的历史终究要落实在人间的历史记忆中,从而彰显记忆本位的合理性,这或许是关注历史记忆所能带给我们的一点理论启示。     

高丽政权的自称抉择、记忆筛选与中国认同

一个政权对自称的抉择,反映的是其对现实中自我的定位与认知。"高丽"尽管由"高句丽"而来,却最终变成了"朝鲜"便是由此所决定。王建最初以"高丽"为国号标榜政权的合法性,可统一之后,由于正统来自新罗,又尽力摆脱"高句丽"的记忆与身份意识,而强调自身"三韩"的属性。但有时为了某种利益,高丽人又会对"高句丽"这一历史记忆与身份意识加以利用。高丽人的自称抉择是通过对历史记忆的筛选进行的,特定政治形势下的中国认同则是其主要标准。在"历史"力量的影响与现实话语的引导下,半岛政权真的由"高丽"经"三韩"而变成了"朝鲜",成为在政治与文化上高度认同中国天子的一方诸侯。     

Identity challenged: Taiwanese women migrating to Australia

This article investigates the experiences of Taiwanese women who migrated to Australia between 1980 and 2005. It is part of a larger project about the migration experiences of Taiwanese women who moved to Australia and to Canada with the aim of providing a direction for facilitating cultural transition for future female migrants. The article presents some of the findings from 21 semi-structured interviews which were conducted between July and October 2011, shedding light on the role that gender, age at the time of migration and family situation play in debates around cultural identity and the place of Taiwanese women in Australia. Relational-cultural theory serves as the theoretical framework for the central argument that – in spite of the differences between younger women and those in their 30s and 40s in relation to the motivation to migrate and ways to connect – the ability to build new relationships in Australia while maintaining existing ones in Taiwan is essential to establishing a positive view of self, and consequently to successful migration.