The Archaeology of Smuggling and the Falmouth King’s Pipe

This article demonstrates the potential of an historical archaeology of smuggling and the value of an interdisciplinary approach to the study of smuggling and its prevention. By exploring the previously unstudied history of the King’s Pipe in Falmouth, a large chimney used for the destruction of tobacco, a rare survivor of many that once existed in England’s port cities, it demonstrates that archaeology could transform our understanding of smuggling and its prevention, and more broadly the history of crime and punishment in eighteenth century England.

The technologies of distance: new migrations in Conor O’Callaghan’s The Sun King

This article analyses Conor O’Callaghan’s collection The Sun King as an expression of contemporary migration practices. It places the poet’s technological mobilities within larger global movements and argues that the collection reconfigures poetic versions of migration for the twenty-first century. The Sun King (2013) is located in explicitly transient spaces, while its formal innovations serve to mimeticise contemporary dislocation. In reinventing the dual demands of memory and migration in the postmodern society, The Sun King recognises and pursues alternative poetic possibilities. The article suggests that O’Callaghan’s Twitter-poem “The Pearl Works” can be read as indicative of an expansive impulse towards ephemeral online works. In particular, the article raises questions around composition, stability and memory practices in the digital era, and highlights how both migration and memory are complicated by technological innovations.     

The Idea of the Social Contract in the History of ‘Agreementism’

One of the recurrent motifs in political thought is the idea of the social contract, according to which a society, a government, or moral principles depend for their existence on agreements between voluntary agents. This association between the social contract and “agreementism” implies that there is nothing about the terminology of contracts that distinguishes it from that of other types of agreements constitutive of normativity. This essay tests this assumption by surveying the terminology of the social contract and by proposing two hypotheses. The first is that all attempts at analysing the idea of the social contract require a formal conceptual frame of reference that is distinguishable from agreementism. The second is that social contract theories can be grouped into four trends, even if the authors of each of these trends are unable to form a coherent body of doctrine. These trends are the Iberian Catholic version of the Counter-Reformation; the Protestant individualist trend of the Enlightenment; the quasi-dialectical trend of the radical Enlightenment; and the contemporary trend of public morality.     

Archbishop Wulfstan’s criticism of King Edgar in the Anglo-Saxon Chronicle

Archbishop Wulfstan of York’s interpolation in the DE version of the Anglo-Saxon Chronicle entry for the year 959 is out of character for both the churchman himself and for the pre-Conquest period as a whole, as it is the only text from early England critical of King Edgar. This article shows that Wulfstan’s complaints about Edgar, which focus on the king’s policies related to Scandinavians in England, are rooted in the monarch’s probable official employment of Scandinavians and in the law code IV Edgar. Ultimately, this article argues that Wulfstan’s criticisms of Edgar are best understood in relation to the archbishop’s notion that royal policy could have significant long-term negative consequences, especially if such policy contravened Wulfstan’s understanding of the will of God.     

New Chinese Military History, 1839–1951: What’s the Story?

Since 1990, New Chinese Military History in the West has remedied scholarly neglect of Chinese warfare and changed the usual stories of modern China. These studies disproved Orientalist assumptions of a unique “Chinese way of war” or a strategic culture that avoided aggressive confrontation. Scholars also challenge the assumption that Confucian immobility led to a clash of civilizations and decisive defeat in the Opium Wars, First Sino-Japanese War, and Boxer War of 1900. In fact, Qing officials were quick and successful in creating a new military regime. New military histories of the warlords, the Sino-Japanese Wars, and the Chinese Civil War show that developing new types of warfare was central in creating the new nation. All these wars split the country into factions that were supported by outside powers: they were internationalized civil wars. The article also asks how the choice of terms, labels, and categories shapes interpretations and political messages.     

Rome’s Uncomfortable Heritage: Dealing with History in the Aftermath of WWII

Rome is a city famed for its outstanding cultural heritage stretching back two and a half thousand years. However, the events of the Second World War raise particular problems in dealing with this patrimony. This article examines the issues raises by the monuments built during the Fascist period and the Roman remains excavated by the Fascists. It also examines how commemoration throughout the city since 1945 reflects the changing attitudes to the war. The article argues that Rome has not yet come to terms with its Fascist past and that this constitutes a barrier to a sustainable heritage plan.     

The print depiction of King William III’s masculinity

This article examines both positive and negative print depictions of King William III, specifically how William’s masculine identity was produced and perceived in relation to readily accessible norms of manhood. That commentators invoked discourses of masculinity to both legitimate and denounce William’s regime suggests the importance of masculinity to kingly meaning. By discussing the ways in which William does or does not conform to gender ideals, commentators reveal that, although freighted differently, normative models of kingship and masculinity shared common expectations and overlapped in easily recognisable ways. As his critics reminded, William III neither achieved the supposed “hegemonic” patriarchal form of masculinity nor that of the ideal monarch because he remained childless. As such, William’s print portrayal sheds light on codes of masculinity in early modern Britain that were constructed in a variety of settings outside of the problematic paragon of patriarchal manhood.     

King Solomon’s Gold: Ophir in an Age of Empire

Contemplating King Solomon’s enormous importation of gold from the mysterious land of Ophir filled Victorians with vicarious pride and glutted their pedantic appetite with no end of tempting antiquarian puzzles concerning the identity of his trading partners. This article provides details and context regarding the various putative Ophirs proposed by British travellers during the nineteenth century, which ranged from Sumatra to the Gold Coast. It concludes in the latter decades of the century, when the legend of King Solomon’s mines converged with the discovery of gold in South Africa. As scholars have noted, the mid-century discovery of ancient ruins in present-day Zimbabwe by the German explorer Karl Mauch rekindled the Ophir debate and focused most people’s attention on South Africa as its location. This was also the immediate context to Rider Haggard’s fascination with ancient African civilization in his immensely popular novel King Solomon’s Mines. Numerous subsequent explorers, adventure novelists, and armchair archaeologists added to this wave of speculation about Ophir in the three decades that followed Mauch’s original identification of Great Zimbabwe with the biblical Ophir. By connecting these later depictions of Ophir (both fictional and archaeological) with speculations from earlier in the nineteenth century, this article presents King Solomon’s gold as a common context for evolving justifications, ambivalences, and understandings of British imperialism, from an empire of trade to one of conquest and annexation.     

The History of Cartography in Brazil in the 1940s: Jaime Cortesão's Lecture Courses

Abstract

During the Napoleonic Wars the military croquis, or sketch map, played an important role in the spatial management of the various campaigns. Presumably, many of these sketch maps were destroyed or discarded after their immediate use. Those that survive have received little scholarly notice. Attention is drawn in this article to a large and well-documented collection produced during the campaign in Russia in 1812 and subsequently amassed by the Saxon cartographer Ferdinand Heinrich August von Larisch. The operational value of the military croquis is examined and the relationship between cartographic poetics and historical representation considered.