Glaze-paints,technological knowledge,and ceramic specialization in the fourteenth-century Pueblo Southwest

The advent of glaze-painted ceramics by Ancestral Pueblo peoples in the US Southwest occurred during an important period of cultural change. In east-central Arizona, potters used glaze-paints to decorate a striking, representational-style pottery during the early fourteenth-century AD. We evaluate the possibility that these vessels were manufactured by emergent specialists who possessed crafting-knowledge that was not widely shared with others in their communities. Time of flight-laser ablation-inductively coupled plasma-mass spectrometry (TOF-LA-ICP-MS) was used to characterize the composition of a large sample of red ware sherds from sites in the Silver Creek area. This analytical approach precisely measures the chemical composition of paints, which can then be used to model ancient technological “recipes.” Our study highlights the complexities of craft production in small-scale societies and the utility of practice-based versus typological approaches to specialization.     

Intermarriage,Technological Diffusion,and Boundary Objects in the U.S. Southwest

This article draws upon ethnographic accounts of female potters’ movement and intermarriage into multi-ethnic Pueblo communities in the U.S. Southwest to illustrate how marriage networks created opportunities for innovation through the production, distribution, and consumption of boundary objects. These objects did not define boundaries but facilitated boundary crossing or bridging by potters. I argue that the concept of boundary objects is more useful than hybridity for understanding the processes of culture contact and material culture diffusion. Archaeological evidence for late twelfth through thirteenth century migrations from the Four Corners to the southern Colorado Plateau is used to make a case for a high degree of intermarriage and post-marital movement of women. Such patrilocality challenges normative views of post-marital residence, including those employed by early ceramic sociologists working in the same area of the Southwest and even at the same sites. The case that I discuss provides a contrast to other Southwest examples in which conformist transmission was more common, and helps to solve a paradox in explanations of the Southwest Pueblo Sprachbund. I conclude that the concept of boundary objects complements formal social network approaches in archaeology by bringing out the active role of objects in linking social actors.     

Forming and Shaping Pottery Boundaries in Contemporary South-Eastern Botswana

In southern African archaeology, the equation of pottery styles with archaeological ‘cultures’ and their attribution to the antecedents of contemporary ethnic groups has been a common practice for a long time. Ethnoarchaeological studies from other parts of Africa and beyond have shown that the matter is complex and that stylistic and technological boundaries in ceramic distributions can reflect different kinds of social boundaries under different circumstances. To expand on these findings and make them locally relevant, a large-scale ethnoarchaeological study of 41 potters in south-eastern Botswana aims for a better understanding of ceramic technological style and boundary relations. Here, we present and explain only the results concerning the boundaries in the forming and shaping stage of ceramic vessel manufacture. We conclude that learning networks explain the visible boundaries in the technological style of forming and shaping pots in south-eastern Botswana today; language and ethnic affiliation do not. Boundaries in the other stages in the operational sequence of pottery manufacture, such as clay sourcing and preparation, vessel surface treatment and decoration, firing and finishing, will be presented in a series of further publications.     

A case for lead-glaze experimentation by late eighteenth-century Catawba using portable X-ray Fluorescence (pXRF)

ABSTRACT

Recent research has demonstrated that Catawba ceramic practices changed abruptly and dramatically after 1759 following a devastating smallpox epidemic and subsequent community relocation. Pottery from the historically documented Catawba town of Old Town and others indicate potters adopted new techniques and styles as they adjusted to new economic and social conditions, including copying European vessel forms, experimenting with new ceramic paste recipes, and utilizing new decorative motifs. The identification of four lead-glazed sherds on otherwise Catawba-looking pale-bodied paste raises the possibility that Catawba potters may have also experimented with lead glazing. This paper presents the results of an elemental analysis of nearly 70 ceramic samples using pXRF and multivariate statistical techniques to identify patterns of production within pale-bodied colonowares. The results indicate that the glazed pottery fragments were made with elementally similar clay used by Catawbas in the Twelvemile Creek locality. I argue that in addition to modifying nearly every aspect of their ceramic repertoire, at least one Catawba potter experimented with lead glazing, providing further insights into the emergent Catawba pottery trade.     

Fragments of a Hanging-Bowl from Bekesbourne,Kent, and Some Ornamental Problems

ENGLAND IN THE 9TH CENTURY witnessed a revolution in pottery production. For the first time since the Roman period, pottery was wheel-thrown and produced on a near industrial scale. Research into this ceramic revolution has focused on chronology and, in particular, whether the technology was introduced before Scandinavian settlement. Yet, little attention has been paid to technological choices made by the potters or how these choices were influenced by wider societal changes. This paper takes a holistic approach to production, employing a range of analytical techniques to reveal the production sequence followed by potters working at one of the new industries — Torksey (Lincolnshire). With new insights into raw material choices, processing procedures, vessel forming practices and firing regimes, the paper challenges long-standing assumptions about manufacturing practice and the spread of the potters’ wheel. Opening a window into the mind of the potter, this article offers a greater understanding of the mechanisms that facilitated the diffusion and ultimate success of this new technology.     

High precision isotopic analyses of lead ores from New Mexico by MC-ICP-MS: implications for tracing the production and exchange of Pueblo IV glaze-decorated pottery

Between ca. 1275 and 1700 CE, Pueblo groups in the northern Southwest United States produced and exchanged ceramic bowls decorated with lead-based glaze paints. Previous studies of these glaze-decorated bowls have used lead isotopic analysis by ICP-MS to identify the sources of lead used by Pueblo potters, and investigate how social or economic factors may have influenced resource use among different Pueblo communities (e.g. 13 and 14; Huntley et al., 2007; Huntley, 2008). However, interpretations of much of this isotopic data have remained provisional because of overlap among the isotopic ratios of potential sources and because the isotopic composition of many glaze paints do not clearly match any known source. Here, we use multi-collector ICP-MS to re-measure the lead isotopic composition of 48 samples of lead sulfide (galena) and lead carbonate (cerussite) from sources in New Mexico that were potentially utilized by Pueblo potters, including mines within the Cerrillos Hills, Magdalena, Hansonburg, and Joyita Hills mining districts. These results define the isotopic composition of lead ores from these districts with greater precision and accuracy than achieved in previous studies and better distinguish among these mining districts in lead isotope space. Most significantly, we find that galena mineralization within the Cerrillos Hills only has a modest degree of isotopic variation, with ²⁰⁶Pb/²⁰⁴Pb ratios from 18.508 to 18.753, ²⁰⁷Pb/²⁰⁴Pb ratios from 15.580 to 15.607, and ²⁰⁸Pb/²⁰⁴Pb ratios from 38.388 to 38.560. These ranges are far narrower than previously reported, and should supersede previously published values for this district. In total, we conclude that isotopic measurements of both ores and glaze paints made by MC-ICP-MS will provide new information about the provenance of lead in glaze paints and allow for more detailed interpretations about resource procurement and exchange in the Pueblo world.     

Chemical and Petrographic Analysis of Pre‐Hispanic Pottery from the Southern Abaucán Valley,Catamarca, Argentina

Neutron activation (NAA) and petrographic analyses were carried out on Late and Inca Period pottery from 15 archaeological sites and several clay samples in the southern Abaucán Valley, Catamarca, Argentina. The results from the NAA and petrographic analyses provide new data concerning local versus non‐local pottery production and vessel exchange for these two pre‐Hispanic cultural periods. The chemical data demonstrate the use of different clay sources over time until the Inca appearance in the region, when a more structured and controlled production is observed. Petrographic analyses show a similar change in the ceramic paste recipes used by ancient potters.     

Marginalized Potters and Ceramic Compositional Groups: Neutron Activation Analysis of Contemporary Pottery from Tigray,Northern Highland Ethiopia

The study presents the results of neutron activation analysis (NAA) of contemporary pottery from Tigray Regional State, northern highland Ethiopia. This is the first regional-scale study of ceramic composition of Tigray’s pottery and is part of an ethnoarchaeological study of the material and social contexts of pottery production and consumption in Tigray’s Eastern (Misraqawi), Central (Mehakelegnaw), and North-western (Semien Mi’irabawi) zones. The analysis identifies clear compositional groups with strong regional patterns, an encouraging result for the use of NAA to study Tigray’s ancient pottery trade. Significantly, the study further contributes to discussions of how mutually constituted social identities of potters and consumers affect compositional patterning in the distribution of pottery in market networks.     

Dealing for Dollars

Abstract

Archaeologists in the field and laboratory commonly record colors of pottery using Munsell or other standard codes. These data are seldom used for more than primary documentation of individual items or to summarize common colors of a defined type or ware. Despite the many factors affecting pottery color it is possible to use this information to investigate patterns of variation within ceramic traditions and between contemporary sites, and to establish the degree of standardization or quality control achieved by ancient potters. Significant trends can be identified in the range and proportional occurrence of colors on assemblages of Red Polished Ware, the common pottery of the Early and Middle Cypriot Bronze Age (ca. 2300–1650 B.C.). These have implications for establishing the degree of control exercised over the process of manufacture and are relevant to discussions of the context of pottery production technology transfer, and inter-site relationships.     

The role of a Chaco-Era great house in the Southern Cibola Region of West-Central New Mexico: The Largo Gap great house community

Largo Gap is one of several late Pueblo II (a.d. 1050–1130) Chaco-style great houses located in the southern Cibola region of west-central New Mexico. This region is at the interface of two Southwestern cultural areas: Mogollon and Pueblo. We report results of survey and excavation research at the Largo Gap great house and associated community to explore the role great houses in this region served for local populations, as well as their articulation with other great houses across the “Chaco Sphere.” The results identify Largo Gap as an architecturally “Chacoan” structure and that use of this structure incorporated both Mogollon and Puebloan material culture. The use of ceramics from both ancestral culture groups indicates that the local community was multi-ethnic, and suggests a socially-integrative role for the great house within this region.     

Archaeological Ceramics and the Physical Sciences: Problem Definition and Results

Abstract

Ancient pottery has been measured and analyzed for over a century. Its virtual indestructibility makes it an attractive material to study. After the experimental stages of application of some of the newer analytical approaches from the physical sciences, however, problems should be better defined before extensive studies begin. Collaboration between the archaeologist and the physical scientist should develop knowledge of the basic raw materials available to the potters at the stage of technological development within the culture whose ceramic products are being studied. The likelihood that the results will offer clues that help us better understand parts of the culture that produce the pottery are thus increased and justify the research work.     

Non-destructive fabric analysis of prehistoric pottery using high-resolution X-ray microtomography: a pilot study on the late Mesolithic to Neolithic site Hamburg-Boberg

The characterisation of prehistoric pottery fragments presents a quite complex task. In provenance studies, petrographic and chemical analyses of the ceramic materials are employed to investigate potential production areas in respect to the geolocial background. Moreover, also the production technology of the firing process, as well as the forming techniques used by the prehistoric potters are of great interest. Their investigation is most often accompanied by a destructive preparation of the samples. In this paper, we want to present high-resolution X-ray microtomography (μ-CT), a non-destructive and non-invasive method, as a supplementary research tool in the study of prehistoric pottery.     

古代指纹与陶工年龄分析——以二里头遗址出土陶器资料为例

古代陶器上常常保留着当时陶工的指纹痕迹,而现代指纹学的研究成果表明,指纹形态与年龄阶段存在着一定的对应关系。故本文通过引入现代指纹学的研究成果,对二里头遗址出土陶器上的指纹痕迹进行采集、观察、测量,试图在此基础上识别与探讨当时陶器生产者的年龄状况以及可能存在的"未成年"陶工。本文的分析结果显示,二里头遗址二里头时期陶器生产者的年龄构成可能较为多样,而且当时的"未成年人"很可能已经参与到陶器生产过程中,并且根据目前的指纹标本推测,他们或许主要从事辅助性工作。     

Si Satchanalai Figurines: Reconstruction of Ancient Daily Life,Beliefs, and Environment in Siam during the Sixteenth Century

The Si Satchanalai figurines and ceramics applied with figurines in various shapes of humans and animals were one type of ceramics produced especially in the sixteenth century at the Si Satchanalai kilns located in Si Satchanalai city under the territorial control of the Sukhothai and the Ayutthaya Kingdoms which foreigners recorded the name of this region as “Siam.” They represent the mixed culture that came along with the unofficial and official foreign relations on politics and trade. Indian, Khmer, Lanna, Chinese Yuan and Ming, and Vietnamese arts and cultures were transmitted to Siam and became to be the important sources of inspiration for the local potters to create figurines and other forms of ceramic objects. The local daily life diet supplies, relationships in community, social organization, neighborhoods, activities, occupations and environments were other important sources of inspiration for the local potters.     

Variability of Ceramic Production and Consumption on the Greek Mainland During the Middle Stages of the Late Bronze Age: The Waterpots from the Menelaion,Sparta

The article examines pottery groups manufactured in non‐Mycenaean traditions from the site of the Menelaion in Laconia (southern Peloponnese, Greece) during the middle stages of the Late Bronze Age. Pottery traditions are first defined using macroscopic study of surface and break features. Two distinct handmade traditions, and another one employing the wheel but with some links to traditional handmade pottery manufactured on the island of Aegina, were recognized and subjected to petrographic analysis. Its results confirmed that potters’ choices regarding clay preparation were different in the case of each identified tradition, being most distinct for the largest group of handmade undecorated water jars. The study highlights survival of pottery traditions with roots in the Middle Helladic period well into the Late Bronze Age, a fact that has not received appropriate attention in the scholarly discourse. It captures the very last stage of their existence, as just a few decades later the production and consumption are entirely dominated by Mycenaean pottery.     

Geomorphological setting and Native American acquisition of buff-firing ceramic clays in the Lower and Middle Gila River Valley, Arizona

This study addresses buff-firing clay sources in dynamic alluvial settings along Arizona’s Gila River in the U.S. Southwest. We establish clay resource distribution relative to the geomorphic histories of the Lower and Middle Gila River based on 38 clay samples and ethnographic data from two US Bureau of Reclamation (BOR) projects. Buff-firing clayey alluvium, deposited in the Gila River floodplain 800 to 1,500 or more years ago, was a surficial ceramic raw material source for prehistoric Hohokam and lowland Patayan potters. This geomorphic unit was later removed in some places and buried by up to 3-4 m of sediment in others, reducing the availability of buff-firing clays in the Hohokam Classic period and requiring historic Pee Posh and Akimel O’odham potters to dig pits to access it. Sources were further destroyed in catastrophic floods in the late 19th and early 20th century, affecting ceramic manufacture patterns and ultimately contributing to the decline of pottery production by the O’odham living in the Gila River Valley. Our results contribute to regional ceramic ecology and should also be of interest to others investigating alluvial clay use in general or buff-firing alluvial clays in particular. The study also illustrates the value of combining geomorphic and ethnographic data to examine major changes in resource distribution and use.     

Revisiting the Exploitable Threshold Model: 14th century resource procurement and landscape dynamics on Perry Mesa,Arizona

Abstract

This study presents a revision of Dean E. Arnold’s (1985, 1993) Exploitable Threshold Model, which attempts to explain the selection of raw materials for pottery production. Arnold’s model posits that potters’ preferences for materials are largely determined by the linear distance to individual resources. We argue, however, that potters’ choices are, at least in part, determined by spatial relationships among the necessary resources rather than the distances to them. This study of 14th century pottery production on Perry Mesa, Arizona demonstrates that potters selected materials based on the co-occurrence of readily available sources of temper, clay, and fuel. Lack of water and fuel sources on the mesa top compelled local residents to eschew the use of readily available basaltic sands to temper their plainware pottery. Instead, Perry Mesa potters selected granitic sands from the river valley nearly 300 vertical meters below their settlements.     

The process,location, and history of Hohokam Buff ware production: some experimental and analytical results

A distinctive red-on-buff pottery, found throughout central and southern Arizona, is a hallmark of prehistoric Hohokam culture. To manufacture it, Hohokam potters used a complicated recipe and controls for firing to chemically manipulate their clay and produce a light-colored fabric on which to paint their red designs. In this study, firing experiments and ceramic analysis are used in conjunction with excavation evidence to evaluate competing ideas about the buff ware manufacturing process, investigate where the pots were made, and model the developmental history of red-on-buff production.     

SEM,EPR and ToF-SIMS analyses applied to unravel the technology employed for pottery-making by pre-colonial Indian tribes from Pantanal,Brazil

The present work aims at elucidating the technology applied in the fabrication of ceramic objects by the ancient ceramists that inhabited the western border of Pantanal, Mato-Grosso do Sul, with the help of a multidisciplinary approach making use of chemical and physical methods of analysis. The potshards under study show the presence of different types of additives, as determined by scanning electron microscopy (SEM) and time of flight secondary ion mass spectrometry (ToF-SIMS). The dispersion of the additives within the ceramic matrix was also addressed by SEM, which shed light on the mounting technique used by the potters to assemble the ceramic vessels. Moreover, the tensile strength conferred to the pottery by the use of a specific type of additive was evaluated by applying a mechanical test. These results were correlated with the firing temperature of the potshards, determined by means of electron paramagnetic resonance (EPR).     

Surveying the Boundaries of Historical Linguistics and Archaeology: Early Settlement in South Central Africa

Drawing on evidence from South Central Africa, this paper explores two methods for linking the linguistic and archaeological records. Since the 1960s, scholars have correlated the hypothesized spatial and temporal overlaps of linguistic speech communities and pottery traditions, with varying success in the face of revisions to linguistic classifications and debates over pottery typologies. This paper assesses similar correlations between speech communities within the Bantu-Botatwe family and ceramic traditions of South Central Africa. Then, it proposes direct associations for specific activities and tools attested in both the linguistic and archaeological records in order to test correlations between pottery traditions and speech communities as well as the reliability of glottochronology. The development of a dense cluster of direct associations between the two records converging on the “when and where” of historical processes allows for the incorporation of theoretical and historical interpretations founded on one body of evidence into narratives developed from another type of data and, therefore, facilitates a “peer” engagement between the disciplines.