The Aboriginal Adjustment Movement in Colonial Victoria

Whilst much has been written about Aboriginal religious syncretism in Australia, particularly about what has become known as the “Adjustment Movement” that occurred in Arnhem Land in the 1950s (see McIntosh 2004), there were several remarkable examples of spiritual adjustment by Aboriginal people a century earlier on the Victorian goldfields that hitherto have not been explored by historians. Building on Magowan's (2003) discussion of the connection between Christianity and the ancestral law of Aboriginal culture in northern Australia, this article will examine how Christian influences in colonial Victoria competed with, and conversely moulded, southern Kulin ancestral understanding. Several Kulin ceremonies — including the Myndee ceremony and the “Veinie Sacred Sunday Dance” — will be examined. These ceremonies were described by colonial officials (Joseph Panton, a Gold Commissioner, and William Thomas, the Aboriginal Guardian of Aborigines in Victoria) in the midst of a second wave of invasion and rupture for Victorian Aboriginal people — the first being the sheep herders in the 1830s, and the second being the gold rush which commenced in 1851. Serving as exemplars of what might be called the Victorian Aboriginal Adjustment Movement, these ceremonies demonstrate the extent to which Aboriginal people on the goldfields of Victoria engaged in a culturally congruent mode of Christianity.     

The Architecture of the Town Halls of the French Colonial Period in Algeria: The First Half of Nineteenth Century

The various civilizations which followed one another on the Algerian territory marked it by their presence. The architectural and urban production of each period displays its concepts and its styles, each rich with specific characteristics. The most representative buildings date to the Ottoman period and especially to French colonization. During the latter, and with the multiplication of the administrative offices, numerous public buildings represent different styles: Neoclassical, eclectic, neo-Moorish and art deco, each lying next to one another. Nevertheless, each building was intended to indicate its function. Numerous studies of the buildings erected during the first half of the twentieth century and particularly on the attributes of the neo-Moorish style were examined unlike the architectural output resulting from the Second Empire and relating to public civil architecture, due to the lack of monographic work. Our knowledge in this field thus remains to be improved and constituted. This paper is devoted to the town hall of Annaba, through which we will illustrate the attributes and architectonic specificities as well as the codes inherent in French public civil architecture in Algeria.