Funding the ‘nation’ in the national theatre of Scotland

The National Theatre of Scotland (NTS) is a an innovative and ground‐breaking, non‐building‐based, commissioning and producing cultural institution, established in the wake of the devolution of the Scottish Parliament. This article sketches the contours of this new model of a national theatre, exploring the complex dialectic between various economic, political, social and artistic choices, forces and factors that have influenced, and continue to influence, the formative years of the NTS. The article charts changes to the company during these early years and, most significantly, notes the potential effect that the change from arm’s length to direct government funding might have on the company’s long‐term development. It is argued that direct funding aligns the arts too closely to political agendas rather than supporting artistic freedom and expression.     

Keynes’s legacy: an intellectual’s influence reflected in arts policy

As Western governments re‐examine the economic policies of John Maynard Keynes to solve a global financial crisis believed to be almost as severe as the Great Depression, this article examines his influence on arts policy. The article articulates and examines the central assumptions that underlie the arm’s length policy model, such as Keynes’s preference for semi‐autonomous non‐governmental bodies, and locates the sources of those assumptions and ideas in Keynes’s political philosophy and his involvement in higher education. Knowing this history enables policymakers and arts administrators to recognize how contemporary policy still reflects this thinking.     

Have Pay Equity Laws in Canada Helped Women? A Synthetic-Control Approach

Ontario passed a very aggressive Pay Equity Act in 1988, and in 1996 Quebec passed a similar Pay Equity Act. We use synthetic-control methods to examine what has happened to the gender pay gap (female–male earnings ratio) in Ontario since 2005 and to see whether Quebec’s Pay Equity Act has had any effect on its pay gap. Ontario and Quebec are chosen simply because they are the provinces with the most comprehensive and “aggressive” pay equity laws. We also use synthetic-control methods to investigate whether these acts may have had an adverse effect on the female–male employment ratios in Ontario and Quebec. We find that Ontario’s act has had a negligible effect on that province’s gender pay gap and employment ratio. However, Quebec’s act appears to have reduced the gender pay gap, although at a cost of a somewhat smaller employment ratio for women in that province.     

How to deal with migrants and the State’s backlash – Polish cities’ experience

Over the last decades, Poland has witnessed a relatively dynamic increase in the number of immigrants. At the same time, current Polish central authorities, politicians of the ruling party and the majority of the population perceive migrants mostly as a threat and a challenge. Municipal authorities lack complex support from central authorities. However, the situation is slowly changing. Some Polish cities are adopting migration policies or including migration issues in the local development strategies. Considering this, the article aims to examine migrants’ integration policies in selected Polish cites considered leaders in this field: Lublin, Gdańsk, Kraków and Wroc?aw. The main research question is: how do Polish cities deal with the backlash from the national government and absence of clear legal regulations on their role and competences in the area of migrant integration? The research method is that of a legal-institutional analysis and case study. The former is used to interpret the legal acts and other documents. Its application is justified by the fact that this paper examines strategic documents adopted at the level of urban governments regarding the integration of migrants. Case study methods made it possible to examine the migrants’ integration policy in four Polish cities.     

Spatial imaginaries and collective identity in women’s human rights struggles in Honduras

In recent years, geographic analysis on social movements has emphasised the influence of actors’ concepts, lived experiences and perceptions of space on the emergence of collective action. Cultural approaches to social movements in Latin America as well as feminist scholarship have revealed that women’s collective action is shaped by their perceptions of institutional and societal challenges, which are rooted in authoritarian and patriarchal culture prevalent in their society. This article combines geographic and cultural approaches to social movements as well as transnational feminist theories to explore women’s human rights mobilisation in Honduras after the coup d’état in 2009. It investigates how a group of urban and rural activists that included feminists, rural women, students and community leaders, adopted human rights discourses and practices to respond to the coup. The article draws on interviews and focus group discussions to suggest firstly, that protests in response to the coup shaped the interviewees’ spatial imaginaries and particularly considers how urban feminists’ spatial imaginaries were merged with those of rural women under the collective framework of human rights. Secondly, the study demonstrates that a collective identity as women human rights defenders was crucial for the emergence of collective action and also prompted the establishment of a national network. This case study contributes to research on women’s collective action to negotiate women’s rights, human rights and social justice in changing political processes.     

Taking center stage: Early modern women’s tragedies on the contemporary stage

Abstract

From wife murder to cloak-and-dagger plays, female bodies, minds, and financial status are, for the most part, disempowered and abused by male protagonists with societal compliance. Since the 2000s, coinciding with the approval of the Ley Integral contra la Violencia de Género (2004), a wave of stage adaptations emerged in Spain that questioned the marginalization of women characters in the comedia. I claim that this trend in performance has become a sociocultural phenomenon that uses the symbolic capital of the comedia to raise awareness of women’s misrepresentation and gender violence and inequality.     

建国前夕英美对华政策的分歧及其原因

新中国建立前夕,鉴于英美在华的利益侧重点、外交传统以及与国民党及其政府的历史关系存在不同,两国在对华政策上出现分歧,最终在诸如是否撤出中国、是否对新中国实施贸易管制以及是否打破国民党对上海的封锁等系列问题上立场迥异,争执激烈,并最终各行其是。根本而言,这是英美经通盘考虑后从自身利益出发所做出的政策抉择,同时也是两国不同的外交传统在对华政策层面上的集中体现。     

Girls’ perspectives on the ideal school playground experience: an exploratory study of four Australian primary schools

ABSTRACT

Based on research conducted as part of the Sydney Playground Project, this paper provides an exploratory investigation of the perspectives of girls relating to the ideal school playground experience, and whether their perspectives are influenced by a loose-parts playground intervention. The focus is on the play behaviours of 22 girls aged 8–10 years, from the perspective that school playgrounds are generally designed in ways that are more suited to the play behaviours of boys. The research is based on a qualitative analysis of children’s drawings, interviews and focus groups, exploring meanings associated with desired play experiences. Findings indicate that girls’ views of the ideal school playground are influenced by the geographies of the spaces they play in, and that girls highly valued changes provided by a loose-parts intervention.     

UNION DISCUSSIONS OF GENDER EQUALITY IN THE SWEDISH TRADE UNION NEWSPAPER JOURNALISTEN, 1961–1989

Sweden is arguably one of the most gender-equal countries in the world, and the historical development of that equality has been studied in detail. However, less is known about how the idea of gender equality was adopted in different professional spheres. In this article, I focus on this topic by using one profession, journalism, to analyse how gender equality was placed on the trade union agenda and negotiated in Sweden between 1961 and 1989. Drawing on a framing analysis of the discussion of gender equality in the trade union newspaper Journalisten, I argue that the Swedish Union of Journalists and its members took a somewhat moderate position in the struggle for gender equality, which, during the decades in question, was mostly framed as a women’s question. For the most active advocates of gender equality, it was nevertheless a deeply felt issue, and their work can be defined as trade union feminism.     

At the Intersection of Gender and Language: Why do Francophone Women have Lower Levels of Political Participation?

In Canada, research has found few differences in levels of political participation between Francophones and Anglophones despite traditional differences in resources leading to participation. This study argues that it is when gender is considered alongside language that differences emerge. Differences in conditions between Francophone and Anglophone women may mean that the explanations for the gender gaps differ. Findings show that Francophone women in Québec have lower levels of political participation than Anglophone women and men across Canada. These gender gaps are small but significant. Differences in resources and involvement in voluntary associations help account for Québec Francophone women’s lower participation. Additionally, these results indicate that the different political context and the different political influence of the women’s movement in Québec matter in determining explanations for gender gaps in political participation.     

Arm’s-length funding of the arts as an expression of laissez-faire

While questions continue to be raised over the continuation, nature and mechanisms of arms’-length funding for the arts, its theoretical foundations within a wider social and economic context remain under-explored. This article argues that the principle on which the arm’s-length relationship is constructed is defined by the concept of laissez-faire. It is this that sets rules for how the public and private spheres interact within a liberal and individualistic society. By this argument, providing public subsidy to the arts is a compensating act integral to the operation of a free-market economy and ensures the autonomy of individual artists, even while producing public benefits.     

‘I am not a feminist but…’: women’s activism in post-1991 Albania

Abstract

This article examines the shape organized women’s activism took in Albania after the fall of the communist regime. It also analyses how gender and feminist studies have positioned themselves within the higher education system, the relationship between media and feminism and the new alternative spaces of women’s activism and feminist resistance to gendered power relations. The analysis follows the longue durée of the fraught relationship of debates around feminism during and after the fall of Communism starting with the communist top-down ‘women’s emancipation model’ as well as the lack of bottom-up women’s activism, the post-1991 neo-liberal frame and the generalized post-1991 stigma about ‘emancipation’, ‘equality’ or ‘feminism’, along with the need to resist post-1991 hierarchical gender regimes.     

Exploring gender and fear retrospectively: stories of women’s fear during the ‘Yorkshire Ripper’ murders

The murder of 13 women in the North of England between 1975 and 1979 by Peter Sutcliffe who became known as the Yorkshire Ripper can be viewed as a significant criminal event due to the level of fear generated and the impact on local communities more generally. Drawing upon oral history interviews carried out with individuals living in Leeds at the time of the murders, this article explores women’s accounts of their fears from the time. This offers the opportunity to explore the gender/fear nexus from the unique perspective of a clearly defined object of fear situated within a specific spatial and historical setting. Findings revealed a range of anticipated fear-related emotions and practices which confirm popular ‘high-fear’ motifs; however, narrative analysis of interviews also highlighted more nuanced articulations of resistance and fearlessness based upon class, place and biographies of violence, as well as the way in which women drew upon fear/fearlessness in their overall construction of self. It is argued that using narrative approaches is a valuable means of uncovering the complexity of fear of crime and more specifically provides renewed insight onto women’s fear.