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1.
    
Accepted as a constitutional principle after the establishment of the republic in Turkey, secularism has been a widely discussed subject on the Turkish political and intellectual agendas, especially over the last two decades. This paper enquires into the earliest steps of secularism taken in the early nineteenth-century Ottoman era, during which a large number of domestic socio-economic incidents blended with the international ones, in the case of the Crimea Memorial Church, an Anglican church in Istanbul, which points to radical shifts of the Ottoman cultural policies.  相似文献   

2.
    
The article starts with a discussion about the frequent statement that culture is a marginal area in politics. It proceeds with an analysis of the phenomenon and concept of “the cultural turn” and its possible consequences for cultural democracy. Then there follows a reflection on the potential power of religion and culture in political developments. After these introductory sections I present and discuss what I call five “democracy dimensions” of cultural policy: norms and ideologies; distribution of economic resources; institutional structures and decision‐making procedures; agents and interests in the policy‐making process; and access to and participation in cultural life. The conclusion is that under certain circumstances culture may mobilise huge masses of people in political actions but this is unlikely to happen in Western European democracies where culture in a long historical process has been privatised and isolated from big politics by the establishment of a specific sphere with its own structures, norms, logics and discourses. It is questionable if cultural policies will be more democratic under the reign of global capitalism and new liberalism. “The cultural turn” is an ambivalent phenomenon which cannot by itself bring about more cultural democracy. The future of cultural democracy cannot be decided for by cultural life or the cultural policy system themselves, it is dependent on what will happen to democracy as a total political system, of which cultural policy is only a small part.  相似文献   

3.
    
Governments around the world have accepted the idea that spending on culture can have economic side‐effects such as attracting high technology industry, regenerating urban economies, or increasing a country’s status in the global economy. As governments increased their cultural spending, however, critics charged that their interest reflected an instrumental approach to funding the arts that prioritized large cultural organizations and iconic building projects with the potential to attract tourists over more mundane matters such as operating funding. This study examines flows of government and private funding to cultural organizations in the province of Ontario, Canada on the basis of the size of these organizations. The data show that in real terms, government operating grants to organizations that have received large infrastructural grants for building projects were lower in 2006 than in the pre‐spending cut era of 1990. When a larger group of arts organizations is examined by size, the reality is more complicated than either advocates or critics of the instrumental approach claim. One universal pattern across all size categories is the increase in private funding to cultural organizations in Ontario.  相似文献   

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This work is based on fi eld materials of 1998–2000, 2005–2007, collected by the author from Uimon Old Believers who live in the villages of the Ust-Koksa Region of the Altai Republic, and in Gorno-Altaisk. The article describes the manifestations of ambivalence towards adornments, the color of red, and brightness of clothing among Uimon Kerzhak women, and reviews the actual existence of these elements in the culture of their costume in light of their ideological denunciation on the basis of Christian ascetic principles. The study reveals varying levels of consistency between the restrictions in clothing and their implementation.  相似文献   

6.
东北地区文化旅游资源系统开发研究   总被引:8,自引:0,他引:8  
张春丽  刘鸽  刘继斌 《人文地理》2006,21(1):116-119
文化是旅游开发的灵魂,进行文化旅游资源开发则是提高区域旅游业持久生命力与吸引力的关键。本文在对文化旅游与文化旅游资源认识的基础上,通过对东北地区文化旅游资源的地理文脉分析,将东北地区文化旅游资源划分为十大类,针对这十类文化旅游资源提出了产品开发构想,并根据文化旅游资源分布组合情况构建了东北地区文化旅游资源总体空间结构,提出了\"三个核心、十五个经典区域、五条主线路\"的空间开发构想。  相似文献   

7.
Commodity Cultures: The Traffic in Things   总被引:1,自引:0,他引:1  
Focusing on the commodification of various forms of cultural difference, this paper reviews recent work within the 'globalization' and 'creolization' paradigms, outlining an agenda for future research. Rather than condemning commodification as an unwarranted threat to the 'authenticity' of local cultures, the paper argues for a more complex understanding of people's relationship with the world of goods. Using a variety of examples, it is argued that the 'traffic in things' is associated with a wide range of meanings and a diversity of responses. Informed by recent debates in anthropology and material culture studies, it is suggested that geographical metaphors (such as distance and displacement) provide a more productive way of engaging with contemporary commodity cultures than do visual metaphors (such as unveiling or unmasking). Other means of transcending the distinction between cultural and economic geographies are also discussed.  相似文献   

8.
    
Botswana is promoting cultural tourism to diversify the country's nature‐based tourism industry, to increase citizen participation in tourism development; and, improve rural livelihoods. The objective of this paper is to analyse tourism and cultural commodification at Goo‐Moremi Village, Central Botswana, an emerging destination for cultural tourism. Conceptually, the study is informed by the debates around cultural commodification. Using both primary and secondary data sources, culture at Goo‐Moremi Village and Gorge is considered sacred as ancestor worship controls the day‐to‐day lives of people. Ambivalence, tensions and local resistance emerge in the process of commodifying culture at Goo‐Moremi village. Some local people embrace the commodification of their culture into a tourism product because of anticipated socio‐economic benefits whereas others resist cultural commodification as a result of fears that it may devalue their culture and belief system.  相似文献   

9.
    
ABSTRACT

This editorial introduction presents the aims and contents of a special issue devoted to cultural policies in Ibero-America. The issue provides a wide-ranging overview about the subject. In addition to papers focused on the development of cultural policy in specific countries, it also includes articles analyzing particular cultural policies in a transnational perspective, paying attention to their multiple programmatic transferences. It also includes articles centred on the development of cultural diplomacy and institutional networks within this area. In this way, it intends to highlight the commonalities among countries and the relations between them, so offering a new and deeper vision of the development of cultural policies in the Ibero American region. In this introduction we offer some theoretical keys for analyzing this development, in particular the notion of family of nations proposed by Castle (1993) and we evaluate its applicability to the case and beyond.  相似文献   

10.
    
Fred Bowerman Kniffen's academic career started in the 1920s at a time when cultural geography in North America was getting underway. For more than 60 years, Kniffen played a prominent role in its formation and elaboration. His contribution centered on material cultural studies, particularly folk housing, and the patterns and processes of the diffusion of the cultural elements of ordinary people. However, Kniffen's legacy within contemporary cultural geography extends beyond these central concerns. This essay examines Kniffen's relation to mass or popular culture studies, material culture studies, Berkeley school cultural geography and the \"new\" cultural geography. It considers the bases for Kniffen 's appeal to a diverse following, and suggests why his contributions will not be soon outmoded.  相似文献   

11.
    
ABSTRACT

Cultural policy archetypes have been fundamental to comparative cultural policy study and continue to be influential in both everyday and scholarly characterizations of national cultural policy systems. This paper explores the proposition that cultural policy archetypes reflect what people believe to be true about culture – their cultural ideologies. Cultural ideologies are integral to the formation of cultural policy and, thus, must be considered in any theory that hopes to measure the extent to which and explain why cultural policies differ. Cultural ideologies embody ideas about why culture is important and how it should be governed. Those ideologies spotlight certain administrative mechanisms, overemphasizing their role in systems that actually are deeply administratively hybrid. This makes archetypes poor tools for analyzing the mechanisms of cultural policy; however, because archetypes tell us about cultural ideologies in straightforward and powerful ways, it is essential that they continue to be a part of comparative cultural policy study.  相似文献   

12.
    
This study reviews the evolution of the cultural and creative industries (CCI) policy in Taiwan. Beginning with the early 1990s, when the ‘culturalization of industries, industrialization of culture’ represented the central theme of Taiwanese ‘cultural policy’, it traces the shift to the present day, in which Taiwan’s ‘CCI policy’ has been driven by the broader economic rationale of pursuing international competitiveness. By examining the recent discourse and development of Taiwan’s CCI policy, the paper reveals that Taiwan’s CCI policy has served to widen, rather than bridge the gaps between ‘localization and globalization’, ‘culture and creativity’, and ‘network system’ of the CCI development and more importantly, has overshadowed cultural issues. Consequently, tensions are emerging which are challenging to future CCI policy development, especially at a time when Taiwan is becoming increasingly incorporated into the fastest growing economy – mainland China, which brings threats and opportunities to the CCI development in Taiwan.  相似文献   

13.
旅游文化及其相关范畴、命题的理论透视   总被引:5,自引:0,他引:5  
从现有的“旅游文化学”著作以及一些旅游研究文献来看,人们对旅游文化、文化旅游以及文化旅游资源等诸多范畴的使用,还存在着概念上的显著差异。本文认为,这种差异一方面体现为对这些关键范畴的内涵理解上的误区和使用上的轻率,一方面体现为人们对旅游文化现象的本质、历史和形态的了解还有所局限。本文试图以学科视野来审视这些范畴的科学内涵,并进一步探讨了一些值得关注的理论命题。  相似文献   

14.
15.
Paying for water and the geography of commodities   总被引:1,自引:0,他引:1  
Across the globe there is an ongoing debate about whether water ought to be treated as a commodity. This paper argues that recent geographical work on commodities can usefully inform these debates amongst environmental and development policymakers. First, the paper uses a case study from Cameroon to show that the commodification of public water supplies is not new, permanent or inevitable. Second, it uses the case study and insights from the psychoanalytic literature to examine the relationship between the willingness-to-pay for water and knowledge amongst water users about the costs of production. It is argued that the commodity fetish remains a useful concept, but that it requires reinterpretation. It concludes that demystifying the commodity includes not only unveiling the politics of production but also understanding the politics of the practice of exchange by considering the socio-synthetic effects of treating things as commodities.  相似文献   

16.
城市文化资本与文化旅游发展研究   总被引:4,自引:0,他引:4  
城市文化与旅游发展的关系需要从文化资本即文化因素不断积累和文化价值增值的角度进行考察。城市文化资本传承和累积受到文化资本的基础差异、获取能力和保障力度三个方面因素的影响,其综合作用的结果,决定了城市文化资本的质量及其势能强弱。文化资本质量高的城市,文化旅游无疑会有更好的发展。作为文化资本价值实现的一种具体形式,文化旅游同文化资本之间存在着一种双向选择互动关系。由于文化所具有的公共属性以及市场选择的某些消极作用,互动过程中就需要公共调节机制的介入,以保障城市文化资本和文化旅游发展的永续性动力。从文化资本的视角来看,可以从城市文化资本积累、文化的传承与创新关系、文化旅游系统化开发、城市旅游形象整体定位等方面考虑旅游目的地建设的措施。  相似文献   

17.
    
This article reviews the history of anthropological engagements with religious change. Anthony Wallace made one of the most important contributions to this work by developing the first comprehensive model of revitalization movements. In recent years, contributions to the field have burgeoned in response to a renewed anthropological interest in globalization and transnational religious and social forms. Wallace's work has an ongoing relevance for much of this contemporary writing, in that many of the “new” theorists share many of the concerns that he first explored. However, they differ in their conceptualization of the processes and political contexts of change.  相似文献   

18.
    
This paper reflects on the value of cultural policy research, particularly when such research forms part of projects that seek to produce insights or ‘outcomes’ that are useful to non-university research partners. The paper draws from the author’s involvement in a project examining cultural diversity in the arts that was funded as part of the Australian Research Council’s Linkage Project scheme. It addresses Eleonora Belfiore’s provocation that this kind of instrumental cultural policy research routinely amounts to ‘bullshit.’ However, in order to understand the critical function of such research, there needs to be greater attention to the lifeworlds of cultural policy and the multiplicity of the policy-making process. This multiplicity both complicates the possibilities for usefulness in policy research, at the same time that it enables such research to be generative in unpredictable ways.  相似文献   

19.
江泽民总书记考察黄山旅游资源时的重要指示,强调了世界化和自然遗产黄山的本质性化内涵,是对旅游本质的精彩阐发,江总书记的重要指示对旅游产业的发展具有深远意义。  相似文献   

20.
    
Gramsci’s writings have rarely been discussed and used systematically by scholars in cultural policy studies, despite the fact that in cultural studies, from which the field emerged, Gramsci had been a major source of theoretical concepts. Cultural policy studies were, in fact, theorised as an anti-Gramscian project between the late 1980s and the early 1990s, when a group of scholars based in Australia advocated a major political and theoretical reorientation of cultural studies away from hegemony theory and radical politicisation, and towards reformist–technocratic engagement with the policy concerns of contemporary government and business. Their criticism of the ‘Gramscian tradition’ as inadequate for the study of cultural policy and institutions has remained largely unexamined in any detail for almost 20 years and seems to have had a significant role in the subsequent neglect of Gramsci’s contribution in this area of study. This essay, consisting of three parts, is an attempt to challenge such criticism and provide an analysis of Gramsci’s writings, with the aim of proposing a more systematic contribution of Gramsci’s work to the theoretical development of cultural policy studies. In Part I, I question the use of the notion of ‘Gramscian tradition’ made by its critics, and challenge the claim that it was inadequate for the study of cultural policy and institutions. In Parts II and III, I consider Gramsci’s specific writings on questions of cultural strategy, policy and institutions, which have so far been overlooked by scholars, arguing that they provide further analytical insights to those offered by his more general concepts. More specifically, in Part II, I consider Gramsci’s pre-prison writings and political practice in relation to questions of cultural strategy and institutions. I argue that the analysis of these early texts, which were written in the years in which Gramsci was active in party organisation and leadership, is fundamental not only for understanding the nature of Gramsci’s early and continued involvement with questions of cultural strategy and institutions, but also as a key for deciphering and interpreting cultural policy themes that he later developed in the prison notebooks, and which originated in earlier debates. Finally, in Part III, I carry out a detailed analysis of Gramsci’s prison notes on questions of cultural strategy, policy and institutions, which enrich the theoretical underpinnings for critical frameworks of analysis as well as for radical practices of cultural strategy, cultural policy-making and cultural organisation. I then answer the question of whether Gramsci’s insights amount to a theory of cultural policy.  相似文献   

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