THE EPISTEMIC AND MORAL ROLE OF TESTIMONY1

My aim in this article is to provide a critical‐productive appreciation of witness testimony that avoids the false and crooked dichotomies that pervade contemporary philosophy of history and historical theory. My specific, pragmatist approach combines the recent accounts of Hayden White about “witness literature” with the “generative‐performative” consideration of testimony by Martin Kusch. The purpose is to appreciate, in a non‐foundationalist way, the epistemic and moral role of testimony in the constitution of the representation of the recent past. To achieve this I examine the assumed epistemic and political privilege of the testimonies of survivors of state terrorism from the recent past, and I draw on insights of three of the most relevant survivor witnesses: Primo Levi, Victor Klemperer, and Pilar Calveiro. The essay tries to avoid both an epistemic and a moral posture based on something like “the privileged victim's perspective,” and instead approaches the specific analysis of production and circulation of witness discourse in terms of its contribution to the constitution of the past. That is, it recommends that one look at witness testimony not as an attempt to return to the past but as an action in the present. The result in so doing is to follow some recent results discussed in the new epistemology of witness testimony, which insist that: first, trust in testimony is an irreducible function of the acceptance of knowledge (this means that testimonies should not be treated as secondary sources of knowledge or as parasitical on experience and reason); and second, the production‐circulation of testimonies does not function only in the context of justification but is also legitimately constitutive of knowledge.     

Ritual Appropriation and Appropriate Ritual: Christian Healing and Adaptations of Asian Religions

This article analyzes the uses of the past for liberal Christians who borrow from Asian healing‐related practices such as yoga, Buddhist meditation and Reiki. It focuses on questions of historicity, both in the ways liberal Christians validate their syncretism by drawing connections to the Christian past, and in the way that longer histories of orientalism and colonialism shape current Christian interactions with Asian religions. Centred on the narratives of three North American Anglicans, and informed by attendance at their various healing services, meditation groups, yoga classes and Reiki sessions, this article is evidence of a wider liberal Christian embrace of difference via ritual. The article argues that these liberal Christians use “ritual proximity” to bring together symbols, acts and memories from various times and cultures, thus constructing new lineages of religious inheritance within webs of Christian ritual.     

The Latest Instalment in the Whig Interpretation of Australian Education History: Catherine Byrne's JORH Article “Free,Compulsory and (not) Secular”

The original meaning of the term “secular” in the “free compulsory and secular” nineteenth‐century Australian public education acts is often contested, and has recently become part of a contemporary debate about the presence of confessional religion in state schools. I outline four different interpretations expressed in Australian education history writing, then review the recent Journal of Religious History article “Free, Compulsory and (not) Secular” by Catherine Byrne, arguing that it belongs to the secular liberal or “Whig” interpretation of the meaning of “secular” in the acts. The article is critiqued for forcing sources to conform to an overly rhetorical narrative device: a polarised structure valorising Victorian legislator George Higinbotham, and demonising New South Wales legislator Sir Henry Parkes. The article is also criticised for sub‐optimal source‐work, lack of awareness of the corpus of Australian education history, and overt contemporary policy agendas. I also suggest that the larger “Whig” interpretation of “secular” as part of a liberal progress narrative, underemphasises a religious hermeneutic and a critical theory hermeneutic: that a Protestant consensus about state schooling and “secular” in the Public Education Acts was also a deeply sectarian device for excluding Catholics from a dominant social settlement, just one part of a systemically divided and prejudicial culture.     

Invisible power,visible dispossession: The witchcraft of a subterranean pipeline

There has been a lack of attention to the role of la sorcellerie (witchcraft) and the occult in geographical work on extraction, power and resistance, despite the ways in which these epistemologies inform conceptions of power, wealth and violence. In two towns along the Chad–Cameroon Oil Pipeline, epistemologies of la sorcellerie frame understandings and critiques of the invisible actors and processes that effect the pipeline's uneven distributions of violence, wealth and risk. Far from expunging the experience(s) of extraction by erasing the pipeline's visible traces on the landscape, the oil consortium's infrastructural and discursive erasures serve to situate the pipeline within a knowledge system that associates invisible actors and materials with evil, wrongdoing, suspicion and distrust. This article addresses (i) how the production of dispersed extractive landscapes reinforce epistemologies of witchcraft by alienating the people who live within them from networks of power in ways that provoke a mistrust and jealousy that is absorbed within families and communities and (ii) the socio-political significance of this epistemological structuring of the pipeline as a logic of resistance against hydrocarbon capitalism.     

DEEP GENETICS: UNIVERSAL HISTORY AND THE SPECIES

The popularity of books such as Yuval Noah Harari's Sapiens: A Brief History of Humankind suggests that universal history‐writing has a continuous not a broken past. Rather than “returning,” it is perhaps the most enduring genre of all. This review essay explores the deep‐history element of universal histories and the ongoing purchase of the stadial tradition for a new history of the species. Why are deep histories of the species so reliably appealing, and what do they mean in the twenty‐first century? Although the Anthropocene would seem to be the pertinent context for this ongoing historiography, this essay suggests that the new domain of genetic genealogy powerfully individualizes and commercializes deep history for neoliberal times.     

RECONCEIVING THE PRACTICE OF HISTORY: FROM REPRESENTATION TO TRANSLATION

Arguing that history is not the application of a rigorous method to sources bequeathed to us from the past but rather a practice of coding that constructs “the past” in particular ways, this article seeks to delineate the key elements of this coding. Modern history treats past objects and texts as the objectified remains of humans who endowed their world with meaning and purpose while constrained by the social circumstances characterizing their times. This time of theirs is dead, and it can only be represented, not resurrected; the past is only ever the human past, and it does not include ghosts, gods, spirits, or nature. If, as argued here, “the past” does not exist independently of the means by which it is known and represented, then the many different modes of historicity that human beings developed and deployed before the modern form of history became dominant cannot be measured against “the” past in an effort to compare their accuracy or adequacy in representing it. The concluding section of this article asks what we are doing when we write the history of those who did not share the presumptions of the modern discipline but who had their own mode(s) of historicity. What, it asks, is the character and status of the knowledge produced when we write histories of premodern and non-Western pasts?     

Research Article: Getting Shot of Elves: Healing,Witchcraft and Fairies in the Scottish Witchcraft Trials

This paper re-examines the evidence of the Scottish witchcraft trials for beliefs associated by scholars with “elf-shot.” Some supposed evidence for elf-shot is dismissed, but other material illuminates the interplay between illness, healing and fairylore in early modern Scotland, and the relationship of these beliefs to witchcraft itself.     

THE PUZZLE OF THE BANQUET HALL OF THE DUKES: THE PROFESSIONALIZATION OF SWEDISH HISTORICAL RESEARCH STUDIED THROUGH LUDWIK FLECK'S “THOUGHT COLLECTIVE” AND “THOUGHT STYLE”

In 1312, the Swedish dukes Erik and Valdemar Magnusson married the Norwegian princesses Ingeborg Haakonsdaughter and Ingeborg Eriksdaughter at a ceremony in Oslo, Norway. In 1313, the two couples were reunited at a purpose-built banquet hall, believed to have been located in the medieval Swedish town of Lödöse. The main source of information concerning these events is the Swedish medieval rhyme chronicle The Chronicle of Duke Erik. However, a closer reading of the chronicle reveals that Lödöse is never mentioned in relation to the banquet hall. The article discusses the passing down of knowledge through generations of the same professional collective, in this case the professional collective of Swedish historians during the twentieth century, and demonstrates how the validity of once-established prescientific knowledge persists. To achieve its goal, the article applies Ludwik Fleck's terms “thought collective,” “thought style,” and “tenacity in science,” as well as Thomas Kuhn's concept of the “paradigm,” to a historiographical case study of how the proto-idea of the banquet hall being located at Lödöse has survived to become an established scientific fact. The location of the banquet hall concerns but a minor detail in the turbulent political situation of the Swedish kingdom during the first decades of the fourteenth century. However, the continuing reiteration of this minor detail is evidence of a larger phenomenon, namely how contemporary historical research is influenced by scholars in the prescientific past.     

Tacitus and Tacitism in Johannes Meursius’ historia danica (1630–38).∗

The article examines the role of Tacitus in the Latin history of Denmark (1630–38) by Johannes Meursius. It is argued that “Ta‐citism”; ‐ a contemporary movement influenced by Tacitus both as a stylist and as a political writer ‐ is reflected in Meursius’ work in various ways. The first part deals with Meursius’ introduction and his use of Tacitus’ famous avowal of writing sine ira et studio. Next, Meursius’ Latin prose style, with its brevity, antitheses, and paradoxes, is seen in the context of the contemporary “Attic”; movement, which advocated primarily Seneca and Tacitus as prose models. Thirdly, Meursius’ portrait of the Danish king Nicolaus is shown to be inspired by the Tacitean archtyrant Tiberius. Fourthly, it is argued that Meursius also drew extensively on one of the seminal works of Tacitism in Northern Europe, Justus Lipsius’ Política (1589). Finally, the apparently incongruous union of Tacitean cynicism and Meursius’ generally Christian and moralistic outlook is taken up.     

ANIMAL HISTORY

This review reflects on animal history as a subfield of the discipline of history and presents its main arguments and future tasks. Its main goal is to identify the new research prospects and potentials proposed by the book edited by Susan Nance, The Historical Animal. These include such topics as the problem of “the animal's point of view,” animal agency (animals understood as “historical” agents and actors), the problem of identifying traces of animal actions in “anthropocentric” archives and searching for new historical sources (including animals’ testimonies). It also explores methodological difficulties, especially with the idea of the historicization of animals and the possible merger of the humanities and social sciences with the natural and life sciences. The review considers how studying animals forces scholars to rethink to its foundations history as a discipline. It claims that the most progressive proposals are coming from scholars (many of whom are historians) who advocate radical interdisciplinarity. The authors are not only interested in merging history with specific sciences (such as animal psychology, ecology, ethology, evolutionary biology, and zoology), but also question basic assumptions of the discipline: the epistemic authority claimed by historians for building knowledge of the past as well as the human epistemic authority for creating such knowledge. In this context several questions emerge: can we achieve “interspecies competence” (Erica Fudge's term) for creating a multispecies knowledge of the past? Can research on animals’ perception of change help us to develop nonhistorical approaches to the past? Can we imagine accounts of the past based on multispecies co‐authorship?     

5. INDIA,ITIHASA, AND INTER‐HISTORIOGRAPHICAL DISCOURSE

An effective and enriching discourse on comparative historiography invests itself in understanding the distinctness and identity that have created various civilizations. Very often, infected by bias, ideology, and cultural one‐upmanship, we encounter a presumptuous‐ness that is redolent of impatience with the cultural other and of an ingrained refusal to acknowledge what one's own history and culture fail to provide. This “failure” need not be the inspiration to subsume the other within one's own understanding of the world and history and, thereby, neuter the possibilities of knowledge‐sharing and cultural interface. It is a realization of the “lack” that provokes and generates encounters among civilizations. It should goad us to move away from what we have universalized and, hence, normalized into an axis of dialogue and mutuality. What Indians would claim as itihasa need not be rudely frowned upon because it does not chime perfectly with what the West or the chinese know as history. accepting the truth that our ways of understanding the past, the sense of the past, and historical sense‐generation vary with different cultures and civilizations will enable us to consider itihasa from a perspective different from the Hegelian modes of doing history and hence preclude its subsumption under the totalitarian rubric of world history. How have Indians “done” their history differently? What distinctiveness have they been able to weave into their discourses and understanding of the past? Does the fact of their proceeding differently from how the West or the Chinese conceptualize history delegitimize and render inferior the subcontinental consciousness of “encounters with past” and its ways of being “moved by the past”? This article expatiates on the distinctiveness of itihasa and argues in favor of relocating its epistemological and ideological persuasions within a comparative historiographical discourse.     

Civilized Colonizers and Barbaric Colonized: Reclaiming Naga Identity by Demythologizing Colonial Portraits

In this paper, I address a prominent colonial representation known as “headhunting”, because this term has been in use almost synonymously with Nagas and continues to exert negative psychological ramifications on contemporary Nagas. Due to a lack of work revising the exaggerated representation, the colonial portrayal is being sustained by the frequent and continued use of terms such as “former headhunters” and “once headhunters”. Therefore, this work is in part to represent the Nagas not as “barbaric headhunters” but as “normal” human beings both in the past as well as in the present. To do so, first, I will outline traditional Naga warfare, the context in which decapitation occurred. Second, I will examine the subject as it is being presented in the literature of Euro-Americans. Finally, the paper will end with the argument that the term “headhunting” was simply an invention of the colonizers and briefly note the ramifications of colonial stereotypes on contemporary Nagas.     

“Much in Blood and Money”: Necropolitical Ecology on the Margins of the Uganda Protectorate

Increasingly, political ecologists invoke the concept of “green grabbing” to refer to the ways in which processes of accumulation by dispossession articulate with various imperatives for environmental protection. This paper traces these contemporary processes to their roots in the colonial era, focusing on how dispossession in the name of environmental protection intersects with complex historical geographies of state formation and internal territorialisation. Drawing upon the case of Mount Elgon in Britain's Uganda Protectorate, in particular, we reconstruct the ways in which the interrelated “birth” of both conservation and transcontinental agrarian markets were intimately connected to the emergence and normalisation of the colonial state itself. In doing so, we propose the term necropolitical ecology as a framework to encompass the ways in which contemporary “green grabs” partially emerge from racialised modes of colonial appropriation, the violence of which often still lingers in agencies and institutions of environmental governance in the contemporary postcolony.     

Filming Fairies: Popular Film,Audience Response and Meaning in Contemporary Fairy Lore

This study examines the idea of fairy lore (faery) as a modern concept with personal and humanistic overtones transmitted through mass media phenomena such as films. Analysis of the relationship between folk and popular culture has become increasingly sophisticated and has widened our appreciation of the ways in which mass-culture audiences use tradition to shape popular culture. Fantasy films draw on recognised traditional elements, but the significance of these elements has been mediated through nineteenth-century interpretations of fairy lore. Contemporary audiences are more likely to be exposed to such legends and beliefs in the context of mass media than by any other means, and visualisation of fairies in fantasy films is closely linked to these modern interpretations of traditional material. For cinema audiences, the idea of faery is no longer a traditional and immediate response to experience, it already carries overtones of nostalgia for the past, childhood innocence, utopian societies or sexual discovery. However, personal response and exegesis of this material, reinforced by repeated viewing, access to Internet sites and related activities such as role-play and merchandising, means that the interactions of these virtual communities can transmute and insert themselves into daily life through a shared appreciation of fantasy worlds. The ways in which these consumers of mass culture resemble or differ from a folk audience presents an interesting arena for understanding folklore as a living contemporary phenomenon.     

Does Combinatorial Knowledge Lead to a Better Innovation Performance of Firms?

The knowledge base concept in the past was often applied in its “pure form”, i.e. it was assumed that there are dominant knowledge bases in particular sectors and firms shaping knowledge and innovation processes and related networks. For “analytical sectors” such as biotech, it has been argued that codified knowledge generated by universities and R&D organizations is the key for innovation, whereas “synthetic sectors” such as machinery innovate more incrementally by recombining existing knowledge often drawn from suppliers or service firms. Empirical literature has partly confirmed these patters, but also shown more complex knowledge processes. More recently it has been argued that combinations of different knowledge bases might enhance the innovation performance of firms. For example in “analytical sectors”, firms might benefit not just from new and basic knowledge generated by research, but also from recombining existing and applied knowledge or by drawing on symbolic knowledge. Combinatorial knowledge bases might also be relevant for “synthetic” and “symbolic sectors”, but in different forms. This study investigates for the ICT sector in regions of Austria if the reliance on combinatorial knowledge leads to a better innovation performance than the use of more narrow knowledge bases.     

Visual and aural intellectual histories: an introduction

ABSTRACT

If the subject matter of intellectual history is the study of past thoughts, the intellectual history of the visual arts and music may be characterised as the study of past thoughts as they were expressed visually and aurally. Yet this is not always how an intellectual history of art and music has been practiced. More attention is often paid to verbal texts about art or music, rather than to the visual or the aural per se. If we accept that ideas can have visual and aural, as much as verbal form, then the histories of art and music are significant repositories of thoughts of individuals and networks of individuals (creative artists, patrons, institutions) within a given culture and period. But the ways in which those thoughts are articulated as aural or visual “texts”, and the ways in which they can be accessed by those who seek to understand them, will be specific to each art form, and represent a distinctive kind of intellectual activity in each field.     

The journey as a transcultural experience for international students

An international two-year Erasmus Mundus MA, Transcultural European Outdoor Studies (TEOS), uses the journey as a central metaphorical concept, the “peregrinatio academica”, and experiential pedagogy. Students study human nature interactions through the lens of outdoor education and recreation while travelling for a semester at a time in three European countries: England, Norway and Germany. We argue that the transcultural concept is facilitated by the diverse nationalities of the student cohort and the concept and experience of the journey. Empirical evidence from student feedback, course discussions, and staff reflections is used to explore the ways in which the programme elucidates ideas of expert and Eurocentric knowledge of landscape and learning by valuing individual knowledge constructions and new research. Simultaneously, we argue that the typical European “gaze” on the “other” somehow is reversed as “others” gaze at European cultures, and, to some degree, contribute to destabilizing culturally taken-for-granted knowledge. This offers new opportunities for a more nuanced transcultural exploration of human nature interactions in diverse landscapes and cultures. We conclude that the knowledge and skills developed by this programme supports the development of “transculturalized” students with the enhanced capacity to shift between and discuss diverse positions and ways of viewing and knowing.     

Speaking of silence,speaking of art,abortion and Ireland

Sounding the Depths a collaborative installation by Pauline Cummins and Louise Walsh, 1992 reclaimed the female body appropriated by the Eight Amendment of the Constitution of Ireland and symbolically opened it up to speak and even laugh in defiance of patriarchal and heteronormative definitions of “woman”. First exhibited in 1992, the artwork was addressed to the silencing of women about abortion and other denigrated bodily experiences in a deeply repressive social and political climate. More recent artworks which challenge how women’s reproductive bodies are controlled by the state evidence the continued relevance of these themes as related to the Irish contexts, North and South. This essay considers how art and contemporary pro-choice arts activism explores ways of “saying the unsayable” when abortion is criminalised, stigmatised and largely experienced secretly and silently, to transform its symbols and discourse.     

Beyond the beyond(s): On the (many) third way(s) beyond primordialism and instrumentalism in the study of sectarianism

This meta‐study examines the nature of past and current theoretically informed debates on sectarian politics in the Middle East and identifies the biggest challenges and possible directions for the future study of sectarianism. Contrary to the conventional narrative about a “sectarian journey” torn between a flawed primordialist and instrumentalist approach in between which a new superior “third way” is needed, the article shows that both primordialism and instrumentalism are rare in the academic debate on sectarianism, quite similar to the broader ethnicity/nationalism debate. However, this has not resulted in a “new conventional wisdom” about how to proceed. Thus, the article identifies a cacophony of suggestions for how the much aspired‐to third way should look like. Against this background, the article suggests that it is time to go beyond the ritual calls to “get beyond primordialism and instrumentalism.” Instead, it is time to devote more attention to examining the multiple already existing suggestions for “third ways”. Rather than highlighting a single third way as superior, the article contributes to this move in two ways: it shows how the various third ways can be grouped into three “beyond strategies” (the New Saviour, the Baby and the Bathwater, and the LEGO eclectic strategies) and outlines a number of meta‐theoretical issues to consider in order to move the debate forward.     

6. ACTES DE PRÉSENCE: PRESENCE IN FASCIST POLITICAL CULTURE1

In order to discuss the notion of presence, I explore Fascist Italy as an example of a presence‐based culture. In the first part of this paper, I focus on the doctrines of “the philosopher of fascism,” Giovanni Gentile (1875–1944), in order to show that his programme of cultural awakening revolves around the notion of the “presentification of the past.” This notion formed the basis of Gentile's dialectic of the act of thought, which is the kernel of his actual idealism, or actualism. I argue that actualism should primarily be interpreted as an ontology of a historical reality; it expresses the view that reality is history. In his 1914 inaugural “L'esperienza pura e la realtà storica” (Pure Experience and Historical Reality), Gentile drew this view to its ultimate consequence by developing a view of experience that has some striking parallels with the contemporary views of presence as expounded by Gumbrecht, Runia, and Ankermit. In the second part of my paper, I discuss how Gentile and his collaborators put presence into practice in school reforms, the Enciclopedia Italiana, and in hundreds of monuments, memorials, and exhibitions. Finally, I discuss the 1932 Mostra della rivoluzione fascista, which was not only the apex of fascist culture politics, but also of the practice of presence. In this context, I argue that this practice should not be seen as a politics of historical interpretation, as Hayden White once held, but as a politics of sublime historical experience, or presence. The presence of presence in fascist political culture raises some difficult questions for all who embrace the new paradigm, questions that can only be answered if the notion of presence is somehow balanced by the critical historical method, which is the basis for a true dialogue with the past.