非物质文化遗产传承人群体的“关系”研究——基于民间习武共同体的“关系”建构及维系机制研究

民间传统武术,是中国非遗保护名录中的重要内容。民间习武共同体是通过拜师学拳而联系在一起的民间习武群体,也是民间传统武术传承的基本组织单位。以民间习武共同体的"关系"作为研究对象,旨在了解民间传统习武群体"关系"的建构、影响因素以及内部维系机制,为探索非遗传承人群体健康有序发展提供可借鉴的理论依据。民间习武共同体"关系",是一种通过拜师学拳而建立起的人际联系。它的建立经历了习武者的认同融入、仪式融入和精神融入三个阶段,并形成了以情感为"关系"纽带、以血缘性为"关系"基础、以信任为"关系"前提的民间习武共同体维系机制,以此推动着民间武术长期、稳定的发展。     

《亚鲁王》:“英雄史诗”还是“活态史诗”

西方以荷马史诗为范例建构起来的"英雄史诗"观念有两个要素,一是一个民族对另一个民族的战争,一是凭勇敢获得财富和荣誉。"英雄史诗"只是解读《亚鲁王》的一个维度,而不能囊括其作为口头史诗的本质特征。在苗族丧葬仪式上面对亡灵展演的史诗《亚鲁王》是一种活在民间仪式中的文学,它以仪式展演为主要生存形态,以口耳相传为主要传播方式,具有鲜明的活态性。     

地方社会变迁与民间音乐传承的嬗变——以鲁西北地区临清架鼓为例

从艺术发生学的角度来看,民俗生活是民间音乐产生的基础与发生的场景,民间音乐则是对民俗生活自身的艺术观照。民间音乐之所以蕴具较为强劲的艺术生命力,与其特殊历史时期独特的艺术生境有着复杂深厚的血脉联系,它既是丰富生动的民俗生活的一部分,又是人们对自身生命的文化意识和审美表达。山东运河区域曾为鲁西民间音乐"临清架鼓"提供了一个展演、交流的广阔舞台和空间,并为地方社会营造出一种独特的艺术氛围。随着京杭运河交通和区域社会经济的整体衰落,临清架鼓从生产与消费大致平衡的传统社会,转入到以消费主义和现代艺术为取向的新语境中。一方面,它失去了乡民深度参与所引发的狂欢景观;另一方面,它以一种非物质文化遗产的身份找寻着现代生存、传承的新路径。     

留白——让孩子成为民间游戏的积极创造者

正留白,顾名思义,就是在作品中留下相应的空白。绘画中的留白使得方寸之地显现出天地之宽,文学中的留白给读者以想象思考的空间。同样的,在幼儿园民间游戏的传承与创新中,也需要"留白"这一策略,给民间游戏的真正主人——孩子,留出自由创造的"天地"。在哪些地方需要"留白",如何"留白"?笔者结合多年来开展民间游戏的实践经验,觉得在游戏材料、玩法、时间与空间等方面都需要"留白"。而如何"留白",则需要我们教师明确幼儿园民间游戏传承的首要原则,即以民间游戏精神的传承为核     

全国首届民间吹歌展演在南戴河举行

<正> 7月22日至8月28日,"第七届中国民间山花奖·民间艺术表演奖暨全国首届民间吹歌展演第四届南戴河荷花艺术节"开幕式,在南戴河国际娱乐中心中华荷园隆重举行。"全国首届民间吹歌展演"由中国文联、中国民间文艺家协会、河北省文联主办,由河北省民协、河北省音协、中共抚宁县委、县政府承办,7月22日至24日,来自全国21个省、     

晋南看皮影

遥想当年,人们对皮影戏格外地热爱和推崇,如今,许多来自于民间的,流传了几百年,甚至上千年的民间工艺,正在逐渐消亡和变异,能真正原汁原味地传承和保护的屈指可数。幸运的是曾是晋国古都的山西省侯马市至今还保留并延续着一门璀璨的民间艺术——皮影。     

运河流域非遗策展与运营探索——以"大运河非物质文化遗产"展为例

运河流域非遗项目众多,生存发展业态多样,展示传播方式多元.中国大运河博物馆"大运河非物质文化遗产"展在展览策划上,选择与运河相关、有区域特色的非遗项目,以突出空间、过程、人的非遗属性为基调,以过程性静态展示和轮换式动态展演的方式提升观众的参与互动性,力求打造主线清晰、时空拓展、灵动多变的非遗展.基于非遗展的"活态"特性,提出以策划组织活态区的展示、展演和活动为主要内容的"展览运营"的概念,以持续的人力和财力为保障,统筹利用其他展厅、公共空间,以期与社会教育、文创研发等进行多维度碰撞,用文旅融合的视角探索非遗传播与传承的新思路.     

民间音乐的理论教学与艺术实践的改革与创新——东莞民间音乐的传承与保护

本土民间音乐源自当地人民的真实生活。由于时代的变迁和社会发展,导致民间音乐面临消失的危机,更面临传承与发展的瓶颈。作为服务于地方的高等院校的音乐工作者,有责任进行本土民族音乐的挖掘和拯救。尽自己的努力使不因时代的变迁而使这些宝贵的音乐文化消失在"现代化"的城市中。本文就借助高校这个平台对本土民间音乐进行传承与拯救的方法进行探讨。最终达到以弘扬、发展、传承与传播本土民间音乐和体现地方性院校为当地经济文化服务的意识。     

杨家埠民间工艺文化旅游开发研究

杨家埠是一个民间工艺文化底蕴深厚的古老村落。久享盛名的杨家埠木版年画以此为渊薮,蜚声海内外的潍坊风筝从此腾飞,并且二者以此为沃土,日后成长为民间文化宝库中闪烁着奕奕光辉的两朵奇葩。除此之外,扎花灯、核雕、根雕、嵌银、草编、泥塑、布玩具等民间工艺也在杨家埠民间艺人的精心栽培下得到发展和壮大。直至今天这些传承了几百年的民间工艺在杨家埠仍然盛行不衰。     

论新疆民间特色工艺的现代化发展

新疆的民间工艺不仅种类繁多,而且极具地域特色。为了更好地传承民间艺术、发扬民族文化,应该多途径地将现代设计理念与民间工艺精华有效结合,从而促进其发展。     

Explorations in Rome, 1871, 1872

The identification of an eighteenth-century plan and a set of nineteenth-century photographs, in conjunction with a new survey of its remains, has permitted the reinterpretation of an early eleventh-century building at Avranches, in the Département of Manche, Normandy. This has shown that it measured 37 m by at least 27 m, was at least 16 m high, and that it can be considered as a donjon or ‘keep’, or, as now more usually termed, a ‘tour maîtresse’ or ‘great tower’. The remains of the building and its interpretation are described, with the aid of plans and the key material referred to above. Among the largest ‘great towers’ known (at least in plan) and one of the three known pre-Conquest examples in the Duchy, it is of great significance to the rapidly advancing study of this class of building.     

Knee, Garter, Girdle, Hat, Stock, and Spur Buckles from Seven Sites in Portsmouth, New Hampshire

Material culture studies have begun to take new directions within the field of historical archaeology. Shoe buckles are the most familiar and readily identifiable type of buckle to archaeologists, but there are many other buckles worn as part of a person’s dress that may be identified on archaeological sites. Knee, garter, girdle, hat, stock, and spur buckles are regularly recovered. These buckles can be used as an aid to dating archaeological strata and features, and can be employed to understand the kinds of clothing worn by site inhabitants. This paper presents and interprets an assemblage of buckles of assorted types recovered from seven 18th-century domestic sites in Portsmouth, New Hampshire.     

Divergence,Sensitivity, and Nonequilibrium in Ecosystems

Contemporary theoretical debate in ecology and biogeography is often focused on equilibrium vs. nonequilibrium behavior in ecosystems and on the nature and source of ecosystem dynamics. It is suggested that these debates be recast in terms of the way ecosystems develop and respond to disturbances, rather than in terms of concepts often imported from mathematics, physics, and other fields. Using nonlinear dynamical systems theory, it is shown that key theoretical implications can be cast in terms of geoecologically significant phenomenologies such as divergent evolution, sensitivity to initial conditions and small disturbances, historical contingency, and path dependence. Examples show these phenomena are widely observed in ecosystems. Ecological and biogeographical theory can be problematized from within geography and ecology rather than fuzzy, abstract concepts such as equilibrium, self‐organization, “balance of nature,” or chaos. Complexity, sensitivity, variability, nonsteady states, and other concepts often associated with nonequilibrium or complexity‐theory frameworks have manifestations that are evident in observable ecological phenomena, in addition to theory and models.