The Last September: Irish modernism,narrative deferral,historicist determinism

This article questions the idea that Irish literary modernism is defined by Irish postcoloniality. The continued influence of historicist approaches in literary studies have inspired an understanding of Irish modernism as determined by material base. An oversight of such approaches, however, is that much of the respective fiction which constitutes Irish modernism resists representing the cultural circumstances from which it emerges. Particular to this predicament is Elizabeth Bowen’s The Last September given that it is the novel which is often read as representing Ireland’s transition from colonial to postcolonial status. Through an analysis of its fractured, and thus typically modernist, narrative strategy, this article argues that colonial history is an absent presence which lacks constitutive meaning in this fiction, and thus suggests that Irish literary modernism does not neatly correspond to or reflect the story of Irish monumental history.     

The Irish Sandow school: physical culture competitions in fin-de-siècle Ireland

ABSTRACT

Beginning with an examination of Ireland’s turn of the century interest in physical culture, this article highlights the case of Eugen Sandow’s “Great Competition” and its Irish contestants. Seen as a precursor for today’s bodybuilding competitions, Sandow’s contest enjoyed submission photographs from hundreds of half-naked men – many of whom were Irish – posing in Greco-Roman pose. In studying this topic, the article addresses two pressing issues. In the first instance, the article examines how and why physical culture competitions became a competitive outlet for Irishmen in the first decade of the twentieth century. Secondly, it argues that these contests were often connected to broader societal ideals surrounding acceptable forms of masculinity. The article thus examines a previously unexplored but nevertheless important part of sporting and athletic behaviour in early twentieth-century Ireland.     

Exploring textures of Irish America: a new perspective on the Fenian invasion of Canada

Within an Irish nationalist history, for those at “home” and especially for members of the Irish American diaspora, venerating heroic rebels and recollecting attempted insurrections are quintessential narratives used to define Ireland's turbulent past. However, on the fringes in that regard has been the American-based Fenian Brotherhood's attempted invasion of Canada in 1866. Arguably a successful effort – although a very brief one, due to the American authorities' obstruction – its international camber and transnational implications may have kept this history apart from premier narratives of an Irish nationalist past. This paper suggests that although in the long term the Fenian invasion of Canada was largely expunged from the Irish/Irish American nationalist canon, initially it was retained, for a short time at least, in popular expressions of Irishness. By turning to “texts” that contemporaneously venerated the Fenians' efforts and uncovering transnational undertones in the process, this paper offers new suggestions concerning the changing textures of Irish America.     

The two Jameses: a Joycean politics of criticism as commemoration

Abstract

This article considers how, and to what extent, James Connolly is represented in the works of James Joyce and evaluates the place of Connolly in Joyce through an exposition of Andrew Gibson and Len Platt’s characterisation of a “London method” and “Irish method” of Joyce criticism. Examining the relative absence of Connolly from Joycean representation in comparison to overt commemorations such as those of Yeats et al., I claim that historical criticism on Joyce displays a will-to-connection between Connolly and Joyce that makes present the absence of the former. Where Connolly appears in Joyce, I suggest it is as a ghost called into presence through suggestive absence and a drive to commemoration in critical readings, inscribed not only in a Joycean politics but also in a politics of Joyce criticism. At a critical historical juncture for a reappraisal of Connolly and in the light of recent movements for self-determination such as in Scotland, this article examines how it is Joycean criticism that forges a narrative of connection to Connolly, outlining a genealogy of Joycean criticism centring on politics and nation and drawing on examples from across the Joycean canon to posit a politics of criticism that is illuminating of both the historical method and historical moment.     

Diasporic identifications: exile,nostalgia and the Famine past in Irish and Irish North-American popular fiction, 1871–1891

During the nineteenth century, “exile” became a key term to describe the Irish-diasporic community in North America. More recently, scholars in the fields of diaspora studies and Irish studies have described this community as a “victim diaspora” with connotations of forced expulsion, exile, and nostalgia for the homeland. Moreover, among scholars and within the Irish-American community, the notion exists that the Great Irish Famine (1845–1851) constitutes the Irish-American “charter myth”, that it was the starting point of an Irish-American identity. This article sheds a different light on these (self-)identifications by discussing the concepts of origin myth, exile and nostalgia and also considers the concept of diasporic belonging in the context of Irish and Irish North-American works of popular “Famine fiction” written between 1871 and 1891. Consequently, the impact of these late nineteenth-century literary considerations on present-day conceptualisations of the Irish-American community as a victim diaspora are discussed.     

A portrait of the chief as a general paralytic: rhetorics of sexual pathology in the Parnell split*

The O’Shea trial and the ensuing fall of Charles Stewart Parnell occupy an epochal position in accounts of the sexual politics of Victorian Britain and the development of Irish nationalism. This article examines how the “Parnell myth” came to serve (and was constructed from the outset) as a symbolic edifice within which anxieties concerning the relationship between Irishness and sexuality could be foregrounded and negotiated. In particular, it will analyse Timothy Healy’s influential post-split denunciations of Parnell, and the rhetoric of sexual contagion through which they were conducted, a campaign which set the discursive terms of twentieth-century mainstream Irish nationalism. Through an analysis of Healy’s post-split journalism, contemporary political memoirs by T.P. O’Connor, and a range of nineteenth-century medical and psychiatric texts, this article will highlight the ways in which discourses of sexual health were used to reshape Parnell’s public persona at the level of gender and ethno-national affiliation. In doing so, it will illustrate how a sensitivity to the history of medicine can enrich critical understandings of a crucial moment in the political and cultural history of Ireland, and shed fresh light on the vexed collocation of Irish identity and sexual purity which the Parnell split reinforced.     

The religious geography of Marvell’s “An Horatian Ode”: popery,presbytery, and parti-coloured picts

ABSTRACT

Marvell’s “Ode” (1650) is an English poem about a British problem – a problem further problematized by religion. The “Ode” lauds Cromwell’s Irish and Scottish campaigns, but English responses to these “colonial” wars were in reality complicated by protestant infighting among presbyterians, independents, and sectarians. Writers like Milton and Nedham rallied English support for Cromwell’s Irish campaign by recycling Spenserian stereotypes of Irish catholic barbarity. But Milton and Nedham also undercut English protestant unity by flinging these same anti-catholic stereotypes at Scottish presbyterians in Belfast and Edinburgh. Departing from previous studies, this article argues that Marvell’s “Ode” eschews Milton and Nedham’s anti-Presbyterianism in ways calculated to elide, rather than divide, protestant communities. The article explores how the “Ode” presents Cromwell’s Irish and Scottish campaigns as exclusively anti-catholic (rather than anti-presbyterian) crusades, comparing Marvell’s presentation of Cromwell in the “Ode” with his identification of Cromwell as an anti-catholic crusader in “First Anniversary” (1655). Both poems anticipate in this respect Marvell’s later anti-catholic, but pro-nonconformist, approach to Ireland in Rehearsal transpros’d (1672–1673). The article is therefore concerned to root Marvell’s post-Restoration commitment to protestant tolerationism within the anti-catholic language of the “Ode”.     

An Opportunistic Anglophobe: Charles J. Haughey,the Irish Government and the Falklands War, 1982

This article examines Irish taoiseach (prime minister) Charles J. Haughey’s involvement with the Falklands War of 1982; a hitherto neglected subject related to a defining episode in the history of Great Britain in the post-war era. Specifically, it focuses on Haughey’s relationship with British prime minister Margaret Thatcher during the depths of this crisis and the immediate diplomatic and political fallout between the British and Irish governments in the aftermath of the Falklands War. At the heart of this article is the argument that Haughey’s modus operandi during the Falkland War was motivated by a blend of political opportunism and cynical anglophobia.     

Subjectivity and representation in descartes: The origins of modernity

Although ‘Burke and Irish history’ is a theme which has long been known to modern commentators, it has not necessarily been addressed sufficiently. This essay seeks to put forward a more comprehensive account of Burke's views on Irish history than has previously been offered by scholars. According to Burke, the protection of Christianity had brought flourishing science to seventh- and eighth-century Ireland. Nevertheless, the nation was plunged into a barbarous state after the invasions of the Danes and other northern tribes. Burke's sympathy with the Brehon law was possibly unique, although he was not uncritical of it. Unlike the Irish patriots, his chief concern with historical Ireland was not the origins of the Irish legislature. He was rather most interested in the religious affairs which had continued to plague the nation during history. Throughout his career, Burke considered the Irish Rebellion of 1641 to have been ‘provoked’, and continuously endeavoured to remove the penal laws imposed on the Roman Catholics after the Williamite Conquest of 1689–1691. In his view, despite the substantial increase in prosperity after 1688/9, the series of religious persecutions, as well as other oppressive policies, had still obstructed the further progress of Irish society.     

Providing local color?: "cape coloreds," "cockneys," and Cape Town's identity from the late nineteenth century to the 1970s

Jim Dyos, founding-father of British urban history, argued that cities have commonly acknowledged “individual characteristics” that distinguish them. Such distinctive characteristics, though usually based on material realities, are promoted through literary and visual representations. This article argues that those who seek to convey a city’s distinctiveness will do so not only through describing its particular topography, architecture, history or functions but also by describing its “local colour”: the supposedly unique customs, manner of speech, dress, or other special features of its inhabitants. In colonial cities this process involved white racial stereotyping of “others”. In Cape Town, depictions of “Coloured” inhabitants as unique “city types” became part of the city’s “destination branding”. The article analyses change and continuity in such representations. To this end it draws on the insights of Gareth Stedman Jones into changing depictions of London’s “Cockneys” and the insights of Stephen Ward into historical “place-selling”.     

Negotiations of Irish identity in the wake of terrorism: the case of the Irish in Birmingham 1973–74

This article explores the Irish migrant experience in Birmingham during and in the wake of terrorist campaigns carried out in Britain between 1969 and 1975 and attributed to the Irish Republican Army (IRA). Beginning with a discussion of the competencies with which Irishness was associated at the close of the 1960s in England, many of which were hinged on a notion of the Irish predisposition towards violence, the article continues on to take the political, cultural and religious “temperature” of the Irish community in Birmingham between 1969 and 1975, and follows on with a discussion of the specific strategies sought out by Irish immigrants to come to terms with the effect of events such as the “Birmingham Bombings” on their daily lives. Principle findings that emerge from the study indicate that IRA terrorism forced the Irish in Birmingham to engage with and adopt a number of distinct linguistic and cultural strategies in the post-1974 period, the cultivation of which indefinitely altered their relationship with Ireland as “home”, their visibility in the public British sphere and their associational patterns and practices within the migrant enclave.     

The greening of Oscar Wilde: situating Ireland in the Wilde wars

The importance of Ireland to an understanding of Oscar Wilde has been the subject of contentious discussion in recent years. For one group of critics Wilde has been considered “a militant Irish republican”, an Irish “terrorist by another name”, whose literary practices resembled those of “guerrilla warfare”, an ardent Home Ruler and Parnellite, and committed Irish nationalist whose work is suffused with references to Ireland and the Irish Question, very influenced by his Irish background and political views, possibly shaped by a genuine interest in and awareness of Irish folklore and the Irish oral tradition, and deeply engaged with issues of Irish identity and culture. For an opposing set of critics Wilde should at best be considered a “reluctant” Irish patriot, who referenced his Irish “identity” only when it suited him commercially, was more interested in exploiting intellectual fashions and fads than making genuine political points, was a shallow thinker in most areas of life and certainly didn’t use his writing to pursue Irish nationalist issues, was probably more of a British imperialist than an Irish nationalist, knew precious little about Irish folklore or Irish oral traditions, and his works contain few if any references to Irish issues or themes. The differences between these two interpretive communities certainly seem quite large, and these differences have been emphasised in a disputatious manner which has shed more heat than light on the messy matter of Wilde’s national identity. In this article I want to begin to clear up some of the misunderstandings I think have crept into this critical dispute and suggest fruitful ways in which opposing critics can come together in if not harmony then perhaps a less acrimonious, more productive way.     

“Talk & talk & talk”: Virginia Woolf's responses to Ireland

The complexity of Virginia Woolf's relationships with Empire can be illustrated by considering her responses to Ireland. Woolf's relationship with Ireland and Irish writers has received only cursory attention. Those critics who have addressed the topic have assumed that she responded positively to her experience of Irish “talk” on her holiday in Ireland in 1934. However, her response on that holiday reveals some underlying imperial presumptions and a sense of Ireland as stereotypically a land of “talk, talk, talk”. Indeed, this is in keeping with her responses to a wide range of Irish writers over many years (most notably, it chimes with her reading of Ulysses). This essay brings together for the first time Woolf's comments on Ireland and Irish writers, from her diaries, letters, essays and reviews, in order to show that she consistently characterised them as loquacious. Ireland was thus merely a subject of talk, a “question” that could only by discussed, and then only in stereotypical and liberalist terms. Further, Woolf associated talk with looseness and bad writing, and sought to maintain a mode of semi-privacy, apart from the “talk” that went on around her.     

“Hugon come erindwards”: Finnegans Wake and Ireland’s Huguenots

This paper analyses the rich variety of allusions to the Huguenots in Finnegans Wake, and considers the reasons for Joyce’s interest in this group of Protestant émigrés. Joyce makes several references to the Saint Bartholomew’s Day massacre, the apotheosis of Huguenot persecution at the hands of the French Catholics, and he draws analogy between their experience and that of other groups of heretics and dissenters. Joyce celebrates the social, commercial, and cultural impact made by the migrants and their descendants, which was disproportionately great for the size of the diaspora. I argue that there are several reasons for Joyce’s engagement with the Huguenots. Their story of sectarian persecution, dispossession, and exile recalls the Irish Catholic experience, but it offers balance to the narrative of Catholic victimhood in depicting a Protestant group that suffered comparable oppression. Most importantly, the remarkable success with which the Huguenots integrated into Irish society offers a positive model for the plurality that Joyce espoused throughout his writing career, culminating in his final work.     

W. B. Yeats,the Abbey Theatre,and the Cinema, 1909–1939

ABSTRACT

Given the significance of new technologies to the literary and visual cultures of the early-twentieth century, it is surprising how little has been written about W. B. Yeats and cinema. Viewed by some scholars as emphatically resistant to what he termed “the leprosy of the modern,” Yeats has long been a difficult writer to situate in relation the progressive impulses of modernity. Building on Kevin Rockett’s identification of the parallels between the work of Abbey Theatre and a nascent Irish cinema culture, this article argues that Yeats played a prominent role in early attempts to develop an indigenous film industry, and to cultivate representations of Ireland on screen abroad. During the period I consider, the Abbey Theatre and the film industry were similarly affected by state censorship programmes and various forms of cultural nationalism. Exploring the Abbey Theatre Minute Books and archival materials discovered in Trinity College Dublin, I suggest that Yeats’s Abbey was a shaping force in Irish cinema history, despite the fact that most attempts to create a national cinema met with limited success.     

Avenging ‘Bridget’: Irish domestic servants and middle-class America in the short stories of Maeve Brennan

This article will examine the representation of Irish women servants in Maeve Brennan's short stories, first published in The New Yorker in the 1950s, and collected in The Rose Garden (2001). The Irish ‘Bridget’, the most publicly visible, if troubling, image of Irish womanhood in late nineteenth- and early twentieth-century America, has received much-needed attention from historians and social scientists in the last decade, and is a central figure in discussions of Irish women and diasporic identity in the American context. Drawing on this body of work, and focusing in detail on key stories from the collection, including ‘The Bride’, ‘The View from the Kitchen’, ‘The Anachronism’, ‘The Divine Fireplace’, and ‘The Servants’ Dance', I argue that Brennan's reimagining of the Irish Bridget can be approached as a form of feminist revisionism, as Brennan's stories enter into a charged dialogue with the history of imagining the Irish woman servant as an undesirable but necessary presence in middle-class American domestic culture. Brennan's self-reflexive reworking of this paradigm is informed by her work as a satirist for The New Yorker, and proves an effective means of writing back to this problematic history, as she takes up recognisable tropes and motifs from earlier representations of Bridget in popular and literary culture, and alters them in knowing and subversive ways.     

Spinoza’s genealogical critique of his contemporaries’ axiology

Among Spinoza’s principal projects in the Ethics is his effort to “remove” certain metaethical prejudices from the minds of his readers, to “expose” them, as he has similar misconceptions about other matters, by submitting them to the “scrutiny of reason”. In this article, I consider the argumentative strategy Spinoza uses here – and its intellectual history – in depth. I argue that Spinoza’s method is best characterised as a genealogical analysis. As I recount, by Spinoza’s time of writing, these kinds of arguments already had a long and illustrious history. However, I also argue that, in his adoption of such strategies, we have good reason to think Spinoza’s primary influence was Gersonides. Elucidating this aspect of Spinoza’s critique of his contemporaries’ axiologies brings a number of explicatory and historical boons. However, regrettably, it also comes at a cost, revealing a significant flaw in Spinoza’s reasoning. Towards the end of this article, I consider the nature of this flaw, whether Spinoza can avoid it and its ramifications for Spinoza’s wider philosophical project.     

Reframing the “Irish Question”: the role of the Irish co-operative movement in the formation of Irish nationalism, 1900–22

This article examines the role of the Irish co-operative movement in the early twentieth century and argues that it played a crucial role in shaping a popular understanding of the “Irish Question”. This mass-membership movement impacted upon the development of the Irish state and population. By taking this rural, social movement as a lens to analyse Irish society in the early twentieth century, social and economic issues re-emerge as central components to a contemporary understanding of Ireland's increasingly contested position within the Union. As the expectation of some kind of political resolution to demands for political independence grew during the First World War, radical nationalism absorbed a social and economic discourse that originated within the co-operative movement in its critique of the British state as it operated in Ireland. Irish co-operation represented a sophisticated form of political economy that provided an influential ideological platform for Irish nationalists as they anticipated some form of political independence.     

Estranging Ireland: The underground self of the Irish free state in Joseph O’Neill’s Land Under England

Land Under England is an out of print, rarely-cited Irish science fiction novel by the author Joseph O’Neill. Written at a time of crisis in Irish society in the 1930s, the novel has been relatively ignored in studies of the literature of the period. Although critics of science fiction tend to situate the novel as a purely anti-fascist work, taking its cues from events happening in Europe, this article places the novel firmly within its postcolonial Irish context, opening up the text to alternative readings based on the writings of Irish historians, as well as Marxist, cultural materialist and postcolonial critics. The article also utilises documents such as work written by O’Neill in his capacity as a civil servant, letters to the author from the controversial author Francis Stuart, and reviews contemporary to the publication of the novel.     

C.S. Lewis: an Irish writer

This article examines the effect of C.S. Lewis's Irish background on his work. It attempts to contradict the assumption that this Belfast-born writer should be included in the English and not the Irish canon. It emphasises that Lewis saw himself as Irish, was seen by others as Irish, and that his Irish background, contrary to what some have written, was important to him throughout his lifetime. It goes on to demonstrate the ways in which his work was influenced by his youth in Ireland and by the Irish mythology that he loved. Furthermore, this article maintains that, as a child of pre-partition Ireland with roots throughout the island, Lewis was influenced by the country as a whole, not just his native Ulster. Finally, it attempts to understand why Lewis, a proud Irishman, did not do more to promote himself as an Irish writer.