Is there a European culture?

Abstract

The article explores the historical roots of the current tensions between the local and the global in Europe, as expressed by the region's audio-visual industries. It suggests that current postures and initiatives have their origins in efforts, which began in the 1920s, to defend ‘an idea of nationhood which presumed sovereignty over culture’ (V. de Grazia), against the perceived onslaught of American cinema, jazz, radio, advertising, etc. The argument follows the evolution of these strategies of cultural protectionism and adaptation through the age of radio and television, down to the Internet. It suggests that ‘Europe’ as a cultural entity will not be formed by this experience, since although every society uses the same sort of tactics and language to face up to globalization, the impulse to cling to local identities and idiosyncracies is, if anything, getting stronger today.     

Sustaining popular music’s material culture in community archives and museums

This article examines the challenges of sustainability faced by community archives and museums that are concerned with the preservation and display of the material culture of popular music’s recent past. The sustainability of grassroots sites of popular music heritage is of great concern due to their role in making accessible cultural artefacts that have limited representation in the collections of more prestigious institutions. Drawing on three sites that have ceased operation – Jazz Museum Bix Eiben Hamburg, Mutant Sounds and Holy Warbles – the article highlights difficulties faced by the founders and volunteers of physical and online archives in sustaining their ‘do-it-yourself’ heritage practices in the medium- to long-term.     

One community ‐ one people? Ethnicity and demography in a North‐Norwegian community 1865–1930

This article demonstrates how the ethno‐demographic composition of a particular local community changes dramatically during a period of 65 years according to the population censuses, although migration is of minor importance. The changes are explained partly as a consequence of an increase in interethnic marriages which produces a growing number of inhabitants with a “mixed” ethnic background, and partly as a change in registration practices concerning ethnicity. In the same period there are no indications of a stratified social structure in the community reflecting differences in opportunities between the various ethnic categories. The article concludes that in this period we witness an emerging fusion of ethnic categories which is generated by a growing number of affinal and consanguine relations and an absence of assets and resources which could be monopolized on an ethnic basis.     

Jaka Tarub,a Javanese culture hero?

The origin of the Jaka Tarub story in oral tradition shows how Javanese culture deals with encounters and fissues in its civilisation. Drawing on a north Javanese kentrungan performance recorded in the 1980s the article shows how these Islamic storytellers have skilfully blended ancient myths and folktales with local history and non-Javanese Islamic legends. As a rich source of information on local language, manners and customs, these oral tales may also help to answer questions on the relationship between Javanese and other cultures. Investigation of this genre is urgent since the art of storytelling is rapidly fading under the pressure of modernisation.     

Scales,Lines and Minor Geographies: Whither King Island?

These are exciting times for geographers, with stimulating possibilities being offered to the discipline by various bodies of poststructural, especially deleuzian, theory. There is, however, a dearth of empirical studies utilising these opportunities, particularly in Australian geography. King Island, located in Bass Strait, is used in this article to broach some theoretical potentials. First, we introduce deleuzian theory. Second, we view King Island through three geographic representations and respective mappings. Third, we discuss the implications of lived practices, which constitute various (major and minor) geographies on and of King Island, for existing perspectives on spatial relations and linear flows between local and global scales. Lastly, we explore some recent treatments of space inflected through the work of Deleuze and Guattari, consolidating some spatial concepts and relations gleaned from King Island's cartographic moments and movements.     

Cool,funky and creative? The creative class and preferences for leisure and culture

It is a core element in Richard Florida’s popular theory on growth to be able to attract the creative class to a geographical area. But Florida is not very specific on which kind of amenities are important for attracting and keeping the creative class. The purpose of this paper is to analyse which kind of cultural activities the creative class is actually using. Which kind of cultural activities does the creative class use more intensively than other groups in society? This paper presents new empirical results on preferences for leisure and culture. Richard Florida’s theory can be, and has been, criticised – especially on the issue of causality. The analyses presented in this paper show that being part of the creative class has an independent and significant role in explaining preferences for leisure and culture.     

Analysing musical culture in nineteenth-century Europe: towards a musical turn?

The aim of this article is to establish the extent to which the history of music can offer new perspectives on the modern period. We need a change of perspective, moving away from the aesthetic debates on music to an investigation of actual experiences and practices of participants. Audience behaviour provides a link between musical production and society. In order to make opera houses and concert halls visible as social spheres, this article draws on examples from the musical life of Berlin and London in the 1800s. Music should no longer be regarded as a peripheral phenomenon, but instead as a potential historical question. The analysis of musical performances prompts at least one: music matters.     

Is there a relationship between wartime violence and postwar agricultural development outcomes? The case of concessions and community grants in Mozambique

This paper studies if intensity and recentness of wartime violence is related to the trajectory of post-conflict agricultural development. We consider the case of Mozambique, where the government has made agricultural concessions to corporations, as well as land grants to communities. These uses may stand in competition with one another, and we test if violence affects the awarding of concessions or land grants. We analyze district-level, GIS-generated data on concessions, grants, and civil war events. We find wartime violence intensity is associated with more concessions and fewer grants. We conversely find recentness of violence is associated with fewer concessions and more grants. Embedding our empirical analysis in a community resilience framework, we suggest the intensity of wartime violence may erode local institutions – be they traditional governance structures, or agricultural cooperatives seeking community lands – or limit their access to government bodies and local NGOs tasked with vetting, delimiting, and monitoring proposed concessions. Paradoxically, recentness violence may mobilize those same institutions.     

Globalisation and the decline of national identity? An exploration across sixty‐three countries

The relationship between globalisation and national identity is puzzling. While some observers have found that globalisation reduces people's identification with their nation, others have reached the opposite conclusion. This article explores this conundrum by examining the relationship between globalisation and people's feelings towards national identity. Using data from the International Social Survey Program National Identity II ( 2003 ) and the World Values Survey ( 2005 ), it analyses these relations across sixty‐three countries. Employing a multilevel approach, it investigates how a country's level of globalisation is related to its public perceptions towards different dimensions of national identity. The results suggest that a country's level of globalisation is not related to national identification or nationalism but it is related negatively to patriotism, the willingness to fight for the country and ethnic conceptions of membership in the nation. An examination of alternative explanations indicates that globalisation has a distinct impact on national identity.     

The semiotics of play: A bridge between nature and culture?

Thomas A. Sebeok. The Play of Musement. Bloomington: Indiana University Press, 1981. 312 pp. Illustrations and 3 Appendices. $35.00     

Who were bennelong and Pemulwuy? Museums in Sydney and interpretation of eora aboriginal culture

Abstract

The Eora Aboriginal People are the original inhabitants of the Sydney region [in NSW, Australia]. There are an estimated 2, 000 Aboriginal rock engravings in Sydney. Some museums in Sydney now acknowledge the traditional Aboriginal owners and use Eora words to name their exhibitions. These include: Ngaramang bayumi – music & dance (Powerhouse Museum); Merana Eora Nora – first people (Australian National Maritime Museum); Yiribana (Art Gallery of New South Wales); and Cadi Eora Birrung: Under the Sydney Stars (Sydney Observatory). The Aboriginal history of Sydney, however, is only told at the Museum of Sydney with installations, videos and spoken exhibits about Eora, the indigenous peoples of Sydney. This paper reviews the Eora Aboriginal exhibits at the Museum of Sydney. It questions whether visitors to Sydney learn about Bennelong and Pemulwuy, two key Aboriginal figures in the the early European settlement around Sydney Harbour. Sydney Aboriginal Discoveries on their Dreamtime cruise of Sydney Harbour provide another interpretation of Eora history and culture. The paper suggests the Eora heritage of Sydney should be more widely interpreted in Museums, National Parks and other public venues to rightfully acknowledge this Aboriginal history.     

Good guys or bad? Middle class blacks and the black community

William Alan Muraskin. Middle Class Blacks in a White Society: Prince Hall Freemasonry in America. Berkeley: University of California Press, 1975. 318 pp. $14.95.     

New evidence for the use of cinnabar as a colouring pigment in the Vin?a culture

This paper presents the results obtained for red pigments used on ceramics from the Neolithic period, excavated at three Vin?a culture archaeological sites on the territory of present day Serbia. Emphasis was put on cinnabar, a characteristic red pigment, in order to define its possible origin and usage. Several spectroscopic techniques (EDXRF, PIXE, X-ray powder diffraction) were applied to identify the pigments. According to the results presented in this paper, the known record regarding the first cinnabar use in the Balkans can be extended to the end of the sixth millennium BC.     

Structure and culture in a non‐partisan Westminster parliament: Canada's northwest territories

For legislatures which have not developed out of indigenous political culture, it is important to understand the interplay of structure and culture. This paper examines the influence of structural arrangements and of cultural context on the attitudes and perceptions of members of the legislature in Canada's Northwest Territories (NWT). This institution is marked by a notable lack of congruence between its British cabinet‐parliamentary structure and the aboriginal political culture of NWT society. Structure and culture are both found to be important influences, but on different attitudinal dimensions: structure affects members’ perceptions of how political processes work, whereas culture determines members’ normative evaluations of politics.