Between Utopia and Tradition: William Morris’s A Dream of John Ball

ABSTRACT

William Morris, author of the famous nineteenth-century utopian novel News from Nowhere, thought it both possible and desirable to develop a utopian vision that could be affirmed by many individuals. However, Morris also recognised that achieving such utopian unity was not easy. There is, at least potentially, something personal about utopian visions; they are shaped by idiosyncratic desires that cannot be shared. Through a reading of Morris’s A Dream of John Ball, I argue that Morris offers a temporal solution to the problem of utopian unity. The central characters in the text, medieval priest John Ball and a nineteenth-century socialist agitator, come to recognise their shared adherence to the same image of a new society. This is achieved through the mediation of tradition: Ball and the agitator overcome their differences by committing themselves to disappointed hopes elaborated in past struggles that have been handed down to the present. Morris’s articulation of utopia and tradition—the sense that visions of the future can be made shareable through reference to the past—offers the possibility of a transtemporal solidarity of utopians and the bringing together of the dreams of a plurality of individuals.     

The landscape of Metztitlan,Mexico: Power and control in a sixteenth century Spanish administrative painting

ABSTRACT

The concept of landscape has been studied mostly as the view of a space with particular interest in its aesthetics, originating at the turn of the sixteenth century. However, I argue that in fourteenth century northern Europe, the concept was focused on polity rather than aesthetics. This article examines this lesser-known tradition by analysing the painting of Metztitlan, a sixteenth century town in Mexico, and arguing, first, that unlike all the other representations in the Relaciones Geográficas to which it belongs, it is the only landscape, and second, that this painting is associated with an administrative procedure common in Spain to gain control over imperial lands. I review European practices regarding the representation of towns under the Spanish Crown. Then, I present the results of the fieldwork carried out to locate several heights which probably served as vantage points to paint the landscape. Based on this research, I analyse the intentions of the painter to argue that it should be considered within the same tradition as the paintings made in Spain by Flemish painter Anton van de Wyngaerde, as part of the Spanish Empire's Germanic tradition of describing places with the intention of exerting control over them.     

Polis and Oikos: The Art of Politics in the Greek City-State

ABSTRACT

The Greek city-state has traditionally been viewed as an entity that was divided into two distinct spheres (oikos and polis) and governed by two distinct arts (oikonomia and politikê technê). The aim of this article is to show that this image of the Greek city-state is not very accurate. The relationship between the oikos and the polis was not exclusive in classical poleis. Particularly in Athens during the democratic period, the polis was depicted as a family writ large, and to the extent that oikos was seen as an entity of its own, it was a part of the polis, not excluded from or opposed to it. My aim is to show that the art of the household and the art of politics were not distinct arts as has been claimed in modern political theory. Furthermore, although the collapse of the classical city-state during the Hellenistic era entailed a privatization of the household, it was not until modern times, from the late eighteenth century onwards—when the concept of the natural right to life and property became firmly established in juridical and political discourses—that the private sphere attained genuine autonomy.     

Cultural Innovation and Translation in the Eastern Cape: Jan Tzatzoe,Xhosa Intellectual and the Making of an African Gospel, 1817–1833

Abstract

This article describes the construction of a truly African Bible on the London Missionary Society's Eastern Cape Buffalo River mission station in the early years of the colonial encounter. Largely unacknowledged in the historical record, the isiXhosa translations were made in an intellectual partnership involving Jan Tzatzoe, a cultural and intellectual intermediary and innovator, and two European missionaries, John Brownlee and Friedrich Gottlob Kayser. A particular focus is Tzatzoe's breakthrough in moving the depiction of Jesus Christ towards Christ as Xhosa healer or ‘physician’. The article builds upon the renewed scholarly attention directed towards intermediaries by examining African involvement in the creation of crucial discourses and the conditions under which colonial texts were produced. It is suggested that Tzatzoe and other African linguistic intermediaries might be thought of as the vanguard of an African intellectual tradition born in the colonial encounter.     

Recent Books in the Field of Medieval Literature

The main objective of this article is to analyze the relationship between the novísimos poets—Pedro Gimferrer, Luis Antonio de Villena, Leopoldo María Panero, and Guillermo Carnero, among others—and the avant-garde movements in Spain. If during the forties the garcilasismo opposed the avant-garde, in the seventies, with the novísimos, the -ismos returned to be considered not as a radical change but as one more stage in the evolution of Spanish poetry. The -ismos are now considered not as a subversive departure from the past, but as part of Spanish artistic heritage and tradition, thus reconciling tradition and modernity or even converting the vanguard into literary tradition. The -ismos are described not as an absolute novelty but simply as a process of innovation in the same way, with their own poetic precedents, as the garcilasistas and the neoromantics of the past.     

God’s Sovereign Word

Abstract

Much political theory is funded by a purportedly “theological” notion of sovereignty. This essay re-reads and thereby deconstructs such a view. The argument presented herein is that certain political theorists—notably Schmitt, Bodin, and Hobbes—uncritically appropriate a “theological” notion of sovereignty as an analogy for political sovereignty. Engaging the work of Karl Barth, this essay undercuts such analogizing tendencies, contending that the “theological” superstructure on which so-called political theology is constructed is not theological but anthropological. Barth’s reconfiguration of theology, grounded not on natural law or reason, but on God’s self-revelation of Godself in Jesus Christ, offers a very different terminus a quem for political theology.     

Bradley Holt,Thirsty for God: A Brief History of Christian Spirituality

Abstract

In this essay, I consider the relationship between more radically open conceptions of democracy and the recent "return of religion" as the return of distinct, particular religions. The radical democracy of figures such as Derrida, Badiou, and Hardt and Negri is found to be not radical enough to be open to the particular religious other. Derrida's "religion without religion" does violence to the particularity of concrete religious traditions, Badiou appropriates Paul's universalism while abandoning the particularity and difference in his conception of collective identity, and Hardt and Negri advocate a "politics of love" while severing that love from its ground— namely, God. I then show a way of rethinking both society and Christianity so that Christianity finds a place in society and society makes room for Christianity. A radical Christianity devoid of self-privilege and triumphalism provides a model for an intersubjectivity of love in which the other really comes first. Paul's radical conception of membership in the body of Christ accomplishes precisely what radical democracy fails to do: it allows for heterophony as well as polyphony, and incoherence as well as commonality. It is only when church and society allow the possibility of incoherence and heterophony that they are truly open to the other, and it is only when they are truly open to the other that they satisfy the demands of a truly radical democracy and radical Christianity.     

The Gospel of Freedom,or Another Gospel? Augustinian Reflections on Empire and American Foreign Policy

Abstract

American foreign policy is often extolled in terms of exporting "freedom" to the rest of the world— extending God's gift to humanity (according to President Bush's Second Inaugural). But just what notion of "freedom" undergirds this project? According to the National Security Strategy, the freedom being globalized is a negative, non-teleological notion of freedom that primarily underwrites the expansion of free markets. But such a liberal, non-teleological notion of freedom is just the notion of freedom that is rejected by the orthodox (Augustinian) theological tradition. So the theological invocations that cloak this foreign policy can only be, technically, heretical. This paper takes Augustine's theology as a mode of cultural criticism, offering a contemporary rendition of Augustine's critique of empire in The City of God by interrogating the discourse of freedom associated with the Bush Doctrine as well as a critique of Hardt and Negri's alternative as it is laid out in Empire and Multitude.     

Shakespeare's Fault or Yours? Melzer's Maxim: A Guide to Tentative Omniscience for the Congenitally Hyperfallible

Abstract

Arthur Melzer's tremendous accomplishment is even greater than he may realize. The tradition of esoteric writing in political philosophy exists, as he convincingly demonstrates, and the consequences of this discovery are as significant as he claims. But the method of esoteric reading that he recommends applies more broadly than he seems to suggest. Applied liberally, moreover, as a corrective to nearly everything that's gone wrong with education in the humanities and social sciences over the last forty years, his humble heuristic—Melzer's Maxim, I call it—has the potential to reorient and renew the whole concept of Liberal Education for an age whose pedagogy is foundering. A boon to the sub-discipline of Political Theory in particular, Philosophy Between the Lines has even more to offer to classroom instruction in general. Read between the lines, Melzer's specialized work of scholarship promises nothing less than the opening of the American mind. It is the antidote to the poison of politically correct multiculturalism.     

Disco and Democracy: Thoughts on Stillman's Film and Book

Abstract

Statesmanship can be exercised in a variety of situations, not all of which involve sitting in the Executive Office. This response examines three of the most impressive American efforts at statesmanship—that of Madison in his capacity as Founder (on how best to secure rights), Franklin as author of a new American Way of life (based on virtues freed from religious seriousness), and Lincoln as theorist of a political morality. All three examples, I argue, provide evidence that a statesman is more than just a politician who has been dead for some time.     

Suffragettes and Shrews: Unruly British Women in the Early Chinese Press (1900s–1910s)

This article examines the image of the British suffragettes in the early Chinese press up to the 1910s. By widely surveying newspapers and magazines, it shows that the common adoption of the shrew trope in depicting the suffragettes went beyond a reductive translational interaction between the West and the East. People's Stand, The Eastern Miscellany and other periodical publications present different ways in which diction, images, literary legacy, gender tradition and cultural demands all came into play in reconfiguring the Chinese shrew and her connections to the Western suffragettes. The shrew–suffragette linkage debunks notions of selling strategies and editorial ambivalence underlying the gesture of the press. Yet it was precisely this ambiguity that rendered the shrew image so polysemic and fruitful, eventually allowing this traditional character type to be positively associated with the new woman models in Chinese progressive discourses.     

William Temple: Christianity and the Life of Fellowship

Abstract

William Temple is best known for his contribution to the forging of a social consensus that resulted in the foundation of the post-war British welfare state following his untimely death in 1944 after only two years as Archbishop of Canterbury. Widely regarded as the most theologically gifted holder of that office since Anselm, his pioneering contribution to the elucidation of a methodology for Christian social ethics which emphasized the role of ‘Principles’ that should inform Christian social action and reflection reinvigorated the Church of his generation in the task of bringing to bear the Christian message on social problems. What is less well appreciated is how he was not only the spokesperson for the most advanced Christian witness in the inter-war years, but that he also provided a basis for Christian ethics that brought together the strengths of the Anglican incarnational theology stemming from F. D. Maurice with the British tradition of philosophical social idealism. Often moving from the circumference to the centre, he sought to relate philosophical questions and insights to the richness of the revelation of God in the person of Jesus Christ. He was as at home in this task as he was in leading a mission on a Blackpool beach and the British public loved him for it. He was, as Winston Churchill said at the time of his elevation to Canterbury, "the half-crown article in a penny bazaar."     

Superstitionis Malleus: John Toland,Cicero, and the War on Priestcraft in Early Enlightenment England

Summary

This paper explores the role of the Ciceronian tradition in the radical religious discourse of John Toland (1670–1722). Toland produced numerous works seeking to challenge the authority of the clergy, condemning their ‘priestcraft’ as a significant threat to the integrity of the Commonwealth. Throughout these anticlerical writings, Toland repeatedly invoked Cicero as an enemy to superstition and as a religious sceptic, particularly citing the theological dialogues De Natura Deorum and De Divinatione. This paper argues that Toland adapted the Ciceronian tradition so that it could function as an active influence on the construction of his radical discourse. First, it shows that Toland championed a particular interpretation of Cicero's works which legitimised his use of Cicero in this rational context. Then, it shows the practical manifestations of this interpretation, examining the ramifications for how Toland formed three important facets of his campaign against priestcraft: his identification of priestcraft as a superstition; his argument for a rational religion in which priestcraft could play no role; and his portrayal of anticlericalism as a service to the Commonwealth.     

Allan Bloom's Message to the State Universities

Abstract

There is a tradition of theory—virtually as old as written literature itself—that views the artist as a maker of new worlds.¹ Reacting against philosophers like Plato, who sees literature as merely the imitation of an imitation, many theorists have ascribed to writers a dynamic and creative power to bring into being that which did not exist before. This article examines two such would-be creators: Friedrich Nietzsche and Chinua Achebe.     

Stewart,Kant, and the Reworking of Common Sense

Summary

Dugald Stewart was the first metaphysician of any significance in Britain who attempted to take account of Kantian philosophy, although his analysis appears generally dismissive. Traditionally this has been imputed to Stewart's poor understanding of Kant and to his efforts to defend the orthodoxy of common sense. This paper argues that, notwithstanding Stewart's reading, Kant's philosophy helped him in a reconsideration and reassessment of common sense philosophy. In his mature works—the Philosophical Essays (1810), the second volume of the Elements of the Philosophy of the Human Mind (1814), and the second part of his historical ‘Dissertation? (1815–1821)—Stewart's analysis of Kantian philosophy is far from being uniform. In the first two works, he takes a cautious approach to transcendentalism, showing some interest in the challenge it might represent for common sense; in the last, he turns to rash criticism. This change may appear confusing and inconsistent unless considered in the light of a precise ‘nationalistic’ strategy. In fact, once Stewart had taken from Kantian philosophy what he deemed useful for his own aims, he eventually dismissed it in order to show that his reworked version of common sense was the most original and most consistent outcome of the whole Anglo-Scottish philosophical tradition.     

Guided by the dark: From thanatopsis to thanatourism

Abstract

Death is the one heritage that everyone shares and it has been an element of tourism longer than any other form of heritage. This paper looks at the historical development of Thanatoptic elements in travel and shows how the Dark Tourism to which this issue is devoted can be located within a historical tradition which sheds light on how it should be defined, typified and viewed today     

Le Danger des liaisons: Censoring Laclos’s Liaisons dangereuses

When Pierre-Ambroise-François Choderlos de Laclos’s Liaisons dangereuses first appeared in late March 1782, it was an immediate succès de scandale. Laclos’s focus on his characters’ libertine psychology and his creation of a “monstrous” female villain, Merteuil, distinguished the novel from mainstream eighteenth-century French works. As an analysis of the novel’s reception demonstrates, Laclos’s suggestive portrayal of female sexuality and empowerment—and, specifically, of Merteuil—led first to the text’s association with dangerous works known as “mauvais livres” or “livres philosophiques” such as the Marquis de Sade’s Justine (1791) and the anonymous Histoire de Dom Bougre, Portier de Chartreux (1741), and later contributed to its classification as a pornographic work at the time the concept was invented in the early nineteenth century—and, ultimately, to its censorship in 1823. If the novel was devoid of explicitly sexual scenes, it nonetheless elicited such images in the minds of (at least some of) its readers and thereby caught the attention of the authorities. Les Liaisons dangereuses may be one of the most prominent historical cases of a book being banned not for what was depicted in its pages, but for the fantasies it inspired—providing a compelling twist to the adage that “pornography is in the eyes of the beholder,” or the mind of the reader.     

Images of meditation,uncertainty and repentance in ancient art

Tracing back the history of a single gesture from a painting by Caravaggio to the portrait statue of Demosthenes by Polyeuktos, the problem of its meaning is first posed in terms of iconographical tradition. On the other side, the mutual relation between this gesture and its meaning is not a fixed one: one and the same gesture can cover some different (and even opposite) meanings, and conversely one and the same meaning can be conveyed by some different gestures. Some ways of describing and focusing this changing connection (seen as one of signifier and signified) are suggested.