Emotions and the Relevance of the Past: Historicity and Ethnicity Among the Banabans of Fiji

This article treats the ability emotions have to point up the relevance of past events and so structure consciousness of history. It shows how knowledge of the past is embodied via the agency of emotions. The case study looks at how history is given emotional expression among the Banabans, a group stemming from Banaba Island in central Oceania and later resettled in Fiji. Under the hegemony of Western “regimes of historicity”, the Banabans created a new specific consciousness of history, transforming in the process themselves and their relationships with others. By analyzing several of the channels (oral, artistic, performative) via which Banabans vent their history, the article shows how they articulate knowledge of the past—underscored as relevant by emotions—with awareness of their ethnicity in the past and present. It is argued that emotions are involved in forming historicity, a process that is marked, not least, by reciprocity.     

Introduction: Ethnographies of Historicity

This article seeks to clarify the concept of “historicity” and how it might guide ethnographic research. The argument is developed with particular reference to the eight studies of historicity in diverse societies ranging from the Pacific to North America contained in this special issue. The authors contend that the standard Western concept of “history” is culturally particular and not necessarily the best tool for cross‐cultural investigations. Western history is generally predicated on the principle of historicism: the idea that the “past” is separated from the present. People around the world, including Western historians, recognize, however, that the past, present and future are mutually implicated. The notion of “historicity” is intended to open out the temporal focus to a “past‐present‐future”. Studies of historicity address the diverse modes through which people form their presents in world societies.     

THE FLATNESS OF HISTORICITY

This article pursues an explication of the meaning of “historicity.” This explication is in part theoretical and in part historical, passing by the German conceptual history of the term, a Romantic‐era fairy tale with bearings on the matter, and structuralist theories of history, especially Claude Lévi‐Strauss's and Louis Althusser's. The “flatness” of historicity, the article argues, emerges from the absence of layers of explanatory and semantic depth that would provide a foundation for the term. The closer the concept of historicity was tied to notions of human existence and phenomenal and aesthetic experience in the hermeneutic tradition, the more such layers appeared to emerge. The structuralist argument started out from the impulse to reject this tradition. Diverse variations of this argument rally around an understanding of the reality of the historical in both set‐theoretical and semiotic terms. They dismantle a variety of manners in which historicity can be tied to notions of the phenomenal subject and of intentionality and existence/Dasein. The article asserts that the structuralist argument, in spite of a tendency to develop its own layers of seeming profundity, has a considerable degree of rigor and establishes the plausibility of the flatness of historicity. I conclude by discussing some of the positive implications of this notion, which in particular affect the manner in which the historical and the political interlock.     

Naming,Mnemonics, and the Poetics of Knowing in Vula'a Oral Traditions

For the Vula'a people of south‐eastern Papua New Guinea names are a way of knowing that is intimately linked to a particular mode of being. The ethnography of Vula'a naming practices presented here, and an analysis of their stories – traditionally known as rikwana – suggests that names are essential in the Heideggerian sense that they bring the past, present, and future into proximity and thus may be understood as a form of historicity. In certain contexts names are also powerful because they are implicated in the kinds of transformations commonly described by anthropologists as magical. Magical names link knowing and speaking with a vital aspect of Vula'a cosmo‐ontology known as iavu (heat).     

POSTCOLONIALITY AND THE TWO SITES OF HISTORICITY

This essay examines the two sites of historicity, namely history‐writing and historical agency, and their interrelationship. I borrow the idea of “sites of historicity” from historian Michel‐Rolph Trouillot's Silencing the Past: Power and the Production of History (1995). For the purpose of analyzing how the relationship between the two sites changes with time and context, using Trouillot's theoretical lens, I examine the philosophies of history of Immanuel Kant and G. W. F. Hegel. By citing instances from these two philosophers, I claim that with the rise of nineteenth‐century colonialism, the two sites of historicity became discursively related in a specific way, whereby historical agency came to be predicated on history‐writing. Hence, in contrast to Kant's work, in Hegel's philosophy of history the relationship between the two sites of historicity acquired a decidedly colonialist form. As a result of this predication of historical agency on history‐writing, the alleged lack of historiography of certain cultures began to be considered as a token of their lack of political ability. The essay ends with the suggestion that the postcolonial thinkers and commentators who deal with historiography should challenge the foregoing predication, as it continues to inform contemporary thought concerning historiography.     

Utopian Promise or Burdensome Responsibility? A Critical Analysis of the UK Government's Building Schools for the Future Policy

Abstract: This paper critically analyses a nationwide school‐building programme in England: Building Schools for the Future (BSF). It is argued that, between 2003 and 2010, the UK Government's policy guidance for BSF represented a (re)turn to utopian discourse in governmental policy‐making, mobilised in order to justify a massive programme of new school building in the UK. In doing so, BSF connected with the promise of three further discourses: school(‐children), community and architectural practice. It anticipated that new school buildings would instil transformative change—modernising English schooling, combating social exclusion and leaving an architectural “legacy”. However, it is argued that BSF constituted an allegorical utopia: whilst suggesting a “radical” vision for schooling and society, its ultimate effect was to preserve a conventional (neo‐liberal) model of schooling. The paper highlights the critical role that notions of utopia might have in negotiating—and challenging—promise‐laden mega‐building policies like BSF. In doing so, it develops recent geographical research on utopia, education and architecture.     

Contiguity and Similarity as Poetic Modes in Some Poems of Gongora

This article explores how different authors who suffered the violence of the 1970s and 1980s revolutionary movements and military dictatorships in the Southern Cone countries of Latin America look back from a post-dictatorship present to write the history of their recent past. Nostalgia and critical reflection join forces to recreate the feelings of loss of individuals whose identities crashed due to the failure of political projects that once were conceived as messianic, as well as to critically reclaim the past in order to construct alternative futures for themselves as individuals and for the community. The article focuses mainly on the Chilean Diamela Eltit's novel Jamás el fuego nunca (2007), in which an old couple of former revolutionary militants of the Left imprisoned in a claustrophobic space—an old bed—explore their past as militants and as a couple to understand and question notions of individual and collective identity in the aftermath of traumatic and tumultuous experiences. The novel is read in the context of other narratives such as Chilean Luz Arce's testimonial, El infierno (1993) and Argentine political scientist Pilar Calveiro's essays, Poder y desaparición (1998) and Política y/o violencia (2005), among others. This article's theoretical contribution lies in its emphasis on the ethical consideration of listening to all of the narratives that speak to us about that era cognizant of their differing motivations, desires, tonalities, and subjective trajectories. Only by paying close attention to the polyphony of voices and documents about the past—especially those that speak to us from a time of subjective crisis and trauma—can we achieve a true sense of historicity.     

DOCUMENT AND TIME

This article explores what it calls the “documentarist” hypothesis: the belief that the subject matter of history, the past, is structurally absent and thus can be reached only by way of documents, testamentary traces of various sorts (not only written texts, but artifacts, land arrangements, oral witnessing, and so on). The first part of the article works out the documentarist position through interpretations of creative works that embody it and of a variety of reflections on historiography—those of Michel de Certeau and Paul Ricoeur, as well as some “postmodern historiography.” It argues that documentarism ultimately faces an insoluble problem: it presupposes the pastness of the past, yet it cannot give itself the latter by way of the documents to which it believes itself confined. Documentarism assumes as already at hand a historical‐temporal horizon of past, present, and future, for which it itself cannot account. In the second part of the article, accordingly, I turn to the historiographical portion of Faulkner's The Bear to expose the operativity of this always already given temporality. Faulkner's tale gives us access to a more radical historicity than any upon which documentarists reckon; yet this historicity turns out to sit askew from the usual frameworks of history as we know them, especially those of periods and epochs. The tension in Faulkner's own work between periodizing and event‐laden explanations, I conclude, points to questions that fall beyond history as currently conceived.     

Holy Organ or Unholy Idol? Forming a History of the Sacred Heart in New Spain

In the eighteenth century, Novohispanic painters produced some of the most innovative and visually complex images of the Sacred Heart of Jesus. While they are based in part on European printed frontispieces of books about Christ's heart, the paintings are not mere copies or derivatives of European artworks. This article explores the reasons for the particular pictorial strategies of Novohispanic paintings of the Sacred Heart. I argue that the visual strategies employed by Novohispanic artists were intended to argue in support of the legitimacy and historicity of the cult of the Sacred Heart; the cult was under attack in the eighteenth century for, among other reasons, being too new and thus lacking historical roots, making it potentially heretical and apocryphal. Novohispanic depictions, like religious texts produced to defend the Sacred Heart, champion the cult, thereby attempting to shape perception through the power of the images.     

The Concepts of imitatio and translatio: Perceptions of a Viking‐Age Past

The author presents the results of excavations at Mare Church, North Tr?ndelag. Medieval sources indicate that Mære was the religious centre for Inner Tr?ndelag in pre‐Christian times. It was also the place where the first church (shire church) in Sparbyggjafylke was erected. At Mære if anywhere, therefore, it should be possible to test archaeologically the theory about cult continuity from pagan to Christian times.

Under the present church, which dates from the end of the twelfth century, the remains of an early wooden church surrounded by a churchyard were found, together with vestiges of at least two buildings from pre‐Christian times. On the evidence of loose finds, the oldest of these can be dated to the Migration Period (c. A.D. 500). A series of gold plaquettes were found associated with the later of the two buildings. This find is interpreted by the author as indicating that the building may have been a pagan cult building.     

Valleys of Historicity and Ways of Power among the Fuyuge

ABSTRACT Attention to history is widely seen as a necessary corrective to the synchronic perspective of ethnography, especially as this has come to inform research in Melanesia. In fact, anthropologists turn to the study of history not only to understand ‘change’ and ‘the past’ but to delineate the ‘history’ of the people studied. However, history as a concept and discipline has a unique place in western knowledge conventions, an outcome of the distinctive ways of gauging and relating past, present and future. Historical analysis can augment ethnography but not necessarily portray the history of the people concerned, as they may have no history, as such. The article suggests that historicity is a more appropriate notion with which to register the significant ways in which the social past is entangled in what people are and do and in their future potentialities. This argument is made with reference to the Fuyuge people of highland Papua and their involvement in engineered trail and road building during the colonial and post‐colonial period and their simultaneous interest in the performance of their gab ritual. These events exemplify different kinds of power and associated historicity. Through scrutiny of each it is shown that the form of Fuyuge (Melanesian) historicity parallels that of their sociality and its distinct temporality. The events that actors perform produce not so much history, as the recurrent evocation of past actions and the foreshadowing of future ones.     

The Use of Copper and Lead Sheathing in VOC Shipbuilding

Much has been written on the use of lead and copper sheathing in post mediaeval shipbuilding, yet evidence for such hull protection by Dutch shipwrights in the 17th and 18th centuries has received little attention. A discussion of the archaeological and historical evidence pertaining to the application of copper and lead sheathing by the Dutch long‐distance trading companies outlines the argument for the innovative character, experimental use—on ships’ hulls—and standardization—on sternposts—as early as 1602. Archaeological evidence presented mainly comes from the Dutch East Indiamen Nassau (1606), Mauritius (1609), Batavia (1629), Vergulde Draak (1656), and Buitenzorg (1760).     

The Theory of Enchantment and the Enchantment of Theory: the Art of Alfred Gell

ABSTRACT Gell's Art and Agency that aimed to articulate the first anthropological theory of art has achieved a near‐cult status among the academic community. Departing from previous semiological and aesthetic approaches, this theory takes it that art is a form of instrumental action, the canonical efficacy of which lies in its power to function as a cognitive trap and to captivate the spectator's mind. In this article it is argued that Gell's theory is not as novel as it is claimed; that it fails to define the specific field of art; and that by excluding the aesthetic properties of art objects, it discards ethnographical data nonetheless necessary for understanding the agency of art in Melanesian local cultures. At a meta‐level, Gell assigned to his theory the same captivating purpose as he did to art, and this probably explains the seductive fascination that his work continues to exert.     

Comments on M. Kuhle and S. Kuhle (2012): ‘Hannibal Gone Astray? A Critical Comment on W. C. Mahaney et al., “The Traversette (Italia) Rockfall: Geomorphological Indicator of the Hannibalic Invasion Route” (Archaeometry, 52, 1 [2010] 156–72)’

The title of Kuhle and Kuhle's (2012) (hereafter K&K 2012) paper in Archaeometry appears to be mostly a tirade against the Traversette Route of Hannibal's Army, as originally favoured by Sir Gavin de Beer—a man possessed of singular scientific experience and near‐singular interest in Carthaginian history—in the mid‐part of the last century. The mere fact that Mahaney et al. (2010a,c) added to de Beer's corpus of evidence that Hannibal followed the southern route appears to have brought K&K (2012) to lodge not only a protest, but one of accusatory tone, stating that Mahaney et al. (2010c) had erroneously misinterpreted historical texts to prove the Col de la Traversette as the Punic Army col of passage into Italia. Aside from the fact that the tone of these allegations rises to a curious level, it is the intention of this discussion to put facts where they belong, rooted in what is known of the Hannibalic Invasion and what is inferred by the prevailing scientific evidence. It is important to note that there is not one preferred route as stated by K&K (2012), but three in fact (see Fig. 1 (a) in Mahaney et al. 2010c), and all have been discussed by a legion of historians (see, e.g., Freshfield 1886, 1899; de Beer 1969; Proctor 1971; Prevas 1998; Mahaney 2008).     

Stealing the Water of Life: The Historicity of Contemporary Social Relationships

Pacific anthropology has predominantly concentrated on documenting the pre‐contact past or an acculturated present. This article explores an alternative focus on contemporary relationships, seen as both exhibiting historicity and agentive power. The control over scarce but vitally important resources, such as land and water, is the responsibility of the village leadership in the Tokelau atolls. The regulation of social behaviour establishes fecundity and agency in a manner that lends order to the universe. However, the achievement of a position of command, in particular over rights to land, is dependent upon knowledge of the past and of genealogical connections in the present. Claims to positions are commonly challenged, and this dynamic of contested ascendancy means that the past is always significantly present, although in different shapes.     

The beads of Indian Knoll

ABSTRACT

Busycon discs, barrels, rings, and columellas, Leptoxis and Prunum shell beads, and stone and coal beads from Webb and Moore excavations at Indian Knoll (15OH2) are discussed in this paper as the author seeks to determine how beads were deployed to convey social information during the Archaic period. After wrestling with the count of beads (ca. 27,337) and the number of burials (ca. 260) with beads, the types of beads are tallied and measurements given based on the author’s examination of beads. The presence and distribution of beads in the shell-bearing stratum and the hardpan, and their distribution among women, men, and subadults, are explored. The beads appear to have been assembled rather than manufactured as sets. An argument is made that shell beads were used at Indian Knoll as regalia for members of and victims of a hunt god/spirit cult. Leptoxis sashes are identified in 36 burials and discussed as regalia. Bead co-occurrence with atlatls, faunal species, and violent death is examined as part of the hypothesized cult rituals.     

The Matter of Makira: Colonialism,Competition, and the Production of Gendered Peoples in Contemporary Solomon Islands and Medieval Britain

Since civil tension disrupted Solomon Islands between 1998 and 2003, the Arosi of Makira have elaborated discourses according to which their island contains a secret and preternaturally powerful subterranean army base. These discourses have clear antecedents in Maasina Rule, a post-World War II socio-political movement sometimes analysed as a “cargo cult”. Offering an alternative interpretation, I compare Arosi discourses about the Makiran underground to the Matter of Britain as represented in Geoffrey of Monmouth's History of the Kings of Britain (completed c. 1138). I argue that both sets of discourses arise from the dynamics of mutually precipitating communities mythologizing themselves and each other in terms of the analogous oppositions colonizer is to colonized as allochthon is to autochthon as male is to female. This comparison, I conclude, recommends the medieval European phenomenon of a “matter” as a productive model for understanding contemporary ethnogenetic myth-making in and beyond Melanesia.     

Defining the OE hearg: a preliminary archaeological and topographic examination of hearg place names and their hinterlands

The OE term hearg is interpreted variously as ‘pagan temple’, ‘hilltop sanctuary’ and even ‘idol’. It is a rare survival in the English place‐name record. When it can be identified, the place name is commonly considered to refer to a location of pre‐Christian religious activity, specifically a pagan Anglo‐Saxon temple. Taking inspiration from the extensive and methodologically well‐advanced studies in Scandinavia, which have successfully related place‐name evidence for cultic and religious sites with the archaeology and topography of these localities, this paper adopts and uses a similar methodology to investigate the archaeological and topographic character of a selection of hearg locations. The traditional interpretations of the place name are questioned and evidence is presented that these sites are characterized by long‐lived, localized cult practice spanning the late prehistoric to early historic periods, but with activity reaching a zenith in the late Iron Age to Romano‐British eras, rather than the fifth to seventh centuries AD.     

Conciencia nacional y devoción jacobea en el Poema de Fernán González

Jacobean devotion and national awareness are closely related in the Poema de Fernán González (PFG). The great advance of the Reconquest in the thirteenth century and the reevaluation of the past that it caused enabled the broad Hispanic perspective of the PFG. Spain is not only a distant and longed-for reality (“regnum Gothorum”) but a current political concept. This is the frame of the PFG's intense Castilian sentiment. Castile is the bastion of the Visigothic monarchy, which did not yield to the Muslims and was the foundation for the recovery of Spain. The territorial diversity becomes the outstanding feature of this country, in which the “Montaña” takes an important role. Confronting the proposal of the cult of Saint Millán by the Monastery of San Millán de la Cogolla, the author of the PFG, aware of the damages that such a cult was causing to his monastery, clings to the Jacobean devotion that achieved a broad Hispanic scope.