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1.
Kate Boyer 《对极》2006,38(1):22-40
This paper examines the law as a mechanism for resisting neoliberal policy change through a consideration of legal challenges to welfare reform in the United States. The Welfare Reform Act of 1996 marked a sea change in both the content and scale of the American social welfare system. It has entailed a downward shift in policy creation and administration from the national to the state and local level, and conveys a heavy emphasis on the “responsibility” of single mothers to engage in waged labor. In addition to changing the scale at which the social welfare system operates, welfare reform has changed how the more oppressive aspects of this policy might be resisted. While some legal advocates are challenging welfare reform by working within the “policy scale”, others are invoking national level protections by appealing to Civil Rights legislation. By working against the scale imposed by neoliberal social policy, Civil Rights legislation presents the possibility for advocates to “re‐scale responsibility” from that of single mothers to submit to wage labor in order to survive, to the government’s responsibility to protect its citizens against identity‐based discrimination. Herein, I argue both that the law can serve as an important mechanism for re‐focusing the scale of resistance in efforts to challenge oppressive social policy; and that even in the face of policy that imposes a local scale, the national level holds potential as an important terrain of resistance.  相似文献   

2.
Mikko Joronen 《对极》2011,43(4):1127-1154
Abstract: In this paper Martin Heidegger's notions about dwelling in the sites of finitude and “power‐free” (Macht‐los) “letting‐be” (Gelassenheit) are explored as fundamental possibilities for resisting the ontological violence posed by global capitalism, the planetary outcome of the metaphysical condition Heidegger calls the “machination” (Machenschaft). Beginning from the planetary machination—the emergence of the flexible and circularly functioning power of calculative intelligibility—resistance is understood ontologically and hence as a radical critique of power as a consummation of the history of the metaphysical constitution of being. The paper culminates in a discussion of Heidegger's view on the awakening of the “other beginning” of the abyssal “Event” of being, a groundless “time‐space‐play” capable of constituting an alternative modality of relations no longer based upon the calculative functions of power but upon groundless thought and non‐violent dwelling in the earth‐sites of finite being.  相似文献   

3.
ABSTRACT

This article explores the evolving connotations of the concept of “superstition” up to the establishment of “superstition studies,” in an examination of the process of secularization experienced by early modern Chinese thought under the impact of Western science. In traditional texts, the Chinese term mixin (迷信, literally “delusional beliefs”), modernly translated as“superstition,” carries diverse and variable meanings: aside from referring to the proper or improper content of ideas and beliefs, mixin also has political connotations, broadly referring to beliefs or behaviors differing from the official rituals. On an ideological level, the traditional concept of mixin refers to a category of thought opposed to Confucian concepts such as the cosmology of Heaven, Earth, and Man, or the idea that “for a man to sacrifice to a spirit which does not belong to him is flattery.” In the late Qing Dynasty, as the idea of “superstition” as opposed to “science” was introduced via Japan, the traditional connotations of mixin evaporated, and it merged with other neologisms. From the late Qing to the early Republic, the parameters of “superstition” were expanded to encompass anything at odds with “reason.” This was also a reflection of China’s shift from the “Classical Age” to the “Age of Science,” as Confucian concepts and scientific ideas successively served as the criteria for judging “superstition.” As of the present, a consensus has yet to be reached on how to distinguish between “religion” and “superstition.” This paper shall seek to clarify the connotations of mixin or “superstition” in different contexts and their connection to the changing times, which may aid in understanding the complex facets of this issue.  相似文献   

4.
Abstract: Through a focus on “consumer‐citizenship” this paper foregrounds the class practices inherent in urban regeneration. Using Glasgow's 2014 Commonwealth Games (CWGs) as an illustrative example of regeneration, it seeks to highlight the market‐led processes that underpin state interventions. The paper demonstrates how these processes are implemented to transform “problem people, and problem places” ( Damer 1989 , From Moorepark to “Wine Alley”) into sites of “active” consumption and “responsible” citizenship. Yet, access to this “consumer citizenship” is stratified. In doing so, we synthesise conceptual insights from the Marxist‐influenced gentrification literature and the Foucauldian‐inspired housing renewal literature. We forward this to initiate further academic debate and empirical enquiry on the specific issue of mega sporting events.  相似文献   

5.
Ben Anderson 《对极》2011,43(2):205-236
Abstract: This paper analyses the biopolitical logics of current US counterinsurgency doctrine in the context of the multiple forms of biopower that make up the “war on terror”. It argues that counterinsurgency doctrine aims to prevent spectral networked insurgencies by intervening on the “environment” of insurgent formation—the relations between three different enactments of “population” (species being, logistical life and ways of life) and a fourth—affectively imbued perception. Counterinsurgency is best characterised, then, as an “environmentality” (Foucault M 2008 The Birth of Biopolitics: Lectures at the Collége De France, 1978–1979. Translated by G Burchell. London: Palgrave Macmillan) that redeploys elements from other forms of biopolitics alongside an emphasis on network topologies, future‐orientated action and affective perception.  相似文献   

6.
“[…︁] mein Recht muss mir werden!” Hermann Bahr’s Tragicomedy ­ Der Querulant ­ (1914). At the end of the eighteenth century, people who became notorious for their excessive engagement in legal proceedings started being labeled as “querulents” or “paranoid litigants”. The term “querulents” first appeared in the General Order of the Court for the Prussian States (Allgemeine Gerichtsordnung für die Preußischen Staaten) from July 6, 1793. From there on, the spectrum of juridical measures undertaken against the so-labeled litigators included classifying these persons as ineligible for legal action and psychiatric hospitalization. The paper discusses to what extent Hermann Bahr rearranges psychiatric and legal knowledge about this special type of the complainer in his tragicomedy Der Querulant, premiered in 1914. This concerns, first, the theatricality of the body and speech, secondly, the use of cultural techniques of writing and, thirdly, conflicting notions of justice. Therefore, the paper analyzes the aesthetic function of querulous behavior in the dramatic structure of the play from the point of view of both media theory and literary theory.  相似文献   

7.
Papyrus fragments from a late-antique Greek magical handbook preserve a unique recipe that directs us to make a wax “voodoo doll” and pierce it with three bones – “the left one, the right one and the one from the back” – “of an eisphatēs”, a previously unknown Greek word that has been emended to mean “sacrificial victim” (sphaktēs) or “dove” (phattēs). Emendation is not warranted, however, because the word is probably a local and previously unknown Egyptian term for the Nile catfish, which has three distinctive nail-like spines – the right and left pectoral and the dorsal – that match those of the eisphatēs. The bone of this fish is, moreover, used in a native Egyptian cursing ritual of Pharaonic date also involving a wax “voodoo doll”, that is inscribed with the bone, rather than pierced by it.  相似文献   

8.
9.
ABSTRACT This paper evaluates two English expressions used by Michelle Stephen to translate the Mekeo terms lopia and ungaunga, traditionally rendered as “chief” (or “peace chief”) and “sorcerer” (Seligman 1910; Hau'ofa 1971, 1981; Mosko 1985). Stephen suggests that more “literal” translations are “man of kindness” and “man of sorrow”. I argue that the expressions proposed are only literal if we accept postulated etymologies based on Stephen's reading of the Desnoës Mekeo‐French Dictionary (1941) and a grammatical analysis Stephen puts forward as unproblematic. I use authentic texts from Desnoës and my own grammar of Mekeo to challenge Stephen's suggested translations, and suggest that the use of conventional labels for key cultural terms is preferable to searching for non‐existent “literal” meanings. More generally, I discuss the use of etymologies that are unverifiable, and often from a linguistic viewpoint unlikely, in ethnographies of the Mekeo and to some extent elsewhere. I outline linguistic processes whereby metaphors and other associative tropes rapidly become conventionalized, and lexical items become grammaticalized. I evaluate the role of metaphor and metonymy in the formation of concepts and belief systems, and sketch an interpretative framework capable of accounting for the different effects and uses of polysemy and homonymy.  相似文献   

10.
11.
This paper studies the endogenous choice of transport technology, “traditional” versus “modern,” by a shipper. Although the “modern” technology is characterized by higher fixed costs and a higher speed of transport, it is chosen for intermediate distances, rather than to long distances. The reason is that, when the shipper switches to the “modern” technology, the industrial firm changes production from the home to the foreign city. Thus, the demand for transport decreases proportionally to the distance between the home and foreign city. For long distances, revenue from transportation becomes so low that the “modern” technology does not break even.  相似文献   

12.
This essay outlines a theoretical framework for investigating the links between the production of urban space (Lefebvre) and the production of ideology (Althusser) and hegemony (Gramsci) by proposing the concept of “the urban sensorium”. With a view to the aesthetics of urban experience and everyday life, this concept aligns Fredric Jameson's “postmodern” adaptation of city planner Kevin Lynch's research on “cognitive mapping” with Walter Benjamin's insights on “aestheticizing politics” in order to ask: how does urban space mediate ideology and produce hegemony while aestheticizing politics? In so doing, the spotlight falls on a conceptual constellation including four key theoretical terms: “ideology”, “aesthetics”, “mediation” and “totality”. While working through them, the essay argues that Jameson's outstanding contribution to a spatialized understanding of “postmodernism” lies above all in his Marxist (Lukácsian, Althusserian and Sartrean) theorization of mediation and totality; whereas radical students of the city can find the richest dialectical elaboration of these two concepts with special attention to space and urbanism in the oeuvre of Henri Lefebvre, especially in the recently translated The Urban Revolution.  相似文献   

13.
Miike Takashi’s Sukiyaki Western Django is a contemporary remake of Sergio Corbucci’s Spaghetti Western Django. In this updated Japanese version all of the characters speak English and there is a notable cameo appearance by Quentin Tarantino that references the continuous series of filmic exchanges that have taken place between Asia and the West, most notably in the context of action cinema. Rather than conceiving of the various movements and exchanges between the two films (and their predecessors) in terms of the search for an “original” or for the conceptualisation of good or bad copies, this paper focuses on the question of genre and what it can bring to a discussion of cross-cultural value in cinema. In particular, the paper explores what the recurring turn to Westerns in Asia reveals about the search for new frontiers of value and aesthetics in global cinema. From the serious to the self-conscious to the downright “bad” (and bad-ass) Western, Sukiyaki Western Django is a notable recent example of how the “Asian Western” both localises and globalises a peculiarly American genre, and at once de-values and re-values the “original”.  相似文献   

14.
Andrew Wallace 《对极》2015,47(2):517-538
This paper examines two potential lacunae in understanding low‐income residents’ experiences of contemporary state‐led gentrification via a study of neighbourhood restructuring in Salford, UK, 2004–2014. The first is the localised politics preparing the ground for neighbourhood “redevelopment” and housing demolition. The second is the blighted social landscape which emerges with the subsequent stalling of this project. A focus on “before” and “after” is adopted in order to disrupt the linear policy and “effects” temporalities that much qualitative gentrification research tends to inhabit. We see how state‐led neighbourhood restructuring does not simply displace, but carries residents from “empowerment” to abandonment and transfers them from active struggle into devitalised limbo. As such, the paper demarcates challenges and opportunities for resident mobilisation inherent in a vacillating urban renewal programme, powerful in its inception but which has since “hit the buffers” (Lees 2014, Antipode 46(4):921–947) in light of global and municipal fiscal crises.  相似文献   

15.
Ayyaz Mallick 《对极》2020,52(6):1774-1793
This paper explores the question of universal-particular through the anti-war Pashtun Tahaffuz (Protection) Movement in Pakistan. With its demands couched in the language of pain, rights to life and “dignity”, the PTM mobilises popular Pashtun sentiments as a “partisan universal”: a political formulation which achieves the common good even as it attends to particular interests. However, within the re-formulated urban question in post-9/11 Pakistan, PTM also attempts to make common cause with other ethnic-spatial communities through shared—but situated and differentiated—experiences of dispossession. Thus, the PTM’s “dialectic of experience” is a partisan universal in search of a “concrete universal”: a non-totalising but encompassing and open universality, a universal politics which works through the particularity of specific groups’ experiences. It is in this terrain of political practice, and its attendant theoretical articulations, that we will find the—contingent and processual—resolution of the transition from particularity to universality.  相似文献   

16.
The term “secular” in the Colonial Australian public instruction acts was always controversial. Recent policy debates seek to draw a connection between its original intent and removing religion from schools, notably Marion Maddox's Taking God to School (2014), and Catherine Byrne's “Free, Compulsory and (Not) Secular” (2013). The issue resurfaced recently in a NSW Teachers' Federation Research Paper (Waight, 2022), and in Gross and Rutland's Special Religious Education in Australia and Its Value to Contemporary Society (2021). I propose that while this is a valid public policy issue, any originalist argument actually relies upon a singular historiographical argument, namely a “Whig” historiography. However, across historians the meaning of “secular” has actually been evaluated through four different historiographies: a “Whig” progress narrative; economic materialism; critical theory; and a religious/nationalist approach. Maddox, Byrne and Waight's approaches can be characterised within a “Whig” approach to Australian education history, originally found in “The Melbourne School” of Austin and Gregory, and the textbooks of Barcan. Its revival presents a good opportunity to survey the topic of education historiography, assess the “Whig” argument, and to propose that religious/nationalist historiography provides a more accurate interpretation of the original intent of the term “secular.”  相似文献   

17.
Li Ou 《Irish Studies Review》2013,21(4):444-460
This paper re-evaluates J.M. Synge's connection with Romanticism by exploring his affinities with John Keats. It examines Synge's three plays, The Shadow of the Glen, The Playboy of the Western World, and Deirdre of the Sorrows, to suggest their strong parallels with Keats in both specific poems such as “The Eve of St. Agnes” and “Lamia” and in some central concerns, including the ambivalent attitude towards the tension between reality and fancy and the paradoxical stance on mortality. Both writers exemplify a kind of self-dividedness towards the opposing sides of contrarieties which gives rise to a “rich intensity” of their works. Their affinities call our attention to the tensions within Romanticism and the often-ignored current of scepticism running from Romanticism to post-Romanticism.  相似文献   

18.
Vinay Gidwani 《对极》2008,40(5):857-878
Abstract: Two Hegels inhabit the Grundrisse. The first is conservative of the “selfsame” subject that continuously returns to itself as non‐identical identity and propels “history”. The other Hegel tarries with the “negative” he (which or variously calls “non‐being”, “otherness”“difference”) to disrupt this plenary subject to Marx's reading of a Hegel who is different‐in‐himself lends Grundrisse its electric buzz: seizing Hegel's “negative” as the not‐value of value, i.e. “labor”, Marx explains how capital must continuously enroll labor to its will in order to survive and expand. But this enrollment is never given; hence, despite its emergent structure of necessity, capital's return to itself as “self‐animating value” is never free of peril. The most speculative aspect of my argument is that the figure of “labor” in Grundrisse, because of its radically open formulation as not‐value, anticipates the elusive subject of difference in postcolonial theory, “the subaltern”—that figure which evades dialectical integration, and is in some ontological way inscrutable to the “master”. Unexpectedly, then Grundrisse gives us a way to think beyond the epistemic and geographic power of “Europe”.  相似文献   

19.
This paper critically analyzes the Sharafnama, a history of the Kurds, written by the late sixteenth century ruler of Bitlis, ?eref Xan. Given the politically sensitive nature of the Middle East's “Kurdish Question,” the Sharafnama has become an extremely important resource through which Kurdish nationalists have sought to construct a coherent “national narrative.” This is due to the fact that ?eref Xan's book constitutes one of the few systematic histories of the Kurds written before the twentieth century. This paper moves away from nationalist inspired interpretations of the Sharafnama, which see the work as a “national(ist)” history. Instead, it posits that, although the piece can be regarded as a manifestation of Kurdish “ethno-politics,” it is necessary to look at it within the context of the relationship between the Kurdish tribal princes who ruled large areas of “Kurdistan,” on one hand, and the Ottoman and Safavid empires who competed for control of this region, on the other. In particular, it brings to the fore an often forgotten and/or ignored aspect of ?eref Xan's history, namely its pro-Ottoman bias. In this way, the article makes broader points relating to the nature of the Kurdish identity in the early modern period, and the influence of such conceptions on the later construction of the modern Kurdish identity.  相似文献   

20.
Abstract

This paper aims to reconstruct widely accepted concepts of the top-down authoritarian nature of Central Asian politics in Kazakhstan and Uzbekistan through a comparative study of the pro-democratic movements that emerged in the late 1980s. By analysing data from interviews with the cultural elites of the late Soviet perestroika period and data on the indigenous nationalist movements such as Erk, Zheltoksan, Birlik and others, we question why such nationalist movements did not “survive” or emerge as a significant political platform as promised in post-independence Kazakhstan and Uzbekistan, and why they failed to change the political outlook of one party rule or the dominance of one nationalising regime. Furthermore, we analyse how such nationalist movements had an opportunity to turn into semi-democratic movements but failed to transform after their agenda (arguably, independence) was achieved, leaving “communists-turned-nationalists” to continue their policies in newly formed countries. Thus, the paper also looks at how these cultural elites eventually contributed to the local “authoritarianism” and lack of plurality in views and identifications.  相似文献   

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