西汉晚期楚王(后)墓葬浅探

西汉晚期楚王共计4位,同属一宗。根据目前的考古资料,结合文献记载,西汉晚期楚王(后)的墓葬有着自身的特点,与其他时期楚国诸侯王(后)墓葬存在着明显的差异。据此我们可初步确定徐州已发现的楚王(后)墓葬的时代和墓主身份。     

The Killing of the Khazar Kings

PSYCHOLOGY AND PRIMITIVE CULTURE. By F. C. BARTLETT. Cambridge: University Press, 1923. Pp. xii + 294. 8s. 6d. n. Reviewed by R. R. Marett.

THE EXEMPLA OF THE RABBIS. By M. GASTER. [The. Asia Publishing Co.'s Oriental Series, edited by BRUNO SCHINDLER, Ph.D., Section III.: Palestine (Hebrew),. vol. I.] Leipzig-London, 1924. Pp. xlviii + 314 + 208. £2 2s. n. Reviewed by W. R. Halliday.

MASSENKUNST IM 16. JAHRHUNDERT, FLUGBLÄTTER AUS DER SAMMLUNG WICKIANA. FEHR, H. (Denkmale der Volkskunst, ed. by Wilhelm Fraenger). Berlin: Herbert Stubenrauch, 1924. 4°. Pp. 121 + 86. 10s. Reviewed by M. Gaster.

ANGLO-NORMAN LAPIDARIES. By PAUL STUDER and JOAN EVANS. Paris: Ed. Champion, 1924. 8vo. Pp. xx + 404. Reviewed by M. Gaster.

LES ROIS THAUMATURGES. Étude sur le caractere surnaturel attribué à la puissance royale, particulierèment en France et en Angleterre. By MARC BLOCH, Professeur à l'Univ. de Strasbourg. (Strasbourg and Paris, Librairie Istra, 1924.) Oxford University Press. Large 8vo. Pp. vii + 542; 4 plates. Fr. 30 (12s. 6d. n.). Reviewed by H. J. Rose.

LA POÉSIE CHEZ LES PRIMITIFS, OU CONTES, FABLES, RÉCITSET PROVERBES DU RWANDA (Lac Kivu). Par le R. P. EUGÈNE HUREL (Pères Blancs). Brussels: Goemaere, 21 Rue de la Limite), n.d. 10″ x 6½″. Pp. 260. 18 f. Reviewed by A. Werner.

LA LANGUE KISONGE. GRAMMAIRE—VOCABULAIRE—PROVERBES. Par le R. P. A. SAMAIN, Missionnaire de Scheut Au Kasai (Congo Beige). Brussels: Goemare, 21 Rue de la Limite, n.d. (Being No. XIV of the Bibliothèque-Congo). 10″ x 6½″. Pp. 152. Reviewed by A. Werner.

THE PANCHATANTRA RECONSTRUCTED. By FRANKLIN EDGERTON Connecticut, New Haven: American Oriental Society 1924. Two Vols. Vol. I., Text and Critical Apparatus Vol. II., Introduction and Translation. 8vo. Pp. x + 406 xix + 409. Reviewed by H. A. Rose.

THE OCEAN OF STORY : being C. H. Tawney's Translation of Somadeva's Kathā. Sarit Sagara (or Ocean of Streams of Story). Ed. by N. M. Penzer. (10 vols.) Vol. I. pp. xli + 334. Privately printed for subscribers: Chas. J. Sawyer, 1924. 10″ + 6?″. Pp. xli + 335. 42s. n. per vol. Reviewed by W. R. Halliday.     

故宫的价值与故宫博物院的内涵

故宫与故宫博物院密切相关,对故宫价值认识的程度,影响着对故宫博物院内涵的理解与功能的定位。故宫人对文物及其价值的认识有一个逐步深化的过程。博物馆不只是收藏“人类和人类环境的见证物”,更要在收集、保护、研究和传播上下功夫。故宫的古建筑不只是一个“壳”,更是中华传统文化的一个载体和标志,也体现了建筑艺术中各民族文化的交流和融合。在反映宫廷历史文化方面,故宫及其藏品可称为是明清皇家生活方式的标本,值得深入挖掘、整理和利用。从传统的古物概念扩展到保护文化遗产,是故宫人对故宫价值认识的一个飞跃,故宫不仅要保护有形的,而且要高度重视、努力抓紧保护无形的文化遗产。     

The Soul of the Potala Palace

ItisaholystatueoftheGoddessofMercy.Measuring93cmhighand10cmwide,thesmallstatueinthePotalaPalaceinLhasaenjoysfameasgreatasthestatueofSakyamuni,thefOunderofBuddhismintheJokhangMonasterywhichwasbroughttoTibetbyTangDynasty(618-907)PrincessWenchengwhenshewasma…     

西周的“京宫”与“康宫”问题

“京宫”与“康宫”是西周主要的王宫,对于“京宫”与“康宫”的性质,近百年来学术界争论不休,至今没有定论。本文依据西周金文资料,并结合文献记载,论证了西周的“京宫”与“康宫”都不是单纯的宗庙,而是王宫的总称,其中都有宗庙。“京宫”是以周王室在豳地居住的地名命名的王宫,其中有“太庙”和“周庙”;而“康宫”是以康王的谥号命名的王宫,其中有“周庙”和“康庙”,以及“康庙”中的昭宫、穆宫、夷宫、厉宫等宗庙。西周三个王都(岐周、宗周、成周)都有“京宫”和“康宫”。唐兰关于“京宫”与“康宫”是宗庙的说法不准确,不能够成立,但是唐兰认为“康宫”是西周铜器断代的标尺,却是可信的、可靠的。     

马达加斯加 走进狐猴的神秘世界

<正>马达加斯加,一个古老的岛屿。在一亿六千万年前,随着超级大陆岗瓦纳古陆的解体,马达加斯加脱离了非洲大陆,从此与世隔绝般地漂泊在印度洋上,正是因为那次分离,才使得岛上保存下来了许多世界上绝版的珍稀物种。     

故宫博物院与辛亥革命

1911年爆发的辛亥革命是中国近代完全意义上的民族民主革命运动,它为中国博物馆事业的发展创造了条件。1925年成立的故宫博物院则是辛亥革命未竟之业,标志着中国民族民主运动在文化领域的胜利。然而,由于文献记载和档案资料稀少零散,加之辛亥革命发生与故宫博物院成立相隔时间较长,辛亥革命对故宫博物院建院的推动,以及故宫博物院开院之于辛亥革命事业的意义,未受到足够的重视,国内外相关研究也十分薄弱。通过梳理历史文献及档案,本文以政治内涵、文化认同和博物馆事业为视角,阐释了故宫博物院与辛亥革命之间的密切联系,并力图客观地呈现当时社会事件的历史情境。     

Butler of The Potala Palace

When Qamba Lobsang bade farewell to his uncle at the Norbu Lingka, summer palace of the Dalai Lama, he didn't realize he would be doing the same job as the old man in the future: serving as a butler at the palace.However, what Galsang is doing is somewhat different from what his uncle used to do. As a senior official under the Gaxag government in old Tibet, his uncle was charged with tending the Potala Palace and Norbu Lingka. As     

The culture history of Madagascar

Madagascar's culture is a unique fusion of elements drawn from the western, northern, and eastern shores of the Indian Ocean, and its past has fascinated many scholars, yet systematic archaeological research is relatively recent on the island. The oldest traces of visitors are from the first century AD. Coastal settlements, with clear evidence of ties to the western Indian Ocean trading network, were established in several places over the next millennium. Important environmental changes of both plant and animal communities are documented over this period, including the extinctions of almost all large animal species. Urban life in Madagascar began with the establishment of the entrepôt of Mahilaka on the northwest coast of the island in the twelfth century. At about the same time, communities with ties to the trade network were established around the island's coasts. From the fourteenth to the sixteenth century, social hierarchies developed in several regions of the island. During the succeeding two centuries, Madagascar saw the development of state polities.     

塞外清都——沈阳故宫博物院

在辽宁省沈阳市繁华的中街地区,坐落着一所历史悠久闻名遐迩的古代宫殿建筑群,这就是1961年国务院首批公布的全国重点物保护单位——沈阳故宫博物院。沈阳故宫与北京故宫是我国仅存的两座古代京都宫殿建筑群。沈阳史称盛京,被清朝视为龙兴之地,清太祖努尔哈赤、清太宗皇太极在这里肇基,清世祖由此逐鹿中原。     

明清宫廷绘画与宫廷画家——天津博物馆明清宫廷绘画展

明清宫廷绘画与宋元院体画风格体系一脉相承,作品多工整细致,注重写实并带有皇家的雍容华贵之气。宫廷绘画是一种与封建皇权体制息息相关的特殊的艺术形式。在以皇权为核心的封建社会的上层建筑中,代表意识形态的宫廷绘画艺术更多地被赋予了树立主流美学典范、弘扬封建正统思想,传达统治者政治意图的职能。宫廷绘画的创作受到诸多限制,宫廷画家一般要遵守作画前绘制稿本,待皇帝批准后再“照样准画”的绘画制度等,这些都导致了宫廷绘画整体风格的谨严性和统一性。